Books Read in May

I can’t quite believe it but despite spending many hours in the garden in May mowing the grass and weeding (there are still too many weeds!) I managed to read ten books, bringing my total for the year so far to 45. They’re a bit of a mixed bag of excellent and not very good, with some good ones in between!

They are, in the order I read them, with links to my reviews (* marks crime fiction novels):

  1. The Big Four* by Agatha Christie – a bit of a let down, not up to her best!
  2. The Lost Army of Cambyses by Paul Sussman – goodish
  3. The Dance of Love by Angela Young – her second book due out at the end of July. I loved it!
  4. The Wicked Day by Mary Stewart – good
  5. The Graveyard Book by Neil Gaiman – very good
  6. Nemesis* by Agatha Christie – disappointing
  7. The Witch’s Brat by Rosemary Sutcliff – good
  8. No Stranger to Death*by Janet O’Kane – very good, her first book
  9. The Little Coffee Shop of Kabul by Deborah Rodriguez -not very good and I don’t intend to write about it
  10. A Whispered Name* by William Broderick – excellent – see my thoughts below.

I’m not taking The Dance of Love into account in considering which book is my favourite book of the month because I’m saving my review for July when the book is published – but I can say now that it is brilliant!

The Graveyard Book and No Stranger to Death are both really good books and as I was reading each one I thought either could be my favourite book for May but then I read A Whispered Name and that decided it – it is my favourite book of the month and also my Crime Fiction Pick of the Month (hosted by Kerrie at Mysteries in Paradise)!

 

A Whispered Name by William Brodrick is the third Father Anselm novel, which won the Crime Writers’ Association Gold Dagger Award in 2009.

I think this is a most remarkable book and it kept me glued to the pages as I read about the First World War and the effects it had on those who took part, those left at home and on future generations. It is, of course, historical fiction.

From the back cover:

During the slaughter of Passchendaele in 1917, an Irish soldier faced a court martial for desertion. On the panel was a young captain, Herbert Moore, charged with a responsibility that would change him for ever.

After the war Herbert became a monk, one of the founders of Larkwood monastery, where Father Anselm came across two visitors, Kate Seymour and an unnamed old man, searching for Father Herbert. But he had died in 1985 and no one could answer their questions about the trial of a deserter, Joseph Flanagan and Father Herbert’s part in it. Father Herbert was revered and loved by all who knew him and Anselm was deeply dismayed at the thought that there was anything in his past that he had lied about and he set out to discover the truth.

I think the whole book is so well thought out with chapters revealing what happened from different characters’ viewpoints during the war and what Anselm discovered as he went through the records and talked to people. Nothing is straight forward, the records are ambiguous and there is confusion about identities. The horror of the war is there:

After the wallop, Herbert found himself prostrate with his face against the dirt, vaguely aware that time had passed, that water was creeping on him; that he would have to move or he’d drown.

… Herbert slid through a sludge of intestines and grit, hauling himself into the open. Staring across the beaten land he tried to gain his bearings … he couldn’t see anyone else from the regiment. (page 35)

And Herbert did indeed serve on a court martial that condemned Joseph Flanagan to death. But there is not just the horror of war in this book, it’s an intricate, evocative novel focussing on the themes of morality, justice, sacrifice and human redemption. It is a book above all that identifies the place of the individual within history, written so lyrically putting the past under a searching spotlight. One of the best books I’ve read for quite some time.

A Whispered Name is a thoroughly researched book with a list of sources at the end of the book, but it never reads like a dry factual account – it comes so vividly to life. Although based on fact, gathered from memoirs, reports, published research, Battalion War diaries and the original transcripts of trials, William Brodrick explains in his Author’s Note:

This novel is not about FGCMs [Field General Court Martial] in general. It does not imply a comprehensive critique of First World War executions from any perspective, be that historical, legal or moral. Rather, one might say, it is a parable of how a man found meaning in death, and how another – on seeing that – found faith in life. And it is about a fictional trial that cannot be compared with any genuine case. (p 344) (my emphasis)

William Brodrick became a barrister, having been an Augustinian monk for six years (the other way round from his fictional character, Father Anselm). After 10 years at the Bar, his interest in writing led him to writing the Father Anselm books.

