Book Beginnings: A Summer Bird-Cage by Margaret Drabble

Last Friday I quoted the opening sentences of Life Support by Tess Gerritsen, which was going to be the next book I read. I did read on for a couple of chapters but had to stop as I was just not in the mood for reading a medical thriller set in a hospital – too close to the bone! I fancied reading something less disturbing, so I took A Summer Bird-Cage by Margaret Drabble down from the bookcase and began to read that:

I had to come home for my sister’s wedding. Home is a house in Warwickshire, and where I was coming from was Paris. I was keen on Paris, but will refrain from launching into a description of the Seine. I would if I could, but I can’t. (page 7)

A Summer Bird-Cage was Margaret Drabble’s first novel. It was first published in 1963 and is set at the in the early 1960s, about the lives of two sisters – Sarah, the narrator who has just graduated from Oxford University and is wondering what to do with her life, and her beautiful sister Louise who at the start of the book is about to marry, Stephen, a rich novelist. From what I’ve read so far, neither of them seem happy and there is definitely tension between them.

Interesting I think, and I’m wondering if it maybe a bit autobiographical – Margaret Drabble is the younger sister of A S Byatt. Maybe this sentence was personal, comparing the two sisters, when Sarah says – ‘As far as tags go she is grande dame where I am jeune fille, and she leads all her life to match it.’ Or maybe I’m reading too much into that.

Book Beginnings on Friday is hosted by Katy at A Few MorePages.

Taken at the Flood by Agatha Christie: a Book Review

I enjoyed Agatha Christie’s Taken at the Flood, on several levels. There is the murder and mystery level, but also a great sense of the times, set in post-war Britain, reflecting the mood of the population, and, on top of all, that the characters stand out for the most part as well-rounded, convincing people. There are plenty of references to the changing social scene, to the attitude towards women and foreigners and to the difficulties  of war heroes adapting to civilian life.

It was published in 1948, when the aftermath of the war is felt by some people as a restless dissatisfaction with life,  feeling ‘rudderless’ just drifting along and by others, who had ‘come into their own’ during the war, benefiting from the need to plan and think and improvise for themselves.

Lynn Marchmont is one of the people feeling ill at ease and nervous; she was aware of ill will, ill feeling:

It’s everywhere. On railways and buses and in shops and amongst workers and clerks and even agricultural labourers. And I suppose worse in mines and factories. Ill will. But here it’s more than that. Here it’s particular. It’s meant! (page 65)

There is certainly ill will in her family after her uncle, Gordon Cloade had died, killed in an air raid, and left the rest of the family ‘out in the cold’. They had all relied on him to help them out financially and expected they would inherit his wealth on his death. But Gordon had married Rosaleen, a young woman, whose brother, David Hunter has no intention of letting any of them have any money. Rosaleen has a chequered past and when a tall, bronzed stranger arrives in the village calling himself Enoch Arden, the question of his identity becomes of great importance. I didn’t know the reference to Enoch Arden, but knew it must be of significance when it stirs some poetical memory in David’s mind, from a poem by Tennyson. Then Enoch Arden is found in his room at the local inn, The Stag:

‘Dead as a doornail,’ said Gladys, and added with a certain relish: ‘ ‘Is ‘ead’s bashed in!’ (page 161)

Poirot is called in to help solve the crime. Was Enoch Arden was Rosaleen’s first husband, Robert Underhay or had Robert died in Africa, as she said? Would the family fortune remain with the Cloades? Is Rosaleen’s life in danger, are the Cloades wishing her dead?

It’s a baffling case and Poirot tells Superintendent Spence that it’s an interesting case, because it’s all wrong – it’s not the ‘right shape.’ Eventually, of course, he works it out and it is complicated as Spence complains, protesting when Poirot quotes Shakespeare. Poirot, however, explains that it is very Shakespearian:

… there are here all the emotions – the human emotions – in which Shakespeare would have revelled – the jealousies, the hates – the swift passionate actions. And here, too, is successful opportunism. “There is a tide in the affairs of men which taken at its flood leads on to fortune …” Someone acted on that, Superintendent. To seize opportunity and turn it to one’s own ends – and that has been triumphantly accomplished – under your nose, so to speak!’ (page 319)

Two New Acquisitions

I was really pleased to find these two books on recent visits to local bookshops.

First is Lilian Nattel’s The River Midnight. I’ve been reading Lilian’s blogs A Writer Reads and A Novelist’s Mind for a while and was interested in reading her books. Lilian also has a website with details of more of her books. Amazon UK has some copies of her first novel, The River Midnight for sale, the new ones at prices from £13.98 up to £40, with secondhand copies too, more reasonably priced (which you can see via my link to the book) and I was thinking about sending off for one. But I was thrilled to find a good paperback copy in The Border Reader Bookshop one of the local secondhand bookshops I visit, so I snapped it up. I love the cover.

It’s set in the tiny, fictional village of Blaska in Russian-occupied Poland at the end of the 19th century and the beginning of the 20th. Pogroms are a recent memory for the Jewish community, yet life in Blaska is rich and the bonds of friendship unbreakable. It’s a place where anything – even magic can happen (taken from the back cover).

The second book I was excited to find was from Barter Books, another favourite secondhand bookshop. I’d recently watched the film, Schindler’s List for a second time and was very moved by it – it had me in tears. So I wanted to find the book on which Steven Spielberg had based his film.  It was there at the top of a very high bookcase in the main body of Barter Books and D got up the step-ladders to retrieve it for me.

Thomas Keneally’s 1982  Booker Prize winning book was first published as Schindler’s Ark. It recreates the story of Oskar Schindler, a member of the Nazi party, who risked his life to protect Jews in Nazi-occupied Poland. He rescued more than a thousand Jews from the death camps.

Both books are based on real historical events, both set in Poland and about Polish Jews. Both have used contemporary sources and are based on historical research. Lilian has included  a selection of the sources she used and Thomas Keneally used a mass of Schindler material including testimonies of survivors, photographs of the period, documents, some of them produced by Oskar himself, copies of SS telegrams, and the famous list of Swangsarbeitslager Brinnlitz, Oskar’s second camp.  I think these two books go together and I’m planning to read them consecutively as soon as I can.

Book Beginnings: Life Support

Life Support by Tess Gerritsen is the fourth book I’ll be reading in the RIP IV Challenge. According to the back cover this is ‘a quick, delightfully scary read‘, which fits in well with the RIP challenge criteria.

It begins:

A scalpel is a beautiful thing.

Dr Stanley Mackie had never noticed this before, but as he stood with head bowed beneath the OR lamps, he suddenly found himself marveling at how the light reflected with diamondlike brilliance off the blade. It was a work of art, that razor sharp lunula of stainless steel. So beautiful in fact, that he scarcely dared to pick it up for fear he would somehow tarnish its magic. In its surface he saw a rainbow of colors, light fractured to its purest elements. (Page 13)

This will be the first book by Tess Gerritsen that I’ve read. It’s been on my bookshelves for quite a while now and I have been wary of reading it in case it’s too gory for me. I didn’t buy it, it was a free book with the magazine Woman and Home, which I buy now and then. When I read the Introduction I was even less sure this book was for me as Tess Gerritsen wrote that she got the idea for the book whilst at medical school (she is a doctor), when she heard the professor say the words ‘human cannibalism’ in his lecture on Creutzfeld-Jakob disease, a viral infection of the brain.

So I put this book way down on my to-be-read books, but since then I’ve read several favourable reviews of other books by Gerritsen so I thought I’d try this one. I like the style of writing in this first paragraph and it does make me want to read on, so when I’ve finished one of my current reads I’m going to start Life Support. Let me know what you think if you’ve read it?

Book Beginnings on Friday is hosted by Katy at A Few More Pages.

Blood Harvest by S J Bolton: a Book Review

I thoroughly enjoyed Blood Harvest, even though (or maybe because) it’s a dark, scary book and one that I found disturbing, but thoroughly absorbing . Each time I had to stop reading it I was eager to get back to it. I’ve previously read S J Bolton’s earlier books – Sacrifice and Awakening – and think that Blood Harvest surpasses both of those.

It’s set in the fictional town of Heptonclough in Lancashire and there is a very helpful map at the start of the book showing the layout of the town. There are two churches, the ancient ruined Abbey Church and standing next to it the ‘new’ church of St Barnabas. The Fletchers have just moved into a new house built on the land right next to the boundary wall of the churchyard:

The Fletcher family built their big, shiny new house on the crest of the moor, in a town that time seemed to have left to mind it’s own business. They built on a modest-sized plot that the diocese, desperate for cash, needed to get rid of. They built so close to the two churches – one old, the other very old – that they could almost lean out from the bedroom windows and touch the shell of the ancient tower. And on three sides of their garden they had the quietest neighbours they could hope for, which was ten-year-old Tom Fletcher’s favourite joke in those days; because the Fletchers built their new house in the midst of a graveyard. They should have known better, really. (page 17)

Tom has a younger brother, Joe and they’re playing in the graveyard when they catch glimpses of a girl watching them, and hear voices. Their little sister, two-year old Millie sees her too.  Tom is terrified, convinced something terrible will happen and then Millie disappears. Harry is the new vicar, getting to know the locals and their strange rituals and traditions. He too hears voices, in the church but can’t find anyone there. Evi, a psychiatrist has a new patient, Gillian, unemployed, divorced and alcoholic, who can’t accept that her daughter died in the fire that burnt down her home. The Renshaws own most of the land, old Tobias, his son Sinclair and his two daughters, Jenny and Christiana.

Heptonclough is not a good place for little girls, three have died over the past ten years and Christiana asks Harry to tell the Fletchers to leave:

‘So many little girls’, she said. ‘Tell them to go, Vicar. It’s not safe here. Not for little girls.’ (page 353)

It’s not safe at all for the Fletcher family. I was completely convinced not only by the setting but also by the characterisation that this place and these people were real. It’s full of tension, terror and suspense and I was in several minds before the end as to what it was all about. I had an inkling but I hadn’t realised the full and shocking truth.

An excellent book to read for Carl’s RIP IV Challenge.

Portobello by Ruth Rendell: A Book Review

Portobello is one of Ruth Rendell’s psychological studies of obsessional and eccentric characters, with a touch of insanity and crime mixed in. I can’t say I ‘enjoyed’ it as in parts it really irritated me, but I did wonder how it was going to end and so read on. The setting is good; the description of the Portobello Road in London brings the area to life, making it a character in its own right:

The street is very long, like a centipede snaking up from Pembridge Road in the south to Kensal Town in the north, its legs splaying out all the way and almost reaching the Great Western Street main line and the Grand Union Canal.

… The Portobello has a rich personality, vibrant, brilliant in colour, noisy with graffiti that approach art, bizarre and splendid. an indefinable edge to it adds a spice of danger. There is nothing safe about the Portobello, nothing suburban. It is as far from an average shopping street as can be imagined. those who love and those who barely know it have called it the world’s finest street. (page 2)

The plot promised to be good, with Eugene Wren finding an envelope filled with money and sets in motion a chain of disastrous events. But it failed to live up to that promise. The money belonged to Joel, a very strange young man who after being attacked in the Portobello Road and losing the envelope, suffered a heart attack and a near-death experience in which he went through a tunnel and was then brought back.  Joel is accompanied by Mithras who came back with him through the tunnel. He descends rapidly into an unreal world shunning the light and doing nothing at all.

Eugene is a secretive man who owns a Fine Art Gallery and is engaged to Ella Cotswold, a doctor. Ella takes on Joel as a private patient even though it’s clear his problems are psychological rather than physical and even when she refers him to a psychotherapist he continues to consult her.

Eugene in an attempt to lose weight and give up smoking tries eating low-calorie sweets and becomes addicted to Chocorange, a sugar-free pastille containing just 4 calories. This is one of the parts of the book that irritated me – it is repeated ad nauseam  how he wants to give up, tries to and fails, how he hides packets everywhere.

A third set of characters are Lance Platt, a petty burglar (who told Eugene the money belonged to him) and his Uncle Gib. Lance Uncle Gib is a reformed burglar, now an Elder in the Church of the Children of Zebulon, who only puts up with Lance living in his house for the rent money. Uncle Gib is another unpleasant character:

… a tall, emaciated old man with his Voltairean face and his fluffy white hair singing hymns as he bounded along. Eccentricity is the norm in the Portobello Road. (page 134)

It’s descriptions like that, that kept me reading this book, for Rendell is expert in depicting sad and seedy individuals, the mentally ill, and obsessed and strangely addicted characters. I wasn’t impressed with the way she tied up all the loose ends; it seemed too sentimental and not in keeping with the rest of the book. Overall and having thought about since finishing it I think that the prose drags the book up beyond the two stars (meaning it was ok) I gave it on Goodreads, so if I could I’d upgrade that to two and half  – I nearly liked it! :)

I’d identified this as a book to read for Carl’s RIP IV Challenge but I’m not sure it fits, although there is some suspense in it and a touch of dark fantasy.

Paperback: 384 pages
Publisher: Arrow (13 Aug 2009)
Language English
ISBN-10: 0099538636
ISBN-13: 978-0099538639
Source: I bought it (in a 3 for 2 in Waterstones)