The Lost Garden by Katharine Swartz

The Lost Garden is  an emotionally intense novel of love, loss and grief, set in both the past and the present day, in a small village on the Cumbrian coast.

In 1919 Eleanor, the daughter of the vicar of Goswell, is struggling to adjust to the loss of her brother, Walter who died just before the Armistice was declared and in the present day half-sisters Marin and Rebecca are coming to terms with the death of their father and his wife.

The link between the two stories centres around the walled garden at the back of the Bower House, a small house next to the church. It was said to have been the herb garden for the monastery before the Reformation.

In 1919 the garden is covered in brambles and Eleanor decides she wants to make it into a garden of remembrance, a place to just be, to remember or to forget as much as you need. And she begins to restore it with the help of the church gardener, Jack. As they do so the garden begins to blossom as winter moves into spring and summer, but the mood of both the family and the country remains sombre as they come to terms with the aftermath of the First World War.

In the present day, Marin has bought the Bower House, not knowing its history. Rebecca discovers the walled garden once more overgrown with brambles and weeds and it captures her imagination. And when Marin she sees a photo of a young woman in the garden, thought to have been taken around 1920 she is determined to find out more – just who was the young woman and what is underneath the brambles. With the help of the local gardener, Joss, she begins to restore the garden and in doing so they discover secrets about both the past and the present.

The Lost Garden is a gentle story, well told and an enjoyable read, switching between the past and the present. The differences in attitudes and social conventions of the times provide a distinct contrast and highlights the parallels between the two stories. I liked the story-lines for both Marin and Eleanor, both have difficult relationships with their sisters and both are coming to terms with their grief, but on the whole I was more interested in Eleanor’s story, set against the backdrop of the post First World War.

My thanks to Lovereading for providing an advance proof of this novel, due to be published 15 May 2015. The Lost Garden is the second book in Katharine Swartz’s Tales from Goswell series – the first is The Vicar’s Wife.

Dacre’s War by Rosemary Goring

Dacre’s War is compelling reading, a  thoroughly absorbing and beautifully written novel set in the Scottish and English Borders and London between 1523 – 1525 some ten years after the events described in Rosemary Goring’s earlier book, After Flodden. I wondered as I began reading whether it could equal After Flodden, a book I loved when I read it two years ago – it did. I think it even surpasses it.

I loved Dacre’s War and keen as I was to read to the end I didn’t want to leave the characters. Once again I was swept away by the story, re-living the scenes through Rosemary Goring’s vivid descriptions and the drama of the characters’ lives, people who came to life in the pages of this book.

Dacre’s War describes how Adam Crozier, the head of his clan, plots to take revenge on Lord Thomas Dacre, the Warden General of the English Marches and the Keeper of Carlisle, who had brought about the death of Adam’s father. Ten years after the Battle of Flodden, Dacre is the most powerful man in the north of England, but the Marches are a constant battlefield, dangerously out of control, and a hotbed of thieves and killers in thrall to the Warden. Without him Henry VIII believes the situation would be much worse.

It is against this background that Crozier forms an alliance with Dacre’s enemies, both English and Scots to inform Henry of Dacre’s crimes and bring about his downfall.

There are some remarkable scenes in this book, and amongst them are the scenes in the Star Chamber where Dacre is brought to answer the charges against him in front of Cardinal Wolsey and his imprisonment in the Fleet Prison. I felt as though I was there, watching, breathing the same air – not a pleasant experience. Similarly with Crozier, I could visualise his home, Crozier’s Keep, sense the tension and fear as his wife, Louise, is left at home, pregnant and in danger of losing the baby.

There is so much packed in this book, political intrigue, personal conflict and vengeance, and spies, manipulators and double crossers abound. It is impossible to write more without revealing the plot and the eventual ending. It’s a brilliant book.

Dacre’s War is due to be published in June 2015. My copy is a pre-publication review copy courtesy of www.lovereading.co.uk.

