Throwback Thursday: Painting as a Pastime by Winston S. Churchill

Today I’m looking back at my post on Painting as a Pastime by Winston S. Churchill. I first reviewed it on March 15, 2018.

My review begins:

I was delighted on Sunday when my son gave me Painting as a Pastime by Winston Churchill as a Mother’s Day present. I read it straight away and loved it. The cover shows Churchill’s painting of his home, Chartwell. Churchill was forty when he first started to paint at ‘a most trying time‘ in his life and art became his passion and an ‘astonishing and enriching experience‘.

Click here to read my full review

The next Throwback Thursday post is scheduled for June 2, 2022.

New Additions to BooksPlease

Yesterday we went Barter Books in Alnwick, my favourite bookshop (this is a secondhand bookshop where you can ‘swap’ books for credit that you can then use to get more books from the Barter Books shelves). It’s only the second time we’ve visited since January 2020 before the first lockdown.

It’s almost back to ‘normal’ now, so there was no queue to get in. Some people, but not all, were wearing face masks and it was busy, busier than I would have liked and in some sections such as crime fiction and paperback fiction in particular where the bookcases are close together, people were crowded together choosing books, so I didn’t linger, as I would normally do. Consequently I didn’t get any crime fiction books. I did manage to get three historical novels, seizing the opportunity when people had moved away.

I took back 18 books and brought home 6, so I’m still in credit:

The descriptions are from Amazon and from top to bottom the books are:

The Silence of the Girls by Pat Barker, the first book in the Troy series.

There was a woman at the heart of the Trojan War whose voice has been silent – until now. Discover the greatest Greek myth of all – retold by the witness that history forgot . . . Briseis was a queen until her city was destroyed. Now she is a slave to the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive to become the author of her own story?

The King’s Witch – this is historian, Tracy Borman’s debut novel.

As she helps to nurse the dying Queen Elizabeth, Frances Gorges longs for the fields and ancient woods of her parents’ Hampshire estate, where she has learned to use the flowers and herbs to become a much-loved healer.

Frances is happy to stay in her beloved countryside when the new King arrives from Scotland, bringing change, fear and suspicion. His court may be shockingly decadent, but James’s religion is Puritan, intolerant of all the old ways; he has already put to death many men for treason and women for witchcraft.

So when her ambitious uncle forcibly brings Frances to court, she is trapped in a claustrophobic world of intrigue and betrayal – and a ready target for the twisted scheming of Lord Cecil, the King’s first minister. Surrounded by mortal dangers, Frances finds happiness only with the precocious young Princess Elizabeth, and Tom Wintour, the one courtier she can trust.

Nucleus by Roy Clemens – the second in the Tom Wilde series. I’ve already read book 1, Corpus and book 4, Hitler’s Secret.

June 1939. England is partying like there’s no tomorrow . . . but the good times won’t last. The Nazis have invaded Czechoslovakia, in Germany Jewish persecution is widespread and, closer to home, the IRA has embarked on a bombing campaign.

Perhaps most worryingly of all, in Germany Otto Hahn has produced man-made fission and an atomic device is now possible. German High Command knows Cambridge’s Cavendish Laboratory is also close, and when one of the Cavendish’s finest brains is murdered, Professor Tom Wilde is drawn into the investigation. In a conspiracy that stretches from Cambridge to Berlin, and from the US to Ireland, can he discover the truth before it’s too late?

The Sound of Laughter: the Autobiography of Peter Kay – this is my husband’s choice, but I like Peter Kay too, so I’ll probably read this one too.

Peter Kay’s unerring gift for observing the absurdities and eccentricities of family life has earned himself a widespread, everyman appeal. These vivid observations coupled with a kind of nostalgia that never fails to grab his audience’s shared understanding, have earned him comparisons with Alan Bennett and Ronnie Barker.

In his award winning TV series’ he creates worlds populated by degenerate, bitter, useless, endearing and always recognisable characters which have attracted a huge and loyal following.In many ways he’s an old fashioned kind of comedian and the scope and enormity of his fanbase reflects this. He doesn’t tell jokes about politics or sex, but rather rejoices in the far funnier areas of life: elderly relatives and answering machines, dads dancing badly at weddings, garlic bread and cheesecake, your mum’s HRT…

His autobiography is full of this kind of humour and nostalgia, beginning with Kay’s first ever driving lesson, taking him back through his Bolton childhood, the numerous jobs he held after school and leading up until the time he passed his driving test and found fame. 

And finally two books on painting – both to encourage me to actually do some painting, rather than just reading about it.

Painting with Acrylics by Jenny Rodwell – 27 Acrylics Painting Projects, Illustrated Step-By-Step With Advice on Materials and Techniques with demonstrations of how to paint a variety of project, such as landscapes, portraits and still life etc.

Paint and Draw with Tony Hart – I remember enjoying watching Tony Hart’s TV programmes. This book contains 50 projects in a variety of materials – oil, watercolour, acrylic, gouache, pastel, crayon and other material. It looks excellent.

