Before the Fact by Francis Iles

On the face of it Before the Fact is a straight forward story. It tells the tale of wealthy, intelligent but plain Lina McLaidlaw whose family are against her marriage to the handsome, charming and fascinating Johnnie Aysgarth; Lina’s father tells her Johnnie is a ‘rotter’. But right from the opening paragraph it’s obvious that Lina’s father is right. In fact Johnnie is much worse than her father realised:

Some women give birth to murderers, some go to bed with them, and some marry them. Lina Aysgarth had lived with her husband for nearly eight years before she realized that she was married to a murderer.

First published in 1932 by Francis Iles (* see below*), Before the Fact is a Golden Age crime fiction novel that is a psychological character study of its two main characters, Lina and Johnnie. It’s cleverly written. Lina slowly realises Johnnie’s true nature – that of a compulsive liar and gambler, a manipulative scoundrel who thinks nothing of being unfaithful, even of arranging a murder, or two.  But still she stays with him, trying to control and change him, believing his lies until she has to accept him for what he is, with disastrous consequences.

As Lina’s eyes are slowly opened I became exasperated at her naiveté, her acceptance of what she she has discovered about Johnnie. She comes across as a fool besotted by him and desperate for his love and attention, and even though her suspicions are aroused she still deliberately ignored all the warning signs, descending from panic, terror, horror and despair into passivity. She is maddening, a born victim and I began to wonder how it could possibly end. It was even more chilling than I had imagined.

*About the Author (copied from the publishers):

Frances Iles was a pseudonym of Anthony Berkeley Cox, who was born in 1893 in Watford. After serving in the army during the First World War, Berkeley worked as a journalist for many years before his first foray into the crime genre with The Layton Court Mystery (1925).

His two primary non-de-plumes were Francis Iles and Anthony Berkeley. As the former, he was a master of the psychological suspense genre, always with a wry humorous tenor to his writing; as the latter he acted as a trailblazer in the classic ‘Golden Age’ of crime and detective novels.

An intensely private man who always shunned publicity, Berkeley died in 1971.

As I read I marked a few passages that although not directly connected with the story I found interesting:

About artistic criticism – in particular female criticism:

If one did not happen to like a certain book, picture, or piece of music, one took it for granted that the book, picture, or piece of music was just bad; and the people who thought it was good, were, quite simply and plainly, mistaken. It never occurred to any female critic that a book might possibly be above her own level of intelligence (the men of course read only detective stories). (page 42)

on artists:

‘Aren’t artists intelligent?’ Lina asked innocently.

‘Of course they’re not. Most of them haven’t got the brains of a mouse. They just have this odd knack of being able to put things on canvas, and that’s all. They are the dullest of all the creators. Musicians are the nicest: you never hear a musician talk about himself at all. Then the really good authors. They don’t thrust their work down one’s throat; they’ve no need to. Then the second-rate authors, who do, and have. And then the painters, a long way bottom.’ (page 125)

I wonder who he was referring to?

And on murder:

When you incite a person to do something which both of you know will probably kill him – is that legally murder or not? (page 177)

Lina discusses this point with Isobel Sedbusk (based on Dorothy L Sayers), a writer of detective stories, thinking that it wasn’t ‘real murder, like giving the man poison, or shooting him, or anything like that.’ Isobel replies:

‘No, I’m inclined to doubt whether it would be murder, from the legal point of view. The legal definition of murder is ‘to kill with malice aforethought’. Still, you’ve got the malice aforethought all right. And if he knowingly incited the man to commit an act which would result in his death …’

Malice Aforethought – another novel by Francis Iles (published in 1931) begins with revealing the identity of the murderer. I shall have to read that one soon.

Reading Challenges:

People of the Book by Geraldine Brooks

When I began reading People of the Book by Geraldine Brooks I wondered why I’d left it nearly eight years on my book shelves before I  got round to reading it. I loved it; it’s a real gem! It has joined the ranks of my favourite books and is definitely a book for keeping and (I hope) for re-reading.