The Father Anselm books are:

  1. The Sixth Lamentation (2003)
  2. The Gardens of the Dead (2006)
  3. A Whispered Name (2008)
  4. The Day of the Lie (2012)
  5. The Discourtesy of Death (2013)

I’ve now read the first three books and think A Whispered Name is probably the best. I have yet to read the next two – I hope to do so soon.

No Stranger to Death by Janet O'Kane

No Stranger to DeathMy thanks to Janet O’Kane for sending me a copy of her book,  No Stranger to Death, which I really enjoyed reading.  Once I’d started it I just wanted to keep on reading. I was surprised by how intricate and complex the plot is, with several sub-plots and a crowd of characters, all of whom are clearly defined. Set in the Scottish Borders, it also has a strong sense of location and it was refreshing to read a Scottish crime novel that is not set in Edinburgh, Glasgow or even in Shetland. It’s a fast-paced novel that kept me on the edge wanting to find out more.

No Stranger to Death begins with recently widowed Dr Zoe Moreland’s discovery of a body in the remains of a Guy Fawkes bonfire. Westerlea, a fictional village, is a place where everybody knows everyone, but even so it seems everyone has something to hide.  Zoe is new to the village, having moved from there from England to join the Health Centre as a GP and with the help of her new friend, Kate Mackenzie, she soon finds herself in the middle of a murder investigation. This is not a police procedural, although Detective Erskine Mather of Police Scotland is in charge of the investigation.

It’s not only the villagers who have secrets, as there is something in Zoe’s background that she wants to keep to herself and getting involved in a murder investigation is the last thing she wanted:

She had gone back to using her maiden name when she came to Scotland, but would that protect her against people whose job it was to dig up the past of anyone remotely connected with a sensational crime? (page 29)

As Zoe and Kate dig deeper quite a few nasty secrets come to light with almost disastrous consequences and Zoe is in fear of her own life. No Stranger to Death touches on some quite dark themes with an ending that took me by surprise.

Janet O’Kane lives in the Scottish Borders and she is currently writing a follow up to No Stranger to Death, again featuring Zoe Moreland. For more information see her blog – Janet O’Kane: Crime Fiction with a Heart and her Facebook page.

As well as being a really good book in its own right, No Stranger to Death meets the criteria for both the Read Scotland 2014 challenge and the My Kind of Mystery challenge.

The Witch's Brat by Rosemary Sutcliff

Rosemary Sutcliff was one of my favourite authors when I was a child, but it’s been years since I read any of her books. I came across her children’s book, The Witch’s Brat after reading Mary Delorme’s novel, St Bartholomew’s Man about Rahere, the founder of St Bartholomew’s Hospital. I wanted to know more about Rahere and discovered that he featured in Rosemary Sutcliff’s book set in 12th century England.

The Witch’s Brat, first published in 1971, tells the tale of Lovel, a boy born crippled with a twisted leg and crooked shoulder, but also with a gift for healing. His grandmother was the local Wise Woman whom people feared thinking she was a witch, and after she died he was driven from his village in a shower of stones, both because he was her grandson and because he was a cripple. He is taken in by the monks at a priory and it is here that he meets Rahere, who encourages him to be a healer. This is how Rahere looked when Lovel first met him:

Lovel gazed with his mouth open in awed delight at this mad and magnificent man with the monk’s face and the cool mocking voice and long fantastic legs like a crane fly, who spoke English, but in such splendid and far-off words that much of it was as far beyond his reach as the Norman French spoken by most of the knights and wealthy travellers who passed that way, and by some of the brethren among themselves. (page 29)

It’s a beautifully written little book (112 pages), full of period detail, including herbal lore and vivid imagery. Like St Bartholomew’s Man it’s about the building of St Bartholomew’s Hospital, but seen through Lovel’s eyes instead of through Rahere’s. As well as being historical fiction, this book is about overcoming prejudice and and disability. Rahere is seen as a charismatic character, an inspiration to Lovel, a man who thought there must be more to life than entertaining a king and who vowed to raise an infirmary, a hospital for the poor sick.

