Mini Reviews

This year has been a good time for reading books, but not a good time as far as writing reviews goes and I am way behind. This is the second set of mini reviews in an attempt to catch up with the backlog.

Give Unto Others by Donna Leon 3*

I read this because I’ve read just a few of the Commissario Guido Brunetti crime fiction novels and enjoyed them. This one is described on Goodreads as follows:

The gifted Venetian detective returns in his 31st case – this time, investigating the Janus-faced nature of yet another Italian institution. Brunetti will have to once again face the blurred line that runs between the criminal and the non-criminal, bending police rules, and his own character, to help an acquaintance in danger.

This is an unusual mystery, slow to begin with then gradually gathering pace, as Brunetti unofficially agrees to do Elisabetta Foscarini, an ex-neighbour a favour. She is worried about her daughter’s husband, Enrico Fenzo an accountant, who she fears is in danger. Brunetti enlists the help of his colleagues Griffoni, Vianello, and Signorina Elettra with his investigations. What they uncover is a tangled web surrounding a South American charity that Fenzo had helped Elisabetta’s husband set up, the Belize nel Cuore, providing a hospital and medical services to the poor.

It was entertaining and I enjoyed the descriptions of Venice, just opening up to tourists again after the pandemic. I thought it would have been better as an official police investigation. But it does give an insight into the way charities are set up and can be misused. And there’s a particularly disturbing picture of what dementia can do to a person.

Not Dead Yet by Peter James 4*

I really enjoyed this book, the 8th Roy Grace book. If you’ve been watching the TV adaptation this story was the last one they produced, as usual with adaptations, with several differences from the book. As I’ve said before I prefer the books and this one was very good. This is the summary from Amazon:

The return of a Brighton girl turned movie star spells nothing but trouble for Detective Superintendent Roy Grace in the gripping crime novel Not Dead Yet, by award winning author Peter James.

Gaia Lafayette has a movie to shoot back home and Grace is in charge of her security. Yet when a vicious gangster is released from prison and an unidentifiable headless torso is found, a nightmare unfolds before Grace’s eyes.

An obsessed stalker is after Gaia – and Grace knows that they may be at large in his city, waiting, watching, planning . . .

It’s fast paced, complicated and totally gripping. I loved all the details of the scenes of the filming in Brighton’s Royal Pavilion and also the ongoing story of Roy’s missing wife. Now I’m looking forward to reading the 9th book in the series, Dead Man’s Time.

Snow Country by Sebastian Faulks 2*

This is the synopsis on Goodreads:

1914: Young Anton Heideck has arrived in Vienna, eager to make his name as a journalist. While working part-time as a private tutor, he encounters Delphine, a woman who mixes startling candour with deep reserve. Entranced by the light of first love, Anton feels himself blessed. Until his country declares war on hers.

1927: For Lena, life with a drunken mother in a small town has been impoverished and cold. She is convinced she can amount to nothing until a young lawyer, Rudolf Plischke, spirits her away to Vienna. But the capital proves unforgiving. Lena leaves her metropolitan dream behind to take a menial job at the snow-bound sanatorium, the Schloss Seeblick.

1933: Still struggling to come terms with the loss of so many friends on the Eastern Front, Anton, now an established writer, is commissioned by a magazine to visit the mysterious Schloss Seeblick. In this place of healing, on the banks of a silvery lake, where the depths of human suffering and the chances of redemption are explored, two people will see each other as if for the first time.

Sweeping across Europe as it recovers from one war and hides its face from the coming of another, SNOW COUNTRY is a landmark novel of exquisite yearnings, dreams of youth and the sanctity of hope. In elegant, shimmering prose, Sebastian Faulks has produced a work of timeless resonance.

My thoughts:

I was disappointed by this novel, mainly because I found it quite dull in places, which I hadn’t expected from the synopsis or the 5 and 4 star reviews on both Amazon and Goodreads. The best defined character is Lena, but the others seem rather flat – one dimensional and hard to distinguish. This may, of course, be down to me as I found it rather muddled and I had to keep recapping just to clarify who they were. So, I struggled to read it and eventually lost interest. But I did finish it.

First Chapter First Paragraph: Falling in Love

Every Tuesday Diane at Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros to share the first paragraph sometimes two, of a book that she’s reading or planning to read soon.

