Six Degrees of Separation from The Anniversary to The Body on the Beach

It’s time again for Six Degrees of Separation, a monthly link-up hosted by Kate at Books Are My Favourite and Best. Each month a book is chosen as a starting point and linked to six other books to form a chain. A book doesn’t need to be connected to all the other books on the list, only to the one next to it in the chain.

This month starts with The Anniversary a novel longlisted for the 2024 Stella Prize, by Stephanie Bishop, a psychological thriller, described as a simmering page-turner about an ascendant writer, the unresolved death of her husband, and what it takes to emerge on her own’. I haven’t read this but it’s apparently about a married couple on a cruise celebrating their wedding anniversary. When a storm hits the ship the husband falls overboard and the truth about their marriage is gradually revealed.

My first link is The Woman in Cabin 10 by Ruth Ware. A type of locked room mystery. Journalist Lo Blacklock is on a luxury press launch on a boutique ship and hopes it will help her recover from a traumatic break-in at her flat. But woken in the night by a scream from cabin 10 next to hers she believes a woman was thrown over board, only to discover that the ship’s records show that cabin 10 was unoccupied.  I liked the beginning of the book but was a bit disappointed with it overall after liking the beginning of it so much.

My second link is a different type of cabin in Another Part of the Wood by Beryl Bainbridge. Joseph decides to take his mistress and son, together with a few friends, to stay in a cabin in deepest Wales for the weekend – with absolutely disastrous results. It is set in a holiday camp, which consists of huts in a wood at the foot of a mountain. The wood, as in fairy tales, is not a safe place.

Woods can be dangerous places – as in My third link, a book set in another wood in The Way Through the Woods by Colin Dexter. Inspector Morse aided by Sergeant Lewis investigates the case of a beautiful young Swedish tourist who had disappeared on a hot summer’s day somewhere near Oxford twelve months earlier. After unsuccessfully searching the woods of the nearby Blenheim Estate the case was unsolved, and Karin Eriksson had been recorded as a missing person. A year later the case is reopened.

Oxford gives me My fourth link in Gaudy Night by Dorothy L Sayers set Shrewsbury College, a fictional all female college, at Oxford University (based on Somerville College, Sayers’ own college). Harriet Vane is asked to find who is writing poison pen letters, writing nasty graffiti and vandalism causing mayhem and upset. An excellent book and a pleasure to read.

My fifth link is via the word ‘night‘ in the book title in The Night Hawks by Elly Griffiths, the 13th book in the Dr Ruth Galloway books. The Night Hawks are a group of metal detectorists. They are searching for buried treasure when they find a body on the beach in North Norfolk. At first DCI Nelson thinks that the dead man might be an asylum seeker, but he turns out to be a local boy, Jem Taylor, recently released from prison. Ruth is more interested in the treasure, a hoard of Bronze Age weapons also found on the beach.

My final link is to The Body on the Beach by Simon Brett,  first in his Fethering Mysteries, set in a fictitious village on the south coast of England. Neighbours Carole and Jude join forces to work out the identity of the body and the culprit. Carole is a retired civil servant, cautious and analytical, whereas Jude is impulsive, an alternative healer and very inquisitive (nosey). I quite like this series. They are entertaining whodunnits.

My chain consists mainly of mystery/crime fiction books, as usual.

Next month (June 4, 2024), we’ll start with  – Butter by Asako Yuzuki, a novel of food and murder.

Book Beginnings on Friday & The Friday 56: The Square of Sevens by Laura Shepherd-Robinson

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.

I’m featuring The Square of Sevens by Laura Shepherd-Robinson, the last book I bought. It’s set in 18th century England, beautifully written, and it’s weird and wonderful!

Book Beginning:

People like to say they seek the truth. Sometimes they even mean it. The truth is they crave the warm embrace of a lie.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, but she is taking a break and Anne at My Head is Full of Books has taken on hosting duties in her absence. You grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.

Page 56:

The De Lacy family swiftly became my new obsession. I spent many hours up in the attic in that autumn of 1739, wedged between a moth-eaten crocodile, a broken astrolabe, and the tusk of a narwhale, curiosities banished here by Mrs Freemantle.

Description from Amazon:

Laura Shepherd-Robinson’s The Square of Sevens is an epic and sweeping mystery set in Georgian high society, a dazzling story offering up intrigue, heartbreak, and audacious twists.

A girl known only as Red, the daughter of a Cornish fortune-teller, travels with her father making a living predicting fortunes using the ancient method: the Square of Sevens. When her father suddenly dies, Red becomes the ward of a gentleman scholar.

Now raised as a lady amidst the Georgian splendour of Bath, her fortune-telling is a delight to high society. But she cannot ignore the questions that gnaw at her soul: who was her mother? How did she die? And who are the mysterious enemies her father was always terrified would find him?

