Category: Fiction

Book Beginnings: Life Support

Published on by Margaret10 Comments

Life Support by Tess Gerritsen is the fourth book I’ll be reading in the RIP IV Challenge. According to the back cover this is ‘a quick, delightfully scary read‘, which fits in well with the RIP challenge criteria.

It begins:

A scalpel is a beautiful thing.

Dr Stanley Mackie had never noticed this before, but as he stood with head bowed beneath the OR lamps, he suddenly found himself marveling at how the light reflected with diamondlike brilliance off the blade. It was a work of art, that razor sharp lunula of stainless steel. So beautiful in fact, that he scarcely dared to pick it up for fear he would somehow tarnish its magic. In its surface he saw a rainbow of colors, light fractured to its purest elements. (Page 13)

This will be the first book by Tess Gerritsen that I’ve read. It’s been on my bookshelves for quite a while now and I have been wary of reading it in case it’s too gory for me. I didn’t buy it, it was a free book with the magazine Woman and Home, which I buy now and then. When I read the Introduction I was even less sure this book was for me as Tess Gerritsen wrote that she got the idea for the book whilst at medical school (she is a doctor), when she heard the professor say the words ‘human cannibalism’ in his lecture on Creutzfeld-Jakob disease, a viral infection of the brain.

So I put this book way down on my to-be-read books, but since then I’ve read several favourable reviews of other books by Gerritsen so I thought I’d try this one. I like the style of writing in this first paragraph and it does make me want to read on, so when I’ve finished one of my current reads I’m going to start Life Support. Let me know what you think if you’ve read it?

Book Beginnings on Friday is hosted by Katy at A Few More Pages.

Blood Harvest by S J Bolton: a Book Review

Published on by Margaret10 Comments

I thoroughly enjoyed Blood Harvest, even though (or maybe because) it’s a dark, scary book and one that I found disturbing, but thoroughly absorbing . Each time I had to stop reading it I was eager to get back to it. I’ve previously read S J Bolton’s earlier books – Sacrifice and Awakening – and think that Blood Harvest surpasses both of those.

It’s set in the fictional town of Heptonclough in Lancashire and there is a very helpful map at the start of the book showing the layout of the town. There are two churches, the ancient ruined Abbey Church and standing next to it the ‘new’ church of St Barnabas. The Fletchers have just moved into a new house built on the land right next to the boundary wall of the churchyard:

The Fletcher family built their big, shiny new house on the crest of the moor, in a town that time seemed to have left to mind it’s own business. They built on a modest-sized plot that the diocese, desperate for cash, needed to get rid of. They built so close to the two churches – one old, the other very old – that they could almost lean out from the bedroom windows and touch the shell of the ancient tower. And on three sides of their garden they had the quietest neighbours they could hope for, which was ten-year-old Tom Fletcher’s favourite joke in those days; because the Fletchers built their new house in the midst of a graveyard. They should have known better, really. (page 17)

Tom has a younger brother, Joe and they’re playing in the graveyard when they catch glimpses of a girl watching them, and hear voices. Their little sister, two-year old Millie sees her too.  Tom is terrified, convinced something terrible will happen and then Millie disappears. Harry is the new vicar, getting to know the locals and their strange rituals and traditions. He too hears voices, in the church but can’t find anyone there. Evi, a psychiatrist has a new patient, Gillian, unemployed, divorced and alcoholic, who can’t accept that her daughter died in the fire that burnt down her home. The Renshaws own most of the land, old Tobias, his son Sinclair and his two daughters, Jenny and Christiana.

Heptonclough is not a good place for little girls, three have died over the past ten years and Christiana asks Harry to tell the Fletchers to leave:

‘So many little girls’, she said. ‘Tell them to go, Vicar. It’s not safe here. Not for little girls.’ (page 353)

It’s not safe at all for the Fletcher family. I was completely convinced not only by the setting but also by the characterisation that this place and these people were real. It’s full of tension, terror and suspense and I was in several minds before the end as to what it was all about. I had an inkling but I hadn’t realised the full and shocking truth.

An excellent book to read for Carl’s RIP IV Challenge.

Portobello by Ruth Rendell: A Book Review

Published on by Margaret6 Comments

Portobello is one of Ruth Rendell’s psychological studies of obsessional and eccentric characters, with a touch of insanity and crime mixed in. I can’t say I ‘enjoyed’ it as in parts it really irritated me, but I did wonder how it was going to end and so read on. The setting is good; the description of the Portobello Road in London brings the area to life, making it a character in its own right:

The street is very long, like a centipede snaking up from Pembridge Road in the south to Kensal Town in the north, its legs splaying out all the way and almost reaching the Great Western Street main line and the Grand Union Canal.

… The Portobello has a rich personality, vibrant, brilliant in colour, noisy with graffiti that approach art, bizarre and splendid. an indefinable edge to it adds a spice of danger. There is nothing safe about the Portobello, nothing suburban. It is as far from an average shopping street as can be imagined. those who love and those who barely know it have called it the world’s finest street. (page 2)

The plot promised to be good, with Eugene Wren finding an envelope filled with money and sets in motion a chain of disastrous events. But it failed to live up to that promise. The money belonged to Joel, a very strange young man who after being attacked in the Portobello Road and losing the envelope, suffered a heart attack and a near-death experience in which he went through a tunnel and was then brought back.  Joel is accompanied by Mithras who came back with him through the tunnel. He descends rapidly into an unreal world shunning the light and doing nothing at all.

Eugene is a secretive man who owns a Fine Art Gallery and is engaged to Ella Cotswold, a doctor. Ella takes on Joel as a private patient even though it’s clear his problems are psychological rather than physical and even when she refers him to a psychotherapist he continues to consult her.

Eugene in an attempt to lose weight and give up smoking tries eating low-calorie sweets and becomes addicted to Chocorange, a sugar-free pastille containing just 4 calories. This is one of the parts of the book that irritated me – it is repeated ad nauseam  how he wants to give up, tries to and fails, how he hides packets everywhere.

A third set of characters are Lance Platt, a petty burglar (who told Eugene the money belonged to him) and his Uncle Gib. Lance Uncle Gib is a reformed burglar, now an Elder in the Church of the Children of Zebulon, who only puts up with Lance living in his house for the rent money. Uncle Gib is another unpleasant character:

… a tall, emaciated old man with his Voltairean face and his fluffy white hair singing hymns as he bounded along. Eccentricity is the norm in the Portobello Road. (page 134)

It’s descriptions like that, that kept me reading this book, for Rendell is expert in depicting sad and seedy individuals, the mentally ill, and obsessed and strangely addicted characters. I wasn’t impressed with the way she tied up all the loose ends; it seemed too sentimental and not in keeping with the rest of the book. Overall and having thought about since finishing it I think that the prose drags the book up beyond the two stars (meaning it was ok) I gave it on Goodreads, so if I could I’d upgrade that to two and half  – I nearly liked it! :)

I’d identified this as a book to read for Carl’s RIP IV Challenge but I’m not sure it fits, although there is some suspense in it and a touch of dark fantasy.

Paperback: 384 pages
Publisher: Arrow (13 Aug 2009)
Language English
ISBN-10: 0099538636
ISBN-13: 978-0099538639
Source: I bought it (in a 3 for 2 in Waterstones)

Awakening by Sharon Bolton: a Book Review

Published on by Margaret5 Comments

I read Awakening  very quickly because once I started reading I didn’t want to stop.

If you don’t like snakes this book won’t help you get over your phobia! Clare Benning is a wildlife vet who’d rather be with animals than with people. She was facially disfigured in a traumatic childhood accident, which isn’t explained until nearly the end of the book. She has recently moved to a quiet country village in Dorset, where she is soon drawn into more contact with other people than she had bargained for, when a man dies following a supposed snake bite.

To make matters worse this snake is not a native British snake but a  highly poisonous snake from Australia, a taipan:

Taipans can be very aggressive snakes. They’re fast and strong. Each one of them has enough venom to kill a whole battalion of policemen. People die within hours of being bitten. (page 62, Location 998)

Then more, and more snakes surface and it gets really scary. There is an awful lot of information in Awakening about snakes and yet none of it is out of place, nor does it slow down this fast-paced novel – it adds to the tension. And it’s not just because of the snakes – there are some very strange people and unexplained events that scare Clare, but she is relentless in her search for the truth. I really liked Clare; Bolton has depicted her so well drawing out how her physical scarring has caused her emotional fragility and how she deals with it. The relationships between the characters is also believable and the setting is very dark and atmospheric.

  • Format: Kindle Edition
  • File Size: 595 KB
  • Print Length: 544 pages
  • Page Numbers Source ISBN: 0312381875
  • Publisher: Transworld Digital (23 April 2009)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B0031RS22C
  • Source: I bought it

H is for Hardy

Published on by Margaret9 Comments

Thomas Hardy 001 (2018_05_20 15_18_26 UTC)

Thomas Hardy is one of my favourite authors. He was born in 1840 at Upper Bockhampton near Dorchester. What I love most about Hardy’s books are his lyrical descriptions of nature and the countryside and all his books show his great love and knowledge of the countryside in all its aspects. They also show his almost pagan sense of fate and the struggle between man and an omnipotent and indifferent fate. Hardy was a pessimist – man’s fate is inevitable, affected by chance and coincidence. It cannot be changed, only accepted with dignity. This is illustrated in his poem – Hap, written in 1866:

If but some vengeful god would call to me

From up the sky, and laugh: ‘œThou suffering thing,

Know that thy sorrow is my ecstasy,

That thy love’s loss is my hate’s profiting!’

Then would I bear, and clench myself, and die,      

Steeled by the sense of ire unmerited;

Half-eased, too, that a Powerfuller than I

Had willed and meted me the tears I shed.

But not so. How arrives it joy lies slain,

And why unblooms the best hope ever sown?

‘”Crass Casualty obstructs the sun and rain,

And dicing Time for gladness casts a moan’¦.

These purblind Doomsters had as readily strown

Blisses about my pilgrimage as pain

The first book by Thomas Hardy that I read was The Trumpet Major – I think it was in the second year at secondary school. I remember very little about it, except that it was set during the Napoleonic Wars and I wasn’t too impressed. Then I read The Mayor of Casterbridge for A level GCE and thought it was wonderful.

Hardy Casterbridge

I still have my copy, with passages underlined and notes at the tops of pages – all in pencil.It’s full title is The Life and Death of the Mayor of Casterbridge: A Story of a Man of Character. It tells the tragic tale of Michael Henchard, a man of violent passions, proud, impulsive with a great need for love. It opens dramatically as he sells his wife and child to a sailor at a fair. By his own hard work over the years he eventually became the rich and respected Mayor of Casterbridge. But then the re-appearance of his wife and her daughter sets off a train of events finally bringing Henchard to ruin and degradation.

Because I enjoyed The Mayor over the years I’ve read more of Hardy’s books, including Tess of the D’Urbervilles and Jude the Obscure, both dramatic tragedies. In Jude Hardy attacked the Church and the marriage state, which received a mixed reception at the time – the Bishop of Wakefield burned his copy of the book and W H Smith withdrew it from their circulating library, but the public bought 20,000 copies, whether or not due to the scandal it aroused.  These books were considered masterpieces by some and scandalous by others.

Of the two I prefer Jude to Tess and having re-read them both more recently I still feel the same, but now I’m less impatient with the way Hardy presents Tess as a helpless victim than I had been before.  She is an innocent, raped by Angel Clare, the man she loves and Hardy highlights the hypocrisy of the times in condemning the ‘fallen woman’.

In Thomas Hardy, the Time-Torn Man Claire Tomalin writes not only about his life but also how he became a writer, poet and novelist. I began reading this book a few years ago and every now and then think I really must finish it. I stopped, as usual, overtaken by the desire to read other books- including more by Hardy himself.

The Thomas Hardy Society is an excellent source of information on the man and his works.

This is an ABC Wednesday post for the letter H.

Naming the Bones by Louise Welsh: A Book Review

Published on by Margaret5 Comments

I’d planned to read Naming the Bones by Louise Welsh, which is from my to-be-read books and it seemed appropriate to include it in the books I’ve selected for the RIP IV Challenge. But as I read it I began to wonder if it really fitted into that category. Although the blurb on the back cover says it is ‘Loaded with Welsh’s trademark wit, insight and gothic charisma‘ the gothic elements are not evident in the first half or so of the book. It’s only as the story unfolds that the mystery element emerges and just a touch of the gothic and the occult comes to the fore.

Naming the Bones2
I found it a slow start as Dr. Murry Watson, an English literature professor from Glasgow University researches the life of a largely unknown poet Archie Lunan. Lunan had died thirty years earlier, presumed drowned off the island of Lismore, although his body had never been discovered. As Murray investigates Lunan’s life, talking to people who had known him, he begins to suspect that Archie’s death may not have been the suicide it seemed and as more deaths come to his attention the mystery grows and becomes more sinister.

Murray’s personal life is in a mess; his relationship with his brother has broken down following their father’s death and his work life is complicated by his affair with his boss’s wife. This is a detailed book, the characters are vivid and memorable and  each location is beautifully described, not only the sights and sounds but smells too:

Murray pulled back his hood. The scent of wood smoke mingled with the falling rain and the damp rising from the sodden earth. It was an ancient smell, the same one the earliest islanders who could be resting, preserved beneath the peat, had known a millennia or so ago. (pages 327-8)

It is when Murray arrives on the island of Lismore in Loch Linnhe on the west coast of Scotland that the pace picks up, and the tension builds. Here Murray finally meets Archie’s girlfriend, Christie and begins to piece together what had happened thirty years ago. The book ends with some ambiguities still to be explained, an ending which I found perfectly in keeping with the story.

I was taken with Welsh’s handling of biography, describing it as

… a paper facsimile of life hurtling towards death. (page 128)

Murray is hoping to discover how much Archie’s life had influenced his art, whereas his former tutor, Professor James, had insisted on the importance of divorcing writers’ lives from their work, thinking it to be reductive and simplistic. It is the work itself that is important and Murray wonders whether this is right and whether he should limit himself to a discussion of the poetry, rather than the man. Again Welsh leaves this open to the reader to decide.

Naming the Bones isn’t the book I thought it was going to be – it isn’t really ‘gothic’, or dark, or about the occult. It isn’t really crime fiction, either. Nor is it anything like the only other book by Louise Welsh that I’ve read – The Cutting Room, which is really gothic and dark. Once I’d got over my expectations I enjoyed the book for what it is – a mystery and a good one too.

  • Paperback: 389 pages
  • Publisher: Canongate Books Ltd (3 Feb 2011)
  • Language English
  • ISBN-10: 1847672566
  • ISBN-13: 978-1847672568
  • Souce: I bought it