Category: Fiction

Books Read in June

Published on by Margaret4 Comments

I read seven books in June, all of them ones that I’d included on my 20 Books of Summer Challenge, six of them books that qualify for the Mount TBR Reading Challenge (ie books I’ve owned prior to 1st January 2016). And I’ve managed to write about six of them – see the links to the books listed below.

  1. High Rising by Angela Thirkell (TBR) – an entertaining and witty social comedy, set in the 1930s.
  2. Talking to the Dead by Harry Bingham (TBR) – crime fiction introducing DC Fiona Griffiths, one of the most original fictional detectives I’ve come across.
  3. Asta’s Book by Barbara Vine (TBR) – a murder mystery, a missing child, a question of identity and overarching it all are the stories of two families ‘“ the Westerbys and the Ropers. A brilliant book.
  4. A Shilling for Candles by Josephine Tey (TBR) – Inspector Alan Grant investigates the apparent suicide of a young and beautiful film star, Christine Clay, who was found dead beneath the cliffs of the south coast.
  5. The Glass Room by Simon Mawer (TBR) – a gripping novel that had me on tenterhooks as well as being a beautifully written book, set in a Europe at war and its aftermath. I loved it.
  6. Heat Wave by Penelope Lively (TBR) – an in depth study of angst, frustration and conflict, set against the changing landscape of the countryside, the effect of the heat on the land, the crops and the people.
  7. Wycliffe and the Quiet Virgin by W J Burley – a search for a missing person turns into a murder case. (My post on this book to come later.)

During June I continued reading Andrew Marr’s A History of Modern Britain, which has reminded me of all the difficult times we have lived through in the years after the Second World War and continue to experience.

I’ve been reading some excellent fiction and my favourite book has to be Asta’s Book by Barbara Vine:

closely followed by The Glass Room by Simon Mawer:

Heat Wave by Penelope Lively

Published on by Margaret5 Comments

I’ve read quite a lot of Penelope Lively’s books and have found them full of interest, easily readable, peopled with believable characters and covering various philosophical and moral issues that make me think. Heat Wave (first published in 1996) is no different in that it is about relationships, the connections between the past and the present, love, marriage and adultery, jealousy, anger, grief and loss.

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However, I groaned when I began reading it because it is in the present tense and I’m not that keen on that. But as I read on, my irritation with the tense began to fade away as I became engrossed in the story. It’s quite a simple one really, the strength of the book, I think, coming from the characterisation, the increasing tension and the oppressive atmosphere of a blazing hot summer.

Pauline, a freelance copy-editor, is spending the summer at her cottage, somewhere in the middle of England. Her daughter, Teresa, grandson, Luke and son-in-law Maurice are next door in the adjoining cottage, whilst Maurice concentrates on finishing the book he is writing. They are visited by James and Carol, who accompany them on visits to tourist attractions to help with the research for his book. As Pauline sees the relationship between Teresa and Maurice change, apparently following the same pattern of her own failed marriage, she becomes increasingly anxious and angry, unable to intervene.

In just 184 pages, Penelope Lively builds an in depth study of angst, frustration and conflict, set against the changing landscape of the countryside, the effect of the heat on the land, the crops and the people. Interspersed are her trips to London, her long-standing and now platonic friendship with Hugh, her conversations with one of the authors whose book she is editing and who is also struggling with his marriage, and the family’s visits to tourist attractions as part of Maurice’s research for his book. So alongside the personal relationships Heat Wave also looks at the countryside, how it is changing, our relationship to nature and how farming has changed because of industrialisation and tourism.

I love the descriptions of the countryside that Pauline sees through her window, just one example:

A light wind ruffles the field – shadows course across the young wheat. The whole place is an exercise in colour, as it races into growth. The trees are green flames and the hedges billow brilliantly across the landscape. The old hedgerow at the bottom of the garden has a palette that runs from cream through lemon yellow and all the greens to apricot, russet and a vivid crimson. Each burst of new leaf adds some subtle difference to the range. For a couple of weeks the whole world glows. (page 24)

But this is not just an idealised view of the countryside; she also notes the unnatural discordant sight of fields of dead grass as a result of the policy of set-aside, the industrialisation of agriculture, and the nasty, glaring yellow of oil-seed rape seen by some as an intrusive blight.