The pursuit of these mysteries takes her from Cornwall and Bath to London and Devon, from the rough ribaldry of the Bartholomew Fair to the grand houses of two of the most powerful families in England. And while Red’s quest brings her the possibility of great reward, it also leads her into grave danger . . .

~~~

What do you think, does it appeal to you? What are you currently reading?

Shakespeare: The Man Who Pays the Rent by Judi Dench and Brenden O’Hea

Rating: 5 out of 5.

St Martin’s Press| 23 April 2024 | 228 pages|e-book |Review copy| 5*

Synopsis:

Taking a curtain call with a live snake in her wig..

Cavorting naked through the Warwickshire countryside painted green...

Acting opposite a child with a pumpkin on his head…

These are just a few of the things Dame Judi Dench has done in the name of Shakespeare

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O’Hea, she guides us through Shakespeare’s plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans.

Interspersed with vignettes on audiences, critics, company spirit and rehearsal room etiquette, she serves up priceless revelations on everything from the craft of speaking in verse to her personal interpretations of some of Shakespeare’s most famous scenes, all brightened by her mischievous sense of humour, striking level of honesty and a peppering of hilarious anecdotes, many of which have remained under lock and key until now. Instructive and witty, provocative and inspiring, this is ultimately Judi’s love letter to Shakespeare, or rather, The Man Who Pays The Rent.

My thoughts

I was enthralled by Shakespeare: the Man Who Pays the Rent. Reading it is like being in the room with Dame Judi Dench and Brendan O’Hea as they talked about Judi’s career, her love for Shakespeare, and the numerous roles she has played over the years. Shakespeare to Judi Dench is a passionate affair, she talks about it with love.

My introduction to Shakespeare was at secondary school, when each year we studied one of his plays. Then some years ago I took an Open University course on Shakespeare, so I’ve read and seen performances of many of the plays in which she has acted. Unfortunately she wasn’t acting in any of the plays I’ve seen on stage. I enjoyed Shakespeare at school but it was only when I took the Open University course and saw the plays live on the stage that I really began to love them. And when I read Shakespeare: the Man Who Pays the Rent it brought it all back to me.

This book is a wonderful run through the plays told from Judi’s perspective and, of course, her life, giving her insight not only into the characters but also into the world of the theatre. She talks about the rehearsals, the costumes, the sets, other actors, about critics, Shakespeare’s language – similes and metaphors, the use of rhyme, prose and verse, soliloquies, asides and how to adjust your breathing – and so on. Whatever she is talking about is all so clear and relevant, full of wit and humour and understanding. It brought back such wonderful memories of the plays I’ve studied and seen performed. And as for the plays I don’t know this book makes me want to see those as well.

It is a book I shall return to whenever I need a pick me up – I loved it, it gave me so much joy. There is so much more in this book than I’ve included here – I have only covered the surface in this post. If you like Judi Dench and Shakespeare you really should read Shakespeare: the Man Who Pays the Rent by Judi Dench with Brendan O’Hea. And it includes Illustrations by Judi Dench too!

With many thanks to the authors, the publishers and NetGalley for an Uncorrected Galley.

The Road to Wigan Pier by George Orwell

Synopsis:

In the 1930s, commissioned by a left-wing book club, Orwell went to the industrial areas of northern England to investigate and record the real situation of the working class. Orwell did more than just investigate; he went down to the deepest part of the mine, lived in dilapidated and filthy workers’ houses, and used the tip of his pen to vividly reveal every aspect of the coal miners’ lives. Reading today, 80 years later, Still shockingly true. The despair and poverty conveyed by this picture have a terrifying power that transcends time and national boundaries. At the same time, the Road to Wigan Pier is also Orwell’s road to socialism as he examines his own inner self. Born in the British middle class, he recalled how he gradually began to doubt and then hate the strict class barriers that divided British society at that time. Because in his mind, socialism ultimately means only one concept: “justice and freedom.” (Goodreads)

The Road to Wigan Pier, written in 1936 and published in 1937, is a book of two halves. Orwell’s graphically unforgettable descriptions of social injustice, cramped slum housing, dangerous mining conditions, squalor, hunger and growing unemployment remains a powerful portrait of poverty, injustice and class divisions in Britain. I loved Part One, Part Two less so. I was much more interested in the social and economic conditions than in Orwell’s political views on socialism and fascism.

I knew very little about the 1930s, so I was fascinated and appalled by Orwell’s descriptions in Part One of the working conditions in the coal mines in three towns in the industrial north of England in 1936. His experience of working in a coal mine convinced him that could never have been a coal miner:

I am not a manual labourer and please God I shall never be one, but there are some kinds of manual work that i could do if I had to. At a pinch I could be a tolerable road-sweeper or an inefficient gardener or even a tenth-rate farm hand. But by no conceivable amount of effort or training could I become a coal-miner; the work would kill me in a few weeks.

Yet as bad as the conditions in the mines were in 1936, Orwell stated that it was not long since conditions had been even worse, and he went on to describe how women used to have to work underground, crawling on all fours with a harness round their waists and a chain that passed between their legs dragging tubs of coal even when they were pregnant.

The slag heaps were just ‘dumped on the earth like the emptying of a giant’s dust-bin’ on the outskirts of the mining towns and often they were on fire. At night they could be seen as ‘rivulets of fire winding this way and that, and also the slow-moving blue flames of sulphur’.

Orwell states that

… the majority of these houses are old, fifty or sixty years old at least, and great numbers of them are by any ordinary standard not fit for human habitation. They go on being tenanted simply because there are no others to be had. And that is the central fact about housing in the industrial areas: not that the houses are poky and ugly, and insanitary and comfortless, or that they are distributed in incredibly filthy slums round belching foundries and stinking canals and slag heaps that deluge them with sulphurous smoke – though all this is perfectly true – but simply that there are not enough houses to go round.

Given that the living and working conditions were so appalling it was no surprise to read Orwell’s descriptions of the miners’ health – the most distinctive thing about them were the blue scars on their noses. The coal dust entered every cut and then their skin grew over it and formed the blue stain like tattooing. Only the largest pits had pithead baths, so the miners could only wash when they got home, where it was impossible to wash all over but they could only wash in a bowl of water – and that was only the top half of their bodies. This was because none of the miners’ houses had hot water and at the time they were built no one had imagined that the miners wanted baths!

Before he’d looked into the real situation of the working class, Orwell had thought that the miners were comparatively well paid having heard that a miner was paid ten or eleven shillings a shift, concluding that every one was earning round about £2 a week or £150 a year. However the actual average earnings were only £115 11s 6d. He included a list of weekly stoppages that were given to him as typical in one Lancashire district and also a comprehensive account of their expenses, all of which reduced their earnings considerably.

He then went on to describe the rate of accidents and of those miners killed and injured – if a miner’s working life was forty years the chances were nearly seven to one against his escaping injury and not much more that twenty to one of his being killed outright, giving horrifying accounts of being buried by rock falls when a roof came down. The most understandable cause of accidents was gas explosions, but there were also ‘pot-holes’, circular holes that shot out lumps of stone big enough to kill a man and large stretches of roof were left unpropped because of the increased speed at which the coal was extracted. No other trade was this dangerous.

I struggled to keep my attention focused whilst reading Part Two. He wrote about class divisions, class prejudice and the struggle towards a liberation from the constrictions of class. He pondered whether he had been born into the lower-upper middle class or the upper middle class, or whether it was better to define the class division in terms of money – that is, a layer of society lying between £2000 ad £300 a year. In any case he thought it was not entirely explicable in terms of money as there was also a sort of shadowy caste-system involved. But a lot of Part Two just went over my head.

I was curious about the title, because there is no ‘road to Wigan Pier’ in Orwell’s book and also because I’d grown up knowing that ‘Wigan Pier’ was not a pleasure pier at the seaside – Wigan is not near the sea. It’s inland and part of Greater Manchester!

In a broadcast radio interview of 1943 Orwell elaborated on the name Wigan Pier:

Wigan is in the middle of the mining areas. The landscape is mostly slag-heaps – Wigan has always been picked on as a symbol of the ugliness of the industrial areas. At one time, on one of the muddy little canals that run round the town, there used to be a tumble-down wooden jetty; and by way of a joke some nicknamed this Wigan Pier. The joke caught on locally, and then the music-hall comedians got hold of it, and they are the ones who have succeeded in keeping Wigan Pier alive as a byword.” (Wikipedia)

For more information about the current ‘Wigan Pier’ area see this article about a proposal to redevelop the disused 18th century industrial buildings that is being led by Step Places, The Old Courts, Wigan Council and the Canal and River Trust with the aim of creating a new cultural destination.

I read this book as part of The 1937 Club hosted by Karen at Kaggsy’s Bookish Ramblings and Simon from Stuck in a Book blogs, but was too late to enter my post with the other bloggers’ links during the club event.

Top Ten Tuesday: Books With the Word ROAD in the Titles

Top Ten Tuesday is a weekly meme created by The Broke and the Bookish and now hosted by Jana at That Artsy Reader Girl. For the rules see her blog.