This a ‘feel good’ book that is a delight to read.

Nemesis by Agatha Christie

Nemesis first published in 1971, is one of Agatha Christie’s later books written in her eighties. It is the last book she wrote about Miss Marple. There are two more books that were published later, but those were written earlier. It’s not among the best of her books, it’s slow moving, lots of dialogue, lots of recapping of events and clues, lots of moralising and social commentary. It follows on, although it is not a sequel to, A Caribbean Mystery in which Miss Marple met Mr Rafiel.

It’s slow moving because for quite a while Miss Marple doesn’t know what the crime is that she has been asked to investigate. Mr Rafiel, who she met in the West Indies, has left her £20,000 in his will on condition she investigates a certain crime, but doesn’t give her any details. He wrote that she had a natural flair for justice leading to a natural flair for crime and reminded her that the code word is Nemesis. Then she is invited to join a tour of Famous Houses and Gardens of Great Britain at Mr Rafiel’s expense. And off she goes.

As Miss Marple remarks:

Murders as reported in the press have never claimed my attention. I have never read books on criminology as a subject or really been interested in such a thing. No, it has just happened that I have found myself in the vicinity of murder rather more often than would seem normal. (page 90)

What an understatement!

Miss Marple has to first of all work out who she can trust.Very gradually through meeting people and talking to them in her usual rather scatty old-lady manner Miss Marple begins to uncover a crime committed years earlier, working largely on intuition. During this process Miss Marple ponders on a number of subjects from wondering how the three witches in Macbeth should be portrayed, during the visit Mr Rafiel had arranged for her with the three sisters at the Old Manor House, to her disapproval of the clothes young women wore. I suspect this was Agatha Christie using Miss Marple as a mouthpiece for her own views – just as this view of rape expressed by  another character, Professor Wanstead, a friend of Mr Rafiel may be her own thoughts too:

Girls you must remember, are far more ready to be raped nowadays than they used to be. Their mothers insist, very often, that they should call it rape. (page 182)

But I wondered about the whole premise of the book – would someone really ask a person to investigate a crime and not give them any details?  It seems highly improbable to me even if Mr Rafiel had wanted Miss Marple to approach the crime with an open mind. And surely if Mr Rafiel really wanted to discover the true facts about the crime he could easily have done so before he died.

I think Nemesis lacks tension and suspense. The characters are rather hard to differentiate, mainly because there are too many, and too many who have no part in the mystery. There are few red herrings to deflect the reader, just unexplained facts that Miss Marple clears up in the last chapters. But I think it is an unusual book and I quite enjoyed it.

The Graveyard Book by Neil Gaiman

Neil Gaiman is one of those authors I keep reading about on other book blogs and I’ve been meaning to check out one of his books for ages just to see for myself. I didn’t think his books were probably the sort I’d like as I rarely read children’s or Young Adult books. Then recently I saw The Graveyard Book on display in my local library, my eye was caught by the cover, and I was curious enough to find out what makes Gaiman such a popular author, encouraged by the blurb from Diana Wynne Jones declaring: ‘The best book Neil Gaiman has ever written.’

When I began reading I wondered if is this book really is for children – it’s so scary:

There was a hand in the darkness, and it held a knife. The knife had a handle of polished black bone, and a blade finer and sharper than any razor. If it sliced you, you might not even know you had been cut, not immediately.

The knife had done almost everything it was brought to that house to do, and both the blade and the handle were wet. (page 3)

The Graveyard Book won the Newbery Medal and the Booktrust Teenage Book Prize 2009, and was nominated for both the 2010 Carnegie Award and the Kate Greenaway Award.

Intrigued I read on and I was soon hooked into the story of the baby who escapes a murderer (the man Jack) intent on killing his entire family, and who stumbles into the local disused graveyard where he is rescued by ghosts. Think of The Jungle Book but with ghosts looking after the baby rather than animals – and Neil Gaiman acknowledges his debt to Rudyard Kipling’s book. And like The Jungle Book, The Graveyard Book is episodic. The baby, named by the ghosts, Nobody Owens, or Bod for short, grows up looked after by his adoptive parents Master and Mistress Owens who had been dead for a few hundred years and numerous other occupants of the graveyard.