This week’s first paragraph is from a library book that I’ll be reading soon, Falling in Love by Donna Leon. It’s the 24th Commissario Brunetti novel.

Falling in Love (Brunetti 24)

It begins:

The woman knelt over her lover, her face, her entire body stiff with terror, staring at the blood on her hand. He lay on his back, one arm flung out, palm upturned as if begging her to place something into it; his life, perhaps. She had touched his chest, urging him to get up, so they could get out of there, but he hadn’t moved, so she had shaken him, the same old sleepy-head who never wanted to get out of bed.

Blurb (from back cover):

As an opera superstar at La Fenice in Venice, Flavia is well acquainted with attention from adoring fans and aspiring singers. But when anonymous admirer inundates her with bouquets of yellow roses, which start to appear in her dressing room and even inside her locked apartment, she begins to fear for her safety and calls in an old friend.

Enter Commissario Brunetti.

But soon the threat becomes more serious. Brunetti must enter the psyche of an obsessive fan and find the culprit before anyone, especially Flavia, comes to harm.

I’ve only read a few of the Brunetti novels and certainly not in the order they were written. Apparently Flavia appeared in the first book, Death at La Fenice, in which Flavia Petrelli, one of Italy’s finest living sopranos had been the prime suspect in the poisoning of a renowned German conductor – until Brunetti cleared her name.

This title doesn’t say this book is crime fiction to me. What do you think?

Wilful Behaviour by Donna Leon: Book Review

Wilful Behaviour begins with an explosion …

The explosion came at breakfast. Brunetti’s position as a commissario of police, though it made for the possibility of explosion more likely than it would be for the average citizen, did not make the setting any less strange. The location, however, was related to Brunetti’s personal situation as the husband of a woman of incandescent, if inconsistent, views and politics, not to his profession.

‘Why do we bother to read this disgusting piece of garbage?’ Paola exploded, slamming a folded copy of the day’s Gazzettino angrily onto the breakfast table, where it upset the sugar bowl. (page 1)

Wilful Behaviour

  • Paperback: 368 pages
  • Publisher: Arrow; First Thus edition (26 Feb 2009)
  • Language English
  • ISBN-10: 0099536625
  • ISBN-13: 978-0099536628
  • Source: Library Book

Brief Description

When one of his wife Paola’s students comes to visit him, with a strange and vague interest in investigating the possibility of a pardon for a crime committed by her grandfather many years ago, Commissario Brunetti thinks little of it, beyond being intrigued and attracted by the girl’s intelligence and moral seriousness. But when she is found murdered, clearly stabbed to death, Claudia Leonardo is suddenly no longer simply Paola’s student, but Brunetti’s case ‘¦’

My view

I’ve been reading Donna Leon’s Commissario Brunetti’s books set in Venice, completely out of order of their publication. It doesn’t  matter at all to me. Her books are crime fiction, but also discuss various social and cultural issues and Wilful Behaviour is no exception. The effects of the Second World War feature largely in this book, the different attitudes Italians had during the war – secrets of collaboration, resistance fighters, the exploitation of Italian Jews – and the way modern day Italians view the past.

I read the book quickly keen to discover who had killed Claudia and why, following the intricacies of Italian bureaucracy with interest, the planning process for example. The question of honour is also uppermost, with Paola, who had been lecturing her university students ‘on the theme of honour and honourable behaviour and the way it was central to [Edith]Wharton’s three great novels,‘  wondering ‘whether it still had the same meaning for her students; indeed whether it had any meaning for her students.’

Brunetti consults his father-in-law, Count Falier, who with his myriad connections is a source of information on the people and workings of Venice. Through him he learns more about Luca Guzzardi, Claudia’s grandfather who had been convicted of war crimes after the war. Guzzardi was ‘one of the people appointed to decide which pieces of decadent art should be disposed of by galleries and museums.’ And it is these works of art and their current whereabouts that provide the clue to why Claudia was murdered, but don’t point exactly to the culprit.

Wilful Behaviour has an intricate plot, with characters who are fallible and so believable. I like the way Brunetti works, gathering information from various sources including the ever-resourceful Signorina Elettra and the interactions with his family. The ending is not in line with the ideal of justice being seen to be done and Brunetti has to admit to himself that he is ‘helpless to effect any change in the way things would play themselves out.’ It reminds Paola of ‘Jarndyce vs Jarndyce.’