Peter Robinson writes the Inspector Banks books, but he has also written short stories and a couple of standalone books including Caedmon’s Song, described as a psychological thriller.
Summary (from Peter Robinson’s website)
One warm June night, a university student called Kirsten is viciously attacked in a park by a serial killer. He is interrupted, and Kirsten survives, but in a severe physically and psychologically damaged state. As the killer continues, leaving a trail of mutilated corpses, Kirsten confronts her memories and becomes convinced not only that she can, but that she must remember what happened. Through fragments of nightmares, the details slowly reveal themselves. Interwoven with Kirsten’s story is that of Martha Browne, a woman who arrives in the Yorkshire coastal town of Whitby with a sense of mission. Finally, the two strands are woven together and united in a startling, chilling conclusion.
Overall I liked Caedmon’s Song, but I wouldn’t describe it as a thriller, even though the attack on Kirsten is particularly vicious. It is set mainly in Whitby a seaside town in Yorkshire. The ruins of Whitby Abbey, Bram Stoker’s inspiration for Dracula, stand on the East Cliff overlooking the North Sea, with St Mary’s Church and Caedmon’s Cross nearby. I wondered as I began reading whether Martha’s visit to Whitby had any connection to Dracula, but although these places are described as she finds her way around the town they are just incidental to the plot.
Then I began to wonder about the connection between Kirsten and Martha because Robinson drops in quite a few clues early on in the book, which become explicit in the second half of the book. So, the links between them are quite easy to see, which disappointed me at first and lessened the tension. I wasn’t too convinced either by how Kirsten discovered her attacker’s identity and even considering the horrific details of her injuries I didn’t really feel sympathetic towards her as she comes across as rather cold-blooded. But as the narrative developed I began to enjoy the story and to wonder how it would end.
Kirsten considers whether she is a ‘born victim‘ or not, questioning her actions on the night of the attack, and wondering whether she had been inviting destruction. Her conclusion is that she wasn’t at all clear about it, but felt that it was her destiny, that she had been chosen as her attacker’s nemesis. All she knew was that she had to find him and face him. The ending is dramatic, but what would happen next is left open.
In his afterword Peter Robinson (written in 2003 when a new edition was published) explains that he had the idea for writing Caedmon’s Song in the late 1980s after he had written the first four Inspector Banks novels. He had felt he needed a change and wanted to write a novel in which the police played a subsidiary role. Then in September 1987 when he saw Whitby as he approached it on the coast road the idea for the setting and opening of the book came to him:
There lay Whitby, spread out below. The colours seemed somehow brighter and more vibrant than I remembered: the greens and blues of the North Sea, the red pantile roofs. Then the dramatic setting of the lobster-claw harbour and the two opposing hills, one capped with a church, the other with Captain Cook’s statue and the massive jawbone of a whale. I knew immediately that this was where the story had to take place, and that it began with a woman getting off a bus, feeling a little travel-sick, trying the place on for size. (pages 326-7)
I feel a trip to Whitby coming on – a place I’ve been wanting to visit for some years now.
- Paperback: 336 pages
- Publisher: Pan; Reprints edition (1 Aug. 2013)
- Language: English
- ISBN-10: 1447225473
- ISBN-13: 978-1447225478
- Source : I bought the book
- Rating: 3*
Reading challenges: Mount TBR Reading Challenge 2017