Category: Fiction

Maigret!

Published on by Margaret5 Comments

I was delighted and so lucky to win these five books in Sarah’s Giveaway at Crimepieces blog! Thank you Sarah!

They are from the new Penguin translations of Georges Simenon’s Maigret novels:

Years ago I enjoyed the TV series Maigret with Rupert Davies in the title role and have recently watched the latest series with Rowan Atkinson as Maigret. I think he is excellent in the role and so is Lucy Cohu as Madame Maigret.

Last Sunday  I enjoyed watching Maigret’s Night at the Crossroads and was pleased to see the book was today’s Kindle Deal of Day.
The Night at the Crossroads (Maigret #7)I shall be reading them very soon!

The Stars are Fire by Anita Shreve

Published on by Margaret4 Comments

I really wanted to like The Stars are Fire, Anita Shreve’s latest book. However, I don’t think it’s one of her best books and I’m not keen on the cover, which I think does not represent the story.

It begins well, describing the continuous wet spring when it seemed the rain would never stop and Grace Holland prays for a dry day. She’s in a difficult marriage, with her two young children, both under the age of two and pregnant with her third child. They live in a shingled bungalow two blocks in from the ocean in Hunts Beach (a fictional town) on the coast of Maine. The rain is followed by the long hot summer of 1947, then a drought sets in, followed by devastating fires. The Stars are Fire paints a convincing picture of life just after the Second World War. Grace’s daily life is difficult constrained by the social conventions and attitudes of the late 1940s.

The fires are getting closer to Hunts Beach when Gene, Grace’s husband joins the volunteers trying to bring the fires under control and she is left alone with the children. Grace’s strength and ingenuity is tested as she and her children survive the fire only to find that everything around her has gone – all the houses, her best friend and neighbour; those who have survived are leaving and her husband is missing. She has nothing.

Grace, however, is resilient and resourceful. Helped by her mother and strangers she begins to build a new life, finds work and experiences a freedom she had never known before. But then it all changes. I don’t want to write any more as I don’t want to give away any spoilers.

The Stars are Fire is easy reading and I finish it in one day. It is written from Grace’s perspective and in the present tense, which I often find irritating. But it is a page-turner and I did want to know what happened next. I didn’t enjoy the second half of the book as much as the first. And I think the ending rather trite. It’s a book about loss and grief, about how people’s lives can be changed in an instance and how they react and face up to emotional and physical challenges.

My thanks to the publishers and NetGalley for a proof copy of this book.

  • Format: Kindle Edition
  • File Size: 1042 KB
  • Print Length: 256 pages
  • Publisher: Little, Brown Book Group (18 April 2017)
  • My rating: 3*

A Dark So Deadly by Stuart MacBride

Published on by Margaret3 Comments

Stuart MacBride has written many books, including the Logan McRae and Ash Henderson novels, but A Dark So Deadly is the first one of his that I’ve read. It’s a standalone thriller, due to be published on 20 April 2017 by HarperCollins.

I wasn’t at all sure that I would like it thinking it might be too ‘noir’ for me, but whilst it is dark with some violent and disturbing scenes I was soon hooked into the mystery, the setting, the characters, some of them pretty weird, sordid and really nasty characters and the humour. It’s grisly rather than gory. It’s also long, over 600 pages, but the strength of the writing and the pace carried me effortlessly along. It’s a gripping page-turner that kept me glued to the book – I didn’t want to put it down.

It has quite a large cast of characters, but each one is so individually described that I had no trouble distinguishing them. It’s set in Oldcastle, a fictional town in the north east of Scotland (there is a detailed, coloured map) where it seems to rain all the time. DC Callum MacGregor had taken the blame for cocking up a crime scene to protect his pregnant, crime-scene tech girlfriend and so had been moved to join ‘Mother’s Misfit Mob’.