The topic this week is Unread Books on My Shelves I Want to Read Soon.I have done this topic so many times I thought I’d do something different, so here is a list of ten books with the word Road in the titles, seven of which I’ve read, and three that are in my TBRs.

First the books I’ve read:

The Road to Little Dribbling by Bill Bryson. Bryson writes in a chatty style and goes off at various tangents, talking about the history of places and telling anecdotes, which I found very interesting. Whilst he was disappointed by some towns and cities he didn’t hold back on praising the landscape – beautiful countryside, and coastal locations. Starting at Bognor Regis he decided to to try to follow the longest distance you can travel in a straight line, roughly from Bognor Regis to Cape Wrath. But he realised it wouldn’t be practical to follow it precisely, so he just started and ended at its terminal points and then meandered from place to place as his fancy took him.

The Road Towards Home by Corinne Demas – about the friendship between Cassandra and Noah, two retired people who had first met in their youth. They were reacquainted when they moved to Clarion Court an ‘an independent living community’. Noah invites Cassandra to rough it with him at his Cape Cod cottage, and their relationship unexpectedly blossoms after several ups and downs.

I’ve read but not reviewed The Wild Road by Gabriel King. It’s a magical novel, about a runaway kitten named Tag meets a mysterious black cat named Majicou in his dreams. He learns he is destined for bigger things. Called by Majicou, Tag enters the Wild Road, a magical highway known only to the animals, and learns that he is needed to find the King and Queen of Cats and bring them safely to Tintagel.

The Skeleton Road by Val McDermid. Investigating the identity of the skeleton found, with a bullet hole in its skull, on the rooftop of a crumbling, gothic building in Edinburgh takes DCI Karen Pirie and her Historic Cases Unit into a dark world of intrigue and betrayal during the Balkan Wars in the 1990s.

Coffin Road by Peter May, a standalone novel, set on the Isle of Harris in the Outer Hebrides. There are 3 strands to the story. A man is washed up during a storm on a deserted beach; he has no idea who he is or where he is. The only clue to why he is living on Harris is a folded map of a path named the Coffin Road and following the route marked on the map he finds some hidden beehives. In the second strand DS George Gunn investigates the murder of a bludgeoned corpse discovered on a remote rock twenty miles to west of the Outer Hebrides. And thirdly, a teenage girl in Edinburgh is desperate to discover the truth about her scientist father’s suicide.

The Road to Wigan Pier by George Orwell – a searing account of working-class life in the bleak industrial heartlands of Yorkshire and Lancashire in the 1930s. Orwell’s graphically unforgettable descriptions of social injustice, cramped slum housing, dangerous mining conditions, squalor, hunger and growing unemployment are written with unblinking honesty, fury and great humanity. It crystallized the ideas that would be found in his later works and novels, and remains a powerful portrait of poverty, injustice and class divisions in Britain.

Where Three Roads Meet by Salley Vickers, one of the Canongate Myths series, modern versions of myths. It’s the Oedipus myth as told to Sigmund Freud during his last years when he was suffering from cancer of the mouth. Under the influence of morphine he is visited by Tiresias, a blind prophet of Thebes who tells him his version of the Oedipus story – the point where the three roads meet is the place Oedipus and his father had their tragic meeting, setting in motion the sequence of events that led to his downfall and to the fulfilment of the prophecy that he would kill his father and marry his mother.

Second the books I’ve yet to read

The Road by Cormac McCarthy A post-apocalyptic classic set in a burned-out America, a father and his young son walk under a darkened sky, heading slowly for the coast. They have no idea what, if anything, awaits them there. 

The Winding Road by Cynthia Harrod-Eagles This is the 34th book in the Morland Dynasty series. The Jazz Age is in full swing in New York, the General Strike is underway in London, the shadows are gathering over Europe and the Wall Street Crash brings the decade to an end.

Road Ends by Mary Lawson. Twenty-one-year-old Megan Cartwright has never been outside the small town she was born in but one winter’s day in 1966 she leaves everything behind and sets out for London. Ahead of her is a glittering new life, just waiting for her to claim it. But left behind, her family begins to unravel. Disturbing letters from home begin to arrive and torn between her independence and family ties, Megan must make an impossible choice.

The Classics Club Spin Result

The spin number in The Classics Club Spin is number …

8

which for me is The Black Tulip by Alexandre Dumas. The rules of the Spin are that this is the book for me to read by 2 June 2024.

Synopsis from Goodreads:

Set at the height of the “tulipomania” that gripped Holland in 17th century, this is the story of Cornelius van Baerle, a humble grower whose sole desire is to grow the perfect specimen of the tulip negra.

When his godfather is murdered, Cornelius finds himself caught up in the deadly politics of the time, imprisoned and facing a death sentence. His jailor’s daughter Rosa, holds both the key to his survival and his chance to produce the ultimate tulip.


I loved The Count of Monte Cristo by Alexandre Dumas so I’m hoping to love this one too.

Did you take part in the Classics Spin? What will you be reading?