Adding to the TBRs

As usual I am behind with writing about the books I’ve read, with four to do. I’m in the middle of writing about The Voyage Out by Virginia Woolf, but it is taking me longer than I’d hoped and I haven’t finished my post yet.

So, here’s a post about the four books I’ve added to my TBRs this week:

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Stacking The Shelves is all about sharing the books you are adding to your shelves. This means you can include ‘˜real’ and ‘˜virtual’ books (ie physical and ebooks) you’ve bought, books you’ve borrowed from friends or the library, review books, and gifts.

I’ve added one paperback and three e-books:

  • The Watchmaker of Filigree Street by Natasha Pulley. A friend recommended this book to me and I was delighted to see that it is one of the Kindle Daily Deals this morning. It’s steam-punk, a genre completely new to me! It is described as:

Utterly beguiling, The Watchmaker of Filigree Street blends historical events with dazzling flights of fancy to plunge readers into a strange and magical past, where time, destiny, genius ? and a clockwork octopus ? collide.

I hope I’ll like it as much as my friend did!

  • John Le Carré: the Biography by Adam Sisman, because I want to know more about the author of Tinker, Tailor, Soldier, Spy; The Night Manager and his other espionage books. During the 1950s and the 1960s, he worked for the Security Service and the Secret Intelligence Service, and began writing novels under a pen name. This is the definitive biography of a major writer, described by Ian McEwan as ‘perhaps the most significant novelist of the second half of the twentieth century in Britain’.
  • Time Heals No Wounds: a Baltic Sea crime novel by Hendrick Falkenberg. This is one of the free books for Amazon Prime members in May. German author Hendrik Falkenberg studied sports management and works in sports broadcasting. The magical allure that the sea holds for him comes alive in his stories, which are set on the north German coast. His first book, Die Zeit heilt keine Wunden (Time Heals No Wounds), was a #1 Kindle bestseller in Germany and has been translated for the first time into English.
  • And lastly, HeavenAli held a draw to give away some of Virginia Woolf’s books and I’m delighted that I won Orlando in the giveaway.

Orlando tells the tale of an extraordinary individual who lives through centuries of English history, first as a man, then as a woman; of his/her encounters with queens, kings, novelists, playwrights, and poets, and of his/her struggle to find fame and immortality not through actions, but through the written word. At its heart are the life and works of Woolf’s friend and lover, Vita Sackville-West, and Knole, the historic home of the Sackvilles. But as well as being a love letter to Vita, Orlando mocks the conventions of biography and history, teases the pretensions of contemporary men of letters, and wryly examines sexual double standards.

I’m looking forward to reading these books in the coming months!

First Chapter, First Paragraph: The Silver Pigs

Every Tuesday Diane at Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros, where you can share the first paragraph, or a few, of a book you are reading or thinking about reading soon.

This week I’m featuring The Silver Pigs by Lindsay Davis, a book that I started reading last night. Whilst this is a new-to-me series, The Silver Pigs was first published in 1989 and there are now 20 books in the series. Lindsey Davis also writes the Favia Alba Mystery series. She has won many literary awards, and was honorary president of the Classical Association from 1997 to 1998.

It begins:

When the girl came rushing up the steps, I decided she was wearing far too many clothes.

It was late summer. Rome frizzled like a pancake on a griddleplate. People unlaced their shoes but had to keep them on; not even an elephant could cross the street unshod. People flopped on stools in shadowed doorways, bare knees apart, naked to the waist – and in the backstreets of Aventine Sector where I lived, that was just the women.

This is historical crime fiction, the first of the Marcus Didius Falco novels. Set in Rome in 70AD, Vespasian is the new Roman emperor and Falco is a private informer, or private eye. In this first book he and his partner Helena Justina rescue a young girl in trouble. He is then catapulted into a dangerous game involving stolen imperial ingots, a dark political plot and, most hazardous of all, a senator’s daughter connected to the traitors Falco has sworn to expose.

My copy has an introduction by Lindsey Davis in which she tells of how she began to write historical fiction, setting a typical private eye figure in Rome two thousand years ago. It has maps and a Dramatis Personae.

And I do like the cover.

 

The Sea Detective by Mark Douglas-Home

Lovereading.co.uk  sent me a copy of  The Sea Detective by Mark Douglas-Home for review in advance of the publication of the third title in the series The Malice of Waves on 19 May and I’m glad to say that I thoroughly enjoyed it.

