Spell the Month in Books – September 2026

Spell the Month in Books is a linkup hosted by Jana on Reviews From the Stacks on the first Saturday of each month. The goal is to spell the current month with the first letter of book titles, excluding articles such as ‘the’ and ‘a’ as needed. That’s all there is to it! Some months have additional themes, but feel free to participate however you’d like!

Currently Jana is not assigning themes, so for September I’ve chosen to feature some of the Classic books that I have read. The links in the titles of each book go to my posts, where they exist.

The more Spell the Month books I do, the harder it becomes to use book titles beginning with the letter E as I prefer to use ones I haven’t already used in earlier posts – but I have managed it this time. I think the last three months of the year will be challenging!

S is for Silas Marner by George Eliot, set in the early years of the 19th century (Eliot was writing the book in 1861) 

The story revolves around Silas Marner, a weaver living in Raveloe, a village on the brink of industrialisation. He was wrongly accused of theft and left his home town to live a lonely and embittered life in Raveloe where he became a miser, hoarding his gold and counting it each night. Until one night his life is changed by the theft of his money and a little girl who came to live with him, having been abandoned in the snow.

It took me a while to settle into George Eliot’s style of writing, with her long, long sentences – some so long I had forgotten how they had started, before I got to the end. But once my mind had adjusted to the rhythm of her writing I enjoyed this short book 

E is for Ethan Frome by Edith Wharton, first published in 1911 this is in contrast to some of her other books about the New York society of the 1870s to 1920s. It’s a rural tragedy of inevitable suffering and sadness that reminded me of Thomas Hardy’s books.

It’s a beautifully told tale – a tragedy, signalled right from the beginning of the book, when the unnamed narrator first saw Ethan Frome and was told he had been disfigured and crippled in a ‘smash up’, twenty four years earlier. Life had not been good to him.

I enjoyed it very much.  As well as striking and memorable characters the setting is  beautifully described – a ‘mute and melancholy landscape, an incarceration of frozen woe‘, in the isolated village of Starkfield (a fictional New England village). Even though Ethan Frome is a tragedy there is light to contrast the darkness, and there is love and hope set against repression and misery. I hoped the ending would be a happy one, although I knew it couldn’t be. 


P is for The Power-House by John Buchan, written in 1913 when it was serialised in Blackwood’s Magazine and then published in book form in 1916.

Buchan tells a good story, even if I had little idea what the Power-House really was. It’s an international anarchist network, but who they were, what they were actually after, or how they hoped to achieve their ends was never clear to me. But I really enjoyed this book. As Stella Rimington says it has an ‘intoxicating blend of madness with scents of home and countryside.’ 

It has some interesting thoughts on the nature of civilisation, and of power and comments on the ‘the business of Government. When all is said, we are ruled by amateurs and the second-rate. The methods of our departments would bring any private firm to bankruptcy. The methods of Parliament – pardon me – would disgrace any board of directors.’

T is for The Tenant of Wildfell Hall by Anne Bronte, first published in 1848 under the pseudonym Acton Bell.

I read this years ago before I began blogging, so I have no record of what I thought of it, other than that I loved it.

In this sensational, hard-hitting and passionate tale of marital cruelty, The Tenant of Wildfell Hall sees a mysterious tenant, Helen Graham, unmasked not as a ‘wicked woman’ as the local gossips would have it, but as the estranged wife of a brutal alcoholic bully, desperate to protect her son. Using her own experiences with her brother Branwell to depict the cruelty and debauchery from which Helen flees, Anne Brontë wrote her masterpiece to reflect the fragile position of women in society and her belief in universal redemption, but scandalized readers of the time.

E is for East of Eden by John Steinbeck, first published in 1952.

This is the story of two family, the Trasks and the Hamiltons, whose generations helplessly re-enact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. I enjoyed this beautifully written book, which begins slowly, but not as much as The Grapes of Wrath, which I thought was amazing. It’s long – too long really – and to my mind it reads like a morality tale of good versus evil. There are many parallels to the Bible stories, with surely one of the most evil characters ever in Cathy. I liked the way Steinbeck set out the moral dilemmas and gave the characters personal choice using the Hebrew word ‘timshel‘, meaning ‘thou mayest’.

M is for Mansfield Park by Jane Austen

On the surface this is a simple story about a family and their relationships. Fanny Price, as a child of 10 goes to live with her wealthy aunt and uncle, Sir Thomas and Lady Bertram at Mansfield Park, where as the poor relation she is not treated badly, but not as cared for or as kindly as her cousins, but more as an unpaid servant dependent on the family for her welfare – a sort of Cinderella story. But through the story, Jane Austen reveals the complicated interaction of society, shows the development of Fanny’s character and the depiction of a heroine who is good and gentle who matures throughout the novel. 

It’s full of detail of everyday life, its boredom as well as its entertainments and pleasures, the  balls and dinners. There is much in it about the houses and gardens, not only of the wealthy but also of the lower classes, such as Fanny’s parents home in Portsmouth – but they have servants themselves, so it is only comparative poverty. Seen mainly through Fanny’s eyes, it’s a study of morals, the damage caused by being unwanted and unloved. There is also a gentle strain of humour and satirical observations about contemporary values, and even, with Mary Crawford’s pun on ‘Rears and Vices‘, a bawdy note.

B is for Barnaby Rudge by Charles Dickens, first published in 1841, a murder mystery as well as a historical novel, mainly concerning the events surrounding the Gordon Riots of 1780. It’s almost a book of two parts and the dramatic second half, to my mind, more than makes up for the slow beginning which I had to read slowly and carefully.

It begins in 1775, five years before the riots as a group of customers in the Maypole Inn in the village of Chigwell, on the borders of Epping Forest and about 112 miles from London, recollect the murder of Reuben Haredale, the owner of The Warren, 22 years earlier to the day. His steward, a Mr Rudge was found months later, stabbed to death.The murderer had never been discovered. Reuben’s brother Geoffrey had lived at The Warren with his niece, Emma ever since.

From then on the book becomes much more complicated with many characters and sub-plots. There are a number of themes running through the novel – the relationship between fathers and sons, the position of authority, justice and the question of punishment for crime, and religious conflict. Dickens paints a picture of London, the dirt and poverty, the terrible condition of the roads, the perils of footpads and highwaymen which is in contrast to the countryside that still at that period surrounded London making it a cleaner, purer place to live in.

E is for Excellent Women by Barbara Pym, first published in 1952. It’s not laugh-out-loud funny, but it is most entertaining, subtly and gently comic.  laugh-out-loud funny, but it is most entertaining, subtly and gently comic.

It’s set just after the end of the Second World War, about the everyday life of Mildred Lathbury, an unmarried woman – in other words a spinster – in her early 30s. The daughter of a clergyman she is one of those ‘excellent women’ who could be relied upon to help out at Church jumble sales, garden fêtes, to make tea when required or to make up numbers at social gatherings. She finds herself involved in the quarrel between her new neighbours, Helena and Rockingham (Rocky) Napier, a married couple who live in the flat below her, as well as in the difficult relationship between Julian Mallory, the local vicar and his unmarried sister, when he finds himself trapped by Allegra Grey, a vivacious widow when she moves into their spare room. It’s a slow-paced book but all the better because of that.

R is for A Room with a View by E M Forster. First published in 1908, this is a novella of 161 pages, a comedy of manners, satirising the manners and social conventions of Victorian/Edwardian society. It is about a young woman, Lucy Honeychurch, and her journey to self-discovery as she breaks out of the restrained culture of Edwardian England. It’s also a romance.

It begins in Florence where Lucy is staying at the Pensione Bertolini, with her older cousin and chaperone Charlotte Bartlett. They meet two other guests, a Mr Emerson and his son George who are not bound by the conventions of the day and Charlotte considers they are ill-bred. But Lucy is attracted by the Emersons’ free thinking ideas. They spend time in Florence visiting various locations including the Santa Croce church, the Piazza Della Signoria and the San Miniato church, with its beautiful facade, and take a trip into the hills.

The second half of the book takes place in England at Lucy’s home at Windy Corner where we meet the rest of her family and Lucy has to decide between the insufferable Cecil and the unconventional George. 

Adam Bede by George Eliot

I’ve finished reading the 50 books on my first Classics Club List, but there are two books I didn’t review immediately after I finished reading them, which means now I can only write short reviews as the details are no longer fresh in my mind. And that is difficult as they are both long novels.

The first is Adam Bede by George Eliot (Mary Ann Evans). It was her first novel, published in 1859.

Rating: 3 out of 5.

Synopsis

Carpenter Adam Bede is in love with the beautiful Hetty Sorrel, but unknown to him, he has a rival, in the local squire’s son Arthur Donnithorne. Hetty is soon attracted by Arthur’s seductive charm and they begin to meet in secret. The relationship is to have tragic consequences that reach far beyond the couple themselves, touching not just Adam Bede, but many others, not least, pious Methodist Preacher Dinah Morris. A tale of seduction, betrayal, love and deception, the plot of Adam Bede has the quality of an English folk song. Within the setting of Hayslope, a small, rural community, Eliot brilliantly creates a sense of earthy reality, making the landscape itself as vital a presence in the novel as that of her characters themselves. (Amazon)

This is a long and slow-moving novel set in the rural community of Hayslope, a fictional village, based on Ellastone in the West Midlands in 1799. Overall I liked the book, but not as much as I remember liking Middlemarch, which I read long before I began this blog, and Silas Marner (my review). As in those two books it took me a while to get used to George Eliot’s style of writing, with her long, long sentences – some so long I had forgotten how they had started, before I got to the end. But I liked the dialect used by the characters, according to their class, that helps identify their position within the village community.

They’re cur’ous talkers i’ this country, sir; the gentry’s hard work to hunderstand ’em. I was brought hup among the gentry, sir, ‘an’ got the turn o’ their tongue when I was a bye. Why, what do you think the folks here says for ‘hevn’t you?’ – the gentry, you know, says, ‘hevn’t you’ – well, the people about here says ‘hanna yey.’ It’s what they call the dileck as is spoke hereabout, sir. That’s what I’ve heared Squire Donnithorne say many a time; it’s the dileck, says he.’

It is about love, seduction, remorse, crime and religion. a study of early 19th century rural life and education. It emphasises the value of hard work; the power of love; and the consequences of bad behaviour. As the title indicates the main character is Adam Bede, a hard working young man, a carpenter, with a strong sense of right and wrong, strong and intelligent:

In his tall stalwartness Adam Bede was a Saxon, and justified his name; but the jet black hair, made the more noticeable by its contrast with the light paper cap, and the keen glance of the dark eyes that shone from under strongly marked, prominent and mobile eyebrows, indicated a mixture of Celtic blood. The face was large and roughly hewn, and when in repose had no other beauty than such as belongs to an expression of good-humoured honest intelligence.

The novel revolves around a love ‘rectangle’ – the beautiful but self-absorbed Hetty Sorrel; Captain Arthur Donnithorne, the young squire who seduces her; Adam Bede, her unacknowledged suitor; and Dinah Morris, Hetty’s cousin, a fervent, virtuous and beautiful Methodist lay preacher.

