The Darkness Manifesto by Johan Eklöf, translated by Elizabeth DeNoma

Virgin| 3 Novmber 2022| 205 pages| Review Copy| 3.5*

How much light is too much light? The Darkness Manifesto urges us to cherish natural darkness for the sake of the environment, our own wellbeing, and all life on earth.

The world’s flora and fauna have evolved to operate in the natural cycle of day and night. But constant illumination has made light pollution a major issue. From space, our planet glows brightly, 24/7. By extending our day, we have forced out the inhabitants of the night and disrupted the circadian rhythms necessary to sustain all living things. Our cities’ streetlamps and neon signs are altering entire ecosystems.

Johan Eklöf encourages us to appreciate natural darkness and its unique benefits. He also writes passionately about the domino effect of damage we inflict by keeping the lights on: insects failing to reproduce; birds blinded and bewildered; bats starving as they wait in vain for insects that only come out in the dark. And humans can find that our hormones, weight and mental well-being are all impacted.

Johan Eklöf, PhD, is a Swedish bat scientist and writer, most known for his work on microbat vision and more recently, light pollution. He lives in the west of Sweden, where he works as a conservationist and copywriter. The Darkness Manifesto is his first book to be translated into English.

~~~

Until I read The Darkness Manifesto: How Light Pollution Threatens the Ancient Rhythms of Life all I knew about light pollution was its effect on the night sky, how artificial light impairs our view of the sky, the stars and the planets. But I hadn’t realised just how much it adversely affects our environment, wildlife and our own health. This book is full of fascinating facts about the impact that darkness and the night have on all living creatures, including ourselves.

Artificial lighting today makes up a tenth of our total energy usage but most of it is of little benefit to us, spilling out into the sky. Animals cannot distinguish between artificial light and natural daylight which means their circadian rhythms are disrupted, sending body clocks awry, disrupting our sleep.

There is, of course, the need for safety and security, and Eklöf cites several examples of places around the world that have projects that promote darkness, and have established light pollution laws, such as France where there are regulations to limit how much light, and what kind of light, can be emitted into the atmosphere. The light needs to be adapted to suit the needs of both animals and humans.

Eklöf ends his book with his Darkness Manifesto, urging us to become aware of the darkness, to protect and preserve it individually by turning off lights when not in a room, and letting your garden rest in darkness at night; to discover nocturnal life; to observe the different phases of twilight and how the sun gives way to the moon and stars; and to learn more about the darkness and its importance for the survival of animals and plants. He also asks us to inform local authorities about the dangers of light pollution. To my mind the current energy crisis is another reason to reduce our use of lighting and electricity.

My thanks to the publishers for a review copy via NetGalley.

Book Beginnings & The Friday 56: Rain by Melissa Harrison

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.

I’ve just started reading Rain: Four Walks in English Weather by Melissa Harrison, a ‘meditation on the English landscape in wet weather.’ She describes four walks in the rain over four seasons, across Wicken Fen, Shropshire, the Darent Valley and Dartmoor.

The Book begins with an Introduction:

What does rain mean to you? Do you see it as a dreadful inconvenience, a strange national obsession, or an agricultural necessity? We love to grumble about it, yet we invent dozens of terms to describe it and swap them gleefully; it trickles through our literature from Geoffrey Chaucer to Alice Oswald, and there are websites and apps that mimic its sound, soothing us while we work or sleep. Rain is what makes the English countryside so green and pleasant; it’s also what swells rivers, floods farms and villages and drives people out of their homes.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, where you grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.

Page 56 is in the chapter about her walk in the Darent Valley, in Kent, in August:

Behind the cumulonimbus currently discharging itself over the Darent Valley, more are forming; the afternoon will see thunder and lightning over much of the south-east of England, including London, less than twenty miles away.

Synopsis from Amazon UK:

Whenever rain falls, our countryside changes. Fields, farms, hills and hedgerows appear altered, the wildlife behaves differently, and over time the terrain itself is transformed.

In Rain, Melissa Harrison explores our relationship with the weather as she follows the course of four rain showers, in four seasons, across Wicken Fen, Shropshire, the Darent Valley and Dartmoor.

Blending these expeditions with reading, research, memory and imagination, she reveals how rain is not just an essential element of the world around us, but a key part of our own identity too.

I think I’m going to enjoy this book.

About the Author:

Melissa Harrison is a novelist, children’s author, journalist and nature writer. She contributes a monthly Nature Notebook column to The Times, and also writes regularly for the FT Weekend, the Guardian and the New Statesman. Her most recent novel, All Among the Barley, was the UK winner of the European Union Prize for Literature. It was a Waterstones Paperback of the Year and a Book of the Year in the Observer, the New Statesman and the Irish Times. At Hawthorn Time was shortlisted for the Costa Novel Award and longlisted for the Women’s Prize for Fiction, while Rain: Four Walks in English Weather was longlisted for the Wainwright Prize.

Ten Nature TBRs

Top Ten Tuesday is a weekly meme created by The Broke and the Bookish and now hosted by Jana at That Artsy Reader Girl. For the rules see her blog.

It’s a Freebie this week, so I’ve chosen to list ten books on various aspects of nature that I haven’t read yet. I got this idea a few weeks ago from Hopewell’s Public Library of Life’s blog when she listed some of her nature TBRs.

The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century by Kirk Wallace Johnson – this combines many genres – biography, true crime, ornithology, history, travel and memoir – to tell the story of an audacious heist of rare bird skins from the Natural History Museum at Tring in 2009. Chris Packham recommended this book on his lockdown programme the Self-Isolating Bird Club and I thought it sounded fascinating.

The Hidden Life of Trees Peter Wohlleben – I love trees but I never thought that trees had a ‘hidden life’ as described in this book. So, I was intrigued by the title – is it possible that trees are like human families as Wohlleben describes. I admit that I am sceptical, but as I haven’t read it yet I’m trying to keep an open mind. This book is described as drawing on groundbreaking scientific discoveries to describe how trees are like human families: tree parents live together with their children, communicate with them, support them as they grow, share nutrients with those who are sick or struggling, and even warn each other of impending dangers.

I have often wondered what animals are thinking and feeling – especially when I saw the reaction of Ben, our dog when Zoe, our other dog died. He was clearly devastated and howled. So, I want to read The Inner Life of Animals: Surprising Observations of a Hidden World  by Peter Wohlleben – stories about the emotions, feelings, and intelligence of animals around us. Animals are different from us in ways that amaze us – and they are also much closer to us than we ever would have thought. 

Rain: Four Walks in English Weather by Melissa Harrison – a ‘meditation on the English landscape in wet weather.’ She describes four walks in the rain over four seasons, across Wicken Fen, Shropshire, the Darent Valley and Dartmoor. I have to admit that I’m not keen on walking in the rain, so I’m hoping to find encouragement in this book.

 The Therapeutic Garden by Donald Norfolk is a book I’ve had for years. I’ve not read all of it – just dipped into a few chapters. It’s about the healing power of nature through gardening. I am not a keen gardener, I don’t know enough about it. This is not a practical ‘how-to’ gardening book, but uses gardening as an enjoyable means to bring wholeness, health and healing.

Another book about the value of gardening to relieve stress and help us look after our mental health is The Well Gardened Mind: Rediscovering Nature in the Modern World by Sue Stuart-Smith. It combines contemporary neuroscience, psychoanalysis and brilliant storytelling, to investigate the magic that many gardeners have known for years – working with nature can radically transform our health, wellbeing and confidence.

The Wild Remedy: How Nature Mends Us – A Diary by Emma Mitchell. This is another book Chris Packham recommended and Emma appeared several times on his Self Isolating Bird Club. The book is beautifully illustrated and is Emma’s diary of her walks along the paths and trails around her cottage and further afield, sharing her nature finds and tracking the lives of local flora and fauna over the course of a year. 

The Overstory by Richard Powers, a novel about nine strangers brought together by an unfolding natural catastropheA friend recommended this book, telling me how wonderful it is. It’s about trees and about protecting trees – and I love trees!

Islands of Abandonment: Life in the Post-Human Landscape by Cal Flyn, a book about what happens when humans leave and nature is allowed to reclaim its place. It looks at Chernobyl, uninhabited Scottish islands, volcanic regions of the Caribbean and the lush forests of Tanzanian mountains.

We have lots of books about birds, most of which are reference books to dip into to identify the birds we don’t recognise, but Garden Bird Songs and Calls by Geoff Sample is a bit different. It’s a short book – an audio guide, designed to help identify birds by their song with a CD of the sounds of 40 of the most common and vocal garden birds. There are also written descriptions of the songs. So far I’ve only tried to identify the robin’s song.

How to Catch a Mole by Marc Hamer

Longlisted for the Wainwright Book Prize 2019, How to Catch a Mole and Find Yourself in Nature is a beautiful book by Marc Hamer and illustrated by Joe McLaren. It is part memoir, part a nature study of the British Countryside, part poetry, and, of course, about moles. It is a mine of information. After leaving school Marc Hamer was homeless for a while, then worked on the railway, before returning to education and studying fine art in Manchester and Stoke-on-Trent. He has worked in art galleries, marketing, graphic design and taught creative writing in a prison before becoming a gardener. And before writing this book he had been a traditional molecatcher for years.

I read the book in January and have been wondering what to write about it, mulling it over in my mind. I’ve made several attempts to write this post as it’s not a straight forward non fiction book. He tells the story of his life intermingled with that of the mole, writing about what his life as a molecatcher was like, how it affected him and why eventually he decided to stop. The result is that this book is a mix of recollections and information about moles. He doesn’t write his recollections in chronological order – the harder he tries to remember, the more his memory seems to shift and change as though he is looking into a kaleidoscope where the colours remain the same and although the patterns are slightly different every time, the picture remains true to itself.

He no longer catches moles and says:

Molecatching is a traditional skill that has given me a good life but I am old and tired of hunting and it has taught me what I wanted to learn.

I’ve only seen a mole once when our cat caught what I think, sadly, was a baby one, and I know very little about them. Our garden has mole hills on the edges of it, piles of earth that the moles have turned over, and dug to a fine crumb – ‘the kind of damp rich earth that farmers and gardeners love for its texture and nutrients.’ So, I’m comfortable with having moles in the garden.

Not everybody is happy about them, however as Hamer points out:

Apparently sane people lose sleep over the chaos the moles create. We do not like to lose control of our property it makes us feel uncomfortable, impermanent, weak. Moles can ruin domestic lawns, and I have seen real hatred developing in homeowners as they lose control and ownership of their gardens. An obsession grows and an endless, unwinnable war can take over their lives. (pages 17-18)

Moles are small and powerful, moving at speed in their tunnels hunting worms and digging about 20 metres of tunnel in a day. They pack the soil into the roof and walls, pushing the soil ahead until there is too much to push and then make a diversion pushing the earth out onto the surface making a molehill. They go where the worms go. I was fascinated by this fact:

In times of plenty a mole will dig a little room in the wall of his tunnel, then gather lots of worms and bite their heads off, leaving them all knotted together in a section of tunnel. We call this the worm larder; it is a fairly common sight. A tunnel system could have any number of worm larders. (pages 202-203)

I was also interested in his thoughts on gardening. Here are a few extracts:

Gardening is not nature: it is using the laws of nature and science to impose our will on a place; and for some people this need for control goes to extremes. (page 19)

As a gardener I do not dig any more: I hoe off the weeds and top-dress the gardens in autumn with compost just as nature does with falling leaves and grasses. This keeps the moisture in and the weeds suppressed; it allows the worms to break up hard soil and increases microbial activity, allowing life to expand its range, and lets air and water into the soil. Moles do this for us. Some gardeners still double-dig, but more and more people are coming to understand the importance of microbes and fungi, and often see digging as destructive and prefer to stay off the soil to avoid compacting it. (pages 58-59)

And

A fine-looking garden is a sterile place. A perfect green lawn is only kept that way by continually dousing it with chemicals. A lawn that is not treated will naturally become home to a massive number of species of birds and worms and native wild plants, crane-fly larvae, beetles, invertebrates. (page 223)

I don’t usually include so many quotations and such lengthy ones, but I’ll end with one more quotation:

Having worked all my life, created a family, discovered a home, I feel as secure as a working-class man ever feels, and I feel a sense of equality again with the crow and the toad and the hawthorn, with the rain and wind. I am them and they are me. . . . I am just another animal, another tree, another wild flower in the meadow among billions of others. . . . There is something deeply magnificent in being just ordinary. (page 115)

  • Publisher ‏ : ‎ Harvill Secker; 1st edition (4 April 2019)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 256 pages
  • ISBN-10 ‏ : ‎ 1787301249
  • ISBN-13 ‏ : ‎ 978-1787301245
  • Source: Borrowed from my son
  • My Rating: 5*

Blue Tits in Our Nest Box

Our garden is visited by many birds and each year we’ve enjoyed watching them on the bird feeders. House martins have nested in the gable ends of the house and given us splendid aerial displays. Pheasants are regular visitors, Other birds have also made nests, some in bird boxes and this year we got a new blue tit box – one with a camera and waited to see whether it would be occupied.

