Review Copy – Page 26

The Lost Man by Jane Harper: Blog Tour Review

Published on February 13, 2019 by Margaret4 Comments

He had started to remove his clothes as logic had deserted him, and his skin was cracked. Whatever had been going through Cameron’s mind when he was alive, he didn’t look peaceful in death.

As I loved Force of Nature by Jane Harper I was absolutely delighted when Caollin Douglas at Little, Brown Publishing asked me if I wanted to take part in the blog tour for Jane Harper’s latest book, The Lost Man. I wasn’t disappointed – I loved it.

Blurb:

Did Cameron walk to his death under the unrelenting sun of the Australian Outback? If not, what happened? Set in the unfamiliar, isolating and disorientating landscape of the Outback, The Lost Man combines intrigue, surprise and intellect to create a gripping and thrilling narrative.

Two brothers meet at the remote border of their vast cattle properties under the unrelenting sun of the outback. In an isolated part of Australia, they are each other’s nearest neighbour, their homes hours apart.

They are at the stockman’s grave, a landmark so old that no one can remember who is buried there. But today, the scant shadow it casts was the last hope for their middle brother, Cameron. The Bright family’s quiet existence is thrown into grief and anguish.

Something had been troubling Cameron. Did he choose to walk to his death? Because if he didn’t, the isolation of the outback leaves few suspects…

My thoughts:

This is essentially a family drama and is very much character-driven, set in an isolated part of Australia hundreds of miles from anywhere and revolving around the death of Cameron Bright. There are three Bright brothers – Nathan the oldest, then Cameron and the youngest brother, Bub. They have a vast cattle ranch in the Queensland outback.

The book begins with the discovery of Cameron’s body lying at the the base of the headstone of the stockman’s grave – a headstone standing alone, a metre high, facing west, towards the desert, in a land of mirages. It provides the only bit of shade for miles around. He had obviously died an agonising death in the intense forty-five degrees of heat, crawling round the headstone in search of its shade as the earth rotated around the sun. Nathan and Bub meet at the site and can’t understand why he was there – his car was found several kilometres away and at first they assumed he had just walked away to end his life, but that didn’t seem to make sense. Nathan just can’t believe Cameron would do that. There is little actual police investigation and so Nathan delves into the past on his own looking for answers. He is astonished at what he finds.

Nathan is a solitary man, divorced and living alone, a three hours’ drive from the rest of the family. There is a mystery surrounding his isolation not just from his family but also from the small town, three hours drive away. Whereas, Cameron, who took over the ranch after his father died, is well liked, married with two little girls. The youngest brother, Bub, meanwhile is an angry young man, resentful of the way Cameron runs the business, mainly because he thinks his views are being ignored. As Nathan tries to fathom what had happened hidden passions and resentments begin to surface and it becomes clear that this is a dysfunctional family. He realises there was a lot about his family he had never known.

Throughout the book the Australian outback looms large, a huge and isolated territory, red earth stretching for hundreds of miles, with its unbearable heat, dust and, at times, the threat of flood. But it’s the characters, as their past history and relationships are exposed and they became real personalities, that made the book such compelling reading for me. I liked the storytelling, the details of the legends surrounding the stockman, the drama of the family grieving over Cameron’s death – and the mystery of his death – was it suicide or murder, and if it was murder who had killed him and why?

It’s a powerful and absorbing book and after I finished it I wondered about the title – just which one of the men was the ‘Lost Man‘. I’m still not sure, maybe they all were …

Source: Review copy as part of The Lost Man blog tour, via NetGalley– Thank you.

About the Author

Jane Harper is the author of the international bestsellers The Dry and Force of Nature.

Her books are published in more than 36 territories worldwide, with film rights sold to Reese Witherspoon and Bruna Papandrea. Jane has won numerous top awards including the CWA Gold Dagger Award for Best Crime Novel, the British Book Awards Crime and Thriller Book of the Year, the Australian Book Industry Awards Book of the Year and the Australian Indie Awards Book of the Year. Jane worked as a print journalist for thirteen years both in Australia and the UK and now lives in Melbourne.

You can find out more by visiting Jane’s website and finding her on Facebook, Instagram and Twitter @janeharperautho.

Challenges:

Mount TBR Challenge on my TBR list since November 2018
Calendar of Crime Challenge for November – a book in which family relationships play a major role

The Colour of Murder by Julian Symons

Published on February 10, 2019October 6, 2025 by Margaret10 Comments

The Colour of Murder (British Library Crime Classics)

This edition of The Colour of Murder, published in association with the British Library, has an introduction by Martin Edwards. It was first published in 1957 by Collins. It won the prize for the best crime novel of that year awarded by the Crime Writers’ Association. I came fresh to this novel, knowing little about the plot and nothing at all about its author, Julian Symons*, so I was pleasantly surprised by how much I enjoyed it.

