The Chalet by Catherine Cooper

3*

The Chalet, by Catherine Cooper, is a fast-paced murder mystery, set mainly in La Madière, a fictional ski resort in the French Alps. It is her first published full-length novel, though she has also written several (unpublished) thrillers for teens and a (what used to be called) chick lit novel set in TV production.

Synopsis

French Alps, 1998 -Two young men ski into a blizzard… but only one returns.

20 years later – Four people connected to the missing man find themselves in that same resort. Each has a secret. Two may have blood on their hands. One is a killer-in-waiting. Someone knows what really happened that day.

And somebody will pay.

The Chalet is Catherine Cooper’s first published full-length novel, though she has also written several (unpublished) thrillers for teens and a (what used to be called) chick lit novel set in TV production.

I read The Chalet quickly. It’s well written, easy reading, with a beautiful setting in the French Alps. It began well and I was quickly drawn into the drama of the story. The narrative moves between 1998, and 2020 and is told from several of the characters’ perspectives. None of the characters are particularly likeable and they all seem to have something to hide.

It’s a story of revenge, stemming from the events in 1998 when two brothers go skiing with their girlfriends and only one of the brothers returns. The weather conditions were bad and on a difficult off-piste route they lost contact with their guides and only one of them was found, but he couldn’t remember anything about what had happened. The body of the other brother was only found 20 years later after an avalanche hit the resort.

In 2020 a group of people, four couples mixing business with pleasure are staying at the same resort in a luxury chalet. The atmosphere is a difficult one as the couples’ relationships begin to breakdown, particularly when the weather worsens and a storm sets in, leaving them somewhat isolated. Various past events became clearer as secrets are revealed. Although there are plenty of twists and turns, it really wasn’t hard to work out what had happened and who was seeking revenge. An entertaining read, but maybe a bit too predictable by the latter half of the book. The last paragraph promises there is more to come in this story – I’ll be interested to see what happens next, if there is a sequel.

  • ASIN: ‎ B086JJ2TK1
  • Publisher: ‎ HarperCollins (31 Oct. 2020)
  • X-Ray: ‎ Enabled
  • Print length: ‎391 pages
  • My Rating: 3*

My thanks to NetGalley and Harper Collins, the publishers for a review copy.

The Queen’s Lady by Joanna Hickson

Harper Collins|20 January 2022|451 pages|e-book via NetGalley|Review copy|4*

Publishers’ Description:

As lady-in-waiting and confidante to Queen Elizabeth, wife of Henry VII, Joan understands royal patronage is vital if she and her husband, Sir Richard, are to thrive in the volatile atmosphere of court life.

But Tudor England is in mourning following the death of the Prince of Wales, and within a year, the queen herself. With Prince Henry now heir to the throne, the court murmurs with the sound of conspiracy. Is the entire Tudor project now at stake or can young Henry secure the dynasty?

Drawn into the heart of the crisis, Joan’s own life is in turmoil, and her future far from secure. She faces a stark choice – be true to her heart and risk everything, or play the dutiful servant and watch her dreams wither and die. For Joan, and for Henry’s Kingdom, everything is at stake…

My thoughts:

I enjoyed reading Joanne Hickson’s first book in her Queens of the Tower series, The Lady of the Ravens (my review), so I was keen to read the sequel, The Queen’s Lady, continuing the story of Joan Vaux, Lady Guildford. She was a lady in waiting to Queen Elizabeth, the wife of Henry VII and had became a good friend and confidante of Elizabeth. Her son Henry, known as Hal, had also became a good friend to the young Prince Henry.

It begins one evening at the Tower of London in April 1502. There’s strange atmosphere, as the ravens sit hunched in silence in the trees around the White Tower, Joan thought, as if awaiting some sad event, sensing death. One of the things I had particularly enjoyed in The Lady of the Ravens was Joan’s fascination for and care of the ravens of the Tower of London firmly believing in the legend that should the ravens leave the Tower for good then the crown would fall and ruin would return to the nation.