How could I not love a book about books, in particular an ancient book, one that was thought to be lost or destroyed, a book that escaped burning by the Inquisition and the Nazis, a book that survived shelling during the Bosnian War in the 1990s, a book known as the priceless Sarajevo Haggadah – a medieval Jewish prayer book containing the illustrated traditional text of the Passover Haggadah which accompanies the Feast of Passover.

In Geraldine Brooks’ Afterword she explains that People of the Book is fiction, inspired by the true story of the Hebrew codex known as the Sarajevo Haggadah. Some of the facts are true to the haggadah’s known history but most of the plot and all of the characters are imaginary. She then goes on to define what is true and what is fictional, which I think is the best way of presenting historical fiction.

Australian Hanna Heath is a rare-book restorer and it’s not only the content of the haggadah that interests her, it is the hidden history of the book that captured her imagination and also mine. She finds tiny clues to its history as she restores the book – a fragment of an insect’s wing, wine stains, salt crystals and a tiny white hair – clues to unlock its mysteries. The story of the book is told in reverse chronological order beginning in 1996 and working back to 1480. Interwoven with each story is Hanna’s own story as she too discovers her roots. It’s a story too of love and war, of family relationships, of Anti-Semitism and of historical religious conflicts as the haggadah survived disaster after disaster. It’s also a novel about preserving the past, its culture and history for future generations. It has depth and breadth and is beautifully written. I was irresistibly engrossed in this book and full of wonder at its stories, reaching back in time from Sarajevo to Vienna, Venice, Tarragona to Seville in 1480 and also Hanna’s story from 1996 to 2002.

There are many descriptions of the haggadah throughout the book, all of which made me eager to know more about it. This is just one example from the chapter on wine stains set in Venice in 1609:

Aryeh released the catches, admiring the work of the silversmith. Each clasp, closed, was in the form of a pair of wings. As the delicate catch released – still smoothly after more than a century – the wings opened to reveal a rosette enfolded within. Aryeh saw at once that the book was a haggadah, but unlike any he had seen before. The gold leaf, the pigments … he stared at the illuminations, opening each page eagerly. He was delighted, yet a little disturbed, to see Jewish stories told in an art so like that of the Christians’ prayer books. (page 163)

And here, by way of contrast, is a description of Arnhem Land in the north east corner of Australia’s Northern Territory, where Hanna is working in the caves studying the Aboriginal rock art to document and preserve it before the uranium or bauxite companies blasted it into rubble:

I stepped out of the cave and blinked in the bright daylight. The sun was a big disc of brilliant madder, reddening the stripes of ore that ran through the sheer black-and-ocher rock face. Down below, the first shoots of new spear grass washed the plain in vivid green. Light silvered the sheets of water left behind by the previous night’s downpour. We’d moved into Gunumeleng – one of six seasons the Aborigines identified in a year that whites simply divided into Wet and Dry. Gunumeleng brought the first storms. In another month, the entire plain would be flooded. The so-called road, which was actually virtually a marginal dirt track, would be impassable. (pages 339-340)

I just had to know more about the Sarajevo Haggadah and found these illustrations (see Wikimedia Commons for more illustrations and these sites for more information –  WikipediaThe Times of Israel and About Haggadah:

Copies of Sarajevo Haggadah in parliament building – from Wikimedia Commons

The Sarejevo Haggadah, 15th century Spain – from Wikimedia Commons
Reading challenges: Mount TBR Reading Challenge 2016

SPQR: A History of Ancient Rome by Mary Beard

Mary Beard is a Professor of Classics at Newnham College, Cambridge and is the Classics editor of the TLS. She is a fellow of the British Academy and a member of the American Academy of Arts and Sciences. And she writes a blog – A Don’s Life, which appears in The Times. I’ve enjoyed watching her TV programmes and so it doesn’t surprise me at all  that SPQR is just as entertaining and informative as the programmes – and very readable, even for someone, like me, who only has a smattering of knowledge about Roman history.

I took my time reading SPQR; some of it covered familiar ground and some was new to me. It’s a fascinating account of how Rome grew and sustained its position for so long, covering the period from the fourth century BCE when Rome was expanding from a small village, up to the moment in 212 CE when the emperor Caracalla made every free inhabitant of the Roman Empire a full Roman citizen.

The title, SPQR, is taken from the Roman catchphrase, Senatus Populusque Romanus meaning the Senate and People of Rome and it is on these two elements – the Senate and the People that Mary Beard concentrates, focussing on the city of Rome, on Roman Italy and also looking at Rome from the outside, from the point of view of those living in the wider territories of the Roman empire.

The book is not strictly chronological and begins with an event I know a bit about through reading Robert Harris’ Lustrum. It’s the Catiline conspiracy in 63 BC, which concerned a plot, or so it was rumoured to overthrow the Roman Empire and Cicero’s part in uncovering the plot and saving the state. Mary Beard begins with this event, because:

it is only in the first century BCE that we can start to explore Rome, close up and in vivid detail through contemporary eyes. An extraordinary wealth of words survives from this period: from private letters to public speeches, from philosophy to poetry – epic and erotic, scholarly and straight from the street.’ (location 143)

She highlights the effect Cicero had, not just on the politics of his own time but also on the language of modern politics. And it is from Cicero’s speeches, essays, letters, jokes and poetry and other Roman writers that we see the Roman world not just in 63 BCE but throughout the city’s history.

For the earlier period however, there are no contemporary accounts and so the early years of the city and of the earliest Romans has to be reconstructed  from individual pieces of evidence from fragments of pottery or letters inscribed on stone.

There are also, of course the myths and stories as well and Beard refers to these, such as the story of Romulus and Remus, who are said to have founded the city, told by Livy and several other Roman writers. Tradition has it that Romulus and his tiny community fought against their neighbours, the Sabines, and erected a temple on the site of the battle, which later became the Forum, but there is no archaeological evidence to identify the remains of this temple. Archaeology, in fact, only sketches what Rome in the earliest period was like and it is very different from the myths. Later Roman writers and modern historians alike have debated intensely the stories of Romulus and Remus, raising the questions of what it was to be Roman. And Beard states:

There is often a fuzzy boundary between myth and history … and … Rome is one of those cultures where the boundary is particularly blurred. … For a start there was almost certainly no such thing as a founding moment of the city of Rome. … Although Romans usually assumed that he [Romulus] had lent his name to his newly established city, we are now fairly confident that the opposite was the case: ‘Romulus’ was an imaginative construction out of ‘Roma’. ‘Romulus was the archetypal ‘Mr Rome.’ (locations 844 – 850)

From that point Beard goes on to discuss the basics of Roman culture, including the nature of Roman marriage, Roman slaves, the Republican system, the principle of freedom, or ‘libertas’, the changing definition of what it meant to be ‘Roman’, Roman domination of the Mediterranean, dictatorship, civil war, taxation, the modern Western system of timekeeping, the emperors and their imperial successes and military victories and the army – and so much more!

SPQR is an immense  achievement, covering 1,000 years of the history of Ancient Rome, and not only the history but also explaining Roman values, what they thought about themselves, and the way of life of both the People and the Senate.

  • Format: Kindle Edition
  • File Size: 22379 KB
  • Print Length: 608 pages
  • Publisher: Profile Books; Main edition (20 Oct. 2015)
  • Source: I bought it

Reading Challenges: Mount TBR 2016 – an e-book I’ve owned since November 2015

The Secret Hangman by Peter Lovesey

The Secret Hangman is the first book I’ve read by Peter Lovesey and as it’s the 9th in his Peter Diamond series I was hoping it would read OK as a stand alone book – it does. Peter Diamond is a Detective Superintendent with the Bath police.

Blurb:

Peter Diamond, the Bath detective, is having woman trouble. His boss wants him to find a missing person, the daughter of one of her friends in the choir. He is not enthusiastic. Another woman, who calls herself his Secret Admirer, wants to set up a meeting in a local pub. He tries ignoring her. Then there is sexy Ingeborg Smith, the ex-journo detective constable, distracting the murder squad from their duties. No one ignores Ingeborg.

Murder becomes a possibility when a woman’s body is found hanging from a playground swing in Sydney Gardens and a suspicious second ligature mark is found around her neck. Diamond investigates the victim’s colourful past. More hangings are discovered and soon he is certain that a secret hangman is at work in the city . . .

