Notre-Dame de Paris by Victor Hugo

I have an old hardback copy of The Hunchback of Notre Dame (first published in 1831) in a very small font, too small for my eyes to cope with these days and a 49p e-book that I downloaded years ago when first got a Kindle. But I didn’t start reading it until a few months ago when FictionFan mentioned she was intending to read it and hold a Review-Along on her blog. I knew next to nothing about the book, not having seen any of the many films or TV versions, but I had read Victor Hugo’s Les Misérables back in 2008 and enjoyed it very much. So, I had high expectations that I would enjoy this one too.

But when I began reading my e-bookI was so disappointed – I thought it was so boring and it was hard to read, the sentences stilted and stumbling and obtuse with no flow. I was tempted to abandon it, after all it is a long book, and there are plenty of other books I want to read. However, I persevered, thinking surely it would get better. It didn’t, so then I wondered if it was me or the translation and began to look for another edition and I ended up with the Oxford World Classics edition, translated and with an introduction by Alban Krailsheimer, Notre-Dame de Paris, which is so much better, so much easier to read!

Rating: 3 out of 5.

The English title is so misleading – this book is not just about the hunchback Quasimodo, the bell-ringer of Notre-Dame, it is historical fiction on a grand scale, with a large cast of characters. It revolves around four main characters – the beautiful gypsy dancer, Esmeralda who fell hopelessly in love with the handsome womaniser, Captain Phoebus de Châteaupers, who has no intentions of marrying her. She in turn is loved by Frollo, the Archdeacon of Notre-Dame and by Quasimodo, the deformed and deaf bell-ringer of the cathedral of Notre-Dame.

But that is not all – it is also the story of the cathedral itself, Notre-Dame de Paris, and Hugo describes it at great length, focusing on the Gothic architectural elements of its structure, particularly its use of the pointed arch and including its flying buttresses, clerestory windows, and stained glass. He was a great advocate for the preservation of its Gothic architecture and was also extremely upset about the changes to the cathedral, the repairs and additions that had been done over the years. And it is not just the cathedral, Hugo also devotes many pages to describing Paris, seeing it from a bird’s eye view and also to the invention of the printing press and its effect on culture, described by Hugo as ‘the greatest event in history’. These digressions were not what I expected to read – I just wanted to get on with the story. I was impatient with the digressions, but looking back at Les Mis, that is exactly what he had done in that book too, so I shouldn’t have been surprised.

The story of the main characters’ relationships is told in a complicated way, going forward and backward in time, filling in the background of the characters, whilst revolving around the events of 1482, during the reign of Louis XI (who makes an appearance in the book). And it is melodramatic, playing on all our emotions. Quasimodo was so named because he was found, abandoned on Quasimodo Sunday (that is the second Sunday after Easter) when he was four years old. He was ‘adopted’ by the sinister Archdeacon, Claude Frollo, and grew up in the cathedral, isolated by his deafness caused by all the years he’d spent ringing the bells, and feared because of his hideous appearance.

This book has everything! It is by turns a farcical comedy, a tale of obsessions and unrequited passions, of love and lust, of a terrible miscarriage of justice, of outsiders, of violent mobs, of cruelty, arrogant men, silly women, of monsters, of alchemy, of intolerance, of prejudice, jealousy, fury, torture, corruption and above all of tragedy. And it has a cast of colourful and distinct characters, that I either despised, loved or hated, including Esmeralda’s little goat Djali, who could dance and do tricks and spells (I loved Djali). It is difficult for me to love the book and equally as hard to dislike it as a whole, set firmly in its medieval time frame, against the dramatic backdrop of the cathedral (even though I grew impatient with all the architectural details). But I was convinced by the end of the book that Hugo had successfully brought the place and the people of 1482 dramatically to life for me.

My apologies to FictionFan for being nearly a week late to her Review-Along and thanks for nudging me into reading Notre-Dame de Paris at long last. I am glad I read it even if I can’t give it more than 3 stars – I  liked it, a good, enjoyable book.

Book Beginnings & The Friday 56: King Solomon’s Carpet by Barbara Vine

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.

I like the title of this Barbara Vine crime novel – King Solomon’s Carpet. It refers to the legend of King Solomon’s magic carpet of green silk which, as it could fly and brought everyone to their destination, is likened to the London Underground. This is one of my TBRs and it’s been sitting on my bookshelves for 12 years! It’s about time I read it …

The Book begins:

A great many things that other people did all the time she had never done. These were the ordinary things from which she had been protected by her money and her ill-health. She had never used an iron nor threaded a needle, been on a bus nor cooked a meal for other people, earned money, got up early because she had to, waited to see the doctor or stood in a queue.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, where you grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.

Page 56:

When the coffee came Tom said she could come and live at Cambridge School if she liked.

‘A school?’

‘It used to be. It’s just a house now where people rent rooms, only the rent’s very low. There’s a room free now Ollie’s going. I asked the man who owns it and he said you could have the Headmaster’s Study’.

Synopsis from Amazon UK:

Jarvis Stringer lives in a crumbling schoolhouse overlooking a tube line, compiling his obsessive, secret history of London’s Underground. His presence and his strange house draw a band of misfits into his orbit: young Alice, who has run away from her husband and baby; Tom, the busker who rescues her; truant Jasper who gets his kicks on the tube; and mysterious Axel, whose dark secret later casts a shadow over all of their lives.

Dispossessed and outcast, those who come to inhabit Jarvis’s schoolhouse are gradually brought closer together in violent and unforeseen ways by London’s forbidding and dangerous Undergound . . .

Barbara Vine: A pseudonym used by Ruth Rendell

Ruth Rendell created a third strand of writing with the publication of A Dark Adapted Eye under her pseudonym Barbara Vine in 1986. Books such as King Solomon’s Carpet, A Fatal Inversion and Anna’s Book (original UK title Asta’s Book) inhabit the same territory as her psychological crime novels while they further develop themes of family misunderstandings and the side effects of secrets kept and crimes done. Rendell is famous for her elegant prose and sharp insights into the human mind, as well as her ability to create cogent plots and characters. Rendell has also injected the social changes of the last 40 years into her work, bringing awareness to such issues as domestic violence and the change in the status of women. (Fantastic Fiction)

Heart of Darkness by Joseph Conrad

Rating: 3 out of 5.

Heart of Darkness, a novella by Joseph Conrad, was originally a three-part series in Blackwood’s Magazine in 1899. Although a gripping story, this was not an enjoyable book for me. But then, I suppose, it is not meant to be. Conrad was writing about the inhumanity of the way the native population in Africa was treated; the greed and cruelty of the Europeans to gain property, business, trade and profit, draining Africa of its natural resources. It paints an appalling picture.

It is a story within a story and has an inner core of mystery. It relates the story told by Charlie Marlow to his friends on a cruising yawl on the Thames as the day ended and dusk fell. He began by saying ‘this also … has been one of the dark places of the earth.‘ He was referring to the Roman invasion of the British Isles centuries earlier, feeling the utter savagery that closed around them as they set out to conquer the land.

Then he went on to tell them about another ‘dark place‘ where he worked as the skipper of a river steamboat, travelling up and down an unnamed mighty African river (assumed to be the Congo) between the stations of an ivory trading business. He hears about the mysterious Mr Kurtz, the ivory trading company’s agent in the interior. He was said to have supernatural powers. What happened to Kurtz, or rather, what Kurtz did, and what he became, were the questions I pondered as I read on. Marlow set out to find Kurtz, which took him deep into the jungle, and also deeper into the heart of the ‘Dark Continent’ and into the darkness of the human soul. Nothing is what it seems, and the mystery surrounding Kurtz has a feverish and nightmare atmosphere. The ambiguity and the vagueness left me feeling puzzled as well as horrified at what was implied. I think it is all the more horrific for not being crystal clear.

It is an horrific tale that I think shows the darkest depths of human behaviour. In doing so Conrad highlights the prejudices and the cruelty and shows how it was at that time – the graphic reality of what happened. It is a powerful criticism of colonialism at its worst, and full of imagery, casting a spotlight on the barbarity of the so-called civilised Westerners. These few words, uttered by Kurtz concisely summarise the whole story: ‘The horror! The horror!’

The 1954 Club

The 1954 Club starts today, hosted by Karen and Simon, who ask everyone to read one or more books published in 1954 – in any language, format, or place – and share their reviews. Together, they will put together an overview of the year.