I was fascinated by this fantasy, coming of age novel. Bod is given the Freedom of the Graveyard and educated by the ghosts, learning all sorts of strange and wonderful things, such as the ability to fade from sight. Silas, who is neither dead nor alive appoints himself as his guardian, helped by Miss Lupescu, who is not what she first appears to be. He is only safe if he doesn’t leave the graveyard and of course as he grows up that is what he really longs to do.

It’s creepy, but never gory. There are ghouls as well as ghosts, ancient ghosts predating Christianity, a particularly scary pre-historic tomb guarded by the slithering Sleer awaiting the return of the ‘Master’ and a young witch, Liza buried in the unconsecrated section of the graveyard. Needless to say, Bod has many adventures before his past catches up with him.

Apart from the fantastic characters, all of which I could easily believe to be ‘real’, the graveyard itself is so well described that I had no difficulty imagining what it looked like, so I wasn’t surprised to see in the Acknowledgements that Audrey Niffennegger had shown Gaiman around Highgate Cemetery West.  I like all the details of the epigraphs on the headstones – in particular Mother Slaughter’s headstone. It is so ‘cracked, worn and weathered that all it now said was: LAUGH – which had puzzled the local historians for over a hundred years.

The Graveyard Book is ultimately about life and death, love and friendship, loyalty and the fight between good and evil. There is humour, sadness and suspense. Above all it is about growing up and the excitement and expectations that Bod has about life:

Bod said, ‘I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want’, he said, and then he paused and he thought. ‘I want everything.’ (page 286)

It is an ideal book for Carl’s Once Upon A Time VIII challenge (my 4th book). I’ll certainly read more of Neil Gaiman’s books.

The Wicked Day by Mary Stewart

The Wicked Day is a sequel to Mary Stewart’s Merlin trilogy, telling the story of Mordred, King Arthur’s illegitimate son, who was foretold by Merlin as Arthur’s bane. It blends together fact and fiction as Mary Stewart explains in her afterword, Arthur was a real historical figure and she based her books on him using Geoffrey of Monmouth’s History of the Kings of Britain, written in the twelfth century and Sir Thomas Malory’s Le Morte d’Arthur, written in the fifteenth. Mordred, however, is probably as fictional as Lancelot.

I liked most of this book, the first part about Mordred’s early life is the best part. He grows up in the Orkneys, living with foster parents, until he is taken to the court of King Lot and his wife Queen Morgause as one of Lot’s bastard sons, unaware that Morgause, Arthur’s half-sister, is his real mother. This part of the book parallels the ending of The Last Enchantment but told from Mordred’s perspective.

All the characters from the legends are there, with the exception of Merlin – the High King Arthur, his beautiful Queen, Guinevere, his knights, Gawain and his brothers, AgravainGaheris and Gareth (Arthur’s nephews) and the sorceress, Morgause, still plotting against Arthur. Mordred is portrayed as a good person, courageous but misunderstood and controlled by his destiny:

If Merlin saw it written in the stars that you would be Arthur’s doom, then how can you escape it? There will come a day, the wicked day of destiny, when all will come to pass as he foretold. (page 240)

After a good opening third the book lost some of its appeal for me. Unlike the earlier books, The Wicked Day is narrated in the third person, which is probably why it seems less engaging to me. With the exception of the Epilogue, the passion and the magic are missing from the last part of the book which is a dry account of battles.

I wondered how Mary Stewart was going to resolve the story because in her version of it Arthur and Mordred, who is traditionally depicted as the villain, become reconciled to each other and Arthur acknowledges Mordred as his son and heir. Mordred is no villain, but not exactly a hero either. So, how come they ended up as enemies? She managed a plausible conclusion but I thought it was rather an anti-climax.

This is my third book for Carl’s Once Upon A Time VIII challenge and also qualifies for the Historical Fiction Reading challenge and the Read Scotland 2014 Challenge.

Added 17 May 2014:

Mary Stewart died in 10 May 2014 aged 97 – her obituary in The Telegraph describes her as an ‘author of romantic thrillers who wrote for love not money, and had an intuitive feel for the past.’