Lady Susan, The Watsons and Sanditon by Jane Austen

Adam at Roof Beam Reader’s Austen in August event reminded me to read Lady Susan, The Watsons and Sanditon.

Jane Austen has long been one of my favourite authors, ever since I read my mother’s copy of Pride and Prejudice and since then I have re-read it several times and her other full length novels too. But I’ve never read Lady Susan, The Watsons and Sanditon before. In fact it was only reading Carol Shields’ biography of Jane Austen quite some years ago now that I discovered that she had written these books, none of which were published in her lifetime. Lady Susan is a finished novella, whereas The Watsons and Sanditon are two unfinished fragments. Lady Susan and The Watsons were first published in 1871 by her nephew, James Edward Austen-Leigh in his Memoir of Jane Austen, including an account of  Sanditon . The full text of Sanditon wasn’t published until 1925.

Lady Susan

According to Margaret Drabble’s introduction to my Penguin Classics edition there is some evidence that Lady Susan was probably written between 1793-4, when Jane Austen was about 20 years old. Drabble thinks this is the least satisfactory of the three stories, but I can’t agree with her view. I was completely taken with it.

Told in a series of letters, Lady Susan is the  story of an unscrupulous widow who plans to force her daughter into a marriage against her wishes. Lady Susan is an attractive and entertaining and totally wicked character, who nevertheless almost manages to fool people for some of the time at least. She is also trying to captivate her sister-in-law’s brother, whilst still holding on to the affections of a previous lover.

As I was reading Lady Susan it reminded of Laclos’s Les Liaisons Dangereuses, not just because both are epistolary but also the content – manipulative and evil characters without any moral scruples, who delight in their power to seduce others. I wondered if it was possible that Jane Austen had known of this book. It was published in 1782, so it is possible that she knew of it, even if she had not actually read it.

To my mind Lady Susan is unique in Jane Austen’s works and I was delighted to read it. It’s written with style, confidence and humour convincingly illustrating 18th century morals and manners.

The Watsons

Jane Austen began writing this in 1804, her father died in 1805 and she never finished it. Its main character is Emma Watson who after fourteen years of absence returns to her father’s house after being brought up by a wealthy aunt. She had grown up in an affluent household and until her aunt had remarried she’d had expectations of an inheritance. She joins her three unmarried sisters, living with their invalid father  and looking for husbands whilst struggling for money. Mr Watson is a clergyman, so on his death they will lose their home. Maybe it was the parallel with Jane and Cassandra Austen’s own situation that caused Jane to abandon the novel when her own father died.

In some ways it is a little like Pride and Prejudice with its account of a ball and Emma Watson has a spirited nature similar to Elizabeth Bennet’s.  Women without money were often obliged to marry for money, but Emma doesn’t want to. Her sister Elizabeth points out that it is ‘very bad to grow old and be poor and laughed at‘, whereas Emma thinks she would ‘rather be a teacher at a school (and I can think of nothing worse) than marry a man I did not like.’

I liked The Watsons but with just this fragment to go off it is a bit basic and does seem rather similar to Pride and Prejudice. I wished she had finished it.

Sanditon

I thoroughly enjoyed Sanditon, even in its unfinished state. It’s the last fiction that Jane Austen wrote, beginning it in January 1817, the year she died. She was ill and the subject of health is one of its themes, but not in a serious or gloomy way. It has a lively, bright and humorous tone, with three of the characters being hypochondriacs, wonderfully satirised by Jane Austen.

The other theme is change in the form of the development of a seaside resort at Sanditon. It conveys the spirit of change of the times as  Sanditon is developed by two of the landowners, Mr Parker and Lady Denham from ‘a quiet village of no pretensions‘ into ‘a fashionable bathing place‘. The two of them, realising its potential of becoming profitable ‘had engaged in it, and planned and built, and praised and puffed, and raised it to a something of young renown – and Mr Parker could think of nothing else.

It extols the benefits of sea air and sea bathing, Lady Denham decries the need for a doctor saying it would only encourage the servants and the poor to imagine they were ill – and pronouncing that  if her husband had never seen a doctor he would still have been alive, ‘Ten fees, one after the other, did the man take who sent him out of the world. – I beseech you Mr Parker, no doctors here.

Sanditon contrasts the old world with the new upcoming world. Mr Parker has moved from his old comfortable family house set in a sheltered dip two miles from the sea to a new elegant house, which he has named Trafalgar House, not far from a cliff  from which there is a descent to the sea and the bathing machines. Granted it has all the ‘grandeur of storms’, which rocked their bed whilst the wind rages around the house.

There is so much more in these stories than I can write about here (this post is far too long anyway).  I shall enjoy re-reading them in the future. They are so different from each other, probably reflecting the different periods of her life when they were written. And I can’t decide between Lady Susan and Sanditon which one I like best.

Appointment with Death by Agatha Christie

Agatha Christie’s Appointment with Death, set in the Middle East was first published in 1938 after her final pre-war visit to the area. It seemed right to read this book straight after I’d finished reading Come, Tell Me How You Live in which Agatha Christie wrote about her life on archaeological expeditions in Syria with her husband Max Mallowan.

The novel begins in Jerusalem where the Boyton family are sightseeing. There are two stepsons, one is married, a daughter and a step daughter. Mrs Boynton is a malignant and malicious tyrant who enjoyed exercising her power over her family, who all hated and yet obeyed her. Dr Gerard, a French psychologist, also a tourist remarks that

… she rejoices in the infliction of pain – mental pain, mind you, not physical. That is very much rarer and very much more difficult to deal with. She likes to have control of other human beings and she likes to make them suffer.

The Boyntons and Dr Gerard travel on through the Judean desert to Petra. Also in the group are Jonathan Cope, a family friend, Sarah King, a newly qualified doctor, Lady Westholme, a member of Parliament and Miss Annabel Pierce, a former nursery governess. The beginning of the book is taken up with relating their journey to Petra and the complicated relationships between the characters. It comes to a climax when Mrs Boynton is found dead.

The remainder of the book covers the investigation into her death. Colonel Carbury is in charge and although it appears that Mrs Boynton, who suffered from heart trouble had died overcome by the heat and strain of travelling, he is not satisfied and he has an idea that the family killed her. He enlists the help of Hercule Poirot, who was also in Jerusalem at the same time as the Boyntons and had overheard part of a conversation, ‘You do see, don’t you, that she’s got to be killed.’ He was sure he would recognise that voice again – and he did.

Poirot is his usual confident (arrogant) self, convinced he can solve the mystery and he does through questions, analysis and psychological reasoning. I didn’t work it out myself though.

This is a quick, easy read, with a lot of dialogue in a relatively short book (less than 200 pages). I enjoyed it, although it’s not one of my favourite Agatha Christie books.

I’m including it in Bev’s Color Coded Challenge as the main colour of the cover of my copy is brown. It’s one of the remaining few novels I have left to read for Kerrie’s Agatha Christie Reading Challenge.

A Medal for Murder by Frances Brody

Last year I read and enjoyed Dying in the Wool, the first of Frances Brody’s series of historical crime fiction books set in 1920s Yorkshire and featuring Kate Shackleton. The second book, A Medal for Murder is even better and I was thoroughly immersed in the mystery.

A pawn shop robbery brings Kate and her assistant Jim Sykes, an ex-policeman,  their second case. It leads on to her discovery of a dead body, that of Lawrence Milner, outside a Harrogate theatre where Kate had been watching a production of a dramatisation of Arnold Bennett’s novel, Anna of the Five Towns. Then Captain Wolfendale, a Boer War veteran asks Kate to find his granddaughter, Lucy, who had starred in the play, as she has disappeared and he had received a ransom note. The murder  brings Kate into contact again with Inspector Marcus Charles of Scotland Yard (she had first met him in Dying in the Wool).

The book is told from the different characters’ perspective, but mainly from Kate’s, with flashbacks to the Boer War at the turn of the century. This is a detailed, complex plot which kept me guessing almost to the end about the identity of the murderer.  What is Captain Wolfendale hiding in his attic that he doesn’t want Kate to see? Just what is his relationship with Lawrence Milner who had also fought in the Boer War? How/is the pawn shop robbery connected to the murder? Will Lucy be rescued? And why doesn’t Dan Root, a watch maker, who also rents a room in the Captain’s house want to Kate to see inside his workroom?

There is so much going on in this book, and yet it was easy to read and each sub-plot fitted in so well with the main mystery that I didn’t get confused – I just couldn’t see who could have killed Milner. I had several suspects, all of whom turned out to be innocent of the crime. I liked the historical setting and the characters rang true. I’m left wondering whether Kate’s relationship with Inspector Charles will develop further, and whether she will ever hear what happened to her husband, reported missing in the 1914-18 War.

These are the books in the Kate Shackleton Mystery series:

1. Dying in the Wool (2009)
2. A Medal For Murder (2010)
3. Murder in the Afternoon (2011)
4. A Woman Unknown (2012)
5. Murder on a Summer’s Day (2013)
6. Death of an Avid Reader (2014)
7. A Death in the Dales (2015) to be published 1 October 2015

For more information about the author and her books see Frances Brody’s blog and website.

Reading Challenges: Mount TBR Reading Challenge, 10 Books of Summer, Historical Fiction Reading Challenge.

Come, Tell Me How You Live by Agatha Christie Mallowan

Agatha Christie had visited the Middle East in 1929 travelling on the Orient Express to Istanbul and then on to Damascus and Baghdad. She visited the excavations at Ur and returned there the following spring where she met archaeologist Max Mallowan – by the end of the summer they had decided to marry, which they did on 11 September 1930. 

Come Tell Me How You Live: an archaeological memoir is her answer to her friends’ questions about what life was like when she accompanied Max on his excavations in Syria and Iraq in the 1930s.

She began writing it before the Second World War and then laid it aside. After four years of the war she picked it up again, using her notes and diaries to complete this memoir, writing about her life with  Max Mallowan and his team excavating the ancient sites at Chagar Bazar, Tell Brak and other sites in the Habur and Jaghjagha region in what was then north western Syria. This map shows the area they were working in:

Syria 1930s

She wrote in the Epilogue  (written in 1944) that in remembering and recording that time it had been

… not a task, but a labour of love. Not an escape to something that was, but the bringing into the hard work and sorrow of today of something imperishable that one not only had but still has!

For I love that fertile country and its simple people, who know how to laugh and how to enjoy life, who are idle and gay, and who have dignity, good manners, and a great sense of humour, and to whom death is not terrible.

Inshallah, I shall go there again, and the things that I love shall not have perished from this earth.

With regard to her statement about death earlier in the book Agatha Christie had explained the difference between the Western and Oriental attitudes to life and death:

Accustomed as we are to our Western ideas of the importance of life, it is difficult to adjust our thoughts to a different scale of values. And yet to the Oriental mind it is simple enough. Death is bound to come – it is as inevitable as birth; whether it comes early or late is entirely at the will of Allah. And that belief, that acquiescence, does away with what has become the curse of our modern day world – anxiety. (page 96)

The emphasis in the book is on the everyday life on a dig and Agatha took an active part, helping to catalogue, label and clean the items they found as well as taking photographs and developing them. She also found time to spend on writing her books. So, although she gives a detailed account of how they worked, how they employed workmen for the excavations and servants who looked after Max and his team of archaeologists, there is not much about what they found.

Although she described the local people in her Epilogue as people, who know how to laugh and how to enjoy life, who are idle and gay, and who have dignity, good manners, and a great sense of humour, she also recorded their disputes:

Quarrelling is, in any case, almost continuous. All our workmen have hot tempers, and all carry with them the means of expressing themselves – large knives, bludgeons, and a kind of mace or knobkerry. Heads are cut open, and furious figures are entangled with each other in fierce struggles … page 86

And she also recorded this chilling statement:

We come to the question of religions generally – a very vexed question in this particular part of the world, for Syria is full of fiercely fanatical sects of all kinds, all willing to cut each other’s throats for the good cause! (page 166)

How sad and horrified she would be if she could see Syria today, but in the light of the extract above I don’t think she would have been too surprised! And sadly the places she loved are no longer the same. Here is her description of the shrine Sheikh ‘Ada near Mosul

There  can be, I think, no spot in the world so beautiful  or so peaceful. You wind far up into the hills through oak trees and pomegranites (sic), following a mountain stream. The air is fresh and clear and pure. …

And then suddenly, you come to the white spires of the Shrine. All is calm and gentle and peaceful there. Gentle-faced custodians bring you refreshments and you sit in perfect peace, sipping tea. (page 109)

Compare that with the description in The Guardian last August of the area as ‘hell on earth‘.

This book is written with love and humour – for example Agatha’s description of buying clothes for her visit to Syria because her last year’s summer clothes  are Shrunk, Faded and Peculiar – and too tight everywhere.  In the Foreword she stated that it is a book full of everyday doings and happenings with ‘no beautiful descriptions of scenery, no treating of economic problems, no racial reflections, no history.‘ I think she was under estimating her writing, because this little book has all that and more. I loved it.

A Change of Climate by Hilary Mantel

A Change of Climate is one of Hilary Mantel’s early books, first published in 1994 and  described on the back cover as ‘˜a literary family saga’ and ‘˜a first rate thriller’.

I quoted from the beginning of this book in this post. I noted that at the end of the book there is an About the Author section, which I’d just glanced over. In answer to one of the interviewer’s questions about the theme of the book, Hilary Mantel replied that there is a central secret, an enormous destructive secret. I didn’t want to spoil the book for myself so I didn’t read any more of her answers. And I don’t want to spoil it for anyone else so I’m not saying what that secret is in this post.

The ‘enormous destructive secret‘ Hilary Mantel referred to is revealed just over halfway into the book. But the book abounds in secrets and it’s also about family, trust, disillusionment and tragedy, about bereavement and loss of faith, as one character observes, ‘faith is something people chase after, simply to give life meaning‘.

Hilary Mantel writes a compelling story, subtly mixing the past and the present, moving seamlessly between the Eldred family’s current life (in the 1980s) in Norfolk, with their earlier life in Africa in the 1950s. I like her writing very much, never drawing attention to its style and drawing me in effortlessly into both time frames and places.

It’s a family saga (most definitely not an Aga Saga) about Ralph and Anna Eldred, their four children and Ralph’s sister Emma. Ralph and Anna devote their lives to charity, filling their house with ‘Visitors’, described as either ‘Good Souls’ or ‘ Sad Cases’. Just after they were married Ralph and Anna went to South Africa as missionaries and under the system of apartheid there they ran up against the authorities, then moved to Beuchuanaland (Botswana) where a terrible and horrific event occurred and they returned to England.  However, their memories of these traumatic events refused to remain buried, eventually bringing their lives and those of their children into terrible turmoil.

There are many issues raised in this book – chief among them the struggle between good and evil. Ralph thinks:

If we are not to be mere animals, or babies, we must always choose, and choose to do good. In choosing evil we collude with the principal of decay, we become mere vehicles of chaos, we become subject to the laws of a universe which tends back towards dissolution, the universe the devil owns. In choosing to do good we show we have free will, that we are God-designed creatures who stand against all such laws.

So I will be good, Ralph thought. That is all I have to do. (page 235)

But he discovered that it’s not that simple, as the rest of the book goes on to relate. Ralph and Anna can’t escape their past, Anna in particular cannot come to terms with what happened. The book explores questions about forgiveness and tragedy, as well as how to cope with grief.

Hilary Mantel states in the About the Author section that she found it the most difficult of her books to write – the secret just resisted being told:

I found that I was going round and round the point, yet I couldn’t put it on the page. I remember really struggling with it; it was like a wild animal that had to be civilised somehow, and in the end I just wrestled it on to the page by saying to myself, ‘Look, you’ve done this before and you can do it again’. Writing this book stands out as one of the most difficult times of my writing life.

A great book on all counts, characters and locations beautifully described and a well constructed and convincing plot, powerful and challenging on several levels.

The Remorseful Day by Colin Dexter

Chief Inspector Morse is one of my favourite fictional detectives (maybe even the favourite). I first ‘met’ him years ago in the ITV series Inspector Morse and so, just as Joan Hickson is forever in my mind as Miss Marple and David Suchet is Poirot, John Thaw is Morse. The series was first broadcast in 1987, but I don’t intend to write about the books versus the TV adaptations – I’ve enjoyed both. This post is just about the last book in the series – The Remorseful Day.

I’ve delayed reading this for so long (I watched the TV version when it was first broadcast, which was 15 years ago!) because it’s the last of the Morse books and sadly the end of Morse too. So if you’ve not read any of the Morse books I suggest that you don’t start with this one.

Needless to say that I loved it. The plot is detailed, complex and as usual with Morse a puzzle type murder mystery with plenty of challenging clues. Sergeant Lewis is left to investigate the murder of nurse Yvonne Harrison that had remained unsolved for a year – Morse initially refused to work on the case, despite Chief Superintendent Strange’s wishes. Sergeant Lewis is concerned as this looks just the sort of puzzle Morse excels in solving … and Morse’s behaviour has been worrying Lewis recently.  Lewis can’t believe that Morse could have a personal reason to keep out of the investigation. And when Morse phones to say he is feeling unwell Lewis is most concerned – Morse seldom mentioned his health, what is wrong with him?

The plot is complex, but the real focus of the book is on Morse and how he copes with his illness and his drinking habits and it becomes obvious just how alone he is in the world and how devastating his situation is to Lewis. The novel also reveals more about Strange’s character and also about his understanding of Morse. I found it both a most satisfying book and a very sad one.

There are only 13 Morse books. The links are to my posts on the books – I read some before I began to write this blog and I’m hoping to re-read those in due course.

  1. Last Bus to Woodstock (1975)
  2. Last Seen Wearing (1976)
  3. The Silent World of Nicholas Quinn (1977)
  4. Service of All the Dead (1979)
  5. The Dead of Jericho (1981)
  6. The Riddle of the Third Mile (1983)
  7. The Secret of Annexe 3 (1986)
  8. The Wench is Dead (1989)
  9. The Jewel That Was Ours (1991)
  10. The Way Through the Woods (1992)
  11. The Daughters of Cain (1994)
  12. Death is Now My Neighbour (1996)
  13. The Remorseful Day (1999)

As The Remorseful Day has sat unread on my shelves for so long it obviously qualifies for the Mount TBR Challenge 2015. I also included it as one of My 10 Books of Summer, which brings my total to 5.