  • Hardcover: 352 pages
  • Publisher: Polygon (16 June 2015)
  • Language: English
  • ISBN-10: 1846973112
  • ISBN-13: 978-1846973116

Rosemary Goring was born in Dunbar and studied social and economic history at the University of St Andrews; and, after graduation, worked at W&R Chambers as a reference editor. Rosemary was the literary editor of Scotland on Sunday, followed by a brief spell as editor of Life & Work, the Church of Scotland’s magazine, before returning to newspapers as literary editor of the Herald, and later also of the Sunday Herald. In 2007 she published Scotland: The Autobiography: 2000 Years of Scottish History By Those Who Saw it Happen, which has since been published in America and Russia.

Reading Challenges: Read Scotland, Historical Fiction Challenge.

The Interpretation of Murder by Jed Rubenfeld

I was looking forward to reading The Interpretation of Murder by Jed Rubenfeld. It had sat on my shelves for nearly 8 years and I decided it was time to read it this year, including it in my TBR Pile Challenge list of books. It’s historical fiction – a mixture of murder mystery and psychoanalysis with an interpretation of ‘˜Hamlet‘˜ thrown in.

It began well as Sigmund Freud and Carl Jung arrived in New York in 1909 to give a series of lectures and to receive an honorary degree from Clark University. That much is fact, but this book is a work of fiction as Rubenfeld makes clear in his Author’s Note and most of the characters are fictional.

There are some things that I did think were well done, for example the descriptions of New York as the city grew, its architecture and streets, the building of the Manhattan Bridge; and as I mentioned earlier the interpretation of ‘Hamlet‘. But as I read on I began to lose interest and at times I felt it was slowed down too much by psychological exposition and debate. Rubenfeld is no doubt well grounded in Freud – as a Princeton undergraduate he wrote his senior thesis on Freud – and also in Shakespeare, which he studied at the Juilliard School of Drama. I found his ideas on interpreting ‘Hamlet‘ most interesting. But I was less enamoured with the dialogue between Freud and Jung, which as Rubenfeld explained is drawn from their own letters, essays and statements, which whilst being factually accurate, doesn’t come across as real conversation.

I thought the murder mystery was unconvincing and too convoluted. Briefly, the morning after Freud’s arrival a young woman is found brutally murdered and later a second, Nora Acton, is attacked in a similar fashion but she survives, although unable to speak. Freud is asked to help by psychoanalysing Nora and asks his young American colleague, Dr Stratham Younger to carry out the analysis. To cut a long story short Younger is helped in his investigations by Detective Jimmy Littlemore and together they discover what really happened.

Maybe I was expecting too much from this book, which is described in the blurb as’Spectacular … fiendishly clever‘, and a ‘thrilling heart-in-the-mouth read … Once you start reading, it’s impossible to put down.’  It jumps about a bit too much for my liking, between narrators and sub-plots, some of the characters came over a bit flat and I didn’t find it either ‘fiendishly clever‘ or ‘impossible to put down‘.

Stacking the Shelves

STSmall

Stacking The Shelves is all about sharing the books you are adding to your shelves. This means you can include ‘real’ and ‘virtual’ books (ie physical and ebooks) you’ve bought, books you’ve borrowed from friends or the library, review books, and gifts.

This is my first entry in Stacking the Shelves. These are last week’s new arrivals:

In the heart of the sea

First ‘real’ books. It was Mother’s Day last Sunday and my son bought me this book, In the Heart of the Sea: the Epic True Story that Inspired Moby Dick by Nathaniel Philbrick – wonderful!

From the back cover:

The sinking of the Nantucket whaleship Essex by an enraged spermwhale far out in the Pacific in November 1820 set in train one of the most dramatic sea stories of all time. Accounts of the unprecedented whale attack inspired Herman Melville’s mighty novel Moby Dick, but In the Heart of the Sea goes beyond these events to describe what happened when the twenty mixed-race crewmen took to three small boats and what, three months later, the whaleship Dauphin, cruising off the coast of South America, discovered when it spotted a tiny boat sailing erratically across an open ocean.

