Dracula by Bram Stoker: Book Notes

These are my thoughts and reactions on reading Bram Stoker’s Dracula.

I knew the story of Dracula from film and TV versions – with most notably Christopher Lee and later Louis Jourdan as Dracula, but have steered clear of reading Bram Stoker’s book until now. I didn’t really know what to expect from the book but I was interested to know how Stoker described Dracula, was it anything like the film versions? This is what he looked like when Jonathan Harker first entered Castle Dracula:

… a tall old man, clean-shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere.

… he moved impulsively forward, and holding out his hand grasped mine with a strength that made me wince, an effect which was not lessened by the fact that it seemed as cold as ice – more like the hand of a dead man than a living man.

… His face was a strong – a very strong – aquiline, with high bridge of nose and peculiarly arched nostrils; with lofty domed forehead, and hair growing scantily around the temples, but profusely elsewhere. His eyebrows were very massive, almost meeting over his nose, and with bushy hair that seemed to curl in its own profusion. The mouth, so far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years. For the rest, his ears were pale and at the tops extremely pointed; the chin was broad and strong and the cheeks firm though thin. The general effect was one of extraordinary pallor. (pages 22 – 25)

Not like the film versions I’ve seen.

Dracula is composed of letters, journal entries, newspaper articles and transcripts of phonograph diary entries, from several characters, so the story is told from several different viewpoints. Stoker used a variety of sources in telling his tale – folklore, myths and legends and historical facts, all blended together with his own inventions. It’s a very scenic novel, and I could easily imagine the locations  – most memorable are those describing Jonathan Harker’s journey and first meeting with Dracula. Dracula doesn’t eat and has no reflection in a mirror, can change his shape dramatically and grows younger, but apart from the opening chapters he remains an elusive figure.

It’s also a very sensual and melodramatic novel, full of religious references. So there is the question of life after death, the existence of the soul, the triumph of good over evil, the nature of sexuality,  fear and superstition. Vampires are at the same time appealing and repulsive. Much use is made of hypnotism and putting people into trances. I was struck by the comparison with Christianity – Dracula drinks the blood of his victims and has everlasting life as one of the Un-Dead and Christ gave his life to redeem the world. It reminded me of the Communion Service – this is my body, this is my blood.

It is too an adventure story with a final chase scene and a love story. It reflects the time in which it was written, with women seen as frail creatures unable to withstand the danger that the men confront. Mina Harker, that most resourceful woman, is left behind whilst the men seek out Dracula and plan to kill him. I was puzzled – why was she left alone with no cross and garlic flowers to protect her when the men were fully armed? The outcome was predictable.

I found the character of Renfield most interesting. He is one of Dr Seward’s most dangerous patients in the lunatic asylum, who wavers between lucid and intelligent episodes and sheer madness. His hobby is catching flies and eating them. He progresses to eating spiders and birds.

I thought it was a fascinating book, found it thought-provoking, both whilst I was reading and after. A book which certainly qualifies for the RIP Challenge.

Crime Fiction on a Europass: Italy

Kerrie’s  Crime Fiction Europass stops in Italy this week, which gives me the opportunity to write about David Hewson‘s Italian mysteries featuring Detective Nic Costa and his partner Gianni Peroni. The books in this series are:

  • A Season for the Dead (2003)
  • The Villa of Mysteries (2004)
  • The Sacred Cut (2005)
  • The Lizard’s Bite (2006)
  • The Seventh Sacrament (2007)
  • The Garden of Evil (2008) Shortlisted for Theakston’s Old Peculiar Crime Novel of the Year Award 2009.
  • Dante’s Numbers (revised edition The Dante Killings in the US) (2008)
  • The Blue Demon (City Of Fear in the US) (2009)
  • The Fallen Angel (2011)
  • Carnival for the Dead (2012)

This is a new series for me and I’ve jumped in to read the fourth book, The Lizard’s Bite, I hope I shouldn’t have read the earlier books before this one.

 

In a dilapidated glass furnace off the island of Murano the fire races out of control. Two people are dead, and for Leo Falcone, exiled to Venice, with Nic Costa and Gianni Peroni, the question is whether he’s dealing with one murderer or two.

For Costa, life in Venice is more perplexing on other fronts too. His relationship with Emily Deacon is deepening, and she is missing the law enforcement work she’s abandoned for a different, quieter career. Slowly, the sluggish world of the lagoon begins to enfold the Romans in its sinister grip, as they try to untangle the complex family ties of the tragic Arcangeli family on a private island falling into ruin. (Description copied from David Hewson’s website)

Book Beginnings: Dracula by Bram Stoker

JONATHAN HARKER’S JOURNAL

(Kept in shorthand)

3 May. Bistritz. – Left Munich at 8.35 pm on 1st May, arriving at Vienna early next morning; should have arrived at 6.46, but the train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we had arrived late and would start as near the correct time as possible. The impression I got was that we were leaving the West and entering the East; the most Western part of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.

With such an ordinary straight forward paragraph Bram Stoker begins his Gothic novel of the tale of Count Dracula and the Un-Dead.

I have no interest whatsoever in the modern vampire books, but for a while now I have been thinking about reading Dracula and now in the middle of Carl’s RIP Challenge I decided the time had come.

The opening surprised me a little, so matter-of-fact and such attention to detail. So I knew from the start that this was going to be a meticulously detailed book and that the character of Jonathan Harker was going to be that of a reliable narrator. I also guessed that after such a factual start Jonathan’s Journal would reveal more startling and scary events – well, this is Dracula! And it’s not long before he is on his way to Castle Dracula, his journey accompanied by queer dreams and warnings to go no further. As he approaches the castle he ‘felt a sort of paralysis of fear.’

I’m reading a hard-back copy of Dracula. There are many editions available and the link above is to the Kindle original and unabridged version.

Book Beginnings on Friday is hosted by Katy at A Few More Pages.

A Summer Bird-Cage by Margaret Drabble: a Book Review

I wrote about the beginning of Margaret Drabble’s first novel A Summer Bird-Cage last Friday. I finished reading it only four days ago and already my memory of it is fading. I really should have made notes or at least marked pages with post-it notes, because there were so many passages I wanted to remember, but I read it too quickly to pause long enough for that.

The title comes from this quotation from John Webster’s play The White Devil:

‘Tis just like a summer bird-cage in a garden: the birds that are without despair to get in, and the birds within despair and are in a consumption for fear they shall never get out.

I think  this sums up my impression of the book as a whole – it’s about dissatisfaction and not knowing what you want, about family relationships (sisterly rivalry in particular), and the nature of marriage – the cages we live within. Drabble illustrates this through her depiction of two sisters, both on the brink of changes in their lives – the younger sister Sarah, recently down from Oxford University and completely at a loss what to do with her life, and Louise, the ‘beautiful’ one, marrying for money not for love, equally floundering and mixed-up about her life.  Sarah, the narrator, can’t understand why Louise has  married the unlikeable Stephen and it soon becomes apparent that Louise is having an affair with John Connell, an actor.

The two sisters do not get on. Sarah says:

I used to laugh at her with my school-friends, to borrow her clothes without asking, and to steal her books. Once I read her diary. She would have read mine, had I kept one. In the end she taught me the art of competition, and this is what I really hold against her: I think I had as little desire to outdo others in my nature as a person can have, until she insisted on demonstrating her superiority. She taught me to want to outdo her.  And when, occasionally, I did so, her anger hurt me, but as I had won it by labour from indifference, I treasured it. And when, finally, I took over one of her men at Oxford, the game was out in the open, I thought, for the rest of our lives. (page 103)

Their mother is also dissatisfied with her life, who is not at all happy when Sarah decides she wants to live in London, sharing a flat with her friend, Gill, not liking the idea of her not having a ‘proper job’.  She admits. however, that as it’s Sarah’s own life and grudgingly says that no one can accuse her of trying to keep her at home – which, of course, she is. Sarah describes her as

… poor brave twittering Mama, pretending everything has been so lovely, ignoring the facts because they were the only ones she knew. (page 21)

Whilst not a lot as regards plot happens in this short novel, it contains many ideas, attitudes and character studies. And it’s beautifully written, such as in this passage:

It was a wonderful blue cold day, with the last yellow leaves reprieved in the terrace of plane trees by the bus stop: almost one of those aqueous and lunar days when everything is charged with its own clarity. The colours of the houses and the brick were glowing and profound, and the small children playing in the streets looked as though they were on their way to an entrancing future. (page 81)

I think I’d like to re-read it one day.

Note: the cover shown above is my own copy, a Penguin edition, reprinted in 1967, which I bought secondhand.

The House at Sea’s End by Elly Griffiths: a Book Review

The House at Sea’s End by Elly Griffiths is the third Ruth Galloway Investigation. I enjoyed the first two more than this last one. I found the use of the present tense in this book grated on me more than the other two and I thought the mystery element less than satisfactory – I solved it straight away! But having said all that it was still an enjoyable book, because of the characters.

It’s all about Ruth, her job as a forensic archaeologist, her baby and its father, and how she copes with juggling work and bringing up a child, or rather how she struggles with it all.

The bones of six people are found in a gap in the cliff, a sort of ravine, where there had been a rock fall at Broughton Sea’s End. Sea’s End House stands perilously close to the cliff edge above the beach.

High up on the furthest point of the cliff, is a grey stone house, faintly gothic in style, with battlements and a curved tower facing out to sea. A Union Jack is flying from the tower. (location 51)

These bones aren’t as ancient as those Ruth usually investigates and date back to about fifty or sixty years earlier. Chemical tests indicate they are of German origin and there are local stories about strange happenings concerning the Home Guard during the war. The captain of the Home Guard was Buster Hastings, the father of the current owner of Seas End House, Jack Hastings. Does he know more than he is admitting?  Added to this mystery there is also the death of Dieter Eckhart, an investigative journalist to solve. Who wanted him dead and why?

This brings DCI Harry Nelson into the picture and as in the earlier books Ruth is drawn into great danger as she delves further into both mysteries. Other characters from the earlier books are also here – Ruth’s friends, Shona and Cathbad, the part-time Druid. I found some of the back stories slowed the action down too much for my liking and I just wanted it to move along. I found this at odds with the present tense, which does rush my reading. I really, really do wish these books weren’t written in the present tense!

  • Format: Kindle Edition
  • File Size: 475 KB
  • Print Length: 352 pages
  • Publisher: Quercus (6 Jan 2011)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B004MME2H4
  • Source: I bought it

Looking forward to …

… P D James’s new book – Death Comes to Pemberley, which is due out on 3 November.

I don’t usually like sequels to books written by a different author, but I think I’ll have to make an exception for this one. It’s set six years after the events of Pride and Prejudice, Jane Austen’s tale of romance and social advancement and sees Darcy and Elizabeth’s marriage thrown into disarray when Lydia Wickham arrives unannounced and declares her husband has been murdered.

For more information see this BBC page after P D James’s talk on Radio 4 the other day, although she declined to give any further details saying, “It’s rather secret at the moment, because it’s something entirely new.”