We were lucky, as one blue tit spotted it and she started to occupy it, flying in and out and pecking the edges of the hole. For a while she was on her own. She spent quite a lot of time knocking with her beak on the walls of the box and then a male came flying in and joined her hopping around the box to inspect it. They looked so funny as their feet skidded on the smooth floor of the box, but then they began to bring in bits of plant material, scattering it around, then re-arranging it haphazardly. And then they removed all of it and I thought they’d decided to go elsewhere – but no, they came back and more material appeared and then they took it all out. This went on for a while.

I wondered if this was normal and decided I needed to find out more about their nesting habits. After checking several bird websites, I found this little book – Blue Tits in My Nest Box by David Gains, a mine of information.

And I was relieved to read that this was exactly what the blue tits in his bird box did too. I breathed a sigh of relief and waited to see what would happen next. It’s the female that does most of the nest building And she kept on bringing in more plant material and feathers, tossing it all around, then sitting in the middle of the mass, holding out her wings and shuffling round and round, she made a hollow with her body.

This doesn’t look like the nests you see on TV wildlife programmes, but eventually she was satisfied with it and laid her eggs. We were so excited as one by one five little featherless chicks hatched. Sadly one of them died and we had to remove it from the nest. In the photo below you can see their open mouths as they waved the heads around when the adult birds came in to feed them. The fourth bird was smaller than the others – you can just see its little mouth behind the others. I’m sure it didn’t get as much as the others as they jumped on top of it to get fed!

As they got bigger they began to flatten the nest, jumping up and down, trying out their wings. Eventually the day came when one by one they left the nest until there was just the smallest one left. It kept trying to jump up to the hole and I didn’t think it was big enough to survive outside, but it made it. And we next saw them in the garden on the bird feeders and trees, fluttering their wings and opening their beaks as the parents continued to feed them.

I began writing this post earlier this year when the blue tits were hatching and never finished it. I spent so much time watching what was going on in the nest I got so behind with everything. It was fascinating.


Latest e-book additions at BooksPlease

We’re in self isolation right now and one of the things I’m hoping to do is to spend more time than usual reading. And one of the best things about reading e-books is that you don’t have to go out of the house or meet anyone to get them. 

The Overstory by Richard Powers – this was my Mother’s Day present from my son.

An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. An Air Force crewmember in the Vietnam War is shot out of the sky, then saved by falling into a banyan.

This is the story of these and five other strangers, each summoned in different ways by the natural world, who are brought together in a last stand to save it from catastrophe.

The Feather Thief : Beauty, Obsession, and the Natural History Heist of the Century by Kirk Wallace Johnson – I’ve been watching Chris Packham’s daily live broadcasts and this is one of the books that he recommended.

One summer evening in 2009, twenty-year-old musical prodigy Edwin Rist broke into the Natural History Museum at Tring, home to one of the largest ornithological collections in the world. Once inside, Rist grabbed as many rare bird specimens as he was able to carry before escaping into the darkness.

Kirk Wallace Johnson was waist-deep in a river in New Mexico when his fly-fishing guide first told him about the heist. But what would possess a person to steal dead birds? And had Rist paid for his crime? In search of answers, Johnson embarked upon a worldwide investigation, leading him into the fiercely secretive underground community obsessed with the Victorian art of salmon fly-tying.

Was Edwin Rist a genius or narcissist? Mastermind or pawn?

The Dutch House by Ann Patchett – Longlisted for the Women’s Prize 2020. I’d reserved this at the library, but as it’s now closed I decided to buy the e-book!

Danny Conroy grows up in the Dutch House, a lavish mansion. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her wit, her brilliance. Life is coherent, played out under the watchful eyes of the house’s former owners in the frames of their oil paintings.

Then one day their father brings Andrea home. Though they cannot know it, her arrival to the Dutch House sows the seed of the defining loss of Danny and Maeve’s lives. The siblings are drawn back time and again to the place they can never enter, knocking in vain on the locked door of the past. For behind the mystery of their own exile is that of their mother’s: an absence more powerful than any presence they have known.

Told with Ann Patchett’s inimitable blend of humour, rage and heartbreak, The Dutch House is a dark fairy tale and story of a paradise lost; of the powerful bonds of place and time that magnetize and repel us for our whole lives.

Writing Wild by Kathryn Aalto

Writing Wild

3.5*

‘An exciting, expert, and invaluable group portrait of seminal women writers enriching a genre crucial to our future.’ —Booklist

Blurb:

In Writing Wild, Kathryn Aalto celebrates 25 women, both historical and current, whose influential writing helps deepen our connection to and understanding of the natural world. These inspiring wordsmiths are scholars, spiritual seekers, conservationists, scientists, novelists, and explorers. They defy easy categorization, yet they all share a bold authenticity that makes their work both distinct and universal.

Part travel essay, literary biography, and cultural history, Writing Wild ventures into the landscapes and lives of extraordinary writers and encourages a new generation of women to pick up their pens, head outdoors, and start writing wild.

My thoughts:

Writing Wild: Women Poets, Ramblers and Mavericks Who Shape How We See The Natural World is by Kathryn Aalto and illustrated by Gisela Goppel. Published by Timber Press it will be released in paperback on 1 April, with a Kindle edition to follow on 14 April 2020.

I don’t read a lot of nonfiction, but I do enjoy reading books about nature, so Writing Wild appealed to me. Kathryn Aalto’s reason for writing her book was to highlight what these 25 women writers have written, their historical significance and the barriers, biases and bullying they overcame to write. It covers two hundred years of women’s history through nature writing, including natural history, environmental philosophy, country life, scientific writing, garden arts, memoirs and meditations and does not aim to dismiss men’s contributions. Gisela Goppel’s portraits of each writer head each chapter. Aalto writes an introduction to each writer and includes excerpts of prose, poems and essays with added recommendations for further reading, plus a list of sources and an index.

Predominantly American and British, some of these women writers are familiar to me, such as Dorothy Wordsworth, Vita Sackville West, Nan Shepherd, Rachel Carson, Mary Oliver, Annie Dillard and Helen Macdonald. Others are new to me, but I would like to read several of their works, such as Andrea Wulf’s book The  Brother Gardeners in which  she explores how England became a nation of gardeners. Wulf, a design historian, writes horticultural and historical history through narrative nonfiction, borrowing techniques from fiction to make nonfiction come alive. Elena Passarello’s Animals Strike Curious Poses essay collection, which Aalto describes as written with  laugh-out-loud humour and depth of empathy, also particularly appeals to me.

One of the things I learned reading this book is the name ‘Cli-fi’. I hadn’t come across it before but of course, it is not a new genre. As Aalto points out it goes back at least to Jules Verne’s 1889 The Purchase of the North Pole. Contemporary examples including Oryx and Crake by Margaret Atwood and Barbara Kingsolver’s Flight Behaviour. The writer she chooses to illustrate this genre is Saci Lloyd, an acclaimed writer of cli-fi, whose vivid and action packed books include The Carbon Diaries, about the effects of carbon reduction policies. They are gritty eco-thrillers featuring Laura Brown a 16 year old trying to manage life with a carbon deficit card.

Kathryn Aalto is a writer, designer, historian and lecturer. For the past twenty-five years, her focus has been on places where nature and culture intersect: teaching literature of nature and place, designing gardens, and writing about the natural world. Her work explores historic and horticultural themes with a contemporary twist. She is the author of The Natural World of Winnie-the-Pooh: A Walk Through the Forest that Inspired the Hundred Acre Wood (2015) and Nature and Human Intervention (2011). Her website is kathrynaalto.com.

My thanks to Timber Press for a review copy via NetGalley.

Snow Scenes in the Garden

The snow from the beginning of March had nearly all gone, with just a few areas in the back garden still covered in snow, when it started snowing here today. We’ve had snow flurries all day but it’s all gone now.

