Mini Reviews

I’ve been reading almost non-stop and not pausing long enough to write proper reviews, so it’s time for a brief look at some of the books I’ve read. These notes are not as detailed as I usually write, but when you read quickly this is the result!

Friend of the Devil by Peter Robinson, the 17th DCI Banks book 4*

Inspector Alan Banks and his team, the Western Area Major Crimes Squad, investigate the murder of 19-year-old Hayley Daniels who was found raped and strangled in the Maze, a tangle of narrow alleys behind Eastvale’s market square, after a drunken night on the town with a group of friends. There are plenty of suspects and it’s a matter of looking at who was where and when to find the murderer. It wasn’t who I thought it was.

DI Annie Cabbot, on loan to the Eastern area, is assigned to look into the murder of Karen Drew, a quadriplegic, who was found dead in her wheelchair on a seaside cliff. It’s only when Annie discovers the real identity of Karen Drew, that the question of why anyone would want to murder a quadriplegic, becomes clear. But who could have done it? Annie has to revisit an earlier case to find the culprit.

Although this can be read as a stand-alone novel, part of the enjoyment in reading the series in order is that you see the development of the main characters and their relationships over the years. The books are basically police procedurals but along the way there’s a lot about Alan and Annie as people rather than police officers. I have become fond of the regular characters in these books.

Watching the Dark by Peter Robinson, the 20th DCI Banks book 4.5*

This is the description on Goodreads: DCI Alan Banks reluctantly investigates DI Bill Quinn with Inspector Joanna Passero. Quinn, convalescing at St Peter’s Police Treatment Centre, was killed by a crossbow on the tranquil grounds, and left compromising photos. Quinn may be disreputable, linked to a vicious crime in Yorkshire and to a cold case – English Rachel Hewitt 19 vanished in Estonia six years ago.

Banks is not happy about this investigation, not only at the murder of one of their own officers, but because of the involvement of Joanna Passero who seems to him to be determined to prove that Quinn was a corrupt cop.

The team’s investigations lead them to a group smuggling illegal immigrants from Eastern Europe into the UK, taking Banks and Passero to Tallin in Estonia, whilst Annie heads the investigation in the UK. It’s remarkably complex. It’s also long, with many twists and turns, and it became too repetitive in the middle of the book, which is why I haven’t given it 5 stars. But I did enjoy it more than Friend of the Devil, especially the setting in Estonia. Robinson’s books are all definitely grounded in their settings, whether they’re in Yorkshire, Estonia, or elsewhere.

I have now read 20 of the 28 DCI Banks books.

I think the setting in Estonia means I can add Watching the Dark to the Wanderlust Bingo card in Central/Eastern Europe square.

A Sea of Troubles by Donna Leon

A Sea of Troubles is Donna Leon’s 10th Commissario Guido Brunetti novel. I’ve been reading them out of order of publication on and off for several years now and this book is the earliest one in the series that I’ve read. Her books are crime fiction, but also discuss various social and cultural issues and A Sea of Troubles is no exception. 

Brunetti is one of my favourite detectives. He is happily married with two children. He doesn’t smoke or drink to excess and often goes home for lunch to his beautiful wife Paola, who is a wonderful cook – in this book she treats him to a delicious apple cake made with lemon and apple juice and ‘enough Grand Marnier to permeate the whole thing and linger on the tongue for ever.’ (page 238)

I read it eagerly, keen to get to the bottom of the mystery surrounding the deaths of two clam fishermen, father and son, off the island of Pellestrina, south of the Lido on the Venetian lagoon, when their boat suddenly exploded. As well as the mystery the issues Leon highlights in this book are concerning pollution and the overfishing of clams that is destroying the clam beds.

I was fascinated by the island, never having heard of it before. It’s a long and narrow island (11 km long, and 25 to 210 metres wide) that separates the Venetian Lagoon from the Adriatic Sea. Fishing is the primary source of income and alongside the inner side of the thin peninsular are scores of vongolari, the clam fishing boats.

Pellestrina is a closely knit community, the islanders bound together by a code of loyalty and a suspicion of outsiders. Brunetti is finding it difficult to penetrate their silence, as even though he is a Venetian, he is regarded by the islanders as an outsider, a foreigner. So when his boss’s secretary, the ever-resourceful Signorina Elettra, volunteers to visit her cousin who lives in the village there to see what she can find out, he lets her go. And then is most concerned when she falls for a young man on the island. And Paola begins to question why he is so interested in Elettra, having noticed that he had thought about little else than her for over a week. He then realises his feelings for Elletra are not so straightforward after all.

However, the crime still needs resolving and Brunetti finds himself in a web of political intrigue, corruption and secrets. From a slow start the ending is dramatic and action packed with Brunetti and Elletra in danger of their lives.

  • Publisher ‏ : ‎ Arrow; 1st edition (26 Feb. 2009)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 336 pages
  • Source: I bought it
  • My rating: 5*

Book Beginnings on Friday & The Friday 56: The Year of the Flood by Margaret Atwood

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.

I’m featuring The Year of the Flood by Margaret Atwood this week. It’s the second in the Maccadam trilogy. According to Wikipedia this book focuses on a religious sect called the God’s Gardeners, a small community of survivors of the same biological catastrophe depicted in Atwood’s earlier novel Oryx and Crake, which I read soon after it was first published in 2003. 

In the early morning Toby climbs up to the top of the rooftop to watch the sunrise. She uses a mop handle for balance: the elevator stopped working some time ago and the back stairs are slick with damp, and if she slips and topples there won’t be anyone to pick her up.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, where you grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.

Page 56:

‘Get rid of that scalped look. We Gardener women all wear our hair long’. When Toby asked why, she was given to understand that the aesthetic preference was God’s.

Description from Goodreads:

The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. The air smells faintly of burning. The waterless flood – a manmade plague – has ended the world.

But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden.

Is anyone else out there?

~~~

What do you think, does it appeal to you? What are you currently reading?

My Blog Break is over & The Man With No Face

I’m back home and looking forward to getting back into blogging. I was in hospital for three weeks – but now I’m recovering, trying to get back to ‘normal’.

It has been very odd as I lacked the desire to read, or concentrate on anything really. I’ve read just one book so far this month – The Man With No Face by Peter May, which I’d started before I went into hospital. This was first published in 1981. May made ‘some very minor changes’, before it was republished in 2018.

Rating: 5 out of 5.

Description from Goodreads:

A POWERFUL AND PRESCIENT THRILLER FROM THE MILLION-SELLING AUTHOR OF I’LL KEEP YOU SAFECOFFIN ROAD AND THE BLACKHOUSE.

A REPORTER WITH NO FEAR

Jaded Edinburgh journalist Neil Bannerman is sent to Brussels, intent on digging up dirt. Yet it is danger he discovers, when two British men are found murdered.

A CHILD WITH NO FATHER

One victim is a journalist, the other a Cabinet Minister: the double-assassination witnessed by the former’s autistic daughter. This girl recalls every detail about her father’s killer – except for one.

THE MAN WITH NO FACE

With the city rocked by the tragedy, Bannerman is compelled to follow his instincts. He is now fighting to expose a murderous conspiracy, protect a helpless child, and unmask a remorseless killer.

I did find it a bit repetitive, which for once was good as it kept reminding me what was going on. It’s a complex plot told mainly from Bannerman’s perspective with insights into the hired assassin’s and daughter’s viewpoints. It’s called ‘The Man with no Face’ because Tania, the daughter is a talented artist and she draws the scene with the assassin’s face left blank.

There’s a lot more I could say about the book. It’s a thriller with some violence but nothing I couldn’t cope with – and I’m squeamish! I thoroughly enjoyed it with all its twists and turns and increasing level of danger right up to the climax. Highly recommended!

Book Beginnings on Friday & The Friday 56: The Man With No Face by Peter May

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.

I’m featuring another book by Peter May this week – The Man With No Face. This was first published in 1981. He made ‘some very minor changes’, before it was republished in 2018.

Kale watched the train through the rain-spattered glass and thought, this time will be the last. But even as the thought formed in his mind it clotted and he knew he would kill again.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, where you grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.

Page 56:

They took their first sips in silence before Bannerman said, ‘Tell me about yourself.’

‘There’s not much to tell.

‘Now why do people always say that?

‘Maybe because it’s true.’

He shook his head. ‘No. Everyone’s got a story to tell.’

Description from Goodreads:

A POWERFUL AND PRESCIENT THRILLER FROM THE MILLION-SELLING AUTHOR OF I’LL KEEP YOU SAFECOFFIN ROAD AND THE BLACKHOUSE.

A REPORTER WITH NO FEAR

Jaded Edinburgh journalist Neil Bannerman is sent to Brussels, intent on digging up dirt. Yet it is danger he discovers, when two British men are found murdered.

A CHILD WITH NO FATHER

One victim is a journalist, the other a Cabinet Minister: the double-assassination witnessed by the former’s autistic daughter. This girl recalls every detail about her father’s killer – except for one.

THE MAN WITH NO FACE

With the city rocked by the tragedy, Bannerman is compelled to follow his instincts. He is now fighting to expose a murderous conspiracy, protect a helpless child, and unmask a remorseless killer.

~~~

What do you think, does it appeal to you? What are you currently reading?

Elizabeth Macarthur by Michelle Scott Tucker

In 1788 a young gentlewoman raised in the vicarage of an English village married a handsome, haughty and penniless army officer. In any Austen novel that would be the end of the story, but for the real-life woman who became an Australian farming entrepreneur, it was just the beginning.

John Macarthur took credit for establishing the Australian wool industry and would feature on the two-dollar note, but it was practical Elizabeth who managed their holdings—while dealing with the results of John’s manias: duels, quarrels, court cases, a military coup, long absences overseas, grandiose construction projects and, finally, his descent into certified insanity.

Michelle Scott Tucker shines a light on an often-overlooked aspect of Australia’s history in this fascinating story of a remarkable woman.

My thoughts

Two years ago I read A Room Made of Leaves by Kate Grenville, historical fiction telling the story of Elizabeth and John Macarthur, who settled in Australia at the end of the eighteenth century, which made me keen to find out more about them. In particular it was the epigraph ‘ Believe not too quickly‘, which is a quotation from one of Elizabeth’s letters, that highlighted for me that A Room Made of Leaves is a work of fiction. And then I came across Michelle Scott Tucker’s biography: Elizabeth Macarthur: A Life at the Edge of the World and I was delighted to see that Kate Grenville references this book as the standard biography in her Acknowledgements. So I bought a copy.

Elizabeth was born on 14 August 1766 in Devon, England and she married John Macarthur in October 1788. In June 1789 they sailed with their first child, Edward, initially on the Neptune, and then on the convict ship Scarborough to New South Wales where John joined his regiment, the New South Wales Corps, in the recently established colony of New South Wales. They went on to have four more sons, James (1793-1794), John (1794-1831), James (1798-1867) and William (1800-1882), and three daughters, Elizabeth (1792-1842), Mary (Mrs Bowman, b.1795) and Emmeline (b.1808).

For sixty years, Elizabeth ran the family farm in Parramatta, west of Sydney town – on her own during her husband’s long absences abroad, four years during her husband’s first absence, and nine years during the second, when she was responsible for the care of their valuable merino flocks, as well as the Camden Park estate and the direction of its convict labourers. By the time Macarthur came back from that second absence, he was overwhelmed by mental illness, and they spent the last few years of his life apart. He died in 1834. The house and gardens of her farm, aptly named ‘Elizabeth Farm’ is now an ‘access all areas’ museum. In 1850, she died in her daughter and son-in-law’s house at Watson’s Bay outside Sydney, overlooking the Pacific Ocean.

I was interested to see how the biography differed from Kate Grenville’s novel. Both interpret the facts, based on Elizabeth Macarthur’s letters, journals and official documents of the early years of the New South Wales colony, trying to explain what happened and why, dependent on the available evidence. However, fiction is more flexible than a biography and can fill in the gaps where the documentary evidence is lacking. And Kate Grenville has used her storytelling imagination in filling in the gaps in the records, in particular about her relationship with William Dawes, an astronomer with the Corps, who was mapping the night sky. He had an observatory near Elizabeth’s farm and it was there that she attempted to learn from him about astronomy. However, in A Room Made of Leaves, Kate Grenville embellishes the basic facts, whilst exploring what it could have been that made Elizabeth ‘blush at my error‘, as she described it in a letter to her friend, Bridget, claiming she had mistaken her abilities and she ended her astronomical studies. Michelle Scott Tucker comments that the evening visits to Dawes’ observatory were open to misinterpretation, whereas Kate Grenville’s version is much more explicit as she imagines what might have happened. Her book, whilst it is based on history is fiction, as she makes clear in her Author’s Note at the end of the book.

I have only just skimmed the surface of this book – there is so much more detail about the landscape, the indigenous population, the disputes between various sections of the colony, about farming and the establishment of the wool industry, not forgetting the details of the Macarthur family members, illnesses, and the position of the women within the community – Elizabeth wasn’t the only colonial woman who was responsible for her family farm. She was resourceful, a good farm manager and business woman, was respected within the colony, and was loved by her family. There are a number of reasons I recommend this book. There is a ‘Select Bibliography’ which looks comprehensive to me, copious notes citing sources and a family tree. It is thorough, well researched and It provides an insight into the early years of Australia’s colonial history and it is an extremely readable biography of a fascinating woman.