The Royal Secret by Andrew Taylor

Harper Collins UK| 29 April 2021| 476 pages| e-book| Review copy| 4*

Description:

From the No.1 bestselling author of The Last Protector and The Ashes of London comes the next book in the phenomenally successful series following James Marwood and Cat Lovett during the time of King Charles II.

Two young girls plot a murder by witchcraft. Soon afterwards a government clerk dies painfully in mysterious circumstances. His colleague James Marwood is asked to investigate – but the task brings unexpected dangers.
 
Meanwhile, architect Cat Hakesby is working for a merchant who lives on Slaughter Street, where the air smells of blood and a captive Barbary lion prowls the stables. Then a prestigious new commission arrives. Cat must design a Poultry House for the woman that the King loves most in all the world.
 
Unbeknownst to all, at the heart of this lies a royal secret so explosive that it could not only rip apart England but change the entire face of Europe

My thoughts:

I’ve read all of the previous Marwood and Lovett books, set in 17th century England, and thoroughly enjoyed each one, so I was delighted when Rachel Quin at HarperCollins asked me if I’d like a proof copy of  The Royal Secret to review. It is the 5th book in the series and although it does work as a stand-alone book I do think it’s best to read them in sequence to get the full background of the Restoration period and the relationship between James Marwood and Cat Hakesbury (formerly Lovatt).

The year is 1670, two years have passed since the end of the previous book, The Last Protector. Cat Hakesby’s work as an architect continues after her husband’s death and after designing a poultry house for the young daughter of Lord Arlington, the Secretary of State, she gains a commission to design one for Charles II’s sister, ‘Minette,’ the Duchess of Orléans. Meanwhile Marwood is a government clerk clerk to Joseph Williamson and also working for Lord Arlington. They find themselves involved in a complicated situation that is full of danger.

Marwood is instructed to investigate the mysterious death of Richard Abbott, one of Lord Arlington’s men, and retrieve some confidential papers from the victim’s home. Abbott’s step-daughter, Maria and the maid, Hannah have been dabbling in witchcraft and Maria believes she is responsible for his death. Marwood’s investigation brings him into contact with a merchant, Mr Fanshawe (also one of Cat’s clients) and through him with a mysterious Dutch gentleman, Henryke Van Riebeeck. Van Riebeeck just happens to be Anna Abbott’s brother, and Fanshawe’s son was Anna Abbott’s first husband and the father of Maria. After Abbott’s death she and Maria together with Hannah had gone to live in Fanshawe’s house. Fanshawe is an interesting character, who has recently bought a lion, who he named Caliban, a mangy bad-tempered beast that he keeps in the stables at his house in Slaughter Street.

So, Cat and Marwood are both involved with the same people, although in different circumstances. Their relationship is somewhat ambiguous. She is a strong-minded woman, a widow who values her independence in a society where women, although used to running households and dealing with their families’ financial matters, were only just beginning to find a place in society outside the home. And she doesn’t welcome Marwood’s interference in her life. That the two of them are attracted to each other is not acknowledged by either of them – especially, in this book, when Cat finds herself drawn romantically to Van Riebeeck. Her work takes her to the Royal Court in Paris to discuss her designs for the poultry house, although Minette seems more concerned with political matters and Cat wonders what the real reason for her visit is.

This is a well researched historical novel, mixing fact and fiction, bringing the streets of London and the royal court in Paris to life. At the same time it presents a mystery full of political intrigue, danger and conspiracy, involving witchcraft, poisonings, and tricky international relationships. It is only towards the end of the book that the royal secret is revealed – and I had had no idea until then what it was. I do hope there will be a sixth book for Marwood and Lovatt.

My thanks to the publishers and NetGalley for my review copy.

Throwback Thursday: 29 April 2021

This month I’m looking back at my review of The House at Riverton by Kate Morton, which I first posted in August 2007. I loved this book.

These are the first two paragraphs:

It’s with a sense of loss that I finished reading The House at Riverton. I felt as though I’d now lost contact with the characters and the worlds they inhabit. I say worlds because this novel is split into two time zones, so widely different in all aspects that they could be separate worlds.

The novel opens in 1999 (reminiscent of Du Maurier’s Rebecca) with Grace’s dream of the night in 1924 when Robbie Hunter, a poet, committed suicide at Riverton Manor. Grace’s memories are revived after Ursula, an American film director who is making a film of the suicide had asked for her help as the only person involved who was still alive.

Click here to read my full review

Kate Morton is an Australian author, who has written six novels. The House at Riverton and The Secret Keeper are two of my favourite books. The six books are as follows (with links to my posts):

The House at Riverton (2006)
     aka The Shifting Fog
The Forgotten Garden (2008)
The Distant Hours (2010)
The Secret Keeper (2012)
The Lake House (2015)
The Clockmaker’s Daughter (2018)

The next Throwback Thursday post is scheduled for 3 June, 2021.

My Friday Post: Prophecy by S J Parris

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.