It’s one of those books that grabbed my attention right from the start when two young teenage girls from India are sold into the sex trafficking trade, completely unaware of the dangers and terror that awaits them. Then, Edinburgh-based oceanographer, Cal McGill is caught on camera planting a rare wild flower in the garden of the Scottish Environment Minister in a campaign to make politicians aware of the dangers of climate change. Detective Inspector Ryan wants to charge him with vandalism but the minister’s wife wants to keep the plant!

From then on the story gets complicated. It’s more of an investigative story than crime fiction, with several strands to the story, but it’s so well told that I had no difficulty in following all of them: a story of unsolved mysteries both from the present day and from the Second World War, and of two Indian girls, sold into the sex trafficking trade. It’s set mainly in Scotland with a strong sense of place throughout.

The main characters are all fully rounded and complex – Cal McGill works for environmental organisations tracking oil spills using wind speeds and data on ocean currents; DI David Ryan and DC Helen Jamieson are investigating the appearance of severed feet in trainers that had been washed on shore on islands miles apart – tests had revealed that they belonged to the same body; and Basanti, one of the Indian girls, whose resourcefulness saved her life. I especially liked Helen Jamieson, the overweight policewoman, whose boss, Ryan mistakenly thinks is stupid, and the way she deals with him.

The strand that interested me most concerns Cal’s grandfather, from the (fictional) island of Eilean Iasgaich. He had died during the Second World War, washed overboard during a storm, whilst their trawler was patrolling the sea around Norway, one of seven men who had died ‘“ and yet his name had not been included in the island’s war memorial. Cal eventually discovers the truth about what actually happened and how his grandfather met his death.

It’s a gripping and emotional story. I loved it.

The Sea Detective is Mark Douglas-Home’s first book. Before writing books he was the editor of Scotland’s leading daily newspaper, The Herald, and The Sunday Times Scotland. He is the nephew of the late Sir Alec Douglas-Home who was Prime Minister of the UK from October 1963 to October 1964. He lives in Edinburgh.

I’m looking forward to reading his second book, The Woman who Walked into the Sea as well as his third, The Malice of Waves.

Reading Challenges: Read Scotland 2016 – by a Scottish author and set in Scotland.

My Reginald Hill Reading Project

Inspired by reading Reginald Hill’s Bones and Silence recently I decided I want to read more of his books and I’ve made a page to record my progress. When I visited two secondhand bookshops this last week I stocked up on as many of his books that were on the shelves that I haven’t read:

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They are all Dalziel and Pascoe novels, apart from The Collaborators, which is a standalone novel set in 1945 in Paris. From the top down they are (synopses from Amazon, essentially the blurbs on the back covers) :

  • Dialogues of the Dead: A man drowns. Another dies in a motorbike crash. Two accidents ‘ – yet in a pair of so-called Dialogues sent to the Mid-Yorkshire Gazette as entries in a short story competition, someone seems to be taking responsibility for the deaths.In Mid-Yorkshire CID these claims are greeted with disbelief. But when the story is leaked to television and a third indisputable murder takes place, Dalziel and Pascoe find themselves playing a game no one knows the rules of against an opponent known only as the Wordman.
  • The Collaborators:Paris, 1945. In the aftermath of the French liberation, Janine Simonian stands accused of passing secret information to the Nazis.She is dragged from her cell before jeering crowds, to face a jury of former Resistance members who are out for her blood. Standing bravely in court, Janine pleads guilty to all charges.Why did Janine betray, not just her country, but her own husband? Why did so many French men and women collaborate with the Nazis, while others gave their lives in resistance?What follows is a story of conscience and sacrifice that portrays the impossible choice between personal and national loyalty during the Nazi occupation.
  • Child’s Play:When Geraldine Lomas dies, her huge fortune is left to an animal rights organization, a fascist front and a services benevolent fund. But at her funeral a middle-aged man steps forward, claiming to be her long-lost son and rightful heir. He is later found shot dead in the police car park, leaving behind a multitude of suspects. And Superintendent Dalziel and Peter Pascoe find themselves plunged into an investigation that makes most of their previous cases look like child’s play’¦
  • On Beulah HeightFifteen years ago they moved everyone out of Dendale. They needed a new reservoir and an old community seemed a cheap price to pay. But four inhabitants of the valley could not be moved, for nobody knew where they were: three little girls who had gone missing, and the prime suspect in their disappearance, Benny Lightfoot. This was Andy Dalziel’s worst case and now he looks set to relive it. Another child goes missing in the next valley, and old fears arise as someone sprays the deadly message on Danby bridge: BENNY’S BACK!
  • Midnight FugueGina Wolfe is searching for her missing husband, believed dead, and hopes Superintendent Andy Dalziel can help. What neither realize is that there are others on the same trail. A tabloid hack with some awkward enquiries about an ambitious MP’s father. The politician’s secretary who shares his suspicions. The ruthless entrepreneur in question ‘and the two henchmen out to make sure the past stays in the past.Four stories, two mismatched detectives trying to figure it all out, and 24 hours in which to do it: Dalziel and Pascoe are about to learn the hard way exactly how much difference a day makes’.