Books I’ve read and reviewed on this blog:

  1. Destination Unknown by Agatha Christie
  2. Sweet Thursday by John Steinbeck
  3. The Eagle of the Ninth by Rosemary Sutcliff

And these I read years ago before I began blogging, so no reviews:

  1. Mary Anne by Daphne du Maurier – fictional biography about one of du Maurier’s who was the mistress of  Frederick Augustus, the Duke of York and Albany (the ‘Grand old Duke of York’), a son of George III.
  2. Lord of the Flies by William Golding – a novel about a group of schoolboys stranded on an island and what happens when their behaviour descends into darkness.
  3. Under the Net by Iris Murdoch – the first book by her that I read when I was a teenager and I didn’t really understand it!
  4. The Fellowship of the Ring by J R R Tolkien – I’ve read all of the Lord of the Rings books more than once in the past and I was hoping to re-read this the first book for the 1954 Club, but have only just started it.
  5. The Two Towers by J R R Tolkien – the second book in the trilogy.
  6. Katherine by Anya Seton – this novel tells the true story of the love affair that changed history—that of Katherine Swynford and John of Gaunt, Duke of Lancaster, the ancestors of most of the British royal family.

I’ve decided to re-read the Lord of the Rings this year, but my review will not be ready this week!

Ten Authors I Haven’t Read, But Want To

Top Ten Tuesday is a weekly meme created by The Broke and the Bookish and now hosted by Jana at That Artsy Reader Girl. For the rules see her blog.

This week the topic is Authors I Haven’t Read, But I Want to Read Books by Them  My list is of some of these authors and the books by them that I own but haven’t read yet.

  1. Pat Barker – The Regeneration Trilogy
  2. William Boyd – Love is Blind
  3. Jessie Burton – The Miniaturist
  4. Alys Clare – The Enchanter’s Forest
  5. Patricia Highsmith – Strangers on a Train
  6. Robin Hobb – Assassin’s Apprentice
  7. Stieg Larsson – the Millenium series
  8. Michael Ondaatje – The English Patient
  9. Salman Rushdie – Quichotte
  10. Irving Stone – The Agony and the Ecstasy

Book Beginnings & The Friday 56: Rain by Melissa Harrison

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.

I’ve just started reading Rain: Four Walks in English Weather by Melissa Harrison, a ‘meditation on the English landscape in wet weather.’ She describes four walks in the rain over four seasons, across Wicken Fen, Shropshire, the Darent Valley and Dartmoor.

The Book begins with an Introduction:

What does rain mean to you? Do you see it as a dreadful inconvenience, a strange national obsession, or an agricultural necessity? We love to grumble about it, yet we invent dozens of terms to describe it and swap them gleefully; it trickles through our literature from Geoffrey Chaucer to Alice Oswald, and there are websites and apps that mimic its sound, soothing us while we work or sleep. Rain is what makes the English countryside so green and pleasant; it’s also what swells rivers, floods farms and villages and drives people out of their homes.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, where you grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.

Page 56 is in the chapter about her walk in the Darent Valley, in Kent, in August:

Behind the cumulonimbus currently discharging itself over the Darent Valley, more are forming; the afternoon will see thunder and lightning over much of the south-east of England, including London, less than twenty miles away.

Synopsis from Amazon UK:

Whenever rain falls, our countryside changes. Fields, farms, hills and hedgerows appear altered, the wildlife behaves differently, and over time the terrain itself is transformed.

In Rain, Melissa Harrison explores our relationship with the weather as she follows the course of four rain showers, in four seasons, across Wicken Fen, Shropshire, the Darent Valley and Dartmoor.

Blending these expeditions with reading, research, memory and imagination, she reveals how rain is not just an essential element of the world around us, but a key part of our own identity too.

I think I’m going to enjoy this book.

About the Author:

Melissa Harrison is a novelist, children’s author, journalist and nature writer. She contributes a monthly Nature Notebook column to The Times, and also writes regularly for the FT Weekend, the Guardian and the New Statesman. Her most recent novel, All Among the Barley, was the UK winner of the European Union Prize for Literature. It was a Waterstones Paperback of the Year and a Book of the Year in the Observer, the New Statesman and the Irish Times. At Hawthorn Time was shortlisted for the Costa Novel Award and longlisted for the Women’s Prize for Fiction, while Rain: Four Walks in English Weather was longlisted for the Wainwright Prize.