1502 had begun with pageantry and the New Year celebrations for the wedding of Prince Arthur, the heir to the throne, and Katharine of Aragon. It looks as if the ravens had indeed sensed death because in April he became seriously ill and died. It was Joan who had to break the news to Elizabeth and help console her in her grief. His death left Prince Henry as the heir to the throne.

In addition King Henry’s agents had uncovered a new Yorkist plot against the throne. Joan’s husband, Sir Richard Guildford is a Privy Councillor and loyal to Henry, but Henry is persuaded that he could be guilty of treason and he is imprisoned. Joan’s life is suddenly turned upside down. What happens next is fascinating to read covering Joan’s involvement in both national affairs and in her personal life.

I thoroughly enjoyed this novel. It is beautifully written, grounded in its historical context, full of colour and life. At the end of the book there’s a Glossary of words and terms that are not commonly in use today, which I wish I’d realised was there earlier. Intriguingly, Joanna Hickson promises in her Author’s Note that she has ‘more fascinating fifteenth century lives in sight’. I’m looking forward to see what she writes next.

The Author:

Joanna Hickson became fascinated with history when she studied Shakespeare’s history plays at school. However, having taken a degree in Politics and English she took up a career in broadcast journalism with the BBC, presenting and producing news, current affairs and arts programmes on both television and radio. Now she writes full time.

My thanks to the publishers for my review copy via NetGalley.

Just Like the Other Girls

I read Just Like the Other Girls, a psychological thriller, by Claire Douglas in November. My copy is a NetGalley review copy that I’ve had for over a year! I really should have read it earlier. It was published in August 2020 by Penguin.

Synopsis

Una Richardson is devastated after the death of her mother. Hoping for a fresh start, she responds to an advertisement and steps into the rich, comforting world of elderly Mrs Elspeth McKenzie. But Elspeth’s home is not as safe as it seems. Kathryn, her cold and bitter daughter, resents Una’s presence. More disturbing is the evidence suggesting two girls lived here before.

What happened to the girls? Why will the McKenzies not talk about them? As the walls close in around her, Una fears she’ll end up just like the other girls . . .

My thoughts:

Like the other books I’ve read by Claire Douglas this revolves round family secrets and mother/daughter/sister relationships and there are enough twists and turns that at first puzzled me, but it didn’t grip me as her earlier books did. Although it begins well and at first I was intrigued by the mystery, I thought there were too many coincidences to be credible and it was just too far-fetched. This means that the chilling atmosphere that had been built up at first faded away. Having said that I did want to know how it would end so I read on but was not surprised by the final reveal.

  • ASIN: B081RBYHJQ
  • Publisher: Penguin (6 Aug. 2020)
  • Language:‎ English
  • Print length: 388 pages
  • Page numbers source ISBN: ‎0063138115
  • My rating: 3*

My thanks to NetGalley and Penguin, the publishers for a review copy.

The Man Who Died Twice by Richard Osman

Penguin| 16 September 2021| 422 pages| Review copy| 1*

I don’t want to say much about this book. If you’re expecting crime fiction that exercises your ‘little grey cells’ this is not the book for you. Granted it is complicated and there’s lots going on, plenty of murders, drug dealers, spies and mobsters etc, etc. But essentially it is light easy reading,with the sort of humour that makes you groan in despair, and a great deal of waffle and tedious wittering on.about various mundane matters. As you can see I’m not the target market for this book and with nearly 8,000 ratings on Amazon, 96% of which are 5 and 4 stars, I am definitely in the minority. I was hoping I’d enjoy it more than his first book, The Thursday Murder Club, but sadly I think it’s worse.

Here’s the synopsis:

It’s the following Thursday.

Elizabeth has received a letter from an old colleague, a man with whom she has a long history. He’s made a big mistake, and he needs her help. His story involves stolen diamonds, a violent mobster, and a very real threat to his life.

As bodies start piling up, Elizabeth enlists Joyce, Ibrahim and Ron in the hunt for a ruthless murderer. And if they find the diamonds too? Well, wouldn’t that be a bonus?

But this time they are up against an enemy who wouldn’t bat an eyelid at knocking off four septuagenarians. Can The Thursday Murder Club find the killer (and the diamonds) before the killer finds them? 