My thoughts:

Diamond’s wife had died three years earlier – as I haven’t read the earlier books I suppose this is a spoiler, but it is important to know this from the start of this book, because he is now beginning to recover from his grief and becomes rather too involved with an attractive woman he met by chance in a carpark. The story of their relationship runs parallel to the investigations into the hangings and the series of ram raids his boss wants him to investigate.

At first there doesn’t appear that there is any connection between the victims and the motive for killing them only becomes clear quite late on in the book. The only similarities are that the victims are all couples – the wives are killed first, followed a few days later by their husbands, and all the bodies are found in public places as though the killer wanted their deaths to be discovered and publicised.

It takes a while before Diamond cottons on to the identity of the killer – and I was there some time before him, but that didn’t spoil my enjoyment of the book. Diamond is not a brilliant detective. He is rather old-school, not above a bit of threatening behaviour (and more) to suspects, not bothered about upsetting his boss, nor is he comfortable with technology. But he is determined and thorough – I liked him and want to read more from the series.

Peter Lovesey is a British writer of historical and contemporary crime novels and short stories. He has written many books, not just the Peter Diamond series, but also a series of books featuring Sergeant Cribb, a Victorian-era police detective based in London – the full list of his books is on his website – there are plenty to read!

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Reading challenges: Mount TBR Reading Challenge – a book I’ve owned for 7 years, and one I should have read ages ago, but well worth the wait.

The Legacy of Elizabeth Pringle by Kirsty Wark

I quoted an extract from the opening paragraph of The Legacy of Elizabeth Pringle by Kirsty Wark in an earlier post, whilst I was in the middle of the book. I finished reading it a few days ago and have been wondering what to write about it ever since. It’s one of those books that has received a mixed reception with some reviewers thinking it’s a well written book whereas others think it isn’t. I enjoyed it very much.

It’s a story centred on the lives of two women – Elizabeth Pringle and Martha Morrison. Elizabeth has lived all her life on the Isle of Arran and knowing that she is dying and has no living relatives, leaves her house, Holmlea in Lamlash, to Anna Morrison, a woman she had seen years before, pushing her daughter’s pram down the road outside. Anna Morrison, had fallen in love with the house and written to Elizabeth asking her to get in touch if she ever thought of selling it. But Anna is now suffering from dementia and it is her daughter, Martha who goes to Arran to see the house on her mother’s behalf.

What follows is a dual narrative moving between Elizabeth’s account in her own words of her life up to the present day and Martha’s current situation, told in the third person, as she meets the people Elizabeth knew, in particular, Saul, a Buddhist, Niall, a young man who is passionate about gardening, and Catriona his sister who runs a hotel on the island. It’s a deceptive book in that it appears that not much happens and it is gentle and leisurely paced, but it is actually packed with events, some of them dramatic and devastating in their effect on the characters’ lives. And it has a vivid sense of place and of Arran’s history, which I loved.

I much preferred Elizabeth’s story beginning when she was just four and her father went off to fight in the First World War; her relationship with her mother; her life as a teacher and her love life. I found the ending of her life very moving. Martha’s story seems rather pat, everything falls into place a bit too easily – especially her relationship with her mother and sister and the instant friendships she makes on the island.

It’s a book about family, relationships, especially mother/daughter/sister relationships, about happiness, love and heartbreak, old age, memories and the contrast between life in the early part of the twentieth century and the present. It’s strong on description, which is important to me as I like to visualise the locations – and I had no difficulty at all with that in this book.

All in all, I was captivated by this story.

Kirsty Wark is a journalist, broadcaster and writer who hosts a variety of BBC programmes. Her home has always been Scotland and her family’s connection to Arran goes back over many years.

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Reading Challenges: Mount TBR Reading Challenge – a book I’ve had for two years, and Read Scotland 2016 – a book by a Scottish author and set in Scotland.

The Madness of July by James Naughtie

When I began reading The Madness of July I was immediately drawn into the story. I used many markers as I read it because it has such a complicated plot. It’s a political thriller set in London in the mid 1970s one sweltering July as Will Flemyng the foreign office minister and former spy finds himself drawn back into the world of espionage, a world of deception, manipulation and diplomacy. It’s the Cold War period and Will discovers politics can be just as dangerous as espionage.

I really wasn’t sure what was going on at first, not sure what was relevant for me to remember and understand, not even sure who was who as the narrative switched between London, New York, Washington and the Highlands of Scotland. So there were times when I had to backtrack when I came across a character or an event, that turned out to be important to the story, which I hadn’t realised earlier on. The characters know what has gone before, know each other, know what they are talking about – but we don’t.

In a different book this would be a major drawback – in this book it is necessary. It’s as though we’re peering through the fog, until gradually the fog lifts and things become clearer. Or it’s like beginning a cryptic crossword where you have all the clues and no idea about the answers. Anyway, I loved it. If the content isn’t too clear at first the writing is, Naughtie uses beautiful imagery and the characters are vividly drawn, in particular the part set in Scotland at Altnabuie, the Flemyngs Highland estate:

At Altnabuie, they woke to a trembling dawn. Flemyng had raised his bedroom window before turning in, and when he opened his eyes, very early, he could smell the highlands. There was a edge to the warmth and the damp, and the tang of tree and field lured him on. He looked towards the loch and saw swirls of mist rising up in thin pillars, like the guilty secrets of hidden smokers, leaving a thin topping of white cotton on the water that crept over the surface and was beginning to disperse here and there with the coming of a soft breeze. It would be gone within the hour. The herons were on their favourite stone, prim and still like a pair of disapproving clerks. The crows cawed in the woods beyond, and behind him, on the eastern side of the house where the sun was already giving life to the place, he could hear the cockerel at work. Everything was crisp and clean, the stifling urban fog a world away. (page 173)

The events that July take place over just 6 days. An American, Joe Manson dies, apparently of an overdose and is found in a store cupboard (it was a large one full of boxes and all sorts of spare objects) in the House of Commons – except that as the House is technically a royal palace deaths are not allowed and bodies have to be discreetly removed and ‘expire’ elsewhere. And thus begins a political crisis – who was Manson, how did he die, what did he know, what had he said – and to whom? And there is a letter on House of Commons notepaper that Will found on the photocopier – an anonymous letter that is puzzling him, a letter from someone who is desperate and who feels he/she is being driven insane.

A secondary plot, but to my mind just as interesting, maybe even more so, concerns Will and his family. He has two brothers, an older on, Mungo who lives at Altnabuie, and a younger one, Abel, who goes by the name of Grauber, their mother’s maiden name, and lives in New York. Mungo has been researching their family history and has discovered a secret about their mother that he finds disconcerting, even frightening.

And the madness? At one point Flemyng, talking about politics says that the rules of the game mean that you have to behave irrationally. A point is reached where you invited destruction, he’d said, as if it were inevitable. ‘Maybe madness isn’t an aberration, but the natural end to our game.’ Everyone aspired to it in politics, even if they didn’t recognise it for what it was. (page 110)

Madness has been haunting Flemyng: Because in these corridors – balance and rational though we believe ourselves to be – there’s madness on the loose. (page 326)

If you like a quick easy read, then The Madness of July is not the book for you. It, however, like me, you like a book that makes you think, that keeps you on your toes as you read, that both puzzles and entertains you, then you’ll probably enjoy it as much as I did.

James Naughtie (pronounced Nochtee, or ‘“ /ˈnɔːxti/ as it is given in Wikipedia, which doesn’t mean anything to me) is a British radio and news presenter for the BBC. From 1994 until 2015 he was one of the main presenters of Radio 4’s Today programme. He is now a ‘Special Correspondent’ with ‘responsibility for charting the course of the constitutional changes at the heart of the UK political debate’, as well as the BBC News’s Books Editor, contributing a book review to the Saturday morning editions of Today. The Madness of July is his first novel. He has also written books on politics and music. He was born in Aberdeenshire and lives in Edinburgh and London.

His second novel, Paris Spring, also featuring Will Flemyng, is due to be published in April this year.

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Reading Challenge: Read Scotland 2016 and What’s in  Name? 2016 – in the category of a book with a month of the year in the title.