This week I’m featuring one of my library books, Prophecy, It’s the second in S J Parris’ Giordano Bruno series set in the reign of Elizabeth I. Bruno was a monk, poet, scientist, and magician on the run from the Roman Inquisition on charges of heresy for his belief that the Earth orbits the sun and that the universe is infinite. In this book set in 1583, Elizabeth’s throne is in peril, threatened by Mary Stuart’s supporters scheme to usurp the rightful monarch.

It begins with a Prologue:

Mortlake, House of John Dee
3rd September, Year of Our Lord 1583

Without warning, all the candles in the room’s corners flicker and feint, as if a sudden gust has entered, but the air remains still. At the same moment, the hairs on my arms prickle and stand erect and I shudder; a cold breath descends on us, though outside the day is close.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice. *Grab a book, any book. *Turn to Page 56 or 56% on your  ereader . If you have to improvise, that is okay. *Find a snippet, short and sweet, but no spoilers!

Page 56:

‘Treaties be damned!’

Henry Howard throws back his chair and pounds a fist on the table, so suddenly that again we all jolt in our seats. The candles have burnt down so far that his shadow leaps and quivers up the panels behind him and creeps over the ceiling, looming like an ogre in a children’s tale.

Lord Henry Howard, was a devout Catholic and a dangerous man, the head of the most powerful Catholic family in England. He took part in the 1583 Throckmorton Plot, one of a series of attempts by English Roman Catholics to depose Elizabeth I of England and replace her with Mary, Queen of Scots, then held under house arrest in England.

Candles flickering, shadows cast and a feeling of dread and suspense in both these extracts set the scene for a thrilling story!

New Additions at BooksPlease

I’ve been lucky with some of the 99p e-books on offer on Amazon recently and bought three books, well five actually as one is a trilogy.

First a nonfiction book, Winds of Change: Britain in the Early Sixties by historian, Peter Hennessy. The centre of the book is 1963 – the year of the Profumo Crisis, the Great Train Robbery, the satire boom, de Gaulle’s veto of Britain’s first application to join the EEC, the fall of Macmillan and the unexpected succession to the premiership of Alec Douglas-Home. Then, in 1964, the battle of what Hennessy calls the tweedy aristocrat and the tweedy meritocrat – Harold Wilson, who would end 13 years of Conservative rule and usher in a new era. It’s the final book in Hennessy’s Post War trilogy.

Then three novels – all historical fiction: The Regeneration Trilogy: Regeneration; The Eye in the Door; The Ghost Road by Pat Barker, three novels set during the First World War. I already had the third book, but hadn’t read it because I wanted to read the trilogy in order. It tells the story of three men, shell-shocked soldiers, who were sent back to the front. It’s based on the experiences of poets, Siegfried Sassoon and Wifred Owen who met at Craiglockhart Hospital near Edinburgh.

The Miniaturist by Jessie Burton – A few years ago I borrowed this book from the library but had to return it unread. Later on I watched the TV series and thought I’d like to read the book. So, when it was on offer for 99p I bought it. It’s set in Amsterdam in 1686. Nella Oortman marries a rich merchant, but life in her new home is unfulfilled. Even her cabinet house brings a mystery to the secretive world she has entered as the lifelike miniatures somehow start eerily foreshadowing her fate.

This last book is my choice this month from Amazon First Reads free books:

Tears of Amber by Sofía Segovia – a novel set during the Second World War in East Prussia between 1938 and 1947. In her author’s note Sofia Segovia says her novel was inspired by the story of Ilse and Arno Schipper, who established a factory in Monterrey, Mexico, her home town. It is a mix of fact and fiction. Publication date 1 May 2021. I have started reading and it’s looking good so far.

The Mirror Dance by Catriona McPherson

Hodder and Stoughton| 21 January 2021| 259 pages| e-book| Review copy| 3*

Description:

Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver’s semmingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig’s Publishers, its secrets hidden in the real stories behind their girls’ magazines The Rosie Cheek and The Freckle.

On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.

My thoughts:

I’ve read some of the Dandy Gilver mysteries by Catriona McPherson, set in the 1920s and 1930s Scotland. The Mirror Dance is the 15th book. The last one I read was the 6th, a few years ago now, so when I saw it on NetGalley I requested it. I was pleased to find, that although I’d missed so many of the books in the series, it’s easy to read as a standalone.

It begins on an August Bank Holiday weekend in 1937, when Dandy (short for Dandelion Dahlia!), a private detective, receives a phone call from Miss Sandy Bissett, a magazine publisher in Dundee. She asks Dandy to go to Dudhope Park to warn the Punch and Judy man there that he is infringing copyrighted property as he is using two of the magazine’s cartoon characters, Rosie Cheeke and Freckles in his show. So, the next day, Bank Holiday Monday, together with her female staff, Grant, her lady’s maid, Becky her housemaid and Mrs Tilling, her cook, Dandy goes to Dundee to see the puppet show, looking out for the appearance of the magazine characters.

But during the show, the puppet Scaramouche extended his neck upwards, unfolding from pleats like an accordion and then stayed still like a tableau. The children lost interest and the adults were grumbling. When Dandy and Grant went to the back of the Punch and Judy tent they found the puppeteer slumped dead behind the scene, with his throat cut. The police are called but Dandy and her partner, Alec take it upon themselves to investigate the murder, an apparently impossible murder, with no signs of the murderer, and no one knew the puppeteer’s name.

I liked the setting. There is a good sense of location in Dundee in the 1930s, when the effects of the First World War were still lingering and the threat of another war was on the horizon. This is a convoluted murder mystery, where there is more than meets the eye. There is a lot of detail about the publishing industry and the theatrical world of the time which was interesting, but overall the amount of detail of everyday life, with all its sights and smells, slowed the book down too much for me.

There are several complications, red herrings and apparent impossibilities and I was puzzled about the relevance of a murder 50 years earlier in the same park, of an earlier Punch and Judy man. I became a bit lost in the detail about the number of women suspects Dandy and Alec consider – there were two, and then perhaps there were three. Who were they and what was the motive for the murder? Gradually that became clear, but I got exasperated at the number of times Dandy and the others went over and over what was happening, working out how it could have happened and why. Although some of it is confusing and I hadn’t worked out the identity of the murderer some of it seemed so obvious to me that I couldn’t see why it took them so long to work it out. So, although I enjoyed the actual murder mystery and the mirror dance aspect, where everything is turned on its head, I did not enjoy how it was told.

My thanks to the publishers and NetGalley for my review copy.

A Room Made of Leaves by Kate Grenville

Canongate| 6 August 2020| 325 pages| e-book| Review copy| 4*

I’m late getting round to reading A Room Made of Leaves, because I am behind with reviewing my NetGalley books. But it was well worth the wait. It’s historical fiction telling the story of the Macarthurs, Elizabeth and John Macarthur, who settled in Australia at the end of the eighteenth century. It’s based on the real lives of the Macarthurs using letters, journals and official documents of the early years of the New South Wales colony. But, although based on fact this is not history, it is fiction, as Kate Grenville makes clear in her Author’s Note at the end of the book (which I read after I read the opening paragraphs of the Editor’s Note at the start of the book).

Description

It is 1788. Twenty-one-year-old Elizabeth is hungry for life but, as the ward of a Devon clergyman, knows she has few prospects. When a soldier, John Macarthur promises her the earth one midsummer’s night, she believes him and with a baby on the way she marries him. Only then he tells her he is to take up a position as Lieutenant in a New South Wales penal colony and she has no choice but to go. Sailing for six months to the far side of the globe with a child growing inside her, she arrives to find Sydney Town a brutal, dusty, hungry place of makeshift shelters, failing crops, scheming and rumours.

All her life she has learned to be obliging, to fold herself up small. Now, in the vast landscapes of an unknown continent, Elizabeth has to discover a strength she never imagined, and passions she could never express. 

Inspired by the real life of a remarkable woman, this is an extraordinarily rich, beautifully wrought novel of resilience, courage and the mystery of human desire.

My thoughts:

I’ve enjoyed all of the books by Kate Grenville that I’ve read so far. Her writing suits me – historical fiction, straight-forward story-telling, with good descriptive writing setting the scenes vividly in their locations. I find her books difficult to put down and they stay in my mind long after I’ve finished reading. This one is no exception.

It begins in Devon where Elizabeth was born and grew up, first with her parents and then after her father died on her grandfather’s sheep farm and then with the local vicar’s family, whose daughter, Bridie is her friend. There she meets John Macarthur, an ensign. When she becomes pregnant they marry and then he tells her he has signed on as a lieutenant in the New South Wales Corps in the penal colony at Sydney Cove. But their married life is not a happy one. John was rash, impulsive, changeable, self-deceiving, and given to embarking on grandiose schemes. He was quick to take offence and was dangerously unbalanced. Over the course of their marriage he was forced to return to England twice, at first for four years and later for nine. During that time Elizabeth made the best of life, carrying on with their sheep farm at Parramatta, where she improved the flock, and helped to establish New South Wales as a reliable supplier of quality wool.

One of the outstanding parts of the book for me is her relationship with William Dawes, an astronomer with the Corps, who was mapping the night sky. He had an observatory near Elizabeth’s farm and it was there that she met some of the local inhabitants and learned a bit of their language and about their ways of life. And it is with William that Elizabeth learns to appreciate not just the night sky, but also the landscape and its flora and fauna and in particular the ‘room made of leaves’ – a private space enclosed on three sides by greenery, a place where you could simply be yourself.

This is a book that captivated me from the opening paragraphs, and there is so much more in it than I have mentioned in this post. It gave me much to think about, in particular bearing in mind the epigraph, an actual quotation from one of Elizabeth’s letters: Believe not too quickly, reminding me that this is a work of fiction. I enjoyed it immensely. And it makes me want to know more about the Macarthurs. I came across Michelle Scott Tucker’s biography: Elizabeth Macarthur: A Life at the Edge of the World and I was delighted to see that Kate Grenville references this book as the standard biography in her Acknowledgements. It is now on my wishlist!

Many thanks to the publishers and NetGalley for my review copy.