Bones and Silence by Reginald Hill

I found a lot to enjoy in Bones and Silence, Reginald Hill’s 11th book in his Dalziel and Pascoe series, first published in 1990.

Blurb (from the back cover):

When Detective Superintendent Andy Dalziel witnesses a bizarre murder across the street from his own back garden, he is quite sure who the culprit is. After all, he’s got to believe in what he sees with his own eyes. But what exactly does he see? And is he mistaken? Peter Pascoe thinks so.

Dalziel senses the doubters around him, which only strengthens his resolve. To make matters worse, he’s being pestered by an anonymous letter-writer threatening suicide. Worse still, Pascoe seems intent on reminding him of the fact.

Meanwhile the effervescent Eileen Chung is directing the Mystery Plays. And who does she have in mind for God? Dalziel of course. He shouldn’t have too much difficulty in acting the part …

My thoughts:

I liked all the complications of plot and sub-plots in this book and the interplay of the characters. It’s full of interesting characters and humour, but it is the plot that takes precedence. It is so tricky, with numerous red herrings and plot twists. Dalziel is positive that he saw Philip Swain shoot his wife; shooting her at close range, destroying much of her face and removing the top of her head. But Swain insists it was an accident – he was trying to stop her from killing herself and the gun went off. The only other witness, Greg Waterson, backs up Swain’s story – and then disappears.

My image of Dalziel comes from Warren Clark’s portrayal of him in the TV series because I watched the programmes before I read any of Hill’s books. To me Warren Clarke is Dalziel, just as David Suchet is Poirot. Dalziel is a larger than life character, speaks his mind and is never politically correct. He is is positive in his belief in Swain’s guilt even when everyone else thinks his wife’s death was an accident:

Andrew Dalziel, despite what his friends said, was no paranoiac. He did not believe himself to be infallibly perfect or unjustly persecuted. His great strength was that he walked away from his mistakes like a horse from its droppings, and as he himself once remarked, if you leave crap on people’s carpets, you’ve got to expect a bit of persecution.

But when he believed himself right, he did not readily accept evidence that he might be wrong, not while there was any stone left unturned. (page 242)

But it doesn’t help that Swain has been cast in the role of the devil opposite Dalziel’s God in the mystery play and the two are constantly sparring. The whole sub-plot of the mystery play is brilliant. Each Part of the book is headed by a quotation from the York Cycle of Mystery Plays, each one relevant to the events that follow. And the vision of Dalziel as God is so funny, especially when the fat man has to climb a narrow ladder up the back of a triple decker stage mounted on a flat car. Dalziel has to sit on a tiny platform over the upper deck, perched above polystyrene clouds.

Pascoe has recently returned to work after a period of sick leave, following an accident and, impatient to find evidence against Swain, Dalziel delegates the anonymous letters to Pascoe to discover who has been sending them. This sub-plot about the identity of the letter writer is the only part of the book that I’m not sure about. I had several thoughts about who it could be, but I was wrong and in the end when the author was revealed I wasn’t completely convinced that that character could have known all the information given in the letters. Still, it makes a dramatic conclusion to the book and came as a complete surprise to me.

Although Bones and Silence is a long book (524 pages) I read it quite quickly, completely absorbed in its mysteries and impressed both with the ingenuity of the plot and the quality of the writing. I really mustn’t leave it very long before I read some more of Reginald Hill’s books.