What irritated me when I began reading the book, paled into insignificance as the tension between the characters grew, culminating in an inevitable climax as the hot weather ended and a violent thunder storm broke over the cottages. I ended up loving this book.

Heat Wave is my 28th book for Bev’s Mount TBR 2016 challenge and the 6th book for the  20 Books of Summer Challenge.

The Glass Room by Simon Mawer

Published on by Margaret7 Comments

The Glass Room by Simon Mawer 

Synopsis from Amazon:

Cool. Balanced. Modern. The precisions of science, the wild variance of lust, the catharsis of confession and the fear of failure – these are things that happen in The Glass Room.

High on a Czechoslovak hill, the Landauer House shines as a wonder of steel and glass and onyx built specially for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But the radiant honesty of 1930 that the house, with its unique Glass Room, seems to engender quickly tarnishes as the storm clouds of WW2 gather, and eventually the family must flee, accompanied by Viktor’s lover and her child.

But the house’s story is far from over, and as it passes from hand to hand, from Czech to Russian, both the best and the worst of the history of Eastern Europe becomes somehow embodied and perhaps emboldened within the beautiful and austere surfaces and planes so carefully designed, until events become full-circle.

The house and its setting are not fictional, but are based on the Tugendhat House, Brno in the Czech Republic. A few of the characters are non-fictional but the rest are imaginary and their story has no basis in fact. In his introduction to the Abacus edition of the book, published in 2013, Simon Mawer describes his first visit to the house, which was then a museum. He hadn’t planned to write a novel centred on the house. To him is not a museum, but ‘vibrant and alive’, and the novel was born.

I found it a gripping novel that had me on tenterhooks as I was reading. It is, as the synopsis relates, the story of a house, the Landauer House, and specifically of a room within that house called the ‘Glass Room’.

Liesel and Viktor stood and marvelled at it [the Glass Room]. It had become a palace of light, light bouncing off the chrome pillars, light refulgent on the walls, light glistening on the dew in the gardens, light reverberating from the glass. It was as though they stood inside a crystal of salt. Isn’t it wonderful,’ she exclaimed, looking round with an expression of amazement. ‘You feel so free, so unconstrained. The sensation of space, of all things being possible. Don’t you think it is wonderful, Viktor? Don’t you think that Rainer has created a masterpiece for us?’ (pages 64-5)

The whole wall of the lower ground floor is plate glass. The room is a huge space, white walls, furnished with little decoration beyond a piano, specially designed chairs in the sitting area in front of an onyx wall veined with amber and honey, polished to a mirror-like gloss, reflecting the light, and a circular dining table in the dining area enclosed in a semicircle partition of Macassar wood.

But it was the story of the people who lived/worked in the house that captivated me and made me so anxious for them and about what would happen to them as the events of the Second World War and beyond overtook their lives. It’s not only a gripping novel, but also a beautifully written book with interesting and likeable characters, set in a Europe at war and its aftermath; and a book about architecture, ideas, about love and loss, about prejudice and persecution. A deeply moving and haunting book.

I’ve read two of Simon Mawer’s earlier books, The Gospel of Judas (2000) and The Fall (2003), both of which I also thoroughly enjoyed. He has also written:

Chimera (1989)
The Bitter Cross (1992)
A Place in Italy (1992)
A Jealous God (1996)
Mendel’s Dwarf (1997)
Swimming to Ithaca (2006)
The Girl Who Fell From the Sky (2012)
aka Trapeze
Tightrope (2015)

For more details see his website.

The Glass Room is my 27th book for Bev’s Mount TBR 2016 challenge and the 5th book I’ve read in the 20 Books of Summer Challenge.

Library Loot

Published on by Margaret3 Comments

badge-4Library Loot is a weekly event co-hosted by Claire from The Captive Reader and Linda from Silly Little Mischief that encourages bloggers to share the books they’ve checked out from the library. 

