Teaser Tuesday – Testament of Youth

Published on by Margaret11 Comments

I’m currently reading Testament of Youth by Vera Brittain. She was born in 1896 and this book is an Autobiographical Study of the Years 1900 – 1925. 

I’ve read up to the beginning of 1915, just after the outbreak of the First World War. It’s fascinating and there are so many passages I could highlight, but for now I’m quoting these that I read this morning. Vera Brittain wrote this book in 1933 and she pointed out the change from 1915 to 1933. Just think  of the vast difference between life now and then, nearly 100 years ago.

Sophisticated present-day girls, free immediately after leaving school to come and go as they wish, or living, as independent professional women, in their own rooms or flats, have no conception of the difficulties under which courtships were contracted by provincial young ladies in 1915. There was no privacy for a boy and girl whose mutual feelings had reached their most delicate and bewildering stage; the whole series of complicated relationships leading from acquaintance to engagement had to be conducted in public or not at all. (page 120)

Everything in a young woman’s life was supervised and discussed in the family circle, letters were observed and commented upon. Vera had never been anywhere by herself until she left home to go to Oxford University, on train journeys her ticket was bought for her and she had to send a telegram home immediately she arrived.

In 1915 (aged 19) she was deeply in love with a young man, Roland Leighton, her brother’s friend, but had never been alone with him or without constant observation and the possibility of interruption. She wrote:

Consequently, by the middle of that January, our desire to see one another alone had passed beyond the bounds of toleration. (page 121)

For more Teaser Tuesdays go to Should Be Reading.

Sleeping Murder by Agatha Christie: a Book Review

Published on by Margaret6 Comments

Sleeping Murder is Miss Marple’s last case, published posthumously in 1976, although Agatha Christie had written it during the Second World War. Miss Marple investigates a murder that had happened 18 years ago.

 As I began to read I thought it seemed familiar and then I realised I’d watched the TV version a few years ago, with Geraldine McEwan as Miss Marple and after a couple of chapters I remembered who the murderer was. This didn’t spoil my enjoyment as I was able to see the clues as they cropped up.

Newly married Gwenda has bought a house in Devon. She had only recently returned to England from New Zealand where she had been brought up by an aunt after the death of her parents when she was a small child. She immediately felt at home in the house, but then began to have strange premonitions and whilst she was at the theatre watching The Duchess of Malfi  she had a vision of a murder at the house she had just bought. She heard the words:

‘Cover her face. Mine eyes dazzle, she died young …’

Gwenda screamed.

She sprang up from her seat, pushed blindly past the others out into the aisle, through the exit and up the stairs and so to the street. She did not stop, even then, but half walked, half ran, in a blind panic up the Haymarket (Page 27)

She is convinced that she is going mad, but she is helped by Miss Marple, whose nephew, Raymond West is a distant cousin of Gwenda’s husband, Giles. It’s a most baffling ‘˜cold case’, because first of all they have to discover who, if anyone, had been killed, where, when and why. It does all rather depend on a number of coincidences, beginning with the fact that Gwenda has bought the house that she had lived in as a very young child, but as Miss Marple explains to Gwenda:

‘˜It’s not impossible, my dear. It’s just a very remarkable coincidence – and remarkable coincidences do happen. You wanted a house on the south coast, you were looking for one, and you passed a house that stirred memories and attracted you. It was the right size and a reasonable price, so you bought it. No, it’s not too wildly improbable. Had the house been merely what it is called (perhaps rightly) a haunted house, you would have reacted differently, I think. But you had no feeling of violence or revulsion except, so you have told me, at one very definite moment, and that was when you were just starting to come down the staircase and looking down into the hall. (Pages 33-4)

That moment, as it turned out was very significant, indeed.

Sleeping Murder is a satisfying puzzle and I liked this last view of Miss Marple, compassionate and shrewd and this description of her appearance:

Miss Marple was an attractive old lady, tall and thin, with pink cheeks and blue eyes, and a gentle, rather fussy manner. Her blue eyes often had a little twinkle in them. (page 26)

  • My rating: 4/5
  • Paperback: 304 pages
  • Publisher: HarperCollins; Masterpiece edition (Reissue) edition (2 Jun 2008)
  • Language English
  • ISBN-10: 0007121067
  • ISBN-13: 978-0007121069
  • Source: I bought the book

Saturday Snapshots

Published on by Margaret17 Comments

A few years ago we had a holiday in the Cotswolds and visited Burford in Oxfordshire. We had  welcome cup of tea and cakes in The Copper Kettle on the High Street.

This is the view looking down the High Street.

The building dates back to around 1500.

See more Saturday Snapshots on Alyce’s blog, At Home With Books.

Book Beginnings on Friday: The Inspector’s Daughter

Published on by Margaret9 Comments

How to participate: Share the first line (or two) of the book you are currently reading. Book Beginnings is hosted by Katy at A Few More Pages every Friday.

I found The Inspector’s Daughter by Alanna Knight in my local library recently. I’d never come across this author before but see from the book cover that she has written more than 40 novels, 4 non-fiction books, numerous short stories and 2 plays!

With some many books to her name I thought I’d once again jumped into a series of books, but I was lucky because The Inspector’s Daughter is the first in the Rose McQuinn Mysteries. In this book set in 1895 Rose has returned home to Edinburgh from the American Wild West and it’s not long before she steps into her father’s shoes by agreeing to investigate the strange behaviour of her friend’s husband.

The book begins:

Soon I would be safe.

The journey from nightmare was almost ended. Every turn of the train’s wheels, every drifting smoke wreath closed the door more firmly on the past.

Beyond the hills, the blue glimpse of the sea, Edinburgh was fast approaching, epilogue to ten years in America, so-called land of opportunity but for me a land of tragedy and loss.

So, this opening shows that Rose has had a bad time – ‘a nightmare’, and  a ‘tragedy’ in America, but raises questions, such as – what happened? What was the loss? And why did she go to America and what is she coming home to? I haven’t read much further so I don’t know the answers yet – but this opening does make me want to read on to find out.

I’ve borrowed this book from the library but I see on Amazon that a Kindle edition is available. Alanna Knight has a website, where I see she not only writes but also paints!

The Woman in White by Wilkie Collins: a Book Review

Published on by Margaret7 Comments

I read The Woman in White (TWIW) by Wilkie Collins in January and have been wondering how to do justice to it in a post, because it’s a real chunkster of over 700 pages. (For a summary of the plot, with spoilers see the article on the book on Wikipedia.)

It’s one of the first if not the first ‘sensation novel‘. A ‘sensation novel‘ is one with Gothic elements  – murder, mystery, horror and suspense – within a domestic setting. Since reading TWIW I’ve read The Sensation Novel by Lyn Pykett, which describes such novels as a ‘minor subgenre of British fiction that flourished in the 1860s only to die out a decade or two earlier.’ They have complicated plots, are set in modern times, and are reliant on coincidences, with plots hinging on murder, madness and bigamy. They exploited the fear that respectable Victorian families had of hidden, dark secrets and explored the woman’s role in the family. There is a pre-occupation with the law – wills, inheritance, divorce and women’s rights over property and child custody. They are emotional dramas about obsessive and disturbed mental states, with villains hiding behind respectable fronts, and bold assertive women, as well as passive, powerless and compliant women.

These issues and more are present in TWIW. It has several first person narrators, who are each not in possession of the whole story. Their accounts from letters, diaries and formal statements are limited to what each one knew or had experienced, and are not always reliable. It begins with Walter Hartright’s meeting with the mysterious Woman in White, as he is on his way to take up the position of drawing master to Marian Halcombe and Laura Fairlie at Limmeridge House, in Cumberland.

 There, in the middle of the broad bright high-road – there, as if it had that moment sprung out of the earth or dropped from heaven – stood the figure of a solitary Woman, dressed from head to foot in white garments, her face bent in grave inquiry on mine, her hand pointing to the dark cloud over London as I faced her.

Just who she is only becomes clear much later on the story. During their conversation she reveals that she knows Limmeridge House and its occupants. Walter helps her, but then is filled with guilt when he is told that she had escaped from an asylum.

Laura and Marian are half-sisters, living with their uncle, Frederick Fairlie, a weak, effeminate invalid. Walter is immediately struck by the beauty of Marian’s figure, but astonished when he saw her face:

The lady is ugly! …

The lady’s complexion was almost swarthy, and the dark down on her upper lip was almost a moustache. She had a large, firm, masculine mouth and jaw; prominent, piercing, resolute brown eyes; and thick coal-black hair, growing unusually low down on her forehead.

Marian, clever and assertive is in complete contrast in both appearance and character to the lovely Laura. Walter falls in love with Laura, but she is pledged to marry Sir Percy Glyde, a marriage arranged by her dead father. Matters are complicated by the fact that Laura and the Woman in White look remarkably alike, which is central to the plot. Sir Percy attempts to gain total control of Laura’s money and property, aided by the villainous Count Fosco.

I found it a book of two halves – slow to get going, full of descriptive writing and I was beginning to wonder when something was actually going to happen. Then in the second half the pace increased, the action was fast and complicated, with plenty of tension and melodrama. I enjoyed it, although I do prefer The Moonstone.

I read this book as part of November’s Autumn Classics Challenge and The Book Garden’s Tea and Books Challenge (reading books of over 700 pages).

Weekend Cooking – Curried Carrot & Apple Soup

Published on by Margaret8 Comments

It’s been a while since I wrote a Weekend Cooking post – Weekend Cooking is hosted at Beth Fish Reads and is open to anyone who has any kind of food-related post to share: Book (novel, nonfiction) reviews, cookbook reviews, movie reviews, recipes, random thoughts, gadgets, fabulous quotations, photographs. For more information, see the welcome post.

I had quite a lot of apples recently and after making various puddings I looked in my cookery books and found a recipe for curried carrot and apple soup in the Kitchen Doctor Low-Cholesterol Cooking for Health.

I adapted the recipe to make enough for two rather than four. Here is the recipe as detailed in the book, click on the image to enlarge:

It’s really easy to make – first heat the oil and gently fry the curry powder for 2-3 minutes. Then add the carrots, onion and apple, stir and cover the pan, cooking over a low heat for about 15 minutes until they soften. I added the stock and brought it to the boil.

Then I blitzed it with a hand-held blender, seasoned it with salt and coarse ground black pepper. If you like add a swirl of yoghurt (I didn’t this time) and serve.

The curry and the apple tone down the sweetness of the carrots – delicious.

The book contains over 50 low-cholesterol and low-fat recipes, with sections on soups and starters, meat, poultry and fish main courses, plus pasta, pulses and vegetable dishes and desserts, cakes and bakes.