Category: Fiction

Book Beginnings: Ninepins by Rosy Thornton

Published on by Margaret3 Comments

I’m a fan of Rosy Thornton’s books and so I’m pleased she has a new book Ninepins due out in a few days. Rosy has kindly set me a copy and I’ve just started to read it – it promises to be just as good as her earlier books. See my reviews of The Tapestry of Love, (my post here) and Hearts and Minds, (my post here).

Ninepins is an old tollhouse, deep in the Cambridgeshire fens where single mother Laura lives with her 12 year old daughter, Beth. She rents out the pumphouse, once a fen drainage station, to students but this time she is persuaded to let it to Willow, a seventeen-year-old care leaver with a mysterious past, by Vince Willow’s social worker. But, is Willow dangerous or vulnerable, or maybe a little of both? And what effect will this have on Beth, already causing her mother concern?

Ninepins begins:

Half past two: she was certain she’d said half past two. Oh dear – why was there already a car in front of the house when it was only 2:17?

From the back cover:

With the tension of a thriller, Ninepins, explores the idea of family, and the volatile and changing relationships between mothers and daughter, in a landscape that is beautiful but – as they all discover – perilous.

Book Beginnings on Friday is hosted by Gilion at Rose City Reader.

Agnes Grey by Anne Bronte: a Book Review

Published on by Margaret5 Comments

Agnes Grey by Anne Bronte, published in 1847, is a deeply moral novel about a young woman, a governess and her experiences working for two families in Victorian England. Agnes is the younger daughter of an impoverished clergyman. Her parents had married against her mother’s family’s wishes and when their fortune was wrecked Agnes determines to help out by working as a governess.

The first family she works for are the Bloomfields. Mrs Bloomfield tells Agnes her children are clever and very apt to learn. In fact they are terrible children, utterly spoilt and cruel. I found their brutality shocking, the more so since Anne was writing from her own experiences. One of the most vivid scenes is where Agnes kills a brood of nestlings to prevent Tom Bloomfield from torturing them.

Agnes is treated like a servant, rather than as a governess. She has no authority over the children and is not allowed to discipline them much as she would like to. Her attempts to improve their wild behaviour by quoting Bible texts and moral instruction have no effect on the children’s behaviour. As Agnes’s mother has told her that people do not like to be told of their children’s faults she kept silent about them and despite her best efforts she failed to make any impression on them:

But either the children were so incorrigible, the parents so unreasonable, or myself so mistaken in my views, or so unable to carry them out, that my best intentions and most strenuous efforts seemed productive of no better result than sport to the children, dissatisfaction to their parents, and torment to myself.

Her second post with the Murrays is little better – her charges are two teenage girls, who are just as spoilt as the younger children, wilful and determined to have their own way and two younger boys who are rough and unruly. Fortunately the boys are soon packed off to school and she only has to cope with sisters.

Both families are portrayed as wealthy, snobbish and totally lacking in any regard for Agnes. The only glimmer of hope comes through her friendship with Edward Weston, but even then Rosalie, the older daughter, is determined to make him fall in love with her. But surely Edward will not be deceived by Rosalie’s scheming ways? Agnes is gentle and self-effacing, never making her feelings known and it seems as though she is destined for a miserable life. Although she loves Edward she is totally unable to give any indication of her feelings towards him. Things seem to get even worse after her father’s death and she has to leave the Murrays – and Edward. However, Snap the dog plays his part in bringing some joy into Agnes’s life.

Agnes Grey vividly portrays the class distinctions of Victorian society, the position of women in that society from both the working and the middle classes through the first-person narrative. Above all it gives a very clear picture of the life of a governess, with all its loneliness, frustrations, insecurities and depressions. The characters, for the most part are well drawn, (the minor characters are one-dimensional) and I liked Agnes’s unspoken thoughts, eg. when told to go to the schoolroom immediately because the young ladies were waiting for her  she thinks, ‘Climax of horror! actually waiting for their governess.!!!’

Reading Agnes Grey has made me keen to re-read Charlotte Bronte’s Jane Eyre, for one thing to compare the two governesses. It’s been years since I read Jane Eyre, and my memory is that it is a much more dramatic novel (certainly it is much longer).

  • Format: Kindle Edition
  • File Size: 449 KB
  • Print Length: 155 pages
  • Page Numbers Source ISBN: 0812967135
  • Publisher: Modern Library (18 Dec 2007)
  • Sold by: Amazon Media EU S.à r.l.
  • Source: My own copy
  • My Rating: 3/5

The Murder on the Links by Agatha Christie: a Book Review

Published on by Margaret4 Comments

I’m taking part in the Agatha Christie Reading Challenge. I couldn’t wait until I’d got them all in the order she wrote them so I’ve been reading them as I come across them. Some of her earlier books have been hard to find, but on a recent trip to Barter Books in Alnwick I was able to fill in some of my gaps.

I’ve read 34 of her books before finding her third book,The Murder on the Links, originally published in 1923. This is the second book featuring Hercule Poirot.  There have been many editions published since then and my copy is a paperback, published in 1960 by Pan Books.

Agatha Christie had the idea for the book after reading newspaper reports of a murder in France, in which masked men had broken into a house, killed the owner and left his wife bound and gagged. From these facts she then invented her plot, setting the book in the fictional French town of Merlinville ( midway between Boulogne and Calais), at the Villa Genevieve, next to a golf course and overlooking the sea. The owner of the villa, Mr Renauld, a South American millionaire had written to Poirot asking for his help as he feared his life was in danger.

