WWW Wednesday: 31 July 2024

WWW Wednesday is run by Taking on a World of Words.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Currently I’m reading The Women of Troy by Pat Barker. this is the second book on The Women of Troy trilogy, a retelling of the classic Greek myth. I’ve recently read the first book, The Silence of the Girls (my review will follow shortly) which I loved. So far this second book looks as though it will be just as good. Troy has fallen but high winds are keeping the Greeks from sailing home.

Description from Goodreads:

Troy has fallen and the victorious Greeks are eager to return home with the spoils of an endless war—including the women of Troy themselves. They await a fair wind for the Aegean.

It does not come, because the gods are offended. The body of King Priam lies unburied and desecrated, and so the victors remain in suspension, camped in the shadows of the city they destroyed as the coalition that held them together begins to unravel. Old feuds resurface and new suspicions and rivalries begin to fester.

Largely unnoticed by her captors, the one time Trojan queen Briseis, formerly Achilles’s slave, now belonging to his companion Alcimus, quietly takes in these developments. She forges alliances when she can, with Priam’s aged wife the defiant Hecuba and with the disgraced soothsayer Calchas, all the while shrewdly seeking her path to revenge.

I’m also reading Into the Tangled Bank by Lev Parikian, non fiction about nature. It’s easy reading, Parikian writes with humour, in a chatty style, but also richly descriptive. I’m loving it, it is compulsive reading. He is a storyteller, so there are lots of anecdotes and stories, plus his thoughts on nature and how we view it. Amongst many other topics he ponders about the ethics of zoos – something that puzzles me too – and wonders if the definition of a nature lover is becoming that of one who loves nature programmes. There’s a lot packed into this book.

The last book I read was Death at the Sign of the Rook by Kate Atkinson, a review copy. My review will follow after the book is published on 22 August 2024. I have very mixed feelings about this book from loving parts of it to frustration at other parts.

Synopsis from Amazon:

The stage is set. The players are ready. By night’s end, a murderer will be revealed. 
Ex-detective Jackson Brodie is staving off a bad case of midlife malaise when he is called to a sleepy Yorkshire town, and the seemingly tedious matter of a stolen painting. But one theft leads to another, including the disappearance of a valuable Turner from Burton Makepeace, home to Lady Milton and her family. Once a magnificent country house, Burton Makepeace has now partially been converted into a hotel, hosting Murder Mystery weekends.

As paying guests, a vicar, an ex-army officer, impecunious aristocrats, and old friends converge, we are treated a fiendishly clever mystery; one that pays homage to the masters of the genre—from Agatha Christie to Dorothy Sayers.

What will I read next? At the moment I have no idea.

WWW Wednesday: 5 June 2024

WWW Wednesday is run by Taking on a World of Words.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

It’s been several weeks since I wrote a WWW Wednesday post. The books in this post are all from my 20 Books of Summer list.

Currently I’m reading Black Roses by Jane Thynne, a book I bought 10 years ago. It’s set in Germany in 1933 as Hitler came to power. Clara Vine, an attractive young Anglo-German actress, arrives in Berlin to find work at the famous Ufa studios. Through a chance meeting, she is unwillingly drawn into a circle of Nazi wives, among them Magda Goebbels, Anneliese von Ribbentrop and Goering’s girlfriend Emmy Sonnemann. (Goodreads). I’m enjoying this book so far, although it’s moving very slowly and I am getting a bit confused by the minor characters.

The last book I read was Great Meadow by Dirk Bogarde, subtitled on the cover, An Evocation. I couldn’t resist the cover of this book when I spotted it at a bookstall at the local village fair in July 2010. When I read the opening words in the Author’s Note at the beginning of the book I knew I wanted to read it:

An evocation, this, of the happiest days of my childhood: 1930 – 34. The world was gradually falling apart all around me, but I was serenely unaware. I was not, alas, the only ostrich. (page vii)

It has been sitting on my bookshelves since then. and I’m kicking myself that I took so long to get round to reading it because I loved it. I’ll be writing more about this book soon.

Next I’m planning to read Where Water Lies by Hilary Tailor. I put this on my 20 Books of Summer list because I loved her first book The Vanishing Tide.

Synopsis from Amazon UK

Eliza has lived two lives – one before she fell into an obsessive teenage friendship with Eric and Maggie, and the one after it was destroyed in a single afternoon. To Eliza, Eric and Maggie were irreplaceable, so she hasn’t. Instead, drifting through life alone, she spends every morning diving into her memories as she swims in Hampstead Ponds, her guilt never far below the surface.

Twenty years might have passed, yet Eliza still can’t help searching for Maggie everywhere. Then one day she spots a woman who looks just like her. Eliza has spent half her life wondering what really happened that afternoon and if Maggie’s back, will it help her finally get answers?

But memories are like ripples on water, and can be deceptive. As the past and present collide, Eliza begins to wonder: will learning the truth set her free – or will it only drag her down deeper?

Although this is a weekly meme I’m only taking part occasionally.

Shakespeare: The Man Who Pays the Rent by Judi Dench and Brenden O’Hea

Rating: 5 out of 5.

St Martin’s Press| 23 April 2024 | 228 pages|e-book |Review copy| 5*

Synopsis:

Taking a curtain call with a live snake in her wig..

Cavorting naked through the Warwickshire countryside painted green...

Acting opposite a child with a pumpkin on his head…

These are just a few of the things Dame Judi Dench has done in the name of Shakespeare

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O’Hea, she guides us through Shakespeare’s plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans.

Interspersed with vignettes on audiences, critics, company spirit and rehearsal room etiquette, she serves up priceless revelations on everything from the craft of speaking in verse to her personal interpretations of some of Shakespeare’s most famous scenes, all brightened by her mischievous sense of humour, striking level of honesty and a peppering of hilarious anecdotes, many of which have remained under lock and key until now. Instructive and witty, provocative and inspiring, this is ultimately Judi’s love letter to Shakespeare, or rather, The Man Who Pays The Rent.

My thoughts

I was enthralled by Shakespeare: the Man Who Pays the Rent. Reading it is like being in the room with Dame Judi Dench and Brendan O’Hea as they talked about Judi’s career, her love for Shakespeare, and the numerous roles she has played over the years. Shakespeare to Judi Dench is a passionate affair, she talks about it with love.

My introduction to Shakespeare was at secondary school, when each year we studied one of his plays. Then some years ago I took an Open University course on Shakespeare, so I’ve read and seen performances of many of the plays in which she has acted. Unfortunately she wasn’t acting in any of the plays I’ve seen on stage. I enjoyed Shakespeare at school but it was only when I took the Open University course and saw the plays live on the stage that I really began to love them. And when I read Shakespeare: the Man Who Pays the Rent it brought it all back to me.

This book is a wonderful run through the plays told from Judi’s perspective and, of course, her life, giving her insight not only into the characters but also into the world of the theatre. She talks about the rehearsals, the costumes, the sets, other actors, about critics, Shakespeare’s language – similes and metaphors, the use of rhyme, prose and verse, soliloquies, asides and how to adjust your breathing – and so on. Whatever she is talking about is all so clear and relevant, full of wit and humour and understanding. It brought back such wonderful memories of the plays I’ve studied and seen performed. And as for the plays I don’t know this book makes me want to see those as well.

It is a book I shall return to whenever I need a pick me up – I loved it, it gave me so much joy. There is so much more in this book than I’ve included here – I have only covered the surface in this post. If you like Judi Dench and Shakespeare you really should read Shakespeare: the Man Who Pays the Rent by Judi Dench with Brendan O’Hea. And it includes Illustrations by Judi Dench too!

With many thanks to the authors, the publishers and NetGalley for an Uncorrected Galley.

The Road to Wigan Pier by George Orwell

Synopsis:

In the 1930s, commissioned by a left-wing book club, Orwell went to the industrial areas of northern England to investigate and record the real situation of the working class. Orwell did more than just investigate; he went down to the deepest part of the mine, lived in dilapidated and filthy workers’ houses, and used the tip of his pen to vividly reveal every aspect of the coal miners’ lives. Reading today, 80 years later, Still shockingly true. The despair and poverty conveyed by this picture have a terrifying power that transcends time and national boundaries. At the same time, the Road to Wigan Pier is also Orwell’s road to socialism as he examines his own inner self. Born in the British middle class, he recalled how he gradually began to doubt and then hate the strict class barriers that divided British society at that time. Because in his mind, socialism ultimately means only one concept: “justice and freedom.” (Goodreads)

The Road to Wigan Pier, written in 1936 and published in 1937, is a book of two halves. Orwell’s graphically unforgettable descriptions of social injustice, cramped slum housing, dangerous mining conditions, squalor, hunger and growing unemployment remains a powerful portrait of poverty, injustice and class divisions in Britain. I loved Part One, Part Two less so. I was much more interested in the social and economic conditions than in Orwell’s political views on socialism and fascism.

I knew very little about the 1930s, so I was fascinated and appalled by Orwell’s descriptions in Part One of the working conditions in the coal mines in three towns in the industrial north of England in 1936. His experience of working in a coal mine convinced him that could never have been a coal miner:

I am not a manual labourer and please God I shall never be one, but there are some kinds of manual work that i could do if I had to. At a pinch I could be a tolerable road-sweeper or an inefficient gardener or even a tenth-rate farm hand. But by no conceivable amount of effort or training could I become a coal-miner; the work would kill me in a few weeks.

Yet as bad as the conditions in the mines were in 1936, Orwell stated that it was not long since conditions had been even worse, and he went on to describe how women used to have to work underground, crawling on all fours with a harness round their waists and a chain that passed between their legs dragging tubs of coal even when they were pregnant.

The slag heaps were just ‘dumped on the earth like the emptying of a giant’s dust-bin’ on the outskirts of the mining towns and often they were on fire. At night they could be seen as ‘rivulets of fire winding this way and that, and also the slow-moving blue flames of sulphur’.

Orwell states that

… the majority of these houses are old, fifty or sixty years old at least, and great numbers of them are by any ordinary standard not fit for human habitation. They go on being tenanted simply because there are no others to be had. And that is the central fact about housing in the industrial areas: not that the houses are poky and ugly, and insanitary and comfortless, or that they are distributed in incredibly filthy slums round belching foundries and stinking canals and slag heaps that deluge them with sulphurous smoke – though all this is perfectly true – but simply that there are not enough houses to go round.

Given that the living and working conditions were so appalling it was no surprise to read Orwell’s descriptions of the miners’ health – the most distinctive thing about them were the blue scars on their noses. The coal dust entered every cut and then their skin grew over it and formed the blue stain like tattooing. Only the largest pits had pithead baths, so the miners could only wash when they got home, where it was impossible to wash all over but they could only wash in a bowl of water – and that was only the top half of their bodies. This was because none of the miners’ houses had hot water and at the time they were built no one had imagined that the miners wanted baths!

Before he’d looked into the real situation of the working class, Orwell had thought that the miners were comparatively well paid having heard that a miner was paid ten or eleven shillings a shift, concluding that every one was earning round about £2 a week or £150 a year. However the actual average earnings were only £115 11s 6d. He included a list of weekly stoppages that were given to him as typical in one Lancashire district and also a comprehensive account of their expenses, all of which reduced their earnings considerably.

He then went on to describe the rate of accidents and of those miners killed and injured – if a miner’s working life was forty years the chances were nearly seven to one against his escaping injury and not much more that twenty to one of his being killed outright, giving horrifying accounts of being buried by rock falls when a roof came down. The most understandable cause of accidents was gas explosions, but there were also ‘pot-holes’, circular holes that shot out lumps of stone big enough to kill a man and large stretches of roof were left unpropped because of the increased speed at which the coal was extracted. No other trade was this dangerous.

I struggled to keep my attention focused whilst reading Part Two. He wrote about class divisions, class prejudice and the struggle towards a liberation from the constrictions of class. He pondered whether he had been born into the lower-upper middle class or the upper middle class, or whether it was better to define the class division in terms of money – that is, a layer of society lying between £2000 ad £300 a year. In any case he thought it was not entirely explicable in terms of money as there was also a sort of shadowy caste-system involved. But a lot of Part Two just went over my head.

I was curious about the title, because there is no ‘road to Wigan Pier’ in Orwell’s book and also because I’d grown up knowing that ‘Wigan Pier’ was not a pleasure pier at the seaside – Wigan is not near the sea. It’s inland and part of Greater Manchester!

In a broadcast radio interview of 1943 Orwell elaborated on the name Wigan Pier:

Wigan is in the middle of the mining areas. The landscape is mostly slag-heaps – Wigan has always been picked on as a symbol of the ugliness of the industrial areas. At one time, on one of the muddy little canals that run round the town, there used to be a tumble-down wooden jetty; and by way of a joke some nicknamed this Wigan Pier. The joke caught on locally, and then the music-hall comedians got hold of it, and they are the ones who have succeeded in keeping Wigan Pier alive as a byword.” (Wikipedia)

For more information about the current ‘Wigan Pier’ area see this article about a proposal to redevelop the disused 18th century industrial buildings that is being led by Step Places, The Old Courts, Wigan Council and the Canal and River Trust with the aim of creating a new cultural destination.

I read this book as part of The 1936 Club hosted by Karen at Kaggsy’s Bookish Ramblings and Simon from Stuck in a Book blogs, but was too late to enter my post with the other bloggers’ links during the club event.

Maiden Voyages by Siân Evans

Rating: 5 out of 5.

Two Roads| 2021| 354 pages| paperback| Library book|5*

I first read about Maiden Voyages: Women and the Golden Age of Transatlantic Travel by Siân Evans on Cath’s blog Read-Warbler. I thought it sounded excellent, so I reserved a copy from the library. It covers a wide range of topics that fascinate me – not just travel, but also social history, both World Wars, the sinking of the Titanic, emigration, the impact that the ocean liners had on the economy. and on women’s working lives and independence, adventure and so much more besides.

It is a ‘collection of selected biographical tales, both cautionary and life-affirming, about dynamic women on the move, set primarily between the two World Wars, during the golden age of transatlantic travel.‘ (page 25)

It is well written, and thoroughly researched. Like all good non-fiction it has a bibliography and an index. For more detail about the contents of this book I think this description on Amazon UK summarises it very well and I need say no more:

Summary:

Migrants and millionairesses, refugees and aristocrats all looking for a way to improve their lives. After WW1 a world of opportunity was opening up for women … Before convenient air travel, transatlantic travel was the province of the great ocean liners and never more so than in the glory days of the interwar years. It was an extraordinary undertaking made by many women. Some traveled for leisure, some for work; others to find a new life, marriage, to reinvent themselves or find new opportunities. Their stories have remained largely untold – until now.

Maiden Voyages is a fascinating portrait of these women, and their lives on board magnificent ocean liners as they sailed between the old and the new worlds. The ocean liner was a microcosm of contemporary society, divided by class: from the luxury of the upper deck, playground for the rich and famous, to the cramped conditions of steerage or third class travel. These iconic liners were filled with women of all ages, classes and backgrounds: celebrities and refugees, migrants and millionairesses, aristocrats and crew members.

Full of incredible gossip, stories and intrigue, Maiden Voyages has a diverse cast of inspiring women – from A-listers like Josephine Baker, a dancer from St Louis who found fame in Paris, Marlene Dietrich and Wallis Simpson, Violet ‘the unsinkable’ Jessop, a crew member who survived the sinking of the Titanic, and entrepreneur Sibyl Colefax, a pioneering interior designer.

Whichever direction they were travelling, whatever hopes they entertained, they were all under the spell of life at sea, a spell which would only break when they went ashore. Maiden Voyages is a compelling and highly entertaining account of life on board: part dream factory, part place of work, independence and escape – always moving.

Siân Evans is a Welsh author, journalist, commentator, speaker, publicist and film consultant specialising in social history. She is the author of a plethora of popular social histories, including Mrs Ronnie: the Society Hostess Who Collected Kings; The Manor Reborn (tied in to a major four-part BBC1 TV series); Life Below Stairs in the Victorian and Edwardian Country HouseGhosts: Mysterious Tales from the National Trust; seven National Trust Guidebooks between 2008 and 2014 and Queen Bees, a book examining the role of six influential interwar society hostesses.

WWW Wednesday: 10 April 2024

WWW Wednesday is run by Taking on a World of Words.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Currently I’m reading The Case of the Gilded Fly by Edmund Crispin, written while Crispin was an undergraduate at Oxford.I wrote about its beginning and an extract from page 56 in my Book Beginnings post here. It’s the first Gervase Fen Mystery, a locked room mystery, first published in 1944.

Edmund Crispin was the pseudonym of (Robert) Bruce Montgomery (1921-1978). His first crime novel and musical composition were both accepted for publication while he was still an undergraduate at Oxford. After a brief spell of teaching, he became a full-time writer and composer (particularly of film music. He wrote the music for six of the Carry On films. But he was also well known for his concert and church music). He also edited science fiction anthologies, and became a regular crime fiction reviewer for The Sunday Times. (from Goodreads)

The last book I read was Nero by Conn Iggulden, an Advanced Reader Copy via NetGalley; the expected publication date is 23 May 2024. It’s the first in a new trilogy, historical fiction set in Ancient Rome, telling of Nero’s birth and early years, so it’s more about his mother Agrippina than about Nero. It doesn’t shy away from the brutality of the age, particularly those of Tiberius, Caligula and Claudius, who was easily as ruthless as his predecessors. I read and watched the TV series I Claudius and Claudius the God years ago and this book is making me want to re-read those books. I find the period absolutely fascinating. I’ll be writing more about nearer to its publication.

I’m never sure what I’ll be reading next but it could be: Enemies and Neighbours: Arabs and Jews in Palestine and Israel, 1917-2017 by Ian Black because I want to understand more about the conflict between Palestine and Israel.

Synopsis from Amazon UK

A century after Britain’s Balfour Declaration promised a Jewish ‘national home’ in Palestine, veteran Guardian journalist Ian Black has produced a major new history of one of the most polarising conflicts of the modern age.

Drawing on a wide range of sources – from declassified documents to oral testimonies and his own decades of reporting – Enemies and Neighbours brings much-needed perspective and balance to the long and unresolved struggle between Arabs and Jews in the Holy Land.

Beginning in the final years of Ottoman rule and the British Mandate period, when Zionist immigration transformed Palestine in the face of mounting Arab opposition, the book re-examines the origins of what was a doomed relationship from the start. It sheds fresh light on critical events such as the Arab rebellion of the 1930s; Israel’s independence and the Palestinian catastrophe (Nakba in Arabic) of 1948; the watershed of the 1967 war; two Intifadas; the Oslo Accords and Israel’s shift to the right. It traces how – after five decades of occupation, ever-expanding Jewish settlements and the construction of the West Bank ‘separation wall’ – hopes for a two-state solution have all but disappeared, and explores what the future might hold.

Yet Black also goes beyond the most newsworthy events – wars, violence and peace initiatives – to capture thereality of everyday life on the ground in Jerusalem and Hebron, Tel Aviv,Ramallah, Haifa and Gaza, for both sides of an unequal struggle. Lucid, timelyand gripping, Enemies and Neighbours illuminates a bitter conflict that shows no sign of ending – which is why it is so essential that we understand it.

Although this is a weekly meme I’m only taking part occasionally.