The Colour of Murder is a cleverly written, very readable mystery, with a focus on the psychological aspects of crime. It reflects the society and racial attitudes of its time. Written in two parts – the first is a statement to a psychiatrist, Dr Max Andreadis, written in the first person, from John Wilkins, accused of a murder on the beach at Brighton. The second part, which is written in the third person, describes John’s subsequent trial.

John is an unreliable narrator and not a very attractive character. He works in the Complaints Department in large Oxford store, a job with responsibility, but poor pay and suffers from blackouts after which he declares he can’t remember what he did. Are they brought on by his drinking, or not? He has an over-possessive mother and a dull and dutiful wife May, who doesn’t get on with his mother. When he meets Sheila in the local library he finds her beautiful and irresistible. He becomes infatuated with her, but May insists she loves him and won’t countenance a divorce. Sheila is not attracted to him but she leads him on and John believes she returns his love. So when she announces she is engaged to Bill he is devastated. At the end of the first part of the book I was left wondering who he had killed – was it May or Sheila, or Bill? That mystery is quickly cleared up in the second part with John’s trial- but I’m not revealing it now either – that would spoil the story.

By the end of the book I still wasn’t clear about the murder. Was John the murderer, was he insane or was he responsible for his actions? Or was he innocent and if so who was the murderer? What really happened? This is a book that kept me guessing right to the very end. The characters are well drawn, although maybe veering into stereotypes in John’s mother and uncle. The account of the trial is excellent, with the introduction of additional and credible witnesses giving their accounts of John’s character and actions.

*Symons’s full name was Julian Gustave Symons, born in 1912. He was a poet, biographer (including biographies of Charles Dickens and Thomas Carlyle) and a criminologist as well as a novelist and critic. He was a post-war President of the Detection Club from 1976 to 1985, and wrote several crime fiction and detective novels, short stories and in Bloody Murder (US title Mortal Consequences) a history of the detective story. In 1982 he was named as Grand Master of the Mystery Writers of America – an honour accorded to only three other English writers before him: Graham Greene, Eric Ambler and Daphne Du Maurier. He died in 1994.

My thanks to the publishers, Poisoned Pen Press, for my review copy via NetGalley.

Challenges:

Mount TBR Challenge on my TBR list since December 2018
Calendar of Crime Challenge for May – the author’s birth month.

The Murder of My Aunt by Richard Hull

Published on February 3, 2019 by Margaret8 Comments

Poisoned Pen Press|4 September 2018 |227 pages|e-book |Review copy|5* This edition, published in association with the British Library, has an introduction by Martin Edwards. It was first published in 1934 by Hamish Hamilton. It was Richard Hull’s first novel. His real name was Richard Henry Sampson (1896 – 1973) and up until 1934 he had worked as a chartered accountant. With the success of The Murder of My Aunt he devoted himself to writing. The Murder of My Aunt is one of the best of the classic crime fiction novels from the Golden Age that I’ve read. On the face of it has a straightforward plot as Edward Powell, the narrator for most of the book, plots to murder his Aunt Mildred. They live in a house called Brynmawr on the outskirts of the Welsh town of Llwll. Mildred is his guardian, his parents having died in mysterious circumstances when Edward was very young. He detests living in Lwll and he also detests his aunt. It’s a contest of wills as Mildred finds Edward a great trial, she sees all his faults – he is selfish, self-centred, vain and lazy and foppishly effeminate – and she constantly nags him to change his ways, or she will ‘have to take action’. Edward, though decides that he will take action, thinking his life would be so much better without Mildred and he sets out to find a way to arrange her death so that no suspicion will fall on him. He makes copious notes of various methods and the steps he plans to take and that’s more difficult than he expected as his attempts keep failing. But it’s the writing that lifts this book from the ordinary to an original and funny murder mystery and, whilst not laugh-out-loud funny, I thought it was brilliant. It’s witty and ironic from the start as Edward pontificates on the pronunciation of the word ‘Lwll’. Neither Edward nor Mildred come across as caricatures, but as real people, both of them with their own faults. Edward is just so insufferably awful that I felt on Mildred’s side in their battle of wits, even though she shows him up in front of the whole village – and after all she had brought him up. Once I started to read The Murder of My Aunt I was captivated and I had to read it quickly, anxious to find out if Edward did manage to kill his aunt. It makes very entertaining reading and I loved the ending, which took me by surprise and I thought was so clever – definitely a 5* read for me! Now I’m looking forward to reading more of Richard Hull’s books and have Excellent Intentions lined up to read soon. My thanks to the publishers, Poisoned Pen Press, for my review copy via NetGalley. This is qualifies for the Mount TBR Challenge and for the Calendar of Crime Challenge for March in the category of a book in which money/fortune/inheritance has a major role.

The Glass Woman by Caroline Lea

Published on January 31, 2019February 11, 2019 by Margaret6 Comments

The Glass Woman by Caroline Lea, set in Iceland in 1686, has a dark atmosphere, saturated in sadness, fear and superstition, a story of suspicion, love and violence. The story takes places over just a few months from August to December. It begins in November 1686 as a body surfaces from the ice-crusted sea, a body that had been weighted down with stones. But the land in Iceland is never still and the stones had been dislodged, pushing the body upwards and breaking the ice above. And then the story steps back a few months to August 1686 as Rósa is sent to the remote village of Stykkishólmur to join her new husband, Jón Eiríksson, a rich fisherman, farmer and merchant, and the chieftain. In other words a powerful man. He and Rosa had met when he had been travelling south and although his wife, Anna, had only been dead for two months he had proposed to Rosa. She accepted him, not because she loved him but to save her mother from starvation. Jon gives her a small glass figurine, shaped in the perfect form of a woman, hands clasped and her gaze meekly lowered, as a wedding present. He said it reminded him of her. And a few months later accompanied by Petur, his apprentice, she travels to Stykkishólmur. Petur is reputed to be one of the huldufolk – one of the ‘hidden people’ or elves, who take people and feast on their souls. (Icelandic works are used throughout the book and there is a short glossary at the end of the book, which I didn’t find until I finished the book.) He warns her not to ask questions about Anna, not to him or the villagers and especially not to Jon. As they near the village Rosa becomes suspicious and fearful, especially as strangers they meet warn her that Jon may look honest but underneath he is a devil. Her fears only increase as she finds she is isolated in a croft apart from the other villagers, who shun her with the exception of one woman, Katrin, who offers to help her. Jon forbids her to enter the locked room in the loft or the outbuildings, which of course rouses her curiosity. He expects her to obey him and occupy herself in the croft – to be subservient, like the glass woman. So, Rosa obediently went through her daily tasks. There was an old belief that reading and writing could be a form of witchcraft and Rosa’s mother, who knows Rosa is too wilful to be a wife, had warned her that Jon would set fire to her feet if she wrote a single word. So Rosa, who loves the Sagas, hid her writing from Jon. Then, hearing strange noises in the loft, she is irresistibly drawn to investigate and the tension rises, slowly mounting to violence as the book progresses. I had high hopes that I would love The Glass Woman, but my hopes dwindled as I read on. I thought it was too long, too drawn out and slow, especially in the first half of the book. The structure of the story let it down for me and there are parts of the story I thought were a bit too predictable. The action takes place over just a few months – from August to December – and the narrative switches backwards and forwards over these months, between Rosa in the third person and Jon in the first person which I found rather disjointed and awkward having to work out what happened when. The pace did pick up towards the end of the book, though, as the violence reaches its climax. I liked the setting in Iceland and the historical context. Caroline Lea explains in her author’s note at the end of the book that as she immersed herself in Jon and Rosa’s world she found the landscape itself was becoming a character. I can see what she means – the landscape does play a large part in the story and I liked her descriptions of its changing nature as earthquakes engulf whole hills, the land falling away or rising up. She was also fascinated by the Sagas with their references to the supernatural and that comes across strongly too. The questions, however kept my interest – what had happened to Anna, what is in the locked room, and why does Jon want to keep Rosa away from the village? And what about the body that emerges from ice – how does that fit into the story? Overall, then I did enjoy this book. My thanks to the publishers, Penguin UK Michael Joseph, for my review copy via NetGalley. This is my first book for the What’s In a Name? challenge – a book with the word ‘woman’ in the title, for the When Are You Reading? challenge, the Calendar of Crime challenge and the Mount TBR challenge too.

Dirty Little Secrets by Jo Spain

Published on January 12, 2019July 6, 2025 by Margaret3 Comments

I first came across Jo Spain’s books last year when I read The Confession, a standalone novel and then The Darkest Place, her 4th Inspector Tom Reynolds Mystery book, both very good books. So I was keen to read her latest book, a psychological thriller, Dirty Little Secrets, another standalone book. I really enjoyed this very readable page-turner, keen to discover all the secrets.

It’s set in Withered Vale, a small, gated community of just seven houses, outside the small village of Marwood in Wicklow in Ireland. On the surface it is a perfect place where the wealthy live their privileged lives and keep themselves to themselves – until a cloud of bluebottles stream out of the chimney of number 4 and Olive Collins’ dead and disintegrating body is discovered inside. She had been dead for three months and none of the neighbours had bothered to find out why she hadn’t been seen all that time. But someone must have known what had happened to her – the question being who?

When DI Frank Brazil, near to his retirement, and his partner young Emma Child arrive it’s not clear whether Olive’s death was accidental death or suicide. But they quickly establish that the boiler had been pumping out carbon monoxide and the vents and the letter box had been taped up. It was then obvious that her death was either suicide or murder. There is plenty of DNA in the house, as it turns out that all the neighbours had visited Olive. She had tried to interfere in each of their lives and each one of them had something to hide, from past crimes, past relationships, addictions, and blackmail. They’re all suspects as each one had a motive for killing Olive.

I liked the way Jo Spain has structured her book – each character is introduced and gradually more and more facts about their lives and personalities are revealed. And Olive’s dead voice is interspersed among these people, revealing her personality, thoughts and relationships with the others, and showing just went on behind all the closed doors. I was fascinated and went from one person to the next wondering who was guilty, changing my mind as the book progressed. The characters are convincing and so it was easy to work out who was who and how they all interacted. The ending surprised me as although I had suspected what had taken place I hadn’t foreseen the whole picture.

I was hooked from the beginning to the end. Withered Vale went from being a place where the neighbours lived their lives in isolation to a much more united community as together they faced the enormity of what had happened.

My thanks to the publishers, Quercus, for my review copy via NetGalley.

Note: this book is one of my TBRs, so qualifying for Bev’s Mount TBR challenge and as it will be published in February it also qualifies for Bev’s Calendar of Crime challenge in the category of a February publication.

The Good Son by You-Jeong Jeong

Published on January 6, 2019January 9, 2019 by Margaret6 Comments

Blurb When Yu-jin wakes up covered in blood, and finds the body of his mother downstairs, he decides to hide the evidence and pursue the killer himself. Then young women start disappearing in his South Korean town. Who is he hunting? And why does the answer take him back to his brother and father who lost their lives many years ago. The Good Son by You-jeong Jeong, translated by Chi-Young Kim, is the first of her books to be translated into English. You-jeong Jeong is a South Korean writer of psychological crime and thriller fiction. She is the author of four novels including Seven Years of Darkness, which was named one of the top ten crime novels of 2015 by the German newspaper Die Zeit. My thoughts: I thought that maybe I’d made a mistake in requesting The Good Son from NetGalley when I started reading it. And at 23% I was ready to abandon it – I was tired of reading about Yu-jin trying to get rid of all the blood in the apartment and on himself after he discovered his mother lying in a pool of blood – it was so repetitive and slow going. So I did something that I very rarely do and went to the end of the book to see if it was like that all the way through – and as it looked as though it wasn’t, I carried on reading. This is a dark book, but although there is a lot of blood around at the start it isn’t actually a gory, blood and guts story. It’s a psychological did-he-do-it murder mystery. It’s tense and puzzling as Yu-jin tries to uncover what happened, at first unable to remember the events of the night before the murder. It’s written totally from Yu-jin’s perspective, so for most of the book it was as though I was reading his mind – and it’s a very strange, mixed up mind. He has difficulty with honesty and admits that he tells more lies than other people, which means that he can tell any kind of story in a believable way, and for a large part of this book I was willing to believe him, or to think the murder was all in his mind and that his mother wasn’t dead. For years he had been taking pills which his mother told him were to control his epilepsy but he didn’t like the side effects so he had stopped taking them without telling his mother. Now he’s worried about having seizures and the blank spots in his memory are confusing him. As more of his past life is revealed in flashbacks I began to revise my opinion of him and wondered if he could have killed his mother. When he was nine his father and older brother had died in tragic circumstances that are only revealed later on in the book and even then there are different versions of what actually happened. It’s an intricate plot and just as soon as I thought I could see where it was going I realised that I’d been hoodwinked. The book is set in South Korea, mainly in Incheon, a city south of Seoul but the main focus is on this dysfunctional family and their relationships. I’m glad I didn’t give up on the book at 23% as after that point the story picked up pace and it held my interest to the end. But it is certainly a dark and unsettling character study of a psychopath. My thanks to the publishers, Little, Brown Book Group, for my review copy via NetGalley.

Format: Kindle Edition
File Size: 1126 KB
Print Length: 322 pages
Publisher: Little, Brown Book Group (3 May 2018)
Source: Review copy
My Rating: 3*