I’m trying to reduce my TBRs, but I can’t resist borrowing library books, especially when the mobile library van stops down the road, which it did last week. I was quite restrained though and only borrowed three books. They are all books in different series, that I’m reading totally out of order:

Library bks June 2016

  • The Prisoner of Heaven by Carlos Ruiz Zafon. This is part of a cycle of novels set in the literary universe of The Cemetery of Forgotten Books of which The Shadow of the Wind, which I read before I began this blog, and The Angel’s Game, which I have not read, are the first two instalments. I wondered whether it would matter that I haven’t read The Angel’s Game but a note at the beginning of The Prisoner of Heaven assures me that the cycle of books can be read in any order as each work presents an independent, self-contained tale, connected through characters and storylines, creating thematic and narrative links.

Blurb from Amazon:

It begins just before Christmas in Barcelona in 1957, one year after Daniel and Bea from THE SHADOW OF THE WIND have married. They now have a son, Julian, and are living with Daniel’s father at Sempere & Sons. Fermin still works with them and is busy preparing for his wedding to Bernarda in the New Year. However something appears to be bothering him.

Daniel is alone in the shop one morning when a mysterious figure with a pronounced limp enters. He spots one of their most precious volumes that is kept locked in a glass cabinet, a beautiful and unique illustrated edition of THE COUNT OF MONTE CRISTO. Despite the fact that the stranger seems to care little for books, he wants to buy this expensive edition. Then, to Daniel’s surprise, the man inscribes the book with the words ‘To Fermin Romero de Torres, who came back from the dead and who holds the key to the future’. This visit leads back to a story of imprisonment, betrayal and the return of a deadly rival …

From the back cover:

London, 1933. Two months after Usha Pramal, is found murdered in a South London canal, her brother turns to Maisie Dobbs to find the truth about her death, as Scotland Yard have failed to conduct a proper investigation.

Before her murder, Usha was staying at an ayah’s hostel, a refuge for Indian women whose British employers had turned them out. But nothing is as it seems and soon another Indian woman is killed before she can speak out. As Maisie is pulled deeper into an unfamiliar yet alluring subculture, her investigation becomes clouded by the unfinished business of a previous case. And at the same time her lover, James Compton, gives her an ultimatum she cannot ignore …

  • Pray for the Dying by Quintin Jardine, a Bob Skinner Mystery. There are 26 books in the series set in Edinburgh and previously I’ve read just one – Fallen Gods, the 13th book. Pray for the Dying is the 23rd. I’d been meaning to read more of these books before now as I did enjoy Fallen Gods, but quite simply other books got in the way, as they do …

Blurb:

‘After what happened, none of us can be sure we’re going to see tomorrow.’

The killing was an expert hit. Three shots through the head, as the lights dimmed at a celebrity concert in Glasgow. A most public crime, and Edinburgh Chief Constable Bob Skinner is right in the centre of the storm. The shooters were killed at the scene, but who sent them? The crisis finds Skinner taking a step that he had sworn he never would. Tasked with the investigation of the outrage, he finds himself uncovering some very murky deeds…The trail leads to London, and a confrontation that seems too much, even for him. Can the Chief solve the most challenging mystery of his career…or will failure end it?

And now I just need to find time to read them.

A Shilling for Candles by Josephine Tey

Published on by Margaret14 Comments

A Shilling for Candles, is the fourth book by Josephine Tey that I’ve read. It was first published in 1936 and is the second book in her Inspector Grant series. I enjoyed it but I have to admit that I don’t think it’s as good as the other books by her that I’ve read, namely:

  • The Daughter of Time, first published in 1951, a fascinating novel in which Inspector Alan Grant is in hospital and to keep his mind occupied he decides to discover whether Richard III really did murder his nephews – the Princes in the Tower;
  • Miss Pym Disposes, first published in 1946, a psychological study of characters and motives, in which Miss Pym investigates the death of a student at a physical training college; and
  • The Franchise Affair, first published in 1948, set in a post Second World War England reflecting the social attitudes of its time and based on a real case from the 18th century of a girl who went missing and later claimed she had been kidnapped.

