The Adventure of the Christmas Pudding by Agatha Christie

It seemed the right time of year to read The Adventure of the Christmas Pudding and a Selection of Entrées by Agatha Christie. It’s a collection of six short stories but only the first one, the title story, has any Christmas connection.

As Agatha Christie explained in her Foreword this story was an ‘indulgence‘, recalling the Christmases of her youth, spent at Abney Hall:

The Christmas fare was of gargantuan proportions. I was a skinny child, appearing delicate, but actually of robust health and perpetually hungry! The boys of the family and I used to vie with each other as to who could eat the most on Christmas Day. Oyster Soup and Turbot went down without undue zest, but then came Roast Turkey, Boiled Turkey and an enormous Sirloin of Beef. The boys and I had two helpings of all three! We then had Plum Pudding, Mince-Pies, Trifle and every kind of dessert. During the afternoon we ate chocolates solidly. We neither felt, nor were sick! How lovely to be eleven years old and greedy!

But I don’t think this story reflects her own Christmas experience apart from the setting, that is, for this is a collection of crime fiction! Poirot is invited to spend ‘a good old-fashioned Christmas in the English countryside’ in a 14th century English manor house, a prospect that fills him with apprehension, only agreeing to go when he hears there is oil-fired central heating in the house. There is of course a reason for inviting him – for a discreet investigation into the theft of a priceless ruby stolen from a Far Eastern prince. The Christmas Pudding in question is a ‘large football of a pudding, a piece of holly stuck in it and glorious flames of blue and red rising round it’. For a short story this is really complicated with several twists for Poirot to work through.

Four of the other stories feature Poirot, with the last one, Greenshaw’s Folly being a Miss Marple mystery, which I read last year in Miss Marple and Mystery.  Greenshaw’s Folly is a house, an architectural monstrosity, visited by Raymond West (Miss Marple’s nephew) and Horace Bindler, a literary critic. Later, Miss Greenshaw having drawn up a new will, is found murdered.

The remaining four stories concern the murder of a man found a Spanish chest (The Mystery of the Spanish Chest), a widow who is convinced her nephew had not killed her husband despite all the evidence against him (The Under Dog), a man who has inexplicable changed his eating habits is found dead (Four and Twenty Blackbirds), and a man who has the same dream night after night that he shoots himself is found dead (The Dream).

I enjoyed reading these stories. They are of varying length and are all cleverly done, if a little predictable.

Hallowe'en Party by Agatha Christie

Hallowe’en Party begins with the party given by Mrs Drake for teenagers. One of the guests, Joyce Reynolds, a boastful thirteen-year old, who likes to draw attention to herself, announces that once she’d witnessed a murder. It seems nobody believed her and yet later on she is found dead, drowned in the tub used for the bobbing for apples game – someone had believed her and had killed her. Mrs Ariadne Oliver was at the party and she asks Poirot to help in finding the murderer.

This is one of Agatha Christie’s later books, first published in 1969, when she was approaching 80, and although I did like it for the most part, it is certainly not one of her best. It’s not terribly coherent and it lacks focus in parts as several characters, not sharply defined, are introduced along with a lot of detail and repetition. The plot, as usual in Agatha Christie’s murder mysteries is convoluted with lots of red herrings and loose ends. I thought the revelation of one of the character’s parenthood at the end was just too contrived to be believable. There are meandering and critical conversations about the ‘young people today’ and the state of the mental health service, with overcrowded mental homes, which so many of the characters thought must be the cause of the murder.

… so doctors say “Let him of her lead a normal life. Go back and live with his relatives, etc. And then the nasty bit of goods, or the poor afflicted fellow, whichever way you like to look at it, gets the urge again and another young woman goes out walking and is found in a gravel pit, or is silly enough to take lifts in a car. (page 37)

So it is down to Poirot to discover the real motive, but not before there is another murder. He investigates the possibility that Joyce was telling the truth and asks retired Superintendent Spence, living in the area with his sister, for details of any local deaths and disappearances over the past few years.

Even though I found this book less satisfying than many of Christie’s other books there are things in it that I liked. The relationship between Ariadne Oliver and Poirot for one – Poirot has to have a sip of brandy to fortify himself for the ‘ordeal’ of talking to her:

‘It’s a pity,’ he murmured to himself, ‘that she is so scatty. And yet she has originality of mind. It could be that I am going to enjoy what she is coming to tell me. It could be -‘ he reflected a minute ‘- that it may take a great deal of the evening and that it will all be excessively foolish. Eh bien, one must take one’s risks in life.’ (page 20)

And for another there is the description of a beautiful garden in a sunken quarry,  a well designed garden with the appearance of being perfectly natural. There are several pages lyrically describing this garden, which seemed to me to reflect Agatha Christie’s own interest in gardens, particularly the gardens at her house in Devon, Greenway. Seeing this garden sends Poirot into an almost mystical state of mind as he absorbed the atmosphere:

It had qualities  of magic, of enchantment, certainly of beauty, bashful beauty, yet wild. Here, if you were staging a scene in the theatre, you would have your nymphs, your fauns, you would have Greek beauty, you would have fear too. Yes, he thought, in this sunk garden there is fear. (page 93)

Overall, there are some vivid descriptions in this book – the Hallowe’en party and some of the descriptions of the teenagers ’60s style clothing for example as well as the beauty of the sunken garden, which for me compensated for its flaws. But if you haven’t read any of Agatha Christie’s books I wouldn’t recommend that you start with this one.

The Sittaford Mystery by Agatha Christie

The Sittaford Mystery is one of the earlier of Agatha Christie’s books, first published in the UK in 1931 and in the US as Murder at Hazelmoor. It’s not one of her Poirot or Miss Marple mysteries, but features Inspector Narracott, ably assisted, if not lead, by Emily Trefusis, a remarkably resourceful and determined young woman. I really liked Emily.

The Sittaford Mystery begins with a seance, or rather a table-turning session at Sittaford House in a tiny moorland village near Dartmoor, not very far from the prison at Princetown. Snow has been falling for four days and now Sittaford is almost completely cut off from the rest of the world. At the seance are the tenants of Sittaford House, Mrs Willett and her daughter Violet, and their neighbours. When the message of Captain Trevelyan’s death is tapped out, followed by the word M-U-R-D-E-R, his friend Major Burnaby immediately decides to see if Trevelyan has indeed been murdered, walking in the snow walking six miles to Exhampton. Of course, when he gets there, he does indeed discover that his friend is dead, probably killed at the precise time that the message was received in the seance.

Inspector Narracott is called in and a young man, James Pearson, Trevelyan’s nephew is arrested for the murder. Emily, his fiancée is convinced of his innocence. She enlists the help of the journalist, Charles Enderby and together they set out to discover the real culprit. Inspector Narracott is a quiet man, a thoughtful and efficient police officer, with a logical mind and attention to detail but Emily is determined and courageous in her search for the truth.

There are two mysteries in this book, who killed Trevelyan and why have the Willetts rented the house from him for the winter? I found it all very interesting, with plenty of clues, red herrings and suspects. Added to that is the escaped prisoner on Dartmoor, reminding me a bit of Dickens’ novel, Great Expectations, and of Conan Doyle’s The Hound of the Baskervilles, emphasised Charles Enderby’s reference to the seance as a ‘queer’ business, and thinking of getting Sir Arthur Conan Doyle’s opinion on the matter.

The setting and the characterisation are good. But although the plotting is good for most of the book, I felt the ending and the motive for the murder are rather inadequate, not least because I don’t think you could actually deduce who the murderer is – I guessed, but it was only a guess – not all of the facts are revealed until the denouement. For this reason I can’t rank The Sittaford Mystery with Agatha Christie’s best mysteries, but it is still a good read.

Note: the TV version in the Agatha Christie Marple series not only changes the identity of the killer but also inserts Miss Marple into the story!

Catching Up

Half of September has gone! I’ve read 5 books and haven’t written about any of them (except for one and that’s for the Shiny New Books blog – more about that book later). The other four books are:

  1. The Goldfinch by Donna Tartt (on Kindle)
  2. Wycliffe and the House of Fear by W J Burley
  3. Testament of a Witch by Douglas Watt (on Kindle)
  4. The Moving Finger by Agatha Christie

It’s much easier to write about a book straight after I’ve read it, so today’s post is about the last book I’ve finished, which is The Moving Finger by Agatha Christie. I’ll try to nudge my brain into writing about the other books as soon as I can.

The Moving Finger is a book I’ve had for a few years now, so it’s one off my to-be-read shelves. It is described as a Miss Marple mystery, but as she doesn’t appear in the book until three-quarters of the way through and after there have been two deaths, she doesn’t have a big part, although she is instrumental in unveiling the murderer.

The story is narrated by Jerry Burton, who has recently moved into the market town of Lymstock with his sister, Joanna. His doctor had instructed him to move to the country where he can take things slowly and easily whilst he recovers from a flying accident. Lymstock seems to be a ‘peaceful backwater where nothing happens‘, but soon after the Burtons have moved in Joanna receives a very nasty anonymous poison-pen letter. They discover that other people have also received them, and soon afterwards Mrs Symmington apparently commits suicide followed by the death of her maid, Agnes, which is without doubt murder.

I liked The Moving Finger. As usual with Agatha Christie’s novels there are plenty of suspects, including Mrs Cleat, well-known as the ‘local witch’, and there are plenty of clues, with a good deal of misdirection throwing me into confusion about who could possibly be the culprit. She captures the nastiness of the anonymous letters well with their accusations of illicit sexual activities. I always think Agatha Christie excels with her dialogue. It’s all so natural and I have no difficulty following who is speaking. I was also convinced about the characters, especially Megan Hunter, Mrs Symmington’s twenty-year old daughter and her relationship with her step-father. Lymstock, itself is a place about fifty years behind the times, but by no means the ‘peaceful backwater where nothing happens‘ that Jerry Burton was seeking.

The police are eventually called in, in the person of Superintendent Nash who then requests help from an expert from London on anonymous letters – Inspector Graves. But the vicar’s wife, Mrs Dane Calthrop isn’t satisfied and brings in an expert of her own, an expert who ‘knows people‘, ‘someone who knows a great deal about wickedness‘ and that person is of course, Miss Marple.

The Moving Finger was first published in 1942 in New York and then in the United Kingdom in the spring of 1943. Along with the puzzle, Agatha Christie, speaking through her characters. makes several comments that interested me – on work/idleness for example. The local doctor’s sister, Miss Griffith, who is a Girl Guide leader, states that idleness is an unforgivable sin, and in response Jerry Burton says:

Sir Edward Grey … afterwards our foreign minister was sent down from Oxford for incorrigible idleness. The Duke of Wellington, I’ve heard, was both dull and inattentive to his books. And has it ever occurred to you, Miss Griffith, that you would probably not be able to take a good express train to London if little Georgie Stephenson had been out with his youth movement instead of lolling about, bored, in his mother’s kitchen until the curious behaviour of the kettle lid attracted the attention of his idle mind?

Another example – considering whether Providence/the Almighty/God would permit dreadful things to happen ‘to awaken us to a sense of our own shortcomings‘, Jerry Burton responds:

There’s too much tendency to attribute to God the evils that man does of his own free will. I might concede you the Devil. God doesn’t really need to punish us, Miss Barton. We’re so very busy punishing ourselves.

Re-reading at her detective novels, Agatha Christie wrote in her Autobiography:

I find that one I am really pleased with is The Moving Finger. It is a great test to re-read what one has written some seventeen or eighteen years later. One’s views change. Some do not stand the test of time, others do.

Agatha Christie Reading Challenge – Update

In September 2008 Kerrie at Mysteries in Paradise launched the Agatha Christie Reading Challenge to read her way through Agatha Christie’s novels, in the order in which they were written.  I joined in but decided to read the books as I come across them rather than in order of publication. There are 66 mystery and detective novels and numerous collections of short stories.

Up to now I’ve read 54 books and 4 short story collections. The list of the books I’ve read is on my Agatha Christie Reading Challenge page. Just 11 or 12 books left for me to read (plus the short stories!):

  1. 1925 – The Secret of Chimneys – I think I’ve read this one! But I can’t find a record of it or the book, so maybe I haven’t!
  2. 1930 – The Murder at the Vicarage
  3. 1931 – The Sittaford Mystery
  4. 1935 – Three Act Tragedy*
  5. 1938 – Appointment with Death
  6. 1940 – Sad Cypress
  7. 1942 – The Moving Finger*
  8. 1944 – Towards Zero*
  9. 1944 – Death Comes as an End
  10. 1945 – Sparkling Cyanide
  11. 1945 – Destination Unknown
  12. 1969 – Hallowe’en Party*

* books I own

I also have The Mouse Trap to read and some of the short story collections  – Wikipedia lists these and there are a lot! Then there are the books Agatha Christie wrote under the pseudonym of Mary Westmacott. I’ve read her Autobiography, but there is also an earlier book, Come, Tell Me How You Live under the name of Agatha Christie Mallowan.

Nemesis by Agatha Christie

Nemesis first published in 1971, is one of Agatha Christie’s later books written in her eighties. It is the last book she wrote about Miss Marple. There are two more books that were published later, but those were written earlier. It’s not among the best of her books, it’s slow moving, lots of dialogue, lots of recapping of events and clues, lots of moralising and social commentary. It follows on, although it is not a sequel to, A Caribbean Mystery in which Miss Marple met Mr Rafiel.

It’s slow moving because for quite a while Miss Marple doesn’t know what the crime is that she has been asked to investigate. Mr Rafiel, who she met in the West Indies, has left her £20,000 in his will on condition she investigates a certain crime, but doesn’t give her any details. He wrote that she had a natural flair for justice leading to a natural flair for crime and reminded her that the code word is Nemesis. Then she is invited to join a tour of Famous Houses and Gardens of Great Britain at Mr Rafiel’s expense. And off she goes.

As Miss Marple remarks:

Murders as reported in the press have never claimed my attention. I have never read books on criminology as a subject or really been interested in such a thing. No, it has just happened that I have found myself in the vicinity of murder rather more often than would seem normal. (page 90)

What an understatement!

Miss Marple has to first of all work out who she can trust.Very gradually through meeting people and talking to them in her usual rather scatty old-lady manner Miss Marple begins to uncover a crime committed years earlier, working largely on intuition. During this process Miss Marple ponders on a number of subjects from wondering how the three witches in Macbeth should be portrayed, during the visit Mr Rafiel had arranged for her with the three sisters at the Old Manor House, to her disapproval of the clothes young women wore. I suspect this was Agatha Christie using Miss Marple as a mouthpiece for her own views – just as this view of rape expressed by  another character, Professor Wanstead, a friend of Mr Rafiel may be her own thoughts too:

Girls you must remember, are far more ready to be raped nowadays than they used to be. Their mothers insist, very often, that they should call it rape. (page 182)

But I wondered about the whole premise of the book – would someone really ask a person to investigate a crime and not give them any details?  It seems highly improbable to me even if Mr Rafiel had wanted Miss Marple to approach the crime with an open mind. And surely if Mr Rafiel really wanted to discover the true facts about the crime he could easily have done so before he died.

I think Nemesis lacks tension and suspense. The characters are rather hard to differentiate, mainly because there are too many, and too many who have no part in the mystery. There are few red herrings to deflect the reader, just unexplained facts that Miss Marple clears up in the last chapters. But I think it is an unusual book and I quite enjoyed it.