My thoughts:

It follows on from Richard Osman’s first book about four residents of Coopers Chase retirement village, Elizabeth, Joyce, Ron, and Ibrahim, four septuagenarians, who call themselves The Thursday Murder Club. Elizabeth is a former MI5 agent and this book reveals a lot about her life as a spy. Needless to say she is clever, with the answers to all the problems that are thrown at her when her ex-husband appears on the scene, having stolen 20 million pounds of jewellery from the Mafia.

As in The Thursday Murder Club, the text is written in the past tense interspersed with extracts from Joyce’s diary written in the present tense. Joyce is an irritating character, and her diary is where most of the waffling and wittering on is found. She also explains what has been happening as though having read it already the reader is too dim to understand it. Then we are treated to DCI Chris Hudson’s cringey romance with Patrice, PC Donna de Freitas.

Overall the characters are rather stereotypical, and the plot is over complicated and unconvincing. Richard Osman’s type of humour does not match mine, so I doubt very much that I’ll be reading any more of his books – I see he has another one in the pipeline!

A Corruption of Blood by Ambrose Parry

Canongate Books| 19th August 2021| 405 pages| Review Copy| 5*

This is the third book in Ambrose Parry’s historical series starring Will Raven & Sarah Fisher, set in 19th century Edinburgh. I loved the other books, The Way of All Flesh and The Art of Dying and A Corruption of Blood is equally as good, if not better.

Description

Edinburgh. This city will bleed you dry.

Dr Will Raven is a man seldom shocked by human remains, but even he is disturbed by the contents of a package washed up at the Port of Leith. Stranger still, a man Raven has long detested is pleading for his help to escape the hangman.

Back at 52 Queen Street, Sarah Fisher has set her sights on learning to practise medicine. Almost everyone seems intent on dissuading her from this ambition, but when word reaches her that a woman has recently obtained a medical degree despite her gender, Sarah decides to seek her out.

Raven’s efforts to prove his erstwhile adversary’s innocence are failing and he desperately needs Sarah’s help. Putting their feelings for one another aside, their investigations will take them to both extremes of Edinburgh’s social divide, where they discover that wealth and status cannot alter a fate written in the blood.

Ambrose Parry is the pseudonym of crime fiction author, Chris Brookmyre and Marisa Haetzman, a consultant anaesthetist. Will is a doctor working with Doctor James Young Simpson, a professor of midwifery, who discovered the anaesthetic properties of chloroform (a real historical character), and Sarah, is the Simpsons’ housemaid, but she now assists Professor Simpson and is studying medicine. The two of them have a complicated and somewhat spiky relationship, which continues in this novel.

The combination of a crime fiction writer and an anaesthetist works excellently in Ambrose Parry’s novels. The research into the history of medicine is extensive, making this book a combination of historical fact and fiction, a tale of murder and medical matters, with the social scene, historical and medical facts slotting perfectly into an intricate murder mystery. 

The mystery begins when the body of a baby wrapped in a parcel, is found floating in the Forth. The child had been strangled with a length of white tape. Sarah meanwhile is involved in finding a missing child. When Sir Ainsley Douglas, a prominent and wealthy member of Edinburgh society is found dead from arsenic poisoning, Will reluctantly gets involved in the murder investigation. How the mysteries interlink gradually becomes clear and although I soon realised how Sir Ainsley had been murdered, I was puzzled about who did it and was completely taken by surprise when the culprit was revealed.

Like all good historical fiction, this book weaves together fact and fiction. The Historical Note at the end of the book sorts out what was real and what was invented. The subjects covered include details about infectious diseases, the difficulties women experienced in obtaining a medical degree, and crimes children suffered in the 19th century. I think A Corruption of Blood is an exceptionally excellent murder mystery and an informative historical novel, with great period detail and convincing characters. I look forward to reading more books by Ambrose Parry.

Index, A History of the by Dennis Duncan

Penguin| 19 August 2021| 339 pages| Review copy| 4*

Synopsis:

Most of us give little thought to the back of the book – it’s just where you go to look things up. But here, hiding in plain sight, is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. Here we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamberwithaNonne. This is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Here, for the first time, its story is told.

Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Dennis Duncan reveals how the index has saved heretics from the stake, kept politicians from high office and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists’ living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and – of course – indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart, and we have been for eight hundred years.

My thoughts:

This book is not just about the history of the index, but also about the history of reading and the evolution of the book from the scrolls, manuscripts and the codex before the the invention of printing – how they were produced and used. I was interested in reading it as I’m an ex-librarian and cataloguer, later an assistant in a county record office where a large part of my job involved indexing. If you think like me that an index is an indispensable part of a non fiction book then you’ll enjoy this book, which is both informative and entertaining. And I often wish fiction books were indexed too – one of the advantages of an e-book is that you can search the text, even better if it has the X-Ray feature.

It explains the difference between the index and the table of contents, goes into the evolution of page numbers and the problems of alphabetisation. This is not a dry, factual account it is written with humour and insights into the past, using examples from historical texts, and from indexes complied as satirical attacks on their authors. I never knew indexes had been used as weapons! Nor did I know that some works of fiction had been indexed in the past – full details in Chapter 6 ‘Indexing Fictions: Naming was Always a Difficult Art’, quoting from Lewis Carroll’s works. Carroll was fascinated with indexes, leaning particularly towards the whimsical, using his logician’s wit.

Neither is it stuck in the far distant past, Duncan brings it up to date in the digital age and the ubiquity of the search engine with the rise of anxiety that this is changing our brains, shortening our attention spans and eroding our capacity for memory. But this, Duncan explains is nothing new as the history of the index shows that there have always been fears that nobody will read properly any more when they could just use an index to replace the ways of close reading. The ways we read have changed over the generations.

The Index, a History of the is simply fascinating.

About the Author

Dennis Duncan is a writer, translator and lecturer in English at University College London. He has published numerous academic books, including Book Parts and The Oulipo and Modern Thought, as well as translations of Michel Foucault, Boris Vian, and Alfred Jarry. His writing has appeared in the Guardian, the Times Literary Supplement, and the London Review of Books, and recent articles have considered Mallarmé and jugs, James Joyce and pornography, and the history of Times New Roman. 

A Line to Kill by Anthony Horowitz

Random House UK, Cornerstone Digital| 19 August 2021| 368 pages| Review copy| 4*

Synopsis:

There has never been a murder on Alderney.

It’s a tiny island, just three miles long and a mile and a half wide. The perfect location for a brand new literary festival. Private Investigator Daniel Hawthorne has been invited to talk about his new book. The writer, Anthony Horowitz, travels with him.

Very soon they discover that not all is as it should be. Alderney is in turmoil over a planned power line that will cut through it, desecrating a war cemetery and turning neighbour against neighbour.

The visiting authors – including a blind medium, a French performance poet and a celebrity chef – seem to be harbouring any number of unpleasant secrets. When the festival’s wealthy sponsor is found brutally killed, Alderney goes into lockdown and Hawthorne knows that he doesn’t have to look too far for suspects.

There’s no escape. The killer is still on the island. And there’s about to be a second death…

A Line to Kill is the third in Anthony Horowitz’s Hawthorne and Horowitz Mystery series. I have read the earlier books, The Word is Murder and The Sentence is Death and I think it really it best if you read these books in order to fully understand the main characters and their relationship. Daniel Hawthorne, an ex-policeman, is now a private investigator, who the police call in to help with their more complicated cases. Anthony Horowitz himself plays a major role as one of the main characters, recruited by Hawthorne to write a book about him and the cases he investigates and he’d agreed to a three-book contract with Hawthorne.

This third book is about the third case they investigate. I loved the setting on the island of Alderney where the literary festival is being held. I enjoyed the interplay between Hawthorne and the fictional Horowitz, a somewhat difficult relationship as Hawthorne is particularly secretive about his personal life and about the reason he left the police force. In a way he is a Sherlock Holmes type of character keeping Horowitz very much in the dark about what he thinks about the identity of the murder. He is not an easy person to like, single minded with a somewhat superior air about him, but he does get results.