This is what it was like at the beginning of March in the heaviest snow fall we’ve had since 2009. This view is from the kitchen of the decking where the snow had piled up in front of the patio doors.

Heidi looking at the snow

The photo below is of the end of the garden next to the field.

IMG_20180301_075623845.jpg
the garden over the stream

And this close up shows how the snow had blown into drifts along the back fence.

The view from the front window – blackbirds, chaffinches and sparrows. At one point there were six blackbirds and lots of little birds – I tried to get a photo of all them together, but they kept flying away.

IMG_20180302_125654917_HDR

Below, a close -up of a nuthatch on the fat balls.

Nuthatch

We had a couple of rare visitors too – first a woodcock

And then an otter – the first time we have ever seen one in the garden. I watched it come up from the stream, dripping wet early one morning. It made its way to the back door and had a look at Heidi’s cat flap! She was scared stiff.

A TMO – a Tree of Multiple Occupancy

I meant to post this a couple of weeks ago – it’s that time of year when the garden seems to take over my life and this year there’s been quite a lot going on in our garden.

This is an old ash tree in the field behind our house and we’ve called it a Tree of Multiple Occupancy. It’s hollowed out at the top with several holes lower down and the occupants are mainly jackdaws and wood pigeons. This is not a happy household as none of them get on and the jackdaws regularly patrol the tree trying to scare off any birds that come near.

In the early mornings I’ve seen a barn owl going into the top hole, chased by the jackdaws. I’ve seen the owl a few times now – one evening it came sweeping out of the top hole followed by a group of jackdaws. It flew into our little wood and after just a short time it flew back into the tree. I wish I’d had my camera handy that day, it’s an absolutely beautiful bird!

I also wish I had a camera inside the tree to see the arrangements – is the tree hollow all the way down? Do they all have nests? And is the barn owl nesting there too?

The great tits and bluetits have been busy – the great tits made a nest in an old hollow fence post and produced four young ones. David’s video shows the fledglings leaving the nest early one morning. We also have had bluetits nesting in a great tits’ bird box on the gable end of the house. And now the swallows are here, swooping around the sky – such wonderful aerial displays.

H is for Hawk by Helen Macdonald

I really wanted to love H is for Hawk by Helen Macdonald, which  won the 2014 Samuel Johnson Prize for Non-Fiction, as well as the 2014 Costa Book of the Year but I found it difficult to read and draining, despite some richly descriptive narrative.  It’s really three  books in one – one about herself, her childhood and her intense grief at the sudden death of her father, one about training a goshawk and another about T H White and his book, The Goshawk in which he describes his own struggle to train a hawk.

When her father died she bought Mabel, a ten week old goshawk and became obsessed with training her. It is the training that made this book so difficult for me to read. I am not comfortable with keeping wild creatures in captivity and in my naivete I hadn’t realised just what training a hawk entailed. Even though Helen Macdonald tells her friend’s husband that it had not been a battle training Mabel because ‘she’s a freakishly calm hawk‘, it came across to me that it had been a battle of wills, as she kept Mabel indoors in a darkened room, in a hood, on a perch or restrained on a leash for much of the time. It was a physical battle too that evoked rage, violence and frustration.

I found it difficult too because it is so personal as she exposed just how bereft she was, how she suffered the loss of her father and became depressed almost to the state of madness:

It was about this time that a kind of madness drifted in. Looking back, I think I was never truly mad. More mad north-north-west. I could tell a hawk from a handsaw always but sometimes it was striking to me how similar they were. I knew I wasn’t mad mad because I’d seen people in the grip of psychosis before, and that was madness as obvious as the taste of blood in the mouth. The kind of madness I had was different. It was quiet, and very, very dangerous. It was a madness designed to keep me sane. My mind struggled to build across the gap, make a new and inhabitable world. (location 219)

This a book unlike any other that I’ve read, about wildness, grief and mourning, and obsession, which made it heavy reading for me.

  • Format: Kindle Edition
  • File Size: 1875 KB
  • Print Length: 322 pages
  • Page Numbers Source ISBN: 0802123414
  • Publisher: Vintage Digital (31 July 2014)
  • Source: I bought it