Category: Crime Fiction

Maigret!

Published on by Margaret5 Comments

I was delighted and so lucky to win these five books in Sarah’s Giveaway at Crimepieces blog! Thank you Sarah!

They are from the new Penguin translations of Georges Simenon’s Maigret novels:

Years ago I enjoyed the TV series Maigret with Rupert Davies in the title role and have recently watched the latest series with Rowan Atkinson as Maigret. I think he is excellent in the role and so is Lucy Cohu as Madame Maigret.

Last Sunday  I enjoyed watching Maigret’s Night at the Crossroads and was pleased to see the book was today’s Kindle Deal of Day.
The Night at the Crossroads (Maigret #7)I shall be reading them very soon!

A Dark So Deadly by Stuart MacBride

Published on by Margaret3 Comments

Stuart MacBride has written many books, including the Logan McRae and Ash Henderson novels, but A Dark So Deadly is the first one of his that I’ve read. It’s a standalone thriller, due to be published on 20 April 2017 by HarperCollins.

I wasn’t at all sure that I would like it thinking it might be too ‘noir’ for me, but whilst it is dark with some violent and disturbing scenes I was soon hooked into the mystery, the setting, the characters, some of them pretty weird, sordid and really nasty characters and the humour. It’s grisly rather than gory. It’s also long, over 600 pages, but the strength of the writing and the pace carried me effortlessly along. It’s a gripping page-turner that kept me glued to the book – I didn’t want to put it down.

It has quite a large cast of characters, but each one is so individually described that I had no trouble distinguishing them. It’s set in Oldcastle, a fictional town in the north east of Scotland (there is a detailed, coloured map) where it seems to rain all the time. DC Callum MacGregor had taken the blame for cocking up a crime scene to protect his pregnant, crime-scene tech girlfriend and so had been moved to join ‘Mother’s Misfit Mob’.

The ‘Mob’ is made up of the officers no one else wanted. ‘Mother’ is DI Flora Malcolmson and the team consists of DS Andy McAdams, who speaks in rhyming verse and is dying from bowel cancer, DS Dorothy (Dot) Hodgkin in her wheelchair called ‘Keith’, grumpy DC John Watt and the newest team member, DC Franklin, big, black and beautiful who had punched a superintendent. I became very fond of this team of ‘misfits’. They made me laugh and exasperated me at the same time as they interacted, sometimes with friction rather than as a well-run team. They may be ‘misfits’ but they’re dedicated and caring police officers, Callum most of all. Their back history comes out naturally as the novel proceeds, without interrupting the narrative.

The plot is, needless to say really, complicated with plenty of unexpected and definitely strange episodes, as the team investigate mummified bodies found in the local rubbish tip. It’s told mostly from Callum’s point of view and as well as investigating what turns out to be a serial killer Callum, who was brought up in care from the age of 5, is trying to discover what had happened to his parents and twin brother.

A Dark So Deadly is a fantastic book. It’s complex, compelling and it kept me guessing right to the end. I shall definitely read more of Stuart MacBride’s books, beginning with Cold Granite, the first in his Logan McRae series.

My thanks to the publishers and NetGalley for my copy of this book.

  • Format: Kindle Edition
  • File Size: 5003 KB
  • Print Length: 608 pages
  • Publisher: HarperCollins (20 April 2017)

My Friday Post: Caedmon’s Song

Published on by Margaret9 Comments

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’ve been rather neglecting my TBRs so far this year, so I’ve been going through them deciding which one to read next and came across Caedmon’s Song by Peter Robinson, one of his standalone books.

Caedmon's Song

It begins:

Martha Browne arrived in Whitby one clear afternoon in early September, convinced of her destiny.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

Kirsten looked away towards the window. Outside, beyond the flowers, and the get-well cards on her table, she could see the tops of trees swaying slowly in the wind and a distant block of flats, white in the July sun, ‘I don’t know if I want to remember,’ she whispered. ‘I feel so empty.’

Blurb:

On a balmy June night, Kirsten, a young university student, strolls home through a silent moonlit park. Suddenly her tranquil mood is shattered as she is viciously attacked.

When she awakes in hospital, she has no recollection of that brutal night. But then, slowly and painfully, details reveal themselves – dreams of two figures, one white and one black, hovering over her; wisps of a strange and haunting song; the unfamiliar texture of a rough and deadly hand . . .