Like the two earlier books this is a complicated murder mystery, with a type of ‘locked room’ puzzle to be solved. As you would expect it is full of red herrings and multiple twists and turns. I was soon totally immersed in this fascinating novel. The characters are fully formed, all with secrets they want to keep hidden and clues are all there, but so well hidden that I was once again totally bemused by it all.

The fictional Horowitz is by now, thoroughly intrigued by Hawthorne himself – just what is he keeping hidden about himself, why did he really leave the police force? Will the writer Horowitz reveal the secret is his next book – if there is to be one? I do hope so.

Thank you to Anthony Horowitz, Random House and NetGalley for an ARC of A Line to Kill.

Above the Bay of Angels by Rhys Bowen

Lake Union| February 2020| 323 pages| 3*

A single twist of fate puts a servant girl to work in Queen Victoria’s royal kitchen, setting off a suspenseful, historical mystery by the New York Times bestselling author of The Tuscan Child and The Victory Garden.

Arriving as Helen Barton from Yorkshire, she pursues her passion for creating culinary delights, served to the delighted Queen Victoria herself. Best of all, she’s been chosen to accompany the queen to Nice. What fortune! Until the threat of blackmail shadows Bella to the Riviera, and a member of the queen’s retinue falls ill and dies.

Having prepared the royal guest’s last meal, Bella is suspected of the poisonous crime. An investigation is sure to follow. Her charade will be over. And her new life will come crashing down—if it doesn’t send her to the gallows.

Set towards the end of Queen Victoria’s reign in 1896/7 I thought this sounded interesting when I read the synopsis on NetGalley, and it is. It’s a pleasant easy read, but rather far-fetched.

The novel is based on facts to a certain extent. Rhys Bowen’s Historical Note explains that many aspects of the story are true, including the details about Abdul Karim, the Queen’s Indian Munshi. The Hotel Regina Excelsior above Nice was built for Queen Victoria – she had a separate wing with its own entrance – and she took a team of her cooks with her when she visited each winter.

I thought the beginning of the book was slow and predictable, and there are a few convenient coincidences. Isabella (Bella) Waverley’s father was a member of an aristocratic family, the second son of a second son, who fell on hard times and eventually died an alcoholic. Bella had gone into service and found she had a talent for baking. So when she had the opportunity to take Helen Barton’s position as an under cook at Buckingham Palace, she presented herself as Helen at the Palace. Keeping her real identity a secret was a problem that continued through the book, providing an element of suspense. Then when one of the Queen’s German relatives died, Bella is suspected of poisoning him, and I enjoyed the intrigue and the puzzle of who killed the Count.

Overall I did find the book entertaining. I enjoyed reading about the meals the Queen Victoria’s household were served and the settings both in Buckingham Palace and in the French Riviera are beautifully described. Compared to the slow start the ending is packed with action and romance as well as mystery.

With thanks to NetGalley and to the publishers for my review copy.

The Rose Code by Kate Quinn

Harper Collins| 18 March 2021| 645 pages| 3*

1940, Bletchley Park, Buckinghamshire.

Three very different women are recruited to the mysterious Bletchley Park, where the best minds in Britain train to break German military codes.

Vivacious debutante Osla has the dashing Prince Philip of Greece sending her roses – but she burns to prove herself as more than a society girl, working to translate decoded enemy secrets. Self-made Mab masters the legendary codebreaking machines as she conceals old wounds and the poverty of her East-End London upbringing. And shy local girl Beth is the outsider who trains as one of the Park’s few female cryptanalysts.

1947, London.

Seven years after they first meet, on the eve of the royal wedding between Princess Elizabeth and Prince Philip, disaster threatens. Osla, Mab and Beth are estranged, their friendship torn apart by secrets and betrayal. Yet now they must race against the clock to crack one final code together, before it’s too late, for them and for their country.

My Thoughts:

I have very mixed thoughts about The Rose Code. On the one hand it’s just the sort of book I love – historical fiction with a thrilling story and interesting characters that kept me wanting to read on and yet also made me want it to last as long as possible. On the other hand, it’s unevenly paced, with a slow start and a rushed ending that was somewhat of an anti-climax. My favourite character was Beth and I enjoyed reading how her character developed from a shy down trodden young woman into a brilliant cryptanalyst.

