The Girl Who Died by Ragnar Jonasson, translated from the Icelandic by Victoria Cribb

Penguin| 3 June 2021| 328 pages| Review Copy| 3*

‘TEACHER WANTED AT THE EDGE OF THE WORLD . . .’

After the loss of her father, Una sees a chance to escape Reykjavík to tutor two girls in the tiny village of Skálar – population just ten – on Iceland’s storm-battered north coast.

But city life hasn’t prepared her for the unforgiving weather nor inhospitable village life. Worse, the creaky old house where she lives is playing on her already fragile mind when she’s convinced she hears the ghostly sound of singing.

Then, at midwinter, a young girl is found dead.

And one of the villagers must have blood on their hands . . .

The Girl Who Died is Icelandic noir, a mix of horror and psychological thriller, with a strong sense of place. Skálar is a close-knit community that doesn’t welcome newcomers, keeping its secrets well hidden. The only person who welcomes Una, to the village is Salka, the mother of Edda, one of the two girls Una is to teach. But even her welcome is short lived.

When Una arrived she had the feeling that it was like being a folk tale, an ominous supernatural tale set in a vague shifting world where nothing was solid or real, almost like a ghost town. The feeling grows stronger when she sees a little girl with long, pale hair in the window of Salka’s house – but Salka tells her that Edda was in bed. Later she discovers that the ghost of a young girl who had died fifty years earlier was said to haunt the house.

The supernatural elements of the story and the dark brooding atmosphere add to the mystery, but it is not quite as creepy or chilling as I’d thought it would be, mainly because of the slow plodding pace. Also I’m in two minds about Una as I really didn’t find her a very interesting character. And I began to care less and less about what was happening to her. Overall I found it a bit disappointing, and I found the ending puzzling.

However, the Author’s Note is interesting. Jonasson explains that Skálar is a real place. But it was abandoned in the mid 1950s, so the setting is real, but the buildings and the characters are fictitious. However, he has tried to give an accurate representation of the history of Skálar that describes in the book. He has also used the folk tales in Sigfús Sigfússon’s collections of Icelandic tales and legends.

My thanks to the publishers for a review copy via NetGalley.

Can’t-Wait Wednesday: The Girl Who Died by Ragnar Jónasson

Can’t-Wait Wednesday is a weekly meme hosted by Wishful Endings, to spotlight and discuss the books we’re excited about that we have yet to read. Generally they’re books that have yet to be released.

This week I’m featuring The Girl Who Died by Ragnar Jónasson, release date 3 June 2021. I’ve read just two of Ragnar Jónasson’s books in his Icelandic Hulda series and enjoyed both of them. So, I’m keen to read this one, which is a standalone novel.

Description


‘TEACHER WANTED ON THE EDGE OF THE WORLD . . .’
.

Una knows she is struggling to deal with her father’s sudden, tragic suicide. She spends her nights drinking alone in Reykjavik, stricken with thoughts that she might one day follow in his footsteps.

So when she sees an advert seeking a teacher for two girls in the tiny village of Skálar – population of ten – on the storm-battered north coast of the island, she sees it as a chance to escape.

But once she arrives, Una quickly realises nothing in city life has prepared her for this. The villagers are unfriendly. The weather is bleak. And, from the creaky attic bedroom of the old house where she’s living, she’s convinced she hears the ghostly sound of singing.

Una worries that she’s losing her mind.

And then, just before midwinter, a young girl from the village is found dead. Now there are only nine villagers left – and Una fears that one of them has blood on their hands . . .

What upcoming release are you eagerly anticipating?

The Mist by Ragnar Jonasson

Nordic noir, as bleak, cold, snowy and empty as Iceland.

Penguin UK – Michael Joseph/ 30 April 2020/ 320 pages/ review copy/ 4*

About the book

1987. An isolated farm house in the east of Iceland.

The snowstorm should have shut everybody out. But it didn’t.

The couple should never have let him in. But they did.

An unexpected guest, a liar, a killer. Not all will survive the night. And Detective Hulda will be haunted forever.

My thoughts

The Mist is the third novel in Ragnar Jonasson’s Hidden Iceland series, translated from the Icelandic by Victoria Cribb. The trilogy began with The Darkness in which Detective Inspector Hulda Hermannsdottir was on the verge of retirement. The second book, The Island goes backwards in time with an investigation in 1997. The Mist featuring Hulda goes back yet again to 1987 as Hulda is worrying about her daughter, Dimma and her relationship with her husband, Jon. Alongside the story of what is happening in her personal life, she is also investigating the disappearance of a young woman and a suspected murder case, a particularly horrific one in an isolated farmhouse in the east.