Top Ten Tuesday: Books I Bought/Borrowed Because…

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Top Ten Tuesday is a weekly meme created by The Broke and the Bookish and now hosted by Jana at That Artsy Reader Girl. For the rules see her blog.

This week’s topic is Books I Bought/Borrowed Because… (Fill in the blank. You can do 10 books you bought for the same reason, i.e., pretty cover, recommended by a friend, blurbed by a favorite authors, etc. OR you could do a different reason for each pick.) 

These are some books I’ve bought:

  • All Change by Elizabeth Jane Howard – because this is the last book in her Cazalet series and I’d read all the others. I’d love to re-read the whole series sometime.
  • Bleak House by Charles Dickens after watching the TV series. I much prefer to watch a dramatised version before reading a book – the other way round can be so disappointing.
  • The Help by Kathryn Stockett  after watching the film. Both were good – in different ways.

  • The Murder of Roger Ackroyd by Agatha Christie because I was reading all her books for The Agatha Christie Reading Challenge run by Kerrie at Mysteries in Paradise.
  • The Unlikely Pilgrimage of Harold Fry by Rachel Joyce because I was browsing in a bookshop and saw that it’s about Harold’s journey on foot from one end of the country to the other – from South Devon to Berwick-upon-Tweed and I was intrigued. I wondered which places he went through.
  • L S Lowry: A Life by Shelley Rhode because I love his paintings, so when I saw this book at an exhibition of his work I bought it.

And some books I’ve borrowed:

  • The Little Stranger by Sarah Waters – this is just one of the many books I’ve bought/borrowed because so many other bloggers had praised it, so when I saw at at the library I borrowed it.
  • Quite Ugly One Morning by Christopher Brookmyre – because I went to his author event and then borrowed this book from my son.
  • The Hand That First Held Mine by Maggie O’Farrell because I read her book, Instructions for a Heatwave for book group and as I loved that book one of the other members lent it to me.
  • The Mystery of Princess Louise by Lucinda Hawksley, subtitled Queen Victoria’s Rebellious Daughter. I’ve borrowed it from the library as a friend had borrowed it before me and said it’s very good – and it is.

Painting as a Pastime by Winston S. Churchill

Painting is complete as a distraction. I know of nothing which, without exhausting the body, more entirely absorbs the mind.’

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Unicorn|1 July 2013|Hardcover|96 pages|a gift|5*

I was delighted on Sunday when my son gave me Painting as a Pastime by Winston Churchill as a Mother’s Day present. I read it straight away and loved it. The cover shows Churchill’s painting of his home, Chartwell. Churchill was forty when he first started to paint at ‘a most trying time‘ in his life and art became his passion and an ‘astonishing and enriching experience‘.

It was in 1915, when he had left the Admiralty and although he was still a member of the Cabinet and of the War Council he knew everything but could do nothing. He had great anxiety and no means of relieving it, left with many hours ‘of utterly unwanted leisure in which to contemplate the frightful unfolding of the War‘. So, he began painting.

I was amused to find out that he took the same hesitant steps that I took – using a very small brush, mixed a little paint and then ‘made a mark about as big as a bean’ on his canvas.’ A friend arrived and told him to stop hesitating and showed him how to use a big brush and splash on the paint, which he did with ‘Berserk fury‘.

But Churchill begins, not by  writing about painting, but about the need for a change to rest and strengthen the mind:

… the tired parts of the mind can be rested and strengthened, not merely by rest, but by using other parts. … It is no use saying to the tired ‘mental muscles’ – if one may coin such an expression – ‘I will give you a good rest,’ ‘I will go for a long walk’, or ‘I will lie down and think of nothing.’ The mind keeps busy just the same.

What is needed are hobbies. And then he goes on to write about reading, and about handling books:

Peer into them. Let them fall open where they will. Read on from the first sentence that arrests the eye. Then turn to another. Make a voyage of discovery, taking soundings of uncharted seas. Set them back on their shelves with your own hands. Arrange them on your own plan, so that if you do not know what is in them, you at least know where they are.

But he considers that reading doesn’t provide enough change to rest the mind and that what is needed is something that needs both the eye and the hand – a handicraft. In his case painting fulfils that role. He talks about the fun of painting, the colours and the pleasure he found in not only in painting a picture, but also the pleasure he discovered in a heightened sense of observation, finding objects in  the landscape, he had never noticed before:

So many colours on the hillside, each different in shadow and in sunlight; such brilliant reflections in the pool, each a key lower than what they repeat; such lovely lights gilding or silvering surface or outline, all tinted exquisitely with pale colour, rose, orange, green or violet.

I agree that painting does relax the mind, but I love reading and can be thoroughly absorbed in a book so that I am unaware of the passing of time, just as I also know how quickly time passes  when painting (or in my case in trying to paint). As Churchill wrote:

Whatever the worries of the hour or the threats of the future, once the picture has begun to flow along, there is no room for them in the mental screen. They pass out into shadow and darkness. All one’s mental light, such as it is, becomes concentrated on the task. Time stands respectfully aside, and it is only after many hesitations that luncheon knocks gruffly at the door.

Reading this book was pure pleasure and has encouraged me to pick up my paints again.

One final extract:

Just to paint is great fun. The colours are lovely to look at and delicious to squeeze out. Matching them, however crudely, with what you see is fascinating and absolutely absorbing. Try it if you have not done so — before you die.

Painting as a Pastime was originally published in 1932, one of the twenty three essays in Thoughts and Adventures (whose American title is Amid These Storms).

A Short Book About Drawing by Andrew Marr

I have called this a “A Short Book About Drawing” because that’s what it is. But it is also a book about being happy and the importance of drawing and making, for a happy life. I’ve written books about all sorts of things, but I have never enjoyed one as much as this. (Introduction, page 8)

Reading this book was a pleasure. I thoroughly enjoyed it – it made me happy and it encouraged me to carry on with my drawing. It’s not an instruction book, but it’s full of insight into what happens when you draw and it’s dotted throughout with personal information, such as how Marr began drawing, like most of us at school, what he drew, and how he lingered over drawings and paintings, going to exhibitions such as those at the Royal Scottish Academy.

He refers to artists and their paintings without including illustrations – the only paintings/drawings are his own!  He writes that ‘there isn’t a single drawing here I would regard as a real work of art, but I think most of them will encourage people to try for themselves.’  

He draws most days. This book was written not long before Marr suffered a stroke and it was only after he found himself drawing again – on his iPad – that he began to feel himself again. I would have liked more details about his drawings, about the medium he used –  some are obviously digital, and others are pencil sketches, but others are less obvious, maybe pen and wash?

It is a short book – just 144 pages – but there is a lot packed into those pages. Here are some more quotations that give a flavour of the book:

Chapter 2 ‘On Drawing and Happiness’:

Flow is the proposition that we are happiest when concentrating as much as possible on something that’s both quite hard  and for which we have an aptitude. … Drawing is a source of happiness and inner strength not because it is easy but because it is hard. (pages 30 -35)

Chapter 8 ‘When Did Normal People Start Drawing’. This is a very interesting chapter moving through the centuries and countries until the 1700s in London when

… the real drawing craze spreads from small numbers of enthusiasts to the new middle classes.

Marr states:

Drawing will make you a better person – not morally, necessarily, but it makes you think. It will help you see the hidden patterns all around you, and make you a discriminating lover of landscape, faces and mundane objects. It becomes an education, which changes your brain as much as learning to play the piano or to dance. It is about striving to become more fully human. (page 90)

Today we have been well educated to understand that most of us cannot draw. In the nineteenth century, foolish folk, they did not realise this, so they went off and drew anyway. (page 92)

A Short Book About Drawing is a special book. I thoroughly recommend it.

I read it because I love art, but after I finished reading I realised that it is another book, and a very different one, for the Read Scotland 2014 Challenge as

‘Andrew Marr was born in Glasgow in 1959. He studied English at the University of Cambridge and has since enjoyed a long career in political journalism, working for the Scotsman, the Independent, the Daily Express and the Observer. From 2000 to 2005 he was the BBC’s Political Editor. He has written and presented TV documentaries on history, science and politics, and presents the weekly Andrew Marr Show on Sunday mornings on BBC1 and Start the Week on Radio 4. Andrew lives in London with his family.’ (copied from the back cover)

Pastel Painting

For a change I thought I’d write about what I’ve been painting and some painting books.

After dabbling with watercolours and trying out acrylics I’ve settled on pastel painting – or at least the paintings I’ve done recently have all been with pastels, using a mix of soft pastels, hard pastels and pastel pencils. Pastels are pure pigment, held together with a small amount of gum. You can use them on their own or blended together. You do get your fingers messy though!

First a couple I’ve done of our cat, Heidi.

HeidiA while ago I posted a photo of her in her little tepee – here it is again:

Heidi's new bed P1080027

I tried to paint it, but I haven’t got the tepee quite right – it just looks like a frame:

Heidi in her tepeeThere are loads of books on watercolour and oil paintings, not so many on pastels, but I have a small selection that I’ve found useful. They all begin with the basics, explaining the different types of pastels and the various techniques, composition and giving step by step demonstrations of how to build up your picture.

Pastel books

  •  The Pastel Artist’s Bible, edited by Claire Waite Brown – this is spiral bound so it’s easy to use and full of good ideas, but the illustrations are quite small. This is more of a reference book than an ‘how to paint’ book.
  • Pastel School by Hazel Harrison – another good book of reference on techniques and developing your own style.
  • Pastel Workbook: a complete course in ten lessons by Jackie Simmonds. This is what it says in the title, with lessons in landscape, water and skies, still life, winter scenes and sketching.
  • Pastel Painting Step-by-Step by Margaret Evans, Paul Hardy and Peter Coombs, a lovely book, with large illustrations from three artists demonstrating a variety of styles and techniques.
  • Painting with Pastels, edited by Peter D Johnson, another book of demonstrations by different artists, which I’ve found very useful for the descriptions of how each artist works. It highlights the fact that there is no correct way of painting.