My Week in Books: 3 May 2017

This Week in Books is a weekly round-up hosted by Lypsyy Lost & Found, about what I’ve been reading Now, Then & Next.

IMG_1384-0

A similar meme,  WWW Wednesday is run by Taking on a World of Words.

Now: I’m reading Six Tudor Queens: Anne Boleyn: A King’s Obsession by Alison Weir, which will be published by Headline on 18 May 2017. it is a long and detailed book, parts of which I’m finding tedious and repetitive, but I’m nearing the end now and it is picking up speed just a tiny bit!

Blurb:

The young woman who changed the course of history.

Fresh from the palaces of Burgundy and France, Anne draws attention at the English court, embracing the play of courtly love.

But when the King commands, nothing is ever a game.

Anne has a spirit worthy of a crown – and the crown is what she seeks. At any price.

ANNE BOLEYN. The second of Henry’s Queens. Her story.
History tells us why she died. This powerful novel shows her as she lived.

Then: The last two books I read were The Hanged Man of Saint-Pholien by Georges Simenon, a Maigret mystery, which I really enjoyed. My review will follow soon.

The Hanged Man of Saint-Pholien (Maigret, #4)

 

On a trip to Brussels, Maigret unwittingly causes a man’s suicide, but his own remorse is overshadowed by the discovery of the sordid events that drove the desperate man to shoot himself.

I also finished reading Wives and Daughters by Elizabeth Gaskell, which I loved. It’s a story of romance, scandal and intrigue within the confines of a watchful, gossiping English village during the early nineteenth century. I’ll soon be writing a review of this too.

Wives and Daughters

Next: I think I’ll read A Place of Execution by Val McDermid, one of my TBR books, with the usual proviso that when the time comes I may decide to read a different book.

A Place of ExecutionBlurb:

On a freezing day in December 1963, thirteen-year-old Alison Carter vanishes from her village. Nothing will ever be the same again for the inhabitants of the isolated hamlet in the English countryside. A young George Bennett, a newly-promoted inspector, he is determined to solve this case’”even if it just to bring home a daughter’s dead body to her mother.

As days progress, the likelihood that Alison has been murdered increases when a gruesome discovery is made in a cave. But with no corpse, the barest of clues, and an investigation that turns up more questions than answers, Bennett finds himself up against a stone wall…until he learns the shocking truth’”a truth that will have far-reaching consequences.

Decades later, Bennett finally tells his story to journalist Catherine Heathcote. But just when the book is posed for publication, he pulls the plug on it without explanation. He has new information that he will not divulge. Refusing to let the past remain a mystery, Catherine sets out to uncover what really happened to Alison Carter. But the secret is one she might wish she’d left buried on that cold, dark day thirty-five years ago.

I’m wondering what you are reading/have read recently too.

Caedmon’s Song by Peter Robinson

Peter Robinson writes the Inspector Banks books, but he has also written short stories and a couple of standalone books including Caedmon’s Song, described as a psychological thriller.

Summary (from Peter Robinson’s website)

One warm June night, a university student called Kirsten is viciously attacked in a park by a serial killer. He is interrupted, and Kirsten survives, but in a severe physically and psychologically damaged state. As the killer continues, leaving a trail of mutilated corpses, Kirsten confronts her memories and becomes convinced not only that she can, but that she must remember what happened. Through fragments of nightmares, the details slowly reveal themselves. Interwoven with Kirsten’s story is that of Martha Browne, a woman who arrives in the Yorkshire coastal town of Whitby with a sense of mission. Finally, the two strands are woven together and united in a startling, chilling conclusion. 

My thoughts

Overall I liked Caedmon’s Song, but I wouldn’t describe it as a thriller, even though the attack on Kirsten is particularly vicious. It is set mainly in Whitby a seaside town in Yorkshire. The ruins of Whitby Abbey, Bram Stoker’s inspiration for Dracula, stand on the East Cliff overlooking the North Sea, with St Mary’s Church and Caedmon’s Cross nearby. I wondered as I began reading whether Martha’s visit to Whitby had any connection to Dracula, but although these places are described as she finds her way around the town they are just incidental to the plot.

Then I began to wonder about the connection between Kirsten and Martha because Robinson drops in quite a few clues early on in the book, which become explicit in the second half of the book. So, the links between them are quite easy to see, which disappointed me at first and lessened the tension. I wasn’t too convinced either by how Kirsten discovered her attacker’s identity and even considering the horrific details of her injuries I didn’t really feel sympathetic towards her as she comes across as rather cold-blooded. But as the narrative developed I began to enjoy the story and to wonder how it would end.

Kirsten considers whether she is a ‘born victim‘ or not, questioning her actions on the night of the attack, and wondering whether she had been inviting destruction. Her conclusion is that she wasn’t at all clear about it, but felt that it was her destiny, that she had been chosen as her attacker’s nemesis. All she knew was that she had to find him and face him. The ending is dramatic, but what would happen next is left open.

In his afterword Peter Robinson (written in 2003 when a new edition was published) explains that he had the idea for writing Caedmon’s Song in the late 1980s after he had written the first four Inspector Banks novels. He had felt he needed a change and wanted to write a novel in which the police played a subsidiary role. Then in September 1987 when he saw Whitby as he approached it on the coast road the idea for the setting and opening of the book came to him:

There lay Whitby, spread out below. The colours seemed somehow brighter and more vibrant than I remembered: the greens and blues of the North Sea, the red pantile roofs. Then the dramatic setting of the lobster-claw harbour and the two opposing hills, one capped with a church, the other with Captain Cook’s statue and the massive jawbone of a whale. I knew immediately that this was where the story had to take place, and that it began with a woman getting off a bus, feeling a little travel-sick, trying the place on for size. (pages 326-7)

I feel a trip to Whitby coming on – a place I’ve been wanting to visit for some years now.

Amazon UK link

  • Paperback: 336 pages
  • Publisher: Pan; Reprints edition (1 Aug. 2013)
  • Language: English
  • ISBN-10: 1447225473
  • ISBN-13: 978-1447225478
  • Source : I bought the book
  • Rating: 3*

Reading challenges: Mount TBR Reading Challenge 2017

See What I Have Done by Sarah Schmidt

Lizzie Borden took an ax
And gave her mother forty whacks
When she saw what she had done,
She gave her father forty-one.

Or did she?

On the 4 August 1892 Andrew Borden and his second wife, Abby, were brutally murdered in their home at 92 Second Street in Fall River, Massachusetts and Andrew’s daughter, Lizzie, was charged with the murders. She was tried and was acquitted in June 1893 and speculation about the murders and whether Lizzie was guilty or not continues to the present day. See What I Have Done by Sarah Schmidt is a work of fiction based on true events using various resources.

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Lizzie Borden c.1890

Lizzie was thirty two at the time of the murders but in this fictionalised account she seems emotionally much younger, more like a teenager than a mature woman.

The narrative is shared by Lizzie, her sister Emma, Bridget their maid and Benjamin, a ‘friend’ of Lizzie’s Uncle John, and moves backwards and forwards in time, before and after 4 August 1892. Lizzie’s account is the strangest and it takes you right inside her mind. She is a disturbed and unstable character to say the least and I had the most unsettling feeling as I read that I was right inside her crazy, demented mind.

The writing is ambiguous in parts, lending enough credence to cast doubt on Lizzie’s guilt – and then in other parts I was convinced that she had committed the murders. It’s the introduction of Benjamin, a fictional character, a vicious and violent man, that provides an explanation of what happened to the murder weapon, that the police were unable to find.

Sarah Schmidt’s prose highlights the senses – the sights, sounds, smells, and tastes are aroused. The tension is palpable, and the fear and feverish atmosphere in the Borden’s house comes to a climax in the gruesome murders. It is indeed eerie and compelling, a mesmerising book.

I received this as an ARC from the publisher, the Atlantic Monthly Press, via NetGalley. And it is published in the US on 1 August 2017 in hardback.

Amazon US

  • Hardcover: 324 pages
  • Publisher: Atlantic Monthly Press (August 1, 2017)
  • Language: English
  • ISBN-10: 0802126596
  • ISBN-13: 978-0802126597

See What I Have Done is also published in the UK today, 2 May 2017, as an e-book by Tinder Press

Amazon UK

See What I Have Done

  • Format: Kindle Edition
  • File Size: 1571 KB
  • Print Length: 336 pages
  • Publisher: Tinder Press (2 May 2017)

Night Falls on Ardnamurchan by Alasdair Maclean

Notes on Night Falls on Ardnamurchan: the Twilight of a Crofting Family by Alasdair Maclean (1926 – 1994).

Alasdair Maclean was a Scottish poet, born in Glasgow. He left school at fourteen to work in the Clydeside shipyards. In his late thirties he read English at Edinburgh University, later returning to the family croft at Sanna in Ardnamurchan to write. His father had worked as Deputy Harbour Master in the Greater Glasgow docks until he retired in the 1950s and moved back to take over the croft from his father.

What their life was like on the croft is captured in detail in Maclean’s only book of prose Night Falls on Ardnamurchan: the Twilight of a Crofting Family.

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The main section of the book is made up of extracts from his father’s journals forming a factual account of his daily life on the croft covering two years, a decade apart: 1960 and 1970, for the same three days at the beginning, middle and end of every month in those years, with explanatory comments where he thought necessary.

I  enjoyed this section together with the Prologue and two introductions – the first about his father and their relationship and the second, a brief history of Ardnamuchan – more that the section on Alasdair’s own journal of 1979 – 1980.

I quoted the opening of the book with an extract from page 56 in this earlier post. Here are a few more extracts to give a flavour of the book:

Due to Father’s complete lack of push, coupled with his unwillingness to flatter or connive, he was passed over for promotion on several occasions. In the early 1950s he retired, somewhat prematurely, and came back to Ardnamurchan to operate the family croft, which my grandparents were getting too old to look after. Poverty accompanied him north and this lasted till a state pension at sixty-five brought some slight ease. He died five months after my mother of a coronary, they said, but of being worn out and heartbroken, say I. (page 23)

Each journal entry begins with a description of the weather and its effects. This is a typical example:

November 15 1969

Moderate to fresh Southerly wind became strong in evening. Drizzle in early forenoon. Dry for an hour in the middle of the day. In the afternoon the sleety rain became torrential and continued into the night. Did a little more to a new house for Tilly. Gave cattle a little hay. Managed across river at Cnoc Brac peats.

Alasdair commented: Tilly was a pet sheep, the first of many orphans we hand-reared. She was a privileged character (I tell her story later) and no ageing butler, slopping sherry around the salver on his tottering passage between pantry and drawing room, could have been more conscious of possessing security of tenure or more determined to exploit it. The ‘house’ that was being built for her was but one indication of her status. Your ordinary sheep shivers it out on the hillside all night, having no roof but the low cloud of winter. (pages 84-85)

The state of the weather had great importance. To the crofter:

…  clinging by a mixture of instinct and experience to the remote fringes of these islands, the weather is a god. It is the difference not merely between a pleasant and an unpleasant life, but between success and failure, until the advent of the welfare state between – possibly – living and dying.  (page 52)

Winter is hard on Sanna:

Gales often blow for days on end, accompanied for much of the time by rain. The ground around house and outbuildings, with the constant to-ing and fro-ing of animals and people becomes a churned-up quagmire, a constant drag and hindrance to everything one tries to do.

… Even to enter or leave one’s house, if it lacks a back door – and most of the old cottages did – may be a hazardous operation in a gale and a door once opened may not be easy to shut again. I have seen old people in Sanna go from house to steading on hands and knees, being unable to proceed any other way. (page 52)

This is an unusual book describing not only life in a dying community but also revealing the relationship between children and parents, particularly in an isolated community. I was fascinated.

I was also interested to know what Ardnamurchan is like today. The Ardnamuchan website states it is on the most westerly peninsular of the British mainland, jutting out into the Atlantic Ocean and with views from every shore of islands, castles, lochs and wilderness, an amazing part of the West Coast of Scotland.

File:Sanna Bay - geograph.org.uk - 354282.jpg
Sanna Bay (The copyright on this image is owned by Stuart Wilding and is licensed for reuse under the Creative Commons Attribution-ShareAlike 2.0 license.)

Amazon UK –  only available from third-party sellers

  • Paperback: 224 pages
  • Publisher: Penguin Books Ltd; New edition edition (22 Feb. 1990)
  • Language: English
  • ISBN-10: 0140108122
  • ISBN-13: 978-0140108125
  • Source: I bought the book
  • Rating: 3.5 stars

Dunstan by Conn Iggulden

History has always fascinated me, but I don’t know very much about the medieval period, so I was keen to read Dunstan: One Man Will Change the Fate of England by Conn Iggulden, to be published on 4 May 2017. It is historical fiction following the life of Dunstan who was born some time between 910 and 920. He was the Abbot of Glastonbury, then Archbishop of Canterbury and later canonised as a saint. I thoroughly enjoyed it and learned a lot about the period.

Summary (from the publishers)

The year is 937. England is a nation divided, ruled by minor kings and Viking lords. Each vies for land and power. The Wessex king Æthelstan, grandson of Alfred the Great, readies himself to throw a spear into the north.

As would-be kings line up to claim the throne, one man stands in their way.

Dunstan, a fatherless child raised by monks on the moors of Glastonbury Tor, has learned that real power comes not from God, but from discovering one’s true place on Earth. Fearless in pursuit of his own interests, his ambition will take him from the courts of princes to the fields of battle, from exile to exaltation.

For if you cannot be born a king, or made a king, you can still anoint a king.

Under Dunstan’s hand, England may come together as one country – or fall apart in anarchy . . .

From Conn Iggulden, one of our finest historical writers, Dunstan is an intimate portrait of a priest and murderer, liar and visionary, traitor and kingmaker – the man who changed the fate of England.

Conn Iggulden has brought the period to life with this book, fleshing out the historical records. It’s written in the first person, past tense, so we see events through Dunstan’s eyes. He and his younger brother Wulfric were brought up by the monks at Glastonbury Abbey. It’s a harsh, cruel life, but Dunstan has a vision that he will build a cathedral and his ambition and determination help him to make his vision a reality.

The book is set during the reigns of several kings, Æthelstan, the grandson of Alfred the Great, then of Ã†thelstan’s brother Edmund, who was king for just five years before he was killed. He was followed by another brother, Eadred, then by Edmund’s sons, Edwy and Edgar, who divided England between them. They were followed by Edmund’s grandson, Edward and finally by Ethelred the Unready, his much younger brother. I hope I have got the sequence correct.

This was a period of great unrest and conflict, as England eventually became unified under one High King, and was attacked repeatedly by the Vikings. Dunstan was manipulative, dedicated, ruthless and proud. It was these characteristics that enabled him to succeed. He was present at the Battle of Brunanburh in 937, in which Ã†thelstan defeated an alliance of Viking and Celtic warriors for control of the country and became the first king of England.

Dunstan also reformed the monasteries, imposing the rule of St Benedict, was instrumental in the building of Glastonbury Abbey, was an adviser to Eadred, exiled by Edwy, and reinstated by Edgar before being appointed Archbishop of Canterbury.

My summary of this book really does not do it justice. I was fascinated by it and the detail is impressive. It incorporates many tales about Dunstan, including the one where he is said to have pulled the devil’s nose with a pair of tongs. Conn Iggulden’s version of this tale is truly horrific. His Historical Note explains his use of the sources he has used and explanations of his use of names, notes on spelling, titles, on the Battle of Brunanburh, on Gothic Arches, and on the many miracles that Dunstan is said to have performed. Where there are gaps in the historical records Iggulden has filled them in to present his story of a man who achieved so much despite his flaws and self-doubt.

My thanks to NetGalley and the publishers for an advance proof copy of Dunstan.

Amazon UK 

  • Format: Kindle Edition
  • File Size: 2224 KB
  • Print Length: 464 pages
  • Page Numbers Source ISBN: 071818145X
  • Publisher: Penguin (4 May 2017)

My Week in Books: 26 April 2017

This Week in Books is a weekly round-up hosted by Lypsyy Lost & Found, about what I’ve been reading Now, Then & Next.

IMG_1384-0

A similar meme,  WWW Wednesday is run by Taking on a World of Words.

Now: I’m reading Wives and Daughters by Elizabeth Gaskell, which I’ve nearly finished. It is my Classics Club Spin book.

Blurb:

It’s a story of romance, scandal and intrigue within the confines of a watchful, gossiping English village during the early nineteenth century. When seventeen-year-old Molly Gibson’s widowed father remarries, her life is turned upside down by the arrival of her vain, manipulative stepfather. She also acquires an intriguing new stepsister, Cynthia, glamorous, sophisticated and irresistible to every man she meets. 

I’m also reading Caedmon’s Song by Peter Robinson, one of his stand-alone books.

Blurb:

On a balmy June night, Kirsten, a young university student, strolls home through a silent moonlit park. Suddenly her tranquil mood is shattered as she is viciously attacked.

When she awakes in hospital, she has no recollection of that brutal night. But then, slowly and painfully, details reveal themselves – dreams of two figures, one white and one black, hovering over her; wisps of a strange and haunting song; the unfamiliar texture of a rough and deadly hand . . .

In another part of England, Martha Browne arrives in Whitby, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

Then: The last book I read is Night Falls on Ardamurchan by Alasdair Maclean. My review will follow soon.

Blurb:

Since its first publication in 1984, ‘Night Falls in Ardnamurchan’ has become a classic account of the life and death of a Highland community.

The author weaves his own humorous and perceptive account of crofting with extracts from his father’s journal – a terse, factual and down to earth vision of the day-to-day tasks of crofting life.

It is an unusual and memorable story that also illuminates the shifting, often tortuous relationships between children and their parents. Alasdair Maclean reveals his own struggle to come to terms with his background and the isolated community he left so often and to which he returned again and again.

In this isolated community is seen a microcosm of something central to Scottish identity – the need to escape against the tug of home.

Next: I think I’ll read Six Tudor Queens: Anne Boleyn: A King’s Obsession by Alison Weir, which will be published by Headline on 18 May 2017.

Blurb:

The young woman who changed the course of history.

Fresh from the palaces of Burgundy and France, Anne draws attention at the English court, embracing the play of courtly love.

But when the King commands, nothing is ever a game.

Anne has a spirit worthy of a crown – and the crown is what she seeks. At any price.

ANNE BOLEYN. The second of Henry’s Queens. Her story.
History tells us why she died. This powerful novel shows her as she lived.

But I’m tempted to slip in a Maigret book first: The Hanged Man of Saint-Pholien by Georges Simenon.

The Hanged Man of Saint-Pholien (Maigret, #4)

Blurb:

A first ink drawing showed a hanged man swinging from a gallows on which perched an enormous crow. And there were at least twenty other etchings and pen or pencil sketches that had the same leitmotif of hanging.
On the edge of a forest: a man hanging from every branch.
A church steeple: beneath the weathercock, a human body dangling from each arm of the cross. . . Below another sketch were written four lines from François Villon’s Ballade of the Hanged Men.

On a trip to Brussels, Maigret unwittingly causes a man’s suicide, but his own remorse is overshadowed by the discovery of the sordid events that drove the desperate man to shoot himself.

Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as Maigret and the Hundred Gibbets and The Crime of Inspector Maigret.