The Clockmaker’s Daughter by Kate Morton

Mantle|20 September 2018|592 pages|Review copy|3*

Synopsis:

My real name, no one remembers.
The truth about that summer, no one else knows.

In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor in rural Berkshire. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.

Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing a drawing of a twin-gabled house on the bend of a river.

Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

Told by multiple voices across time, The Clockmaker’s Daughter is a story of murder, mystery and thievery, of art, love and loss. And flowing through its pages like a river, is the voice of a woman who stands outside time, whose name has been forgotten by history, but who has watched it all unfold: Birdie Bell, the clockmaker’s daughter.

My thoughts:

I was looking forward to reading The Clockmaker’s Daughter as Kate Morton’s The House at Riverton and The Secret Keeper are two of my favourite books, but I’m in two minds about it. Whilst I loved parts of it I struggled to read other parts, bogged down by the many changes of time, places and characters, even though I like complicated plots and dual time-lines. It could easily have been made into several books.

I found it difficult to separate the various strands and to create a coherent whole – and it is so long and drawn out. And then there is the supernatural element, which intrigued and delighted me. So, all in all, my reaction is confused and mixed, so much so that at times I wanted to give it 5 stars and then plummeted right down to 2 stars – hence the 3 stars!

It’s richly descriptive and I loved the descriptions of the locations, and of Birchwood Manor, the house on the bend of the river and the story of how Elodie searches to find the history and connections between the satchel, the photograph of a beautiful Victorian woman and an artist’s sketchbook certainly caught my imagination. I also loved the story of Birdie, the clockmaker’s daughter, who is the catalyst for the disaster that befell Edward’s life.

There are multiple narrators very gradually building up a history of Birchwood Manor and the people who lived there over the years up to 2016. But it’s hard to keep track of them all as the narrative jumps backwards and forwards so disjointedly. The connections between what seem to be separate stories eventually become clear – but you have to keep all the separate strands in your head and remember who is related and how their paths meet and diverge.

As the synopsis says it is a story of murder, mystery and thievery, of art, love and loss – all of which appeals to me. And I’m sure plenty of other readers will love this book. It’s a book that I really needed to concentrate on, which is not a bad thing, but for most of its 592 pages it moves at a snail’s pace and I found it an effort. But once you have got to the end and can see the whole picture it really is a good story; very cleverly plotted, maybe too cleverly for me.

Thank you to Mantle and NetGalley for my copy of this book for review.

WWW Wednesday: 19 September 2018

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WWW Wednesday is run by Taking on a World of Words.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

I’m currently reading:

East of Eden

I’m still reading East of Eden by John Steinbeck. It’s the story of two families—the Trasks and the Hamiltons—whose generations helplessly re-enact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. I’m glad to say that I am now totally absorbed in Steinbeck’s book. Adam and Cathy’s twin sons have been born in appalling circumstances and I have become very fond of the Hamiltons and Lee, Adam’s Chinese servant.

I’ve recently finished:  

The Clockmaker’s Daughter

The Clockmaker’s Daughter due to be published on 20th September 2018. It’s set in the 1860s at Birchwood Manor on the banks of the Upper Thames where a group of young artists led by Edward Radcliffe are spending the summer and also in 2017 with Elodie, a young archivist in London, who finds a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river. It’s a story of murder, mystery and thievery, of art, love and loss.

I am really not sure what my reaction to this book is. I need to sort out my thoughts before writing my review.

My next book could be:

I have all sorts of ideas about which book to read next and am undecided. It could be any of the books I listed in yesterday’s post or A Perfectly Good Man by Patrick Gale. I’ve borrowed this from the library and have already renewed it several times – so I will have to read it soon, or return it unread. I loved his Notes from an Exhibition.

A Perfectly Good Man

Synopsis

Devastatingly moving and full of psychological insight, A PERFECTLY GOOD MAN is a warm, humane Cornish novel from the bestselling author of A PLACE CALLED WINTER

‘A convincing, moving account of man’s struggle with faith, marriage and morality’ Sunday Times

On a clear, crisp summer’s day in Cornwall, a young man carefully prepares to take his own life, and asks family friend, John Barnaby, to pray with him. Barnaby – priest, husband and father – has always tried to do good, though life hasn’t always been rosy. Lenny’s request poses problems, not just for Barnaby, but for his wife and family, and the wider community, as the secrets of the past push themselves forcefully into the present for all to see.

Have you read any of these books?  Do any of them tempt you? 

WWW Wednesday: 12 September 2018

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WWW Wednesday is run by Taking on a World of Words.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

I’m currently reading:

The Clockmaker’s DaughterI’m reading Kate Morton’s latest book, The Clockmaker’s Daughter due to be published on 20th September 2018. I’m enjoying it very much so far. It’s set in the 1860s at Birchwood Manor on the banks of the Upper Thames where a group of young artists led by Edward Radcliffe are spending the summer and also in 2017 with Elodie, a young archivist in London, who finds a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river. It’s a story of murder, mystery and thievery, of art, love and loss.

East of Eden

I’m also reading East of Eden by John Steinbeck. It’s the story of two families—the Trasks and the Hamiltons—whose generations helplessly re-enact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. I like Steinbeck’s writing, particularly the opening description of the Salinas Valley in California, but so far I’ve not found the book as absorbing as The Grapes of Wrath, which I loved, but then I’ve only read up to page 125 (612 pages in total) and am just getting used to the leisurely pace of the novel.

I’ve recently finished:  

Wedlock: How Georgian Britain’s Worst Husband Met His Match by Wendy Moore, non fiction about Mary Eleanor Bowes who was the richest heiress in 18th century Britain. She fell under the spell of a handsome Irish soldier, Andrew Robinson Stoney and found herself trapped in an appallingly brutal marriage, terrorised by violence, humiliation, deception and kidnap, and fearful for her life. It’s full of detail and reads more like a novel than non-fiction .

Dead Woman Walking

Another book I’ve finished recently is Dead Woman Walking by Sharon Bolton. I loved it – very clever plotting, great characters and set in an area of Northumberland that I know quite well (a bonus). It begins with a balloon flight that ends in disaster and only Jessica survives as the balloon crashes to the ground, but she is pursued by a man who is determined to kill her. I love this kind of book, full of suspense and surprises and one that draws me within its pages.

My next book could be:

Cold Earth (Shetland Island, #7)

Ann Cleeves’ 7th book in her Shetland series, Cold Earth because I really want to read her 8th book, Wild Fire which was published last week, only to discover that I haven’t read Cold Earth yet!

Synopsis

In the dark days of a Shetland winter, torrential rain triggers a landslide that crosses the main Lerwick-Sumburgh road and sweeps down to the sea.

At the burial of his old friend Magnus Tait, Jimmy Perez watches the flood of mud and peaty water smash through a croft house in its path. Everyone thinks the croft is uninhabited, but in the wreckage he finds the body of a dark-haired woman wearing a red silk dress. In his mind, she shares his Mediterranean ancestry and soon he becomes obsessed with tracing her identity.

Then it emerges that she was already dead before the landslide hit the house. Perez knows he must find out who she was, and how she died.

Have you read any of these books?  Do any of them tempt you? 

My Friday Post: The Lake House by Kate Morton

Book Beginnings Button

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

This week I’m featuring The Lake House by Kate Morton. This is one of my TBRs.

It begins in Cornwall in August 1933:

The rain was heavy now and the hem of her dress was splattered with mud. She’d have to hide it afterwards; no one could know that she’d been out.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice. These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56

Sadie pictured the muddy lake and its eerie avian population. ‘Yes, that’s it. What happened there?’

‘A terrible business,’ Louise said, with a sad shake of her head. ‘Back in the thirties, before I was born. My mother used to talk about it, though – usually when she wanted to stop us kids from wandering too far. A child went missing on the night of a grand party. It was a big story at the time; the family was wealthy and the national press paid a lot of attention. There was a huge police investigation, and they even brought down the top brass from London. Not that any of it helped.

What a coincidence! I think these two extracts sum up what this book is about – an unsolved mystery of a child who disappeared without a trace.

I’ll be reading this book soon. What do you think? does it tempt you too?

First Chapter: The Secret Keeper

First chapterEvery Tuesday Diane at Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros, where you can share the first paragraph, or a few, of a book you are reading or thinking about reading soon.

My choice this week is: The Secret Keeper by Kate Morton, a book from my TBR Pile Challenge 2015.

It begins:

Rural England, a farmhouse in the middle of nowhere, a summer’s day at the start of the nineteen sixties. The house is unassuming: half-timbered with white paint peeling gently on the western side and clematis scrambling up the plaster. The chimney pots are steaming and you know, just by looking, that there’s something on the stove top beneath. It’s something the way the vegetable patch has been laid out, just so, at the back of the house; the proud gleam of the leadlight windows; the careful patching of the roofing tiles.

A rustic fence hems the house and a wooden gate sparates the tame garden from the meadows on either side, the copse beyond. Through the knotted trees a stream trickles lightly over stones, flitting between sunlight and shadow as it has done for centuries; but it can’t be heard from here. It’s too far away. The house is quite alone, sitting at the end of a long dusty driveway, invisible from the country lane whose name it shares.

I’m immediately attracted to this book from these two opening paragraphs, setting the scene. I can easily paint a picture of it in my mind – I can see it! You know that in such an idyllic setting something is about to happen to upset everything; at least that is what I am anticipating  and I know from the title that there is at least one secret someone is keeping .

I also know from the description on the back cover that this is a book that switches from the 1930s, to the 1960s and the present day, which often works well for me, and that there are not only mysteries and secrets but also murder and enduring love.

Will I like it? LibraryThing thinks I probably will like The Secret Keeper (prediction confidence: very high) – we’ll see.

The Distant Hours by Kate Morton

I was hoping that The Distant Hours, Kate Morton’s third book would be as good as the first,The House at Riverton, which I loved. I’ve read her second book The Forgotten Garden, which disappointed me, because it was predictable and I thought it was a re-working of Frances Hodgson Burnett’s book, The Secret Garden. However, I think The Distant Hours is the least satisfying, which is a shame as it promised to be so good at the beginning and the story itself is fascinating …

A dilapidated castle, aristocratic twins, a troubled sister and a series of dark secrets cast a whispery spell … (from the back cover)

It begins with a creepy tale, The True History of the Mud Man, a children’s story written by Raymond Blythe, the owner of the castle. It begins:

Hush – Can you hear him?

The trees can. They are the first to know that he is coming.

Listen! The trees of the deep, dark wood, shivering and jittering their leaves like papery hulls of beaten silver; the sly wind, snaking through their tops, whispering that it will soon begin.

The trees know, for they are old and have seen it all before.

A tale which haunts the book. The dark secrets begin to surface when Edie Burchill’s mother receives a long-lost letter written fifty years earlier from one of the sisters at Milderhust Castle. Edie is intrigued but her mother is reluctant to talk about it and about the time that she was an evacuee at the castle during the war.

The story slips backwards and forwards in time between the 1990s and the Second World War and the characters and the descriptions of the settings are fine – up to a point. But the book moves at a snail’s pace over its 670 pages. There is just too much unnecessary detail, about things on the periphery that never go anywhere. There is so much that it stifles the narrative and the heartaches, betrayals and tragedies become a catalogue of events. I just wasn’t involved. But this is still an enjoyable book, if over long and not as good as her earlier books.