  • Paperback: 528 pages
  • Publisher: Harper (25 Jun. 2009)
  • Language: English
  • ISBN-10: 0007313128
  • ISBN-13: 978-0007313129
  • Source: I bought the book

Reginald Charles Hill FRSL (3 April 1936 ‘“ 12 January 2012) was an English crime writer, and the winner in 1995 of the Crime Writers’ Association Cartier Diamond Dagger for Lifetime Achievement.

Reading Challenges: Mount TBR Reading Challenge 2016 – a book I’ve owned for four years.

Before the Fact by Francis Iles

On the face of it Before the Fact is a straight forward story. It tells the tale of wealthy, intelligent but plain Lina McLaidlaw whose family are against her marriage to the handsome, charming and fascinating Johnnie Aysgarth; Lina’s father tells her Johnnie is a ‘rotter’. But right from the opening paragraph it’s obvious that Lina’s father is right. In fact Johnnie is much worse than her father realised:

Some women give birth to murderers, some go to bed with them, and some marry them. Lina Aysgarth had lived with her husband for nearly eight years before she realized that she was married to a murderer.

First published in 1932 by Francis Iles (* see below*), Before the Fact is a Golden Age crime fiction novel that is a psychological character study of its two main characters, Lina and Johnnie. It’s cleverly written. Lina slowly realises Johnnie’s true nature – that of a compulsive liar and gambler, a manipulative scoundrel who thinks nothing of being unfaithful, even of arranging a murder, or two.  But still she stays with him, trying to control and change him, believing his lies until she has to accept him for what he is, with disastrous consequences.

As Lina’s eyes are slowly opened I became exasperated at her naiveté, her acceptance of what she she has discovered about Johnnie. She comes across as a fool besotted by him and desperate for his love and attention, and even though her suspicions are aroused she still deliberately ignored all the warning signs, descending from panic, terror, horror and despair into passivity. She is maddening, a born victim and I began to wonder how it could possibly end. It was even more chilling than I had imagined.

*About the Author (copied from the publishers):

Frances Iles was a pseudonym of Anthony Berkeley Cox, who was born in 1893 in Watford. After serving in the army during the First World War, Berkeley worked as a journalist for many years before his first foray into the crime genre with The Layton Court Mystery (1925).

His two primary non-de-plumes were Francis Iles and Anthony Berkeley. As the former, he was a master of the psychological suspense genre, always with a wry humorous tenor to his writing; as the latter he acted as a trailblazer in the classic ‘Golden Age’ of crime and detective novels.

An intensely private man who always shunned publicity, Berkeley died in 1971.

As I read I marked a few passages that although not directly connected with the story I found interesting:

About artistic criticism – in particular female criticism:

If one did not happen to like a certain book, picture, or piece of music, one took it for granted that the book, picture, or piece of music was just bad; and the people who thought it was good, were, quite simply and plainly, mistaken. It never occurred to any female critic that a book might possibly be above her own level of intelligence (the men of course read only detective stories). (page 42)

on artists:

‘Aren’t artists intelligent?’ Lina asked innocently.

‘Of course they’re not. Most of them haven’t got the brains of a mouse. They just have this odd knack of being able to put things on canvas, and that’s all. They are the dullest of all the creators. Musicians are the nicest: you never hear a musician talk about himself at all. Then the really good authors. They don’t thrust their work down one’s throat; they’ve no need to. Then the second-rate authors, who do, and have. And then the painters, a long way bottom.’ (page 125)

I wonder who he was referring to?

And on murder:

When you incite a person to do something which both of you know will probably kill him – is that legally murder or not? (page 177)

Lina discusses this point with Isobel Sedbusk (based on Dorothy L Sayers), a writer of detective stories, thinking that it wasn’t ‘real murder, like giving the man poison, or shooting him, or anything like that.’ Isobel replies:

‘No, I’m inclined to doubt whether it would be murder, from the legal point of view. The legal definition of murder is ‘to kill with malice aforethought’. Still, you’ve got the malice aforethought all right. And if he knowingly incited the man to commit an act which would result in his death …’

Malice Aforethought – another novel by Francis Iles (published in 1931) begins with revealing the identity of the murderer. I shall have to read that one soon.

Reading Challenges: