The Spark by o h robsson

The Spark by o h robsson is an introspective and soul searching novel. Set in Norway, it’s both a love story and a mystery, but just what exactly happened in the opening chapter is not revealed until the end of the book. Although there are hints that something went wrong, that something terrible had happened in the past, as I read on I became involved in Kristoffer’s life as he and Eva, a former girlfriend meet again. Twelve years previously they had parted and Eva had married someone else. But is there still a spark between them?

Kristoffer, a photographer, is the narrator and Robsson’s relaxed style gets right inside Kristoffer’s mind. His doubts, fears and hopes are all revealed, both as he reflects on events and expresses his feelings to his grandfather, his friend Mats and his dog Anja.  I particularly liked his talks with his grandfather, who lives alone in the summer in a small cabin high up in the hills. It is rather rambling and over wordy in places, with just a bit too much philosophising which slows the narrative down, but beneath all that the tension is building below the surface just waiting to break out. And events move quickly in the last quarter of the book  bringing it to a dramatic conclusion.

The setting is beautiful in the Norwegian mountains, fjords and valleys. An added bonus is the special features section at the end of the book – photographs of  krisotoffer’s world, and  o h robsson’s world and an author interview of quick questions with rambling answers. The photographs are beautiful – Robsson was a photographer before he became a novelist – and complement the story, but even without them I could easily visualise the scenery, as in this extract:

The mist is lying in wait for me. Less than two hundred metres ahead, it’s clinging to the valley sides and swallowing everything beyond, giving the lower part of the valley an eerie, almost supernatural effect. Days like this, it’s all too easy to understand how the legends of trolls thrived so long in this part of the world, the stories of their sightings passed on from family to family, generation to generation.

I reach the edge of the mist and it’s like going from above water to below water. Within seconds I’ve left behind the big blue sky I’ve spent the day with, and entered a new world of muted greens and pastel shades. A pale grey ceiling of cloud moves above me, the horizon only a few metres away, then moments later it’s a hundred metres away.

I feel like I’m driving through a landscape painting. (Loc. 80)

The Spark is written in the present tense, which I always find a bit of a challenge, as my preference is for books written in the past tense. But there are some books that make me forget the tense and for most of this book I was simply unaware of it as I became involved in the characters and their daily lives. All in all it is a good read; it’s not a book to rush through, but one to take your time over and ponder.

  • Format: Kindle Edition
  • File Size: 2553 KB
  • Print Length: 364 pages
  • Simultaneous Device Usage: Unlimited
  • Publisher: eBookPartnership.com (21 Feb 2013)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B00BJOS364
  • Source: Review copy from the author

Agatha Christie at Home by Hilary Macaskill

One of the things that struck me when I was reading Agatha Christie’s An Autobiography was her love of houses. It stemmed from her childhood dolls’ house. She enjoyed buying all the things to put in it – not just furniture, but all the household implements such as brushes and dustpans, and food, cutlery and glasses. She also liked playing at moving house, using a cardboard box as a furniture van.

Writing about her life with her husband, Max Mallowan she wrote:

We were always choosing sites for houses. This was mainly owing to me, houses having always been my passion – there was indeed a moment in my life, not long before the outbreak of the second war, when I was the proud owner of eight houses. (page 440 of An Autobiography)

Agatha Christie at Home Macaskill

So when I saw that Hilary Macaskill had written this book – Agatha Christie at Home – I knew immediately that I wanted to read it. It’s a beautiful book, with many photographs – more than 100 colour photos – illustrating Agatha’s life and homes. I took my time reading it, first of all looking at the photos, before reading the text.

There is a Foreword by Mathew Prichard, her grandson, explaining the love his grandmother had for Devon, in particular for Torquay, where she was born and Greenway, the house that had a special place in her heart.  He expressed his hope that this book will ‘transmit some of the magic that my whole family felt when they were there.’  And this book does indeed do that!

There is an overview of Agatha Christie’s life followed by descriptions of the houses and countryside she loved – from Ashfield in Torquay her first home, where she was born and brought up to Greenway, a Georgian mansion above the River Dart, now owned by the National Trust.

There are no spoilers in this book but Hilary Macaskill has identified the settings Agatha Christie used in her books and how some of the place names have been altered, but are still recognizable from her descriptions. I hadn’t realised that the names of some of her characters are taken from the names of streets or villages, such as Luscombe Road in Paignton which she adopted for Colonel Luscombe in At Bertram’s Hotel.

It’s a useful book too if you want to find out more about visiting Devon with tourist information and website addresses. The final chapter is about Agatha Christie’s legacy and her continuing popularity both nationally and internationally. As well as being able to visit Greenway, which has been restored to the way it was when Agatha lived there, there are events to celebrate her life and works, such as the annual Agatha Christie week that takes place in Torquay each September around her birthday.

I haven’t been to Greenway, although I have stayed in Torquay, but that was before Greenway was open to the public. It is enormously popular – on the first day it was opened over 400 visitors came to see the house. But Agatha Christie was a very private person and I can’t imagine what she would have thought about that. After all she had refused permission for an ‘authorized life’ to be written, stating:

‘I write books to be sold and I hope people will enjoy them but I think people should be interested in books and not their authors.’ (page 129)

Knowing that I think I’d feel I was invading her privacy if I did go to Greenway!

The English Spy by Donald Smith

I’d gone to my local library to collect Road to Referendum by Iain Macwhirter, a book I’d reserved after I read about on FictionFan’s blog, and was browsing the shelves when this book, The English Spy caught my eye. Road to Referendum is about the run up to the Independence Referendum to take place in Scotland in September 2014. It also has chapters on Scottish history leading up to the present day as background.  So, it was quite a coincidence finding The English Spy as this is a novel about the build up to the political Union of England and Scotland in 1707 – the Union that Independence for Scotland would break.

My knowledge of the Act of Union in 1707 was limited to just the fact that by that union Scotland and England, together with Ireland and Wales, became the United Kingdom and I thought it was to settle the successor to Queen Anne who was childless and ill. Of course, it was much more complicated than that and The English Spy tells the story of how Daniel Defoe, at that time still known as Daniel Foe, was sent to Scotland under secret instructions from the English government to persuade the Scots to give up their independence. It’s a fascinating story of intrigue and backstabbing amongst the members of the Scottish parliament!

The narration moves between multiple viewpoints, mainly in the first person and some in the third person of various characters, some obviously historical figures and others possibly(?) fictional ones. There are Foe’s own account, letters between Isobel Rankin, his landlady in Edinburgh and her friend Nellie in Glasgow, the journal of Lord Glamis and a third person narrative of Robert Harley, the first Earl of Oxford. There are several other characters who pop in and out of the story – Lady O’Kelly and Aeneas Murray amongst others. This is a story about spies and the struggle between various factions for power and once I had got the characters sorted in my mind I was swept along with the intrigue and dangers of the times, keen to see how the Union came about.

The English Spy is a mix of fact and fiction but A Warning to the Reader at the beginning of the book clarifies that Daniel Defoe had indeed been sent to Scotland and was required to provide London with ‘clandestine reports on affairs in the north’. The Scottish Government was led by the Marquis of Queensberry who favoured union with England and the Duke of Hamilton was opposed to the union. Donald Smith warns:

Yet why did Scotland surrender its hard won and long cherished independence? The historians remain divided. What is offered here is fiction, yet as Defoe himself shows, the truths or apparent deceits of fiction may be uncomfortably closer to home.

Now, over 300 years later the question of independence for Scotland is still in question!

Dr Donald Smith is a founding member of the Scottish Storytelling Forum and of Edinburgh’s Guid Crack Club, and he is currently Director of the Scottish Storytelling Centre at The Netherbow.  He has written, directed or produced over fifty plays and is a founding director of the National Theatre of Scotland.

Now to read what Road to Referendum has to offer.

Third Girl by Agatha Christie

Third Girl was first published in 1966. In it Poirot is probably meant to be approaching eighty, although if he had aged with the books he would have been well over a hundred! Anyway, the young lady who comes to see him about ‘a murder she might have committed‘ runs out of his room after blurting out:

You’re too old. Nobody told me you were so old. I really don’t want to be rude but – there it is. You’re too old. I’m really very sorry.’ (page 13)

Poirot is bored. He had finished his Magnum Opus, an analysis of detective fiction writers, in which he had spoken scathingly of Edgar Allen Poe, and had complained of the lack of method or order in the romantic outpourings of Wilkie Collins. He had no idea what to do next, so, his interest is aroused by the young lady’s announcement and he sets out to discover what murder she ‘might have committed.’ It turns out that Mrs Ariadne Oliver had told the girl about him when talking with friends about detectives and together they discover that she is Norma Restarick, the ‘third girl’, sharing a flat with two other girls.

Norma thinks she might be crazy, but won’t see a doctor. She doesn’t always remember what she has done. She hates her stepmother and thinks she might have poisoned her. Poirot is intrigued but when a suspicion of espionage surfaces it is all too much for him:

Poirot gave an exasperated sigh.

‘Enfin,’ he said, ‘it is too much! There is far too much. Now we have espionage and counter espionage. All I am seeking is one perfectly simple murder. I begin to suspect that that murder only occurred in a drug addict’s brain! (page 211)

But as Poirot reminds himself it is his ‘metier’ to deal with murder, to clear up murder, to prevent murder and eventually with a casual phrase spoken by Mrs Oliver it all becomes clear to him.

The plot is complex, which is rather puzzling,  but for me Third Girl is also interesting because of its commentary on the 1960s culture seen through the eyes of the older characters – the disparaging remarks about the youth of the day – beatniks, long hair, clothes that were of doubtful cleanliness, and skimpy skirts, and the Van Dyke type clothes some of the young men wore, the drink and drugs and wild parties. Mrs Oliver has her usual gripe about people saying things to her about her books and how they longed to meet her, making her feel ‘hot, bothered and rather silly‘ and how much they love the ‘awful detective Sven Hjerson‘ she had created and now hates.

Maybe it’s not one of Agatha Christie’s best books but I think it’s very entertaining.

Silver: Return to Treasure Island by Andrew Motion

Silver

I first read Treasure Island as a child. It’s a book that has remained in my memory as a great adventure story, so I was interested to see that Andrew Motion (poet laureate of the UK from 1999- 2009, now professor of creative writing at the University of London and fellow of the Royal Society) had written a sequel: Silver: Return to Treasure Island. I was intrigued and when the publishers offered me a copy to read and review I immediately accepted it.

Description from the back cover:

Silver is the rip-roaring sequel to the greatest adventure ever told: Treasure Island. Almost forty years following the events of Robert Louis Stevenson’s classic, Jim Hawkins and Long John Silver have seemingly put their maritime adventures to rest. Jim has settled on the English coast with his son Jim, and Silver has returned to rural England with his daughter Natty. While their escapades may have ended, for Jim and Natty the adventure is only just beginning. One night, Natty approaches young Jim with a proposition: return to Treasure Island and find the remaining treasure that their fathers left behind. As they set sail in their fathers’ footsteps, Jim and Natty cannot imagine what awaits them. Murderous pirates, long-held grudges, noxious greed, and wily deception lurk wickedly in the high seas, and disembarking onto Treasure Island only proves more perilous. Their search for buried treasure leaves every last wit tested and ounce of courage spent. And the adventure doesn’t end there, since they still have to make their way home…

My view:

The book, narrated by young Jim Hawkins has a good beginning. I was immediately captivated by Jim’s encounter with Natty and his subsequent meeting with her father, Long John Silver, now a disintegrating body, emaciated, blind, shrunken and shrivelled but still raging with anger with a core of steel. As I had imagined a book by Motion would be, it’s beautifully written, and the scenes came to life as I read. The scenes at the beginning, on the island and in the final scenes are powerful and for me are the book’s greatest strength.

There is a lot packed into its pages, with plenty of references to Stevenson’s Treasure Island, so much so that part way through Silver I decided I had to re-read Treasure Island (so for me Silver really was a return to Treasure Island!). But this is not just a story about pirates, or the search for the silver that was left behind, it’s also a story about the island itself, about what happened to the three pirates marooned there for forty years and about the horrors of slavery and savagery.

On the whole I enjoyed Silver, but at times its pace slows, almost to a standstill and not just when the voyage on the Nightingale comes to a dead calm and the crew subside into a lethargy for several weeks, but also during some passages on the island which seemed to last an eternity – I felt I was languishing in the doldrums. There were times when I began to tire of the book, but it does pick up, with danger and death during a terrific storm.

One little touch amused me – one of the crew is a certain Mr Stevenson – ‘a Scotsman and a wisp of a fellow, whose place was generally in the crow’s nest, where he acted as our lookout.’ (page 115)

  • Paperback: 416 pages
  • Publisher: Vintage (4 April 2013)
  • Language: English
  • ISBN-10: 0099552655
  • ISBN-13: 978-0099552659
  • Source: review copy
  • My Rating: 3/5

To Kill a Mockingbird by Harper Lee

 I often find with well-known books that all the world seems to love that they don’t live up to the hype, but To Kill a Mockingbird certainly does! It’s a wonderful book!

It was first published in 1960 and is set in the Deep South of  America in the 1930s. To Kill a Mockingbird is narrated by Scout (Jean Louise Finch) as she looks back as an adult to the Depression, the years when with her older brother, Jem, and their friend, Dill, she witnessed the trial of Tom Robinson, a black man accused of raping a white girl. Scout’s father, Atticus, a lawyer defends Tom. It’s also the story of Boo Radley, their neighbour, a man who is never seen, who is said to only come out at night. The children are scared of him, people said he was ‘a malevolent phantom‘, but their curiosity makes them fascinated by the idea of getting him to come out.

It’s the story seen through the eyes of a child, but narrated by an adult. And it’s told as a series of episodes in the fictional town of Maycomb, revealing the hypocrisy, prejudice and social injustice of the times. I was immediately drawn into Scout’s world, seeing Maycomb and its inhabitants through her eyes.

Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the court-house sagged in the square. Somehow, it was hotter then; a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three o’clock naps, and by nightfall were like soft tea-cakes with frostings of sweat and sweet talcum. (page 5)

Scout is a feisty character, always prepared to stand up for what she thinks is right, but Atticus, who also stands for justice and the moral and ethical ideal, has to reign her in sometimes. The book is full of strong characters and for me the outstanding scenes are those when Atticus sat reading outside the jail to stop the lynch mob attacking Tom and the trial itself at the court-house. It is all so vivid I believed I was right there with them.

There is so much to think about reading this book and I could write page after page! But here are a few quotations that particularly struck me:

‘First of all,’ he [Atticus] said, ‘if you can learn a simple trick, Scout, you’ll get along better with all kinds of folks. You never really understand a person until you consider things from his point of view -‘

‘Sir?’

‘- until you climb into his skin and walk around in it.’ (page 33)

and

 Shoot all the bluejays you want, if you can hit ’em, but remember it’s a sin to kill a mockingbird.

… Mockingbirds don’t do one thing, but make music for us to enjoy. they don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird. (pages 99 – 100)

and

‘People in their right minds never take pride in their talents,’ said Miss Maudie. (page 109)

and

People generally see what they look for, and hear what they listen for … (page 192)

On equality:

We know all men are not created equal in the sense some people would have us believe – some people are smarter than others, some people have more opportunity because they’re born with it, some men make more money than others, some ladies make better cakes than others – some people are born gifted beyond the normal scope of most men.

But there is one way in this country in which all men are created equal – there is one human institution that makes a pauper the equal of a Rockefeller, the stupid man the equal of any college president. That institution, gentlemen, is the court. (page 226)

The sticking point, however, is that a court is no better than the people sitting on the jury …