When Poirot and Hastings arrive they are too late to help him as the night before their arrival he was found dead, lying face down in an open grave, stabbed in the back. As they are in France, Inspector Japp does not appear, instead there is a young French detective, M. Giraud, who thinks very little of Poirot’s methods and disagrees with his findings. This is very much a mystery puzzle book, with many clues and several red herrings.

In her Autobiography, Agatha Christie describes how she was writing

… in the Sherlock Holmes tradition – eccentric detective, stooge assistant, with a Lestrange-type Scotland Yard detective, Inspector Japp – and I now added a ‘human foxhound’, Inspector Giraud, of the French police. Giraud despises Poirot as being old and passé. (page 290)

And it was then that she realised that she had made a mistake in starting with Poirot so old. She would have preferred to have abandoned him after her first three or four books and begun again with someone much younger, but she was stuck with him.

It is rather a melodramatic tale, but still enjoyable as Poirot unravels the mystery. An interesting subplot involves a love interest for Hastings, when he mets a young lady calling herself Cinderella. There is a hint at the end of the book that he will marry her and move to South America. Agatha Christie was stuck with Poirot, but she felt she could get rid of Hastings – she was getting rather tired of him. She didn’t write him out completely and he does reappear in later novels, visiting Poirot from his home in Argentina. I like Hastings, who in this book shares rooms with Poirot and is a ‘sort of private secretary to an MP.’

Her Autobiogaphy also reveals that Agatha Christie was not pleased with the jacket cover her publishers had designed as she felt it didn’t reflect the plot. In fact she was ‘really furious and it was agreed that in future she should see the jacket first and approve of it.’

She thought The Murder on the Links was ‘a moderately good example of its kind‘ and I liked it. My rating: 3/5.

Classics Challenge – April Prompt: the Book Cover

Published on by Margaret8 Comments

Katherine at November’s Autumn hosts the Classics Challenge. This month’s focus is the Book Cover. The old and worn adage of never judging a book by its cover is partly true but a book cover tells the reader a lot about what’s inside you can usually tell what genre it is or what time period it takes place in.

What are your first impressions as you look at the cover? Does the book cover have an aspect that reflects the character, setting, or plot of the novel?  If you could have designed the book cover what would you have chosen?

Currently I’m reading Agnes Grey by Anne Bronte on my Kindle. I knew nothing about it before I began reading. There is no information on the Kindle e-book about the cover illustration and I don’t think it gives many clues about the book.

 My first impression on looking at the cover was that the character of Agnes Grey may have been a lady’s maid in a large household. However, I soon discovered that she is the impoverished daughter of a clergyman and she is employed as a governess to the unruly and spoilt children of wealthy families.

The cover does reflect the setting of the novel in Victorian times, although not the position Agnes has in the household – she is not a servant.  But it does reflect Agnes’s character as she is demure, gentle and rather timid. I’ve not finished the book yet, but so far Agnes has been totally unable to control the awful children in her charge and is not given any authority to reprimand them from their parents. The lone figure on the cover reflects the position in which Agnes finds herself – alone and unsupported by her employers.

If I could have designed the book cover I think I would have chosen a similar scene, but would have chosen one showing a governess and the children.

Best new-to-me authors – January to March 2012

Published on by Margaret1 Comment

Kerrie at Mysteries in Paradise has started a new meme. The idea is to write a post about the best new-to-you crime fiction authors (or all) you’ve read so far this year, 2012. The books don’t necessarily need to be newly published. The meme will run at the end of June, September and December this year.

So far this year I’ve read 10 books by ‘new-to-me’ authors, but only 2 of those are crime fiction. They are:

The Bones of Avalon by Phil Rickman, which I read it in January on my Kindle and didn’t have time to write about it. Phil Rickman is not a new author, of course. I had heard of him but had never read any of his books. He has written several books – 11 in the Merrily Watkins series, 6 other novels, including The Bones of Avalon, and a non-fiction book.

The Bones of Avalon set in 1560, is however, Rickman’s first historical crime fiction novel, a genre I particularly like. It has everything, mystery, murder,and witchcraft as Dr John Dee (one of my favourite historical characters – I really enjoyed Peter Ackroyd’s The House of Dr Dee) sets out to discover the whereabouts of King Arthur’s bones. His search takes him to Glastonbury and into danger. Phil Rickman writes on his website: This novel is actually the hardest thing I’ve ever done. I think he pulled it off very well and I hope to read some of his other books.

The second new-to-me crime fiction author is Alanna Knight, another well established writer whose work I haven’t come across before. There is a Kindle edition of The Inspector’s Daughter, but I found a copy in my local library.

I wrote a a Book Beginnings post about it and a short account of it earlier – see here. For more details of Alanna Knight’s many books see her website.

I rated both of these books 3.5/5 and both Alanna Knight and Phil Rickman are now on my list of authors to look out for.

The other ‘new-to-me’ authors are (with links to my posts) :

Teaser Tuesdays

Published on by Margaret8 Comments

The book I’m currently reading is A Place of Greater Safety by Hilary Mantel, a huge book of 872 pages. I’m only on page 136, so it’s early days. In fact so far it’s been setting the scene of pre-Revolutionary France as seen through the key characters of Georges-Jacques Danton, Maximilien Robespierre and Camille Desmoulins. I’m liking it and it brings back to my mind history lessons at school when we listed the causes of the French Revolution.

This extract summarises, I think, the mood of the times in 1788:

Nothing changes. Nothing new. The same old dreary crisis atmosphere. The feeling that it can’t get much worse without something giving way. but nothing does. