Recent Reading

Published on by Margaret3 Comments

I’ve read some books recently and haven’t written about them – ‘real life’ keeps getting in the way! So here are a few brief notes on three of the books I’ve read this month:

  • The Messenger of Athens by Anne Zouroudi 4/5 – the first in the Hermes Diaktoros, Greek detective series, set on a remote Greek island. Hermes investigates the death of a young woman. It’s great on location and characters, but a bit slow in parts. Each of the books in the series features one of the Seven Deadly Sins – in this one it is the sin of lust. I’ve read the third book in the series – The Doctor of Thessaly – and have the fifth one, The Whispers of Nemesis. I just need to find the second and fourth books to complete the series.
  • Before the Poison by Peter Robinson 4/5. This is a stand-alone book, about Chris Lowndes, a widower who has bought a house in the Yorkshire Dales. Sixty years earlier a man had died there and his wife Grace was convicted of his murder and hanged. Chris wants to discover whether she really was guilty. This is a convincing mystery, told alternating between the present day and the past. Another book well grounded in its locality and with great characterisation.
  • The Inspector’s Daughter by Alanna Knight 3.5/5 – the first in the Rose McQuinn Mystery series. Set in Edinburgh in 1895, Rose, recently returned from America’s Wild West, steps into the shoes of her father, DI Faro (another series of books features this detective). Her friend Alice ask her to investigate her husband’s strange behaviour as she is convinced he’s having an affair. Meanwhile there is also the mystery of the brutal murder of a servant girl to solve. Rose lives in an isolated house at the foot of Arthur’s Seat and is helped by a wild deerhound who appears just when she needs him. An interesting historical murder mystery, convincingly set in the late 19th century, when Edinburgh was developing and the Forth Railway Bridge had just been opened.

March Prompt – A Classics Challenge

Published on by Margaret5 Comments

The focus this month in the Classics Challenge is on Setting.

I’ve just finished re-reading (for the umpteenth time) Jane Austen’s Pride and Prejudice. Each time I read it I still enjoy it immensely. I think knowing what happens next adds to the pleasure. I read it this time looking out for information about the settings – something I haven’t done before, although Pemberley always stands out!

There are many locations, but for this post I’ve chosen Longbourn.

Pride and Prejudice is a novel based on character, plot and is a study of society in the late 18th/early 19th centuries, but above all it is a love story. The settings provide an essential backdrop but in most cases leave a lot to the reader’s imagination; dialogue takes precedence over description – place is really unimportant.

The book begins with no indication of its setting, or time of day, with a conversation between two characters – Mr and Mrs Bennet. And it is only in the third chapter that the location is revealed and then all we learn is that that the family lives in the village of Longbourn, where they are the principal inhabitants. More information about Longbourn is scattered throughout the book. It’s one mile from the village of Meryton, in Hertfordshire, where the militia are quartered for a while, and twenty four miles from London.

Longbourn House is the family home of the Bennets. There is little description of the house. It must be quite large, it has land – an estate, including a farm. The family have the use of a carriage and horses, when they are not needed for farm work. There are servants – a butler, housekeeper, cook and maids, a drawing room, dining-parlour, and dressing rooms as well as bedrooms. There are gardens, with gravel walks, a shrubbery, a hermitage, and what Lady Catherine de Burgh called  ‘a prettyish kind of little wilderness on one side of your lawn.’

Reading the book I haven’t formed a definite picture in my mind what Longbourn House looks like, although I like this one from the 1995 TV series.

Luckington Court the 1995 TV location of Longbourn House © Copyright Paul Ashwin and licensed for reuse under this Creative Commons Licence

 

The Alphabet in Crime Fiction

Published on by Margaret1 Comment

Kerrie’s community meme – The Alphabet in Crime Fiction – is back for 2012 – for full details see her blog, which includes a schedule showing the date that the week’s page will be posted and the letter of the week. It begins on May 21, with, of course, the letter A. Could that be a post about Agatha Christie, or one of her books, I wonder?

The rules are that each Friday you write a blog post about crime fiction related to the letter of the week.

Your post MUST be related to either the first letter of a book’s title, the first letter of an author’s first name, or the first letter of the author’s surname, or even maybe a crime fiction “topic”. But above all, it has to be crime fiction. It is ok to skip a week.

I’ve signed up and will be posting each week where possible – some letters are always tricky!

Happy Mother’s Day

Published on by Margaret3 Comments

Today is Mother’s Day, or Mothering Sunday. My son knows what I like and sent me this book:

OakOak by Stephen Taylor

It’s a beautiful book telling and showing how British artist Stephen Taylor has painted the same oak tree in a field in Essex, England, dozens of times over a period of three years in extremes of weather and light, at all times of the year and hours of the day.

I’m fascinated by how artists create their pictures and this book is excellent. Not only is it full of illustrations, but Stephen also describes his methods of painting, outside and in the studio and explains what he was aiming to achieve.

I hope to write more about this book when I’ve had more time to study it. One thing that struck me immediately was this fact stated in Alain de Botton’s introduction:

The oak is estimated to be 250 years old. It was therefore already home to skylarks and starlings when Jane Austen was a baby and George III the ruler of the American colonies.

I love such connections! Thank you, Paul.

The Labours of Hercules by Agatha Christie: a Book Review

Published on by Margaret4 Comments

The Labours of Hercules is a collection of 12 short stories featuring Hercule Poirot, first published in 1947. Poirot is thinking of retiring, but before he does he wants to solve 12 more cases and not just any cases. These have to correspond to the Twelve Labours of Hercules, specially selected problems that personally appeal to him.

Most of the stories are quite easy to work out, but that doesn’t detract from the pleasure of reading them. And so that he can complete his twelve cases, Poirot does some uncharacteristic travelling around the world – he can’t rely solely on his ‘little grey cells.’

The labours of Hercules were set for the classical Greek hero by King Eurystheus of Tiryns as a penance. On completing them he was rewarded with immortality. On the face of it, Poirot and Hercules are vastly different, both in character and appearance and after immersing himself in classical lore, Poirot decides he is definitely superior, as he looks at himself in the mirror he thinks:

Here, then, was a modern Hercules – very distinct from that unpleasant sketch of a naked figure with bulging muscles, brandishing a club. Instead a small compact figure attired in correct urban wear with a moustache – such a moustache as Hercules never dreamed of cultivating – a moustache magnificent yet sophisticated.

Yet there was between this Hercule Poirot and the Hercules of Classical lore one point of resemblance. Both of them, undoubtedly, had been instrumental in ridding the world of certain pests … Each of them could be described as a benefactor to the Society he lived in … (page 14)

  •  The first case is my favourite of the twelve. It corresponds to killing the Nemean lion a frightful beast. It’s a mystery concerning the kidnapping of a Pekinese dog. At first Poirot is reluctant to take on the case, disapproving of such dogs – ‘bulging-eyed, overpampered pets of a rich woman.’ But there is one small detail that is unusual and he is curious. And as one of the characters tells him. ‘according to the legend, Pekinese were lions once. And they still have the hearts of lions.’
  • The Lernean Hydra was a monstrous snake with many heads. In the second case Poirot’s modern equivalent is malicious gossip, spreading rumours of murder, which he ‘kills’ by discovering who the real culprit was.
  • The Arcadian Deer – Poirot helps a young mechanic, who is ‘a simple young man with the outward appearance of a Greek god’  reminding him of a ‘shepherd in Arcady’ to find a beautiful young woman who has disappeared – the Arcadian deer.
  • Poirot’s equivalent of the fourth labour of Hercules in the Erymanthian Boar is to capture a violent murderer. Set high in the Swiss Alps, Poirot is in great danger as he contends with an infamous gang leader and in doing so he is uncharacteristically physically active!
  • In the Augean Stables Poirot gets involved in politics, averting a scandal using a force of nature, as Hercules used a torrential river to cleanse the stables belonging to King Augeas. Poirot’s equivalent is a sex scandal to divert attention from political chicanery.
  • The Stymphalean Birds – man-eating birds. In this case Poirot is in Herzoslovakia where Harold Waring is having a restful holiday when he meets a delightful English couple – an elderly woman and her pretty daughter. Also staying at the hotel are two other  women – who are not English and who seem to him to be ‘birds of ill omen’. Harold soon finds himself a victim and it is up to Poirot to chase away the ‘birds’ from their hiding place.
  • The Cretan Bull – in the legend Hercules captures the bull, which was possibly the father of the Minotaur. Diana Maberley appeals to Poirot for help after her fiancé breaks off their engagement as he fears he is going mad. The connection with the legendary story is very slight.
  • The Horses of Diomedes – the eighth labour of Hercules was to capture the wild horses that were fed on human flesh. Poirot’s equivalent are human beasts who supply drugs – ‘the person who deliberately profits from the degradation and misery of other people is a vampire preying on flesh and blood.’
  • The Girdle of Hyppolita was captured by Hercules after he had defeated the Amazons and either killed their Queen or had captured one of her generals. Poirot’s ‘Girdle’ is a Rubens masterpiece, stolen in broad daylight. Initially it doesn’t interest him very much, but it brought the case of the Missing Schoolgirl to his attention – and that interested him much more. She had apparently disappeared off a train, leaving a pair of shoes on the railway track.
  • The Flock of Geryon – in the legend Hercules kills the monster, Geryon, to gain control of the flock. Poirot, of course, doesn’t kill anyone. He meets Miss Carnaby (who is also in the first story, the Nemean Lion) who tells him how worried she is about her friend who she believes is being victimised by Dr Andersen, the leader of a religious sect, The Flock of the Shepherd.
  • The Apples of the Hesperides. There are several versions of this. The apples grew on a tree guarded by a dragon – Hercules either killed the dragon, or sent Atlas for the apples, in the meanwhile holding up the world on his own shoulders. Poirot’s apples are emeralds on a tree around which a dragon is coiled, on a missing Italian renaissance goblet. It seems that Poirot may have to go on a world tour to retrieve the goblet – to investigate locations in five different parts of the globe.
  • The Capture of Cerberus – a three-headed dog guarding the gates of Hades, or Hell. In Poirot’s final case Hell is a nightclub run by the Countess Vera Rossakoff, an old friend of Poirot’s. This nightclub is guarded by the ‘largest and ugliest and blackest dog’  Poirot has ever seen. Entrance to the club is only after throwing a ‘sop’ to Cerberus from a basket of dog biscuits. The police believe it’s the headquarters of a drug racket involving the fencing of stolen jewellery. Poirot can’t believe that Vera, for whom he has a soft spot, can be involved. I liked the ending of this story when Miss Lemon queries a bill for roses sent to the Countess. He responds:

‘There are moments,’ he said, ‘when one does not economise.’

Humming a little tune, he went out of the door. His step was light, almost sprightly. Miss Lemon stared after him. Her filing system was forgotten. All her feminine instincts were aroused.

‘Good gracious,’ she murmured. ‘I wonder … Really – at his age! … Surely not…’

I enjoyed this book both for the linking of Poirot’s cases with the Labours of Hercules and for the personal snippets of information about Poirot, scattered throughout the text.