This short post doesn’t do justice to the novel. I gave it 3 stars on Goodreads when I read it in 2015, but I have started to re-read it and I am enjoying it. I think that this time round maybe l’ll change my rating to 4 stars …

~~~

The other book I have left to review is Martin Chuzzlewit by Charles Dickens – my post will follow next week.

Classic Club Spin: Silas Marner by George Eliot

 

The back cover of my Penguin Popular Classics edition of Silas Marner tells me it was George Eliot’s own favourite novel. The story revolves around Silas Marner, a weaver living in Raveloe, a village on the brink of industrialisation. He was wrongly accused of theft and left his home town to live a lonely and embittered life in Raveloe where he became a miser, hoarding his gold and counting it each night. Until one night his life is changed by the theft of his money and a little girl who came to live with him, having been abandoned in the snow.

It took me a while to settle into George Eliot’s style of writing, with her long, long sentences – some so long I had forgotten how they had started, before I got to the end. But once my mind had adjusted to the rhythm of her writing I enjoyed this short book (221 pages in my copy). It’s set in the early years of the 19th century (she was writing the book in 1861) and begins with a description of linen weavers and the superstition that surrounded them. They were:

… pallid undersized men, who by the side of brawny country-folk, looked like the remnants of a disinherited race. The shepherd’s dog barked fiercely when one of these alien-looking men appeared on the upland, dark against the early winter sunset; for what dog likes a figure bent under a heavy bag? – and these pale men rarely stirred abroad without that mysterious burden.

In that far-off time superstition clung easily round every person or thing that was at all unwonted … no one knew where wandering men had their homes, or their origin … to peasants of old times, the world outside their own direct experience was a region of vagueness and mystery … (page 9)

There are two strands to the storyline – one about Silas and the other about Godfrey Cass, two very different men, one poor, a social outcast and the other rich, the son of the local squire. They move in very different social circles, the Cass family life is one of lazy indulgence, but their lives intersect through the arrival of the little girl.

I really enjoyed this short book, bringing to life a world that had disappeared by the time George Eliot was writing it. It has the touch of a fairytale about it, or of a folk myth, and it tells of the consequences of our actions. The characters come to life through Eliot’s descriptions and I could easily picture their appearance and hear their speech. For example

She actually said “mate” for “meat”, “appen” for “perhaps”, and “oss” for “horse”, which, to young ladies living in good Lytherly society, who habitually said ‘orse, even in domestic privacy, and only said ‘appen’ on the right occasions, was necessarily shocking. (page 113)

I wondered whether this would be a sentimental tale, but although it is touching it isn’t sentimental. In the end it’s about a world of uncertainties, of ways of looking at life, of the nature of belief and religion and of the possibilities of change. And it does have a happy ending.

As well as being my Classics Club Spin book it’s also one of my TBRs, qualifying for the Mount TBR Reading challenge.

The Classics Club Spin Result

The result of the Classics Club Spin is No. 1 which for me is Silas Marner by George Eliot. I am so pleased – I wanted a short book and lo and behold this is a short book!

Although the shortest of George Eliot’s novels, Silas Marner is one of her most admired and loved works. It tells the sad story of the unjustly exiled Silas Marner – a handloom linen weaver of Raveloe in the agricultural heartland of England – and how he is restored to life by the unlikely means of the orphan child Eppie.

Silas Marner is a tender and moving tale of sin and repentance set in a vanished rural world and holds the reader’s attention until the last page as Eppie’s bonds of affection for Silas are put to the test.

First published in 1861 as Silas Marner: the Weaver of Raveloe, George Eliot described it as ‘a story of old-fashioned English life’.

The Mill on the Floss by George Eliot

I was pleased when the Classics Club Spin number came up as 8, because for me that was The Mill on the Floss, a book I’ve had for years, so it was time I read it. I think one of the reasons I hadn’t read it is the size of the font – it’s small. But then I realised that there is a free e-book, so I read it on my Kindle as I could increase the font size.

Description (from my paperback copy of the Penguin Popular Classics 1994 edition, shown above):

George Eliot drew on her own anguished childhood when she depicted the stormy relationship between Maggie and Tom Tulliver. Maggie’s often tormented battle to do her duty and belong on the one hand, and to be  herself, wild and natural, on the other, propels her from one crisis to another. As the Tulliver fortunes decline and fall, the rift between Maggie and her family becomes almost irreconcilable. But Maggie’s biggest mistake of all is to fall in love with Stephen Guest who is engaged to another woman.

Both a sharp and observant picture of English rural life and a profoundly convincing analysis of a woman’s psychology, The Mill on the Floss is a novel that tackles the complexities of morality versus desire.

My thoughts:

The Mill on the Floss was first published in 1860. The story begins in the late 1820s, when Maggie, who is ‘big for her age, gone nine‘ and her brother, Tom aged about twelve are living at Dorlcote Mill on the banks of the river Floss near the town of St Oggs. Their father is anxious that Tom should have a good education so that he can go into business – he does not want him to be a miller. But it is Maggie who is the keen reader, enjoying books like The History of the Devil by Daniel Defoe, Aesop’s Fables and the Pilgrim’s Progress.

I enjoyed parts of the book more than other parts. The first part of this book, covering Maggie and Tom’s childhood for example is fascinating and a study of early 19th century rural life and education. Tom goes away from home to study under a tutor, Mr Stelling and meets Philip Wakem, whose father is a lawyer, Mr Tulliver’s opponent in a lawsuit. Maggie and Tom’s relationship is difficult, although she professes she ‘loves him better than anyone else in the world’, even when he rebukes her. Meanwhile Maggie becomes more friendly with Philip than Tom and her family like.

There are some lovely scenes, for example Maggie’s escapade when she leaves home to live with the gypsies. And I liked all the scenes with Mrs Tulliver’s sisters, who look down on her for marrying a miller and criticise Maggie’s appearance and behaviour, for Maggie is full of high spirits and energy. The sisters also provide comic relief, at times being miserly and self-centred, with a strong sense of their own importance. But things go from bad to worse for the Tullivers, when Mr Tulliver loses the lawsuit and eventually loses the mill.

In other places, between scenes there are long, rambling passages, that I found too wordy and philosophical and I waited impatiently to get back to the story. But overall I liked the book, more than I liked Adam Bede, but not as much as I remember liking Middlemarch, which I read long before I began this blog.

The Mill on the Floss is an epic novel encompassing various themes such as love, marriage, family loyalty, the social conventions of the times, and the struggle to survive. Feminism, education, and the role of women in society are to the fore, as Maggie is torn between two men who love her and is judged harshly for her behaviour.

It is a character driven plot; the river Floss plays a major part in the story, running through a wide plain, hurrying on to the sea, laden with ships. It’s a noisy place with Dorlcote Mill is on its banks near a stone bridge and the rush of the water is deafening, along with the ‘thunder of the huge covered wagon coming home with sacks of grain‘.

And it is the Floss that provides the huge climax which took me by surprise. It’s a dramatic ending and yet I found it rather unsatisfactory, not sure that I could believe what I had read, and shocked by such a sad ending. Looking back after I finished the book I realised that it had been foreshadowed almost from the start and I had missed it.

Reading Challenges: Mount TBR 2016 and The Classics Club.

My Week in Books: 30 March 2016

This Week in Books is a weekly round-up hosted by Lypsyy Lost & Found, about what I’ve been reading Now, Then & Next.

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A similar meme,  WWW Wednesday is run by Taking on a World of Words.

Now:  I’ve decided to concentrate on books from my to-be-read shelves and picked People of the Book by Geraldine Brooks, a book I’ve owned for nearly eight years. I can’t think why I haven’t read it before as so far I’m loving it.

Blurb:

People of the Book takes place in the aftermath of the Bosnian War, as a young book conservator arrives in Sarajevo to restore a lost treasure.

When Hannah Heath gets a call in the middle of the night in her Sydney home about a precious medieval manuscript which has been recovered from the smouldering ruins of wartorn Sarajevo, she knows she is on the brink of the experience of a lifetime. A renowned book conservator, she must now make her way to Bosnia to start work on restoring The Sarajevo Haggadah, a Jewish prayer book ‘“ to discover its secrets and piece together the story of its miraculous survival. But the trip will also set in motion a series of events that threaten to rock Hannah’s orderly life, including her encounter with Ozren Karamen, the young librarian who risked his life to save the book.

Then: I’ve recently finished Wycliffe and the Tangled Web by W J Burley, another book from my to-be-read shelves.

Blurb:

A beautiful schoolgirl goes missing from a Cornish village on the day she has told her boyfriend and sister she is pregnant. The possibility that she has been raped or murdered – or both – grows with every passing hour, and Chief Superintendent Wycliffe is brought in on the case.

The investigation reveals a complex network of family relationships and rivalries centred on the girl; and then Wycliffe finds a body – but not the one he expects. Have there been two murders? And if so, are they connected?

Wycliffe digs deeper, and soon realises that just beneath the normal, day-to-day surface of the community lies a web of hatred and resentment – a web he will have to untangle if he is to find the key to the mystery . . .

My post will follow soon.

Next: I’m reluctant to say what I’ll be reading next because I usually change my mind when the time comes. But, I shall be reading The Mill on the Floss by George Eliot for the Classics Club Spin some time in April – yet another book I’ve owned for years.

Blurb:

George Eliot drew on her own anguished childhood when she depicted the stormy relationship between Maggie and Tom Tulliver. Maggie’s often tormented battle to do her duty and belong on the one hand, and to be  herself, wild and natural, on the other, propels her from one crisis to another. As the Tulliver fortunes decline and fall, the rift between Maggie and her family becomes almost irreconcilable. But Maggie’s biggest mistake of all is to fall in love with Stephen Guest who is engaged to another woman.

Both a sharp and observant picture of English rural life and a profoundly convincing analysis of a woman’s psychology, The Mill on the Floss is a novel that tackles the complexities of morality versus desire.

What about you? What are you reading this week?