The other books in the photo above are library books:

  • Collins Artist’s Little Book of Inspiration by Hazel Soan – a lovely little book looking at the basics elements of a painting using watercolours, oils and acrylics, with demonstrations and projects to try. I like just looking at the paintings!
  • The Reckoning by Jane Casey, the second in her Maeve Kerrigan series. I reserved this because I’d enjoyed the first one, The Burning and wanted to read more. This one begins with the murders of two paedophiles.
  • Conan Doyle: the Man who Created Sherlock Holmes by Andrew Lycett. This book was on a display stand and even though it’s a huge, heavy book I fancied reading it. It was probably on display following the  recent TV drama Arthur and George, which I enjoyed. I read Julian Barnes’ book of the same name some years ago, which pre-dates this biography.

When Lovereading offered a review copy of Dacre’s War by Rosemary Goring I didn’t hesitate because I’d loved Rosemary Goring’s earlier novel, After Flodden.

Dacres War

Dacre’s War is set 10 years after the battle of Flodden in the Scottish and English borders, a story of ‘personal and political vengeance’ as Adam Crozier sets out to take revenge on Lord Thomas Dacre, who had ordered the death of his father. It’s due to be published on 14 May 2015.

Lastly, the latest ebook I’ve downloaded is today’s Kindle Daily Deal, Last Man in Tower by Aravind Adiga. A. N. Wilson ‘was absolutely mesmerized by this novel’ and thinks ‘that Aravind Adiga is already, with this, his second book, the most exciting novelist writing in English today.’ 

Last Man in Tower

Catching the Eagle by Karen Charlton

I wanted to read a novel by a local author so I checked the library website for North East writers, where I found Catching the Eagle by Karen Charlton.

Summary from the book cover:

Easter Monday, 1809: Kirkley Hall manor house is mysteriously burgled. When suspicion falls on Jamie Charlton, he and his family face a desperate battle to save him from the gallows.

When 1,157 rent money is stolen from Kirkley Hall, it is the biggest robbery Northumberland has ever known. The owner sends for Stephen Lavender, a principal officer with the Bow Street magistrate’s court in London, to investigate the crime. Suspicion soon falls on impoverished farm labourer, Jamie Charlton, and the unpopular steward, Michael Aynsley.

Jamie Charlton is a loving family man but he is hot-tempered and careless. As the case grows against him, it seems that only his young brother, William, can save him from an impending miscarriage of justice.

But William is struggling with demons of his own–he is falling in love with Jamie’s wife.’Catching the Eagle’, the first novel in the Regency Reivers series, is a fictionalized account of a trial that devastated a family and divided a community.

This is not just by a local author, and set in Northumberland, it is also based on a true story –  that of Karen Charlton’s husband’s ancestors.

I liked the opening of Catching the Eagle beginning with a Prologue, setting the scene as an eagle soared over the Northumberland landscape:

… its huge shadow caressed the ruined walls of crumbling castles and the creaking rotting stumps of ancient gibbets.The eagle plucked unsuspecting prey from the bleak, snow-covered fells and drank from remote rocky waterfalls dripping with golden daggers.

It landed in a tree above a labourer’s cottage where Jamie Charlton lived with his wife Priscilla and their children. I like Karen Charlton’s leisurely descriptive style of writing and found the whole book to be fascinating.  She has written an even-handed account of the robbery and the subsequent trials, so much so that I began to wonder whether Jamie Charlton was innocent or guilty, although you know from the outset that he was transported as a convicted felon to New South Wales. Did he or did he not steal the money? And what will happen to the eagle?

This is the type of historical fiction that I like. The characters come across as real people, with real problems in a real time and place (Northumberland 1809 – 1811). It highlights the social and cultural setting. Jamie was without influence or money behind him up against a judicial system run by people with power who needed to find a culprit. His family suffered along with him as he languished in goal in squalor, where he was caged as he awaited trial – not once, but twice.

I wondered whether Stephen Lavender, the detective employed by  Nathaniel Ogle, the owner of Kirkley Hall was also a real historical figure. Karen Charlton has also written Seeking Our Eagle, another fascinating book, an account of how she came to write Catching the Eagle whilst researching her husband’s family history.  And yes, Stephen Lavender did exist and he was a detective. He later became the Deputy Chief Constable of Manchester after the formation of the police force by Sir Robert Peel.

Indeed reading Catching the Eagle reminded me of The Suspicions of Samuel Whicher by Kate Summerscale, featuring Detective Inspector Jonathan Whicher of Scotland Yard, the book that won the Samuel Johnson Prize for Non-Fiction in 2008.

Karen Charlton has done her research very well and has written a novel full of intrigue, tension and realism that kept me captivated from start to finish. See her website, Karen Charlton, to read more about Karen and her books.

She has also written The Heiress of Linn Hagh, a spin-off novel from Catching the Eagle, which features Detective Stephen Lavender and his sidekick, Constable Woods. And there are more Detective Lavender Series books on the way!

Catching the Eagle:

  • Paperback: 280 pages
  • Publisher: Famelton Publishing; 1 edition (19 July 2014)
  • ISBN-10: 0992803640
  • ISBN-13: 978-0992803643
  • Product Dimensions: 15.2 x 1.8 x 22.9 cm
  • Source: Library book

Seeking the Eagle:

  • Format: Kindle Edition
  • File Size: 1969 KB
  • Print Length: 166 pages
  • Publisher: Famelton Publishing; 1st edition (7 Aug. 2012)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B008UZYOR2
  • Source: I bought it

As always I didn’t read either book just for any Reading Challenges, but Catching the Eagle does fit very well into a couple – the 2015  Historical Fiction Reading Challenge and the What’s in a Name Challenge, in the book with an animal in the title category and Seeking Our Eagle into the Nonfiction Reading Challenge.

First Chapter First Paragraph: The Zig Zag Girl

Every Tuesday Diane at Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros, where you can share the first paragraph, or a few, of a book you are reading or thinking about reading soon.

My choice this week is: The Zig Zag Girl by Elly Griffiths, a book I have just finished reading.

It begins:

 ‘Looks as if someone’s sliced her into three,’ said Solomon Carter, the police surgeon chattily. ‘We’re just missing the middle bit.’

I must not be sick, thought Edgar Stephens. That’s what he wants. Stay calm and professional at all times. You’re the policeman, after all.

What do you think? Would you read on?

I did. I’m a squeamish reader and don’t like anything too graphically gory and you might think this opening would put me off. But it didn’t – for one thing, it doesn’t go into detail about how the body got cut into three. Well, yes later down the page there’s mention of ‘clotted blood and smell of decaying flesh‘, but that’s it, it’s all secondhand, no scenes where the murderer is described doing the terrible act, no dwelling on what he/she was doing to the other person.

Blurb from the inside flap:

Brighton, 1950 – a post-war world of rationing, austerity, pea-souper fogs and seedy seaside resorts. When the body of a girl is found, cut into three, DI Edgar Stephens recalls a magic trick that he saw as a boy. The illusion is called the Zig Zag Girl and its inventor, Max Mephisto, is an old friend of his. They served together in the war as part of a shadowy unit called the Magic Men, formed to use stage trickery to confuse the enemy.

Edgar tracks down Max and asks for his help. Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Max is reluctant to get involved but the changes his mind when the dead girl turns out to be his former stage assistant. Another death follows, again gruesomely staged to resemble a magic trick, the Sword Cabinet.

Edgar and Max become convinced that the answer to the murders lies back in their army days and the antics of the Magic Men.

When Edgar receives a letter warning of another ‘trick’, he knows that they are all in danger. The Wolf Trap is the deadliest illusion of all, but who will be the next victim?

I’ve read some of Elly Griffiths’ Ruth Galloway, forensic archaeologist, crime novels, which I have enjoyed despite wishing they weren’t written in the present tense. So it was with relief that I came to The Zig Zag Girl and found it’s written in the past tense.

I enjoyed it in several ways – for its characters, particularly Edgar Stephens and its setting, recalling the atmosphere of the 1950s and how times were changing. The theatrical elements are fascinating – life on the variety circuit was not all glitz and glamour; and the activities of the  Magic Men unit during the war had of course an immense effect on all their lives. I worked out quite early on who the murderer was – but not why, which only dawned on me at the end of the book.

I don’t know if this is going to be the start of a new series – I’d read more if it is.