But when I first began reading it earlier this year I stopped after the opening pages and only picked it up again a couple of weeks or so ago. I initially stopped as the storyline involving Prince Philip made me very uncomfortable – Prince Philip was still alive when this book was written and when I first started to read it. He died in April this year.

The book begins in 1947 as Osla Kendall, a journalist working for the Tatler, is wondering what to wear for the Royal Wedding. She is in a ‘foul mood‘ as she wonders what to wear to the wedding of Princess Elizabeth and Lieutenant Philip Mountbatten.

Historical fiction mixes fact and fiction with both real and imaginary characters and I don’t have a problem with that. The character of Osla Kendall is based on a real person – in her Author’s Note Kate Quinn writes that she is ‘lightly fictionalized from the real-life Osla Benning, a beautiful, effervescent, Canadian-born heiress and Hut 4 translator who was Prince Philip’s long-term wartime girlfriend.‘ But by the time of the Royal Wedding Osla Benning was already married, not pining after Prince Philip. In writing their story Kate Quinn was not writing from facts but from her imagination as she put words in her characters’ mouths and described their emotions thoughts and feelings, which, of course, she could not have known.

However, I got over my dislike and read on – after all, this is fiction, not an accurate historical account. I like to know which is fact and which is fiction when I read historical fiction. So, after reading the review copy I received via NetGalley, I decided I needed to buy the published book and read the Author’s Note. And I’m glad did because I was relieved to find that Kate Quinn goes into a lot of detail to identify which characters are real and which fictional and how she has fictionalised them. She also reveals that she has also deviated from the historical records ‘to serve the story.’ I think this explains why I was uncomfortable with the book and why I don’t often read historical romances.

With thanks to NetGalley and to the publishers for my review copy.

Six Queens: Katheryn Howard the Tainted Queen by Alison Weir

Headline Review| 20 August 2020| 479 pages| Review copy| 2*

I wanted to read this book because I knew very little about Henry VIII’s 5th wife, except that she was beheaded on the grounds that she had committed adultery and treason.

Description

A NAIVE YOUNG WOMAN AT THE MERCY OF HER AMBITIOUS FAMILY.

At just nineteen, Katheryn Howard is quick to trust and fall in love.

She comes to court. She sings, she dances. She captures the heart of the King.

But Henry knows nothing of Katheryn’s past – one that comes back increasingly to haunt her. For those who share her secrets are waiting in the shadows, whispering words of love… and blackmail.

Having read it, I don’t think I know much more, except that Katheryn Howard comes across as a very shallow character, obsessed with sex, with luxury in all its forms, naive and easily manipulated. Alison Weir excels in her descriptive writing, bringing the Tudor court to life in all of its settings, locations, clothes and jewellery.

It has glowing reviews on Amazon full of praise and it is based on extensive research. Clearly other people love this book, but I didn’t. For me it came across as a romance novel, primarily focused on Katheryn’s imagined thoughts, emotions, and sexual encounters. It is simply written, but with too many cliches and modernised text.

Alison Weir’s Author’s Note is much more interesting than her novel, in which she acknowledges her sources, including Dr. Nicola Tallis’ unpublished DPhil thesis, All the Queen’s Jewels, 1445 – 1548, and a number of biographies of Katheryn Howard. She refers to original sources she used as the basis of the book – contemporary writers and wills, portraits showing her rich clothes and jewellery – jewels that have been tentatively identified in Katheryn Howard’s inventory.

She used these sources for the narrative of the book, weaving them into the dialogue and modernising the speech ‘where Tudor English looks out of place in a modern text.’ She states that ‘apart from fictionalising the historical record’ she has invented very little.’ There is also a Dramatis Personae, usefully indicating which characters are fictional and a Timeline, which is also very useful.

I think the Author’s Note is the best part of the book. There is rather too much of ‘fictionalising the historical record’ for me in the novel. I don’t like writing about a book I didn’t enjoy when I know so much work has gone into it and clearly other people have loved it. But this is just my opinion, for what it is worth.

With thanks to NetGalley and to the publishers for my review copy.