Inspector Alan Grant investigates the apparent suicide of a young and beautiful film star, Christine Clay, who was found dead beneath the cliffs of the south coast. But he soon discovers that was in fact murder as a coat button was found twisted in her hair and he suspects a young man, Robin Tisdall who had been staying with Christine in a remote cottage near the beach, especially when it is revealed that she has named him as a beneficiary in her will. Tisdall has lost his coat and so the search is on to find it to prove either his innocence or guilt.

But it is not so straight forward and Grant has other suspects – Christine’s aristocratic and wealthy husband, an American songwriter, and her estranged brother to whom she had left the gift of ‘ a shilling for candles’. Then there are her friends, including the actress Marta Hart, a leading lady, Judy Sellers, who played dumb blondes and Lydia Keats, an astrologer who casts horoscopes for the movie stars.

Other characters include my favourite in the book, Erica Burgoyne, the Chief Constable’s 17 year old daughter, a quirky character who proves to be most resourceful.

I enjoyed it but thought that overall it was a bit messy, a bit all over the place, as Grant dashed about the south coast and London. It’s definitely a book of its time with several casual anti-Semitic references and Tey has used a lot of slang and idioms that aren’t so recognisable today. There are red herrings and plenty of twists and turns, all of which meant that although at first I identified the culprit, by the end I had no idea who it was. What I thought was more interesting is the way she wrote about the destructive nature of celebrity and the lengths to which the stars went to keep some privacy in their lives – not so different from today.

This book fits into several of the challenges I’m doing this year – the 20 Books of Summer, Mount TBR Reading Challenge, the Vintage Mystery Scavenger Hunt (in the category of a cover showing a body of water) and the Read Scotland Challenge, because Josephine Tey, whose real name was Elizabeth Mackintosh (1896 – 1952). She was a Scottish author who wrote mainly mystery novels.

Josephine Tey’s books:

Alan Grant
The Man in the Queue (1929) aka Killer in the Crowd
A Shilling for Candles (1936) (the basis of Hitchcock’s 1937 movie Young and Innocent)
The Franchise Affair (1948) 
To Love and Be Wise (1950)
The Daughter of Time (1951)
The Singing Sands (1952)

Novels
Kif: an Unvarnished History (1929) (writing as Gordon Daviot)
The Expensive Halo (1931)
Miss Pym Disposes (1946)
Brat Farrar (1949) aka Come and Kill Me
The Privateer (1952)
Non-Fiction

Claverhouse (1937) (writing as Gordon Daviot) A biography of John Graham of Claverhouse, 1st Viscount Dundee (1648 ‘“ 1689), known as ‘Bonnie Dundee’after leading the Jacobites to victory at the Battle of Killiecrankie in 1689, in which he lost his life.

  • Paperback: 256 pages
  • Publisher: Arrow; First Thus edition (3 Feb. 2011)
  • Language: English
  • ISBN-10: 0099556685
  • ISBN-13: 978-0099556688
  • Source: I bought my copy

My Friday Post: The Glass Room by Simon Mawer

Published on by Margaret16 Comments

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

This week’s book is The Glass Room by Simon Mawer, which I’ve just begun to read. It begins:

Oh yes, we’re here.

She knew after all these years. Something about the slope of the road, the way the trajectory of the car began to curve upwards, a perception of shape and motion that, despite being unused for thirty years, was still engraved on her mind, to be reawakened by the subtle coincidence of movement and inclination.

Friday 56

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

Her eyes were blue, so pale that they gave the curious illusion of transparency, as though you were looking through them and seeing the sky.

He fumbled for his lighter and watched as she bent towards the flame. She wore a grey cloche hat and her hair was dark and cut short, not cropped as severely as Liesel’s and her friends’, but short enough to be a statement that she was a modern woman. A Slav he fancied.

It looks from the opening sentences and the extract from page 56 that this is going to be a detailed, descriptive book. I like that.

Synopsis from Goodreads:

High on a Czechoslovak hill, the Landauer House has been built for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But, when the storm clouds of WW2 gather, the family must flee, accompanied by Viktor’s lover and her child. But the house’s story is far from over, as it passes from hand to hand, from Czech to Russian.

This is a work of fiction, but the house in Prague is real. Mawer follows it through all of the upheavals of 20th century Czech history.