The ‘Mob’ is made up of the officers no one else wanted. ‘Mother’ is DI Flora Malcolmson and the team consists of DS Andy McAdams, who speaks in rhyming verse and is dying from bowel cancer, DS Dorothy (Dot) Hodgkin in her wheelchair called ‘Keith’, grumpy DC John Watt and the newest team member, DC Franklin, big, black and beautiful who had punched a superintendent. I became very fond of this team of ‘misfits’. They made me laugh and exasperated me at the same time as they interacted, sometimes with friction rather than as a well-run team. They may be ‘misfits’ but they’re dedicated and caring police officers, Callum most of all. Their back history comes out naturally as the novel proceeds, without interrupting the narrative.

The plot is, needless to say really, complicated with plenty of unexpected and definitely strange episodes, as the team investigate mummified bodies found in the local rubbish tip. It’s told mostly from Callum’s point of view and as well as investigating what turns out to be a serial killer Callum, who was brought up in care from the age of 5, is trying to discover what had happened to his parents and twin brother.

A Dark So Deadly is a fantastic book. It’s complex, compelling and it kept me guessing right to the end. I shall definitely read more of Stuart MacBride’s books, beginning with Cold Granite, the first in his Logan McRae series.

My thanks to the publishers and NetGalley for my copy of this book.

  • Format: Kindle Edition
  • File Size: 5003 KB
  • Print Length: 608 pages
  • Publisher: HarperCollins (20 April 2017)

My Friday Post: Caedmon’s Song

Published on by Margaret9 Comments

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’ve been rather neglecting my TBRs so far this year, so I’ve been going through them deciding which one to read next and came across Caedmon’s Song by Peter Robinson, one of his standalone books.

Caedmon's Song

It begins:

Martha Browne arrived in Whitby one clear afternoon in early September, convinced of her destiny.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

Kirsten looked away towards the window. Outside, beyond the flowers, and the get-well cards on her table, she could see the tops of trees swaying slowly in the wind and a distant block of flats, white in the July sun, ‘I don’t know if I want to remember,’ she whispered. ‘I feel so empty.’

Blurb:

On a balmy June night, Kirsten, a young university student, strolls home through a silent moonlit park. Suddenly her tranquil mood is shattered as she is viciously attacked.

When she awakes in hospital, she has no recollection of that brutal night. But then, slowly and painfully, details reveal themselves – dreams of two figures, one white and one black, hovering over her; wisps of a strange and haunting song; the unfamiliar texture of a rough and deadly hand . . .

In another part of England, Martha Browne arrives in Whitby, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

I’ve enjoyed reading some of Peter Robinson’s Inspector Banks books. Caedmon’s Song, described as a ‘psychological thriller‘ looks a bit different and I’m wondering about Martha’s research – is it connected to Dracula? after all Whitby Abbey was Bram Stoker’s inspiration for his novel, Dracula.

The Kill Fee by Fiona Veitch Smith

Published on by Margaret3 Comments

The Kill Fee (Poppy Denby Investigates #2)

The Kill Fee is the second book in the Poppy Denby Investigates series. I haven’t read the first book, The Jazz Files, but I had no difficulty reading this second book as it reads well as a standalone, with enough detail of previous events for me to follow the story.

It is set in London in 1920 with flashbacks to Russia in 1917. Poppy is the Arts and Entertainments Editor at the Daily Globe and whilst she is covering an exhibition of Russian Art at the Crystal Palace a guard is shot and injured and one of the Fabergé Eggs on display is stolen. It’s not just an extremely valuable Egg, one that had been owned by a member of the Tsar’s family, but one that is said to contain a secret that could threaten royal families throughout Europe.

This is reminiscent of the Golden Age crime fiction as Poppy sets about finding who stole the Egg and there are plenty of suspects. The theft is followed by a couple of murders and a poisoning, and a secret passageway as Poppy chases around London in hot pursuit of the killer.

Its an enjoyable read that kept me entertained with a mix of fictional and historical characters and a look at 1920s’ society. I particularly liked the Russian connection and the information about White and Red Russians and the Russian Revolution of 1917 – by 1920 this was coming to a head in the Crimea. The book begins with an episode in Moscow in 1917 as an unnamed man in a bearskin coat enters the house of an aristocratic family to find a scene of carnage. Most of the family have been murdered, but he rescues a small girl, her little dog and her English nanny. How this fits into the rest of the book only gradually becomes clear.

