Book Beginnings – The Flower Book

Yesterday I finished reading Purple Hibiscus by Chimamanda Ngozi Adichie, which I thought was an amazing book that kept me captivated even though it’s a challenging book to read because of its subject matter. I’ll write more about that in a later post.

It has left me with the usual problem of deciding what to read next and I’ve picked up and started so many books, none of which seem good enough after Purple Hibiscus. I’ve been reading from my own bookshelves this year, but I’m thinking of having a little break from that and reading a library book. It’s one I picked off the mobile library van, not knowing anything about it or about the author, Catherine Law – The Flower Book. It’s set in 1914 and also in 1936.

It begins in Cornwall in March 1914:

On certain nights if the wind was right, you could hear the sea from Old Trellick. So the legend has it, although Violet had never heard the waves and her parents would not try, due to the fact, she decided, that they had no imagination.

As a child she’d stand at the French windows and implore them to be quiet, to stop what they were doing and to concentrate with her, to catch this magical and elusive sound.

Every Friday Gilion at Rose City Reader hosts Book Beginnings on Friday, where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I like the images the beginning of this book conjures and also the sounds. I always like the sight and sound of the waves breaking on the shore; to me too that has a certain magic. So this appealed to me straight away. Couple that with a story set against the backdrop of World War I as Aster Fairling searches for the truth behind her parents’ tragic love through the pages of her mother journal and I want to know more.

The Flower Book is Catherine Law’s third book.

The Thirty-Nine Steps by John Buchan

Way back in 2008 I watched The 39 Steps on TV with Rupert Penry-Jones as Richard Hannay, so inevitably as I read The Thirty-Nine Steps I could see Penry-Jones as Hannay. The dramatisation, however, although there are similarities, is different from John Buchan’s book. There are a number of historical inaccuracies and some artistic licence was used – none of which I was aware of as I watched the film and I thoroughly enjoyed it. It made me want to read the book and it’s taken me until now to get round to it – I’d forgotten most of the details of the film, except for visions of Penry-Jones running away from his pursuers in the Scottish moors, scrambling through the heather.

John Buchan 1936

John Buchan began writing The Thirty-Nine Steps in 1914; it was first published in 1916. He was born in Perth in 1875 and after leaving Oxford University he had a varied career, as well as writing books and articles he was a barrister, a member of Parliament, a soldier and a publisher. He was created Baron Tweedsmuir of Elsefield in 1935 and became the 15th Governor-General of Canada, a position he held until his death in 1940.

Once I began reading The Thirty-Nine Steps I didn’t want to put it down. It’s a fast moving action-story, beginning with an international conspiracy, involving anarchists, financiers and German spies. Richard Hannay, having found Scudder, murdered in his London flat, fears for his life and goes on the run, chased by villains in a series of exciting episodes, culminating in the discovery of the location of the ‘thirty-nine steps’. Hannay is a remarkable character, resourceful, and a master of disguise. As well as fleeing for his life he is searching for Scudder’s notebook, which contains clues to the international conspiracy – Scudder was a spy.

The master villain is also a master of disguise, having the ability to ‘hood his eyes like a hawk‘ :

There was something weird and devilish in those eyes, cold, malignant, unearthly, and most hellishly clever. They fascinated me like the bright eyes of a snake. (page 119)

He can impersonate the British First Sea Lord at a top secret meeting with people who knew the real First Sea Lord very well and is also convincing as the very British gentleman, the plump, bridge-player Percival Appleton.

The Thirty-Nine Steps is to my mind a gem. There are other Hannay books – the Complete series is available on Kindle, The Thirty-Nine Steps, Greenmantle, Mr. Standfast, The Three Hostages, and The Island of Sheep.

And so one book leads on to yet more books!

Crucible by S G MacLean

Once again I was transported back to 17th century Scotland with Crucible by S G Maclean, the third of her Alexander Seaton books. I read the first, The Redemption of Alexander Seaton in February 2013 and now a year later I’ve been just as engrossed in Crucible. I think her style of writing suits me perfectly, the characters are just right, credible well-rounded people, the plot moves along swiftly with no unnecessary digressions and it’s just full of atmosphere. I loved it.

It’s set in 1631 in Aberdeen, where Alexander is now a Master at Marischal College. On Midsummer’s eve he stumbles across the body of his friend, Robert Sim, the college librarian, a few feet from the library steps, with his throat cut, blood congealing around the wound. Dr Dun, the college principal asks Alexander to investigate the matter, to look into Robert’s private life, hoping he’ll find nothing to reflect badly on the college.

I found it absolutely compelling reading. Robert had been cataloguing a new acquisition to the library before he was killed and Alexander is convinced that Robert was troubled by what he found there, amongst the books of history, alchemy  and hermetics – the quest for ‘a secret, unifying knowledge, known to the ancients’ since lost to us. There are many twists and turns and another man is killed before he finally arrives at the truth.

This is the third book in the series, but although I haven’t read the second book, I don’t think that matters as I think Crucible stands well on its own. The fourth book in the series is The Devil’s Recruit – the hardback and Kindle versions are available now, whilst the paperback will be available on 14 May. Now I’ve lifted my book buying ban I think I may just have to get the Kindle version soon.

Crucible qualifies for four of the challenges I’m doing this year – the Mount TBR challenge, the Historical Fiction Challenge, My Kind of Mystery Challenge and the Read Scotland Challenge.

Dying in the Wool by Frances Brody

After I finished reading The Grass is Singing (see my previous post) I felt I needed to read something lighter and easier, so I turned to Dying in the Wool by Frances Brody and it turned out to be just the right book – not too taxing on either the brain or the emotions and a rather interesting mystery too.