I thought the first part of this book, about Erla and her husband, Einar, who live in the furthest reaches of eastern Iceland was completely gripping, especially with the arrival of a stranger lost in a snowstorm. Erla invites him in and the nightmare begins. This is one of those books where to know too much about the plot would really spoil it. All I’m going to say is that it starts slowly, and the tension and suspense gradually rise throughout, with an increasing sense of dread.

I loved the setting, Jonasson’s writing bringing the scenery and the weather to life – you can feel the isolation and experience what it is like to be lost in a howling snowstorm. The emotional tension is brilliantly done too, the sense of despair, confusion and dread is almost unbearable. My only criticism, a small one, is that when I reached a certain point in the novel, quite a bit before the end, it seemed obvious to me what the outcome would be. It didn’t spoil my enjoyment, but I would have preferred not to have known and is the reason I’ve given this 4 stars instead of 5.

My thanks to the publishers for my copy via Netgalley.

My Friday Post: Snowblind by Ragnar Jónasson

Book Beginnings Button

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

The book I’m featuring this week is Snowblind by Ragnar Jónasson, one of my TBRs.

Snowblind

The red stain was like a scream in the silence.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

30879-friday2b56These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader. If you have to improvise, that is okay.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

Ari Thor picked up the book he had bought, in spite of the promise he’d made to himself to save it until after dinner. He was eking out his small pleasures to keep the boredom at bay. Only a few pages into the book, he realised that he hadn’t taken anything in.

Blurb:

Siglufjörður: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors – accessible only via a small mountain tunnel.

Ari Thór Arason: a rookie policeman on his first posting, far from his girlfriend in Reykjavik – with a past that he’s unable to leave behind. When a young woman is found lying half-naked in the snow, bleeding and unconscious, and a highly esteemed, elderly writer falls to his death in the local theatre, Ari is dragged straight into the heart of a community where he can trust no one, and secrets and lies are a way of life.

An avalanche and unremitting snowstorms close the mountain pass, and the 24-hour darkness threatens to push Ari over the edge, as curtains begin to twitch, and his investigation becomes increasingly complex, chilling and personal. Past plays tag with the present and the claustrophobic tension mounts, while Ari is thrust ever deeper into his own darkness – blinded by snow, and with a killer on the loose.

~~~

What do you think? Would you keep reading?

 

The Island by Ragnar Jónasson

Nordic Noir – dark, chilling and utterly gripping

The Island (Hidden Iceland #2)

Penguin UK Michael Joseph|4 April 2019|313 pages|Review copy|5*

I was delighted to receive a review copy of  The Island by Ragnar Jónasson from the publishers.  

This is my first book by Ragnar Jónasson. I discovered after I’d read it that it’s the second in his Hidden Iceland series – but I had no difficulty reading it as a standalone novel. It begins with a Prologue that indicates that the main story has elements of horror as well as mystery. It’s unsettling and sinister.

Four friends visit the isolated island of Elliðaey off the coast of Iceland, ten years after the murder of a fifth friend, Katla, but only three of them return. One of them, Klara, fell to her death from a cliff – but did she jump or was she pushed? Detective Inspector Hulda Hermannsdóttir is sent to investigate. She realises that there are similarities with the death of Katla. A suspect had been charged, but had committed suicide before the verdict was announced and the case had been closed. But are the two murders connected, even though they are ten years apart?

Hulda is an interesting character, with a back story that is only partly revealed in this book. Her name means ‘hidden woman‘. The first book in the series dealt with her later life, with this second book going back in time to her earlier life. In The Island she lives alone, her mother having recently died and there is a mystery about her father. She only knows that he was an American soldier and part of the novel records her search for him. It’s a police procedural, so Hulda’s somewhat fractious relationships with her colleagues also form part of the story.

The narrative also switches between the deaths of the two young women ten years apart, told from the various characters’ perspectives. They present an intricate mystery that Hulda gradually unravels, sifting through the lies that the suspects tell her. It’s not a fast-paced novel, but it is full of suspense and foreboding, set against the beautiful and dramatic Icelandic landscape. One by one I suspected each character, unsure who to believe. I loved it!

My thanks to the publishers, Penguin UK Michael Joseph for my review copy via NetGalley.