There is a map of 1920s London that helps to follow the action and a list of the fictional and historical characters that I found useful. Fiona Veitch Smith explains in her historical Note at the end of the book how she got the idea for The Kill Fee and how she blended fact with fiction. Apart from a few ‘tweaks’ she has stuck to the historical timeline, as far as she is aware, moving the Russian Embassy to Kensington Gardens seven years earlier than it really did and bringing forward the selling of paper poppies by one year – these were launched by the British Red Cross in 1921. The plotline of the theft of the Fabergé Egg and the exhibition at the Crystal Palace is a figment of her imagination. She apologises for ‘any unintentional errors you may find.’

Well, I did find another anachronism. At one point (page 209 in my paperback copy) Poppy and Daniel are arguing as he drives across London approaching the Victoria Embankment when he had to slow down ‘to allow a family to cross the road at a pelican crossing.‘ I think this must be a typing error as although pedestrian crossings existed more than 2000 years ago, (as can be seen in the ruins of Pompeii), pelican crossings weren’t introduced in the United Kingdom until 1969.

None of this affected my enjoyment of the book as the world of London in the 1920s came to life and the complex plot and fast pace kept my brain ticking over, keeping track of the different sub-plots and characters. The kill fee in the title refers to the money offered to Rollo, the Daily Globe owner and editor-in-chief, to stop him from publishing the story concerning the theft of the Fabergé Egg.

My thanks to LibraryThing Early Reviewers for my copy of this book.

  • Paperback: 320 pages
  • Publisher: Lion Fiction (16 Sept. 2016)
  • Language: English
  • ISBN-10: 1782642188
  • ISBN-13: 978-1782642183

This is my 10th book for the Mount TBR Challenge.

The Lauras by Sara Taylor

Published on by Margaret1 Comment

The Lauras by Sara Taylor is due to be published in paperback in the UK on 6 April 2017. Kindle and hardcover copies have already been published. My copy is a digital version for review from the publishers, via NetGalley.

It’s a road-trip story as Ma leaves her husband in Virginia and takes to the road with her thirteen-year old child, Alex. I really liked those parts of the novel in which Sara Taylor describes their journey and the places they travel through or stay at for a while, sometimes sleeping in the car, sometimes in a motel, and sometimes for a longer stay whilst she earns enough money to continue their journey. But I didn’t like the structure of the book as much, because it is basically just a collection of stories that Ma tells Alex – stories about her childhood and teenage years; about her childhood in Sicily, the time she spent in foster homes, and the friends she made, several of them called Laura- as they travel to visit people from her past. This structure makes the book disjointed, especially as neither Alex nor the reader knows where it is going or when/if it will come to an end. It unsettled me in that respect.

It’s narrated in the first person by Alex, looking back some 30 years to that journey. Alex was a shy and lonely teenager, unable to fit in with others and unsure about sexuality and gender. It makes for very uncomfortable reading in places as Alex is confronted by the misunderstandings and abuse of others. Ma is also a troubled person, having suffered various traumas, hardships and emotional insecurities. Both of them have itchy feet, not happy to stay for long in one place and unable to relate easily to others.

It’s a book about identity, about outsiders, and about parenting and relationships. I liked the various meditations on memory, its unreliable nature and slipperiness and on reality. Alex observes that we don’t actually have perfect memories of what happened, but just have fragments that we piece together to understand and make sense of events, to explain our life to ourselves. After they’ve gone all we have left of people are their stories, not necessarily the stories they told us, but as we remember those stories. Alex realises in later life that we can gloss over some memories  or can pretend to ourselves we have forgotten certain times and places, until some unexpected smell or sound drops us back into ‘that awkward, adolescent body’.

I can’t say that it’s a book I enjoyed or would want to re-read. It’s not a book I was eager to get back to once I put it down, but it certainly gave me much to think about.

  • Format: Kindle Edition
  • File Size: 2773 KB
  • Print Length: 302 pages
  • Publisher: Cornerstone Digital (4 Aug. 2016)
  • Rating: 2.5 stars