In another part of England, Martha Browne arrives in Whitby, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

I’ve enjoyed reading some of Peter Robinson’s Inspector Banks books. Caedmon’s Song, described as a ‘psychological thriller‘ looks a bit different and I’m wondering about Martha’s research – is it connected to Dracula? after all Whitby Abbey was Bram Stoker’s inspiration for his novel, Dracula.

The Kill Fee by Fiona Veitch Smith

Published on by Margaret3 Comments

The Kill Fee (Poppy Denby Investigates #2)

The Kill Fee is the second book in the Poppy Denby Investigates series. I haven’t read the first book, The Jazz Files, but I had no difficulty reading this second book as it reads well as a standalone, with enough detail of previous events for me to follow the story.

It is set in London in 1920 with flashbacks to Russia in 1917. Poppy is the Arts and Entertainments Editor at the Daily Globe and whilst she is covering an exhibition of Russian Art at the Crystal Palace a guard is shot and injured and one of the Fabergé Eggs on display is stolen. It’s not just an extremely valuable Egg, one that had been owned by a member of the Tsar’s family, but one that is said to contain a secret that could threaten royal families throughout Europe.

This is reminiscent of the Golden Age crime fiction as Poppy sets about finding who stole the Egg and there are plenty of suspects. The theft is followed by a couple of murders and a poisoning, and a secret passageway as Poppy chases around London in hot pursuit of the killer.

Its an enjoyable read that kept me entertained with a mix of fictional and historical characters and a look at 1920s’ society. I particularly liked the Russian connection and the information about White and Red Russians and the Russian Revolution of 1917 – by 1920 this was coming to a head in the Crimea. The book begins with an episode in Moscow in 1917 as an unnamed man in a bearskin coat enters the house of an aristocratic family to find a scene of carnage. Most of the family have been murdered, but he rescues a small girl, her little dog and her English nanny. How this fits into the rest of the book only gradually becomes clear.

There is a map of 1920s London that helps to follow the action and a list of the fictional and historical characters that I found useful. Fiona Veitch Smith explains in her historical Note at the end of the book how she got the idea for The Kill Fee and how she blended fact with fiction. Apart from a few ‘tweaks’ she has stuck to the historical timeline, as far as she is aware, moving the Russian Embassy to Kensington Gardens seven years earlier than it really did and bringing forward the selling of paper poppies by one year – these were launched by the British Red Cross in 1921. The plotline of the theft of the Fabergé Egg and the exhibition at the Crystal Palace is a figment of her imagination. She apologises for ‘any unintentional errors you may find.’

Well, I did find another anachronism. At one point (page 209 in my paperback copy) Poppy and Daniel are arguing as he drives across London approaching the Victoria Embankment when he had to slow down ‘to allow a family to cross the road at a pelican crossing.‘ I think this must be a typing error as although pedestrian crossings existed more than 2000 years ago, (as can be seen in the ruins of Pompeii), pelican crossings weren’t introduced in the United Kingdom until 1969.

None of this affected my enjoyment of the book as the world of London in the 1920s came to life and the complex plot and fast pace kept my brain ticking over, keeping track of the different sub-plots and characters. The kill fee in the title refers to the money offered to Rollo, the Daily Globe owner and editor-in-chief, to stop him from publishing the story concerning the theft of the Fabergé Egg.

My thanks to LibraryThing Early Reviewers for my copy of this book.

  • Paperback: 320 pages
  • Publisher: Lion Fiction (16 Sept. 2016)
  • Language: English
  • ISBN-10: 1782642188
  • ISBN-13: 978-1782642183

This is my 10th book for the Mount TBR Challenge.

The Legacy by Yrsa Sigurdardottir

Published on by Margaret2 Comments

The Legacy is my first venture into Icelandic Noir and the first in a new series by Yrsa Sigurdardottir – the Children’s House thriller series, translated from Icelandic by Victoria Cribb.

I think the first thing I should say about this book is that I loved it and once I started reading I just didn’t want to put it down. What is so remarkable about that is that there are some particularly dark and nasty murder scenes, which would normally guarantee that I’d stop reading. I am so glad I did read on. The Legacy is an excellent book. It’s dark, mysterious and very cleverly plotted, full of tension and nerve-wracking suspense. Although I thought I’d worked out who the murderer is I was completely wrong, but looking back I could see all the clues are there, cunningly concealed – I just didn’t notice them.

It begins with a prologue set in 1987 when three young children, two boys and their little sister are waiting to be adopted. It’s hard to find anyone willing to adopt all three and they are separated. The psychiatrists’ opinion is that it is in their best interests to be parted and that their horrendous background be kept secret, hoping that time and being split up would obliterate their memories. I did try to keep the events in the prologue in mind as I read and had some idea of how it related to the rest of the book, but it was only when I came to the dramatic conclusion that everything became clear.

Move forward to 2015 to Elisa whose husband is away leaving her on her own with three young children for a week. Her seven-year old daughter, Margrét wakes her, frightened because there is a man in the house. What follows is the first horrifying murder (read it quickly and try not to linger over the details because the pictures they paint don’t bear thinking about). Margrét, who was hiding when her mother is killed, is the only witness and she’s too traumatised to say very much.

She is taken to the Children’s House where Freyja, the child psychologist in charge and the detective Huldar, in charge of the police investigation, try to get to the truth. It’s immensely difficult, complicated by more murders. Freyja and Huldar are both sympathetic characters, both deeply committed to their jobs, but because of past history between them unable to trust each other.

The narrative is in the third person and switches between Freyja’s and Huldar’s viewpoints, interspersed by that of another character, Karl a student and radio ham enthusiast who has been receiving strange messages from a mysterious numbers station broadcasting, unusually, in Icelandic. These consist of long strings of numbers read out by synthesised voices. Karl dreams of successfully cracking the codes. I was both intrigued and completely mystified by this part of the novel. I was completely engrossed in the plot and the characters and I shall certainly be reading more of Yrsa Sigurdardottir’s books in the future.

My thanks to the publishers, Hodder and Stoughton, for an e-book copy for review, via NetGalley.

  • Format: Kindle Edition
  • File Size: 2046 KB
  • Print Length: 464 pages
  • Publisher: Hodder & Stoughton (23 Mar. 2017)
  • My rating: 5* (despite the horrific murders)

A Death in the Dales by Frances Brody

Published on by Margaret3 Comments

A Death in the Dales (Kate Shackleton #7)

A Death in the Dales is the 7th book in Frances Brody’s Kate Shackleton series of historical crime fiction books set in 1920s Yorkshire. Kate is an amateur detective. I’ve read the first two, Dying in the Wool and A Medal For Murder, and so I’ve jumped ahead in the series with this book. It’s not always possible to read a series in order and in this case I don’t think it matters – A Death in the Dales reads well as a standalone.

It’s 1926 and Kate Shackleton’s friend, Dr Lucian Simonson, has offered her the use of his late Aunt Freda’s cottage in Langcliffe for a short holiday with her niece Harriet, who is recovering from diphtheria. Ten years earlier Freda had witnessed the murder of the landlord of the alehouse across the street from her house. A man was found guilty of the murder and hanged – but Freda was convinced that they had convicted the wrong man.

Freda’s friend Mr Wigglesworth, the local apothecary, asks Kate to investigate the murder and gives her Freda’s papers regarding the trial. Although she had intended to have a holiday from her investigations she can’t resist looking at the papers and is convinced that Freda had wanted to her to solve the mystery and find out who had killed the pub landlord.

As well as investigating the murder, Kate also helps Harriet and her new friend, Beth to find out what has happened to Beth’s young brother who has gone missing from the farm where he was working, and then a suspicious death on the same farm.

I enjoyed reading about life in the 1920s; Frances Brody paints a very believable picture of life in a rural setting in the Dales during the post World War One years. Kate is a very likeable character and has to overcome the suspicion of strangers from the local community once she starts digging into the past. And there is the added complication of Kate and Lucian’s personal situation. All in all it’s a complicated mystery with several strands, numerous suspects and plenty of red herrings.

Frances Brody is an excellent storyteller and her books are well-plotted and complex murder mysteries in the historical setting of the 1920s and in the style of the golden age crime fiction.

The series so far is:

1. Dying in the Wool (2009)
2. A Medal For Murder (2010)
3. Murder in the Afternoon (2011)
4. A Woman Unknown (2012)
5. Murder on a Summer’s Day (2013)
6. Death of an Avid Reader (2014)
7. A Death in the Dales (2015)
8. Death at the Seaside (2016)
9. Death in the Stars (to be published in October 2017)

Reading Challenges: Mount TBR 2017 and What’s in a Name? in the category: ‘A title in which at least two words share the same first letter ‘“ alliteration!’

  • Paperback: 384 pages
  • Publisher: Piatkus (1 Oct. 2015)
  • Language: English
  • ISBN-10: 0349406561
  • ISBN-13: 978-0349406565
  • Author’s website: Frances Brody
  • Source: I bought it