It’s the first of Frances Brody’s Kate Shackleton Mysteries set in Yorkshire in 1922, with flashbacks to 1916. Bridgestead is a peaceful mill village, until the day in 1916 when mill owner Joshua Braithwaite went missing after apparently trying to commit suicide. Seven years later his daughter, Tabitha, who is getting married, still can’t believe her father is dead and she asks her friend Kate Shackleton to find out what really happened to him.

This is another post World War 1 crime novel, along the lines of Jacqueline Winspear’s Maisie Dobbs and Carola Dunn’s Daisy Dalrymple books, with an independent female amateur detective. Kate is a widow, her husband was missing in action during the war, presumed dead, her father is a police superintendent and she is a keen amateur photographer. On her father’s recommendation she hires Jim Sykes, an ex-policeman to help her. Once they start asking questions things start to happen with disastrous effects.

I liked the characters, Kate and Jim in particular, and the setting is lovely. The novel is well grounded historically in the aftermath of the First World War. I also liked the way the chapter headings were textile related with an explanation of the terms used and relevant to the events described in the chapters – very skilfully done, I thought. And just like woven cloth this mystery has many separate strands that Kate and Jim have to bring together to reveal what had happened in 1916.

This book fits well into several challenges – see the categories listed above.

Other books in the Kate Shackleton series are:

2. A Medal For Murder (2010)
3. Murder in the Afternoon (2011)
4. A Woman Unknown (2012)
5. Murder on a Summer’s Day (2013)
6. Death of an Avid Reader (2014)

The Grass is Singing by Doris Lessing

I hadn’t read any of Doris Lessing’s books before I read The Grass is Singing, although I’d looked at one or two whilst browsing the library shelves. I wasn’t sure I’d like her books and now I’ve read this, her first novel, I’m still not sure. ‘Like’ is not the right word! How can you ‘like’ the portrayal of the breakdown of a personality, a marriage, a community? The Grass is Singing is a powerful book. Set in Southern Rhodesia (now Zimbabwe) in the 1940s, it’s a novel about failure and depression, disaster, racism, racial tension and prejudice, colonialism at its worst. It’s beautifully written, but so tragic.

Anger, violence, death, seemed natural to this vast, harsh country … (page 19)

It’s hard to write about without some spoilers! My immediate reaction to The Grass is Singing was that it is so bleak and depressing and I didn’t want to read any more of Doris Lessing’s books. It’s now nearly a week since I finished reading it and my reaction has changed as I’ve thought over what to write about it. There is so much in it to take in and whilst my reading is mostly for enjoyment with just a nod towards analysing what I’ve read I really think this book deserves more study than I’ve given it. So what follows just scratches the surface and doesn’t really do justice to the book. I think I may very well read more of Lessing’s books – this edition includes a selection of her other books – The Golden Notebook; The Good Terrorist; Love, Again; and The Fifth Child.

It begins with the newspaper report of the death of Mary Turner, the wife of Richard (Dick) Turner, at Ngesi. She was found on the verandah of their house and their houseboy had confessed to the crime. From there it goes back, recounting all the events that lead up to the murder. It’s deceptively simple story, brimming, overflowing with cruelty and suppressed emotion. What is so tragic about it is that Mary and Dick are unable to communicate with each other – neither understands what the other person is feeling. It is unremitting in portraying their poverty and their helplessness to improve their situation.When you add to this the racial prejudice, colonialism – the contempt that the white farmers had for the natives, and the disintegration of personality – Mary has a mental breakdown – it’s a very hard book to read.

One of its strengths is the atmospheric setting. There is no mistaking the location, the stifling heat adding to the tension, the towns with their ‘ugly scattered suburbs‘, ‘ugly little houses stuck anywhere over the veld, that had no relationship with the hard brown African soil and the arching blue sky’ (page 44), and the farm where Dick and Mary lived, over 100 miles from town, surrounded by trees and the bush, with its tiny rooms, red-brick floor, and its corrugated iron roof, rooms with no ceilings, stuffy and unbearably hot.

… the house was built on a low rise that swelled up in a great hollow several miles across, and ringed by kopjes that coiled blue and hazy and beautiful, a long way off in front, but close to the house at the back. It will be hot here, closed in as it is. (page 58)

What is also remarkable is Doris Lessing’s portrayal of Mary. At the beginning of the novel she is an independent woman, maybe a little different from women her own age, a little aloof and shy. But she hadn’t been married and when she reached thirty, vaguely feeling that maybe there was more to life, she overheard people talking about her, wondering why she wasn’t married and saying there was ‘something missing somewhere’. She was stunned and outraged. Dick seemed to be the answer, but he disliked the town, which she loved and where she felt safe. Marrying him, moving to his farm was the trigger that set off  her eventual inner disintegration. So, by the end of the book Mary has changed almost beyond recognition! Her reaction to the natives is also shocking, swinging from fear to violence and then passive acceptance of the presence of Moses, the houseboy, who kills her.

It’s a disturbing book about an ugly subject, racism; it’s passionate, and dramatic. I couldn’t like any of the characters, but they got under my skin as I read and I wanted it all to end differently – of course, it couldn’t.

The Classics Club Spin Result

The Classics ClubLast week I decided to take part in the Classics Club Spin. The rules were €“ list twenty books from your Classics Club list, number them 1 to 20, and the number announced on Monday represents the book you have to read during February and March. The number that has been selected is 20, which means the book I’ll be reading is:

Ethan Frome by Edith Wharton. This is a short novel. I gave up on reading Edith Wharton’s House of Mirth a few years ago, mainly because I thought it was too long winded, so I’m hoping that this much shorter novel will be more to my liking. However, it’s a tragedy and as I’ve just finished reading Doris Lessing’s The Grass is Singing, which is also a tragedy I think I’ll wait a couple of weeks before I start Ethan Frome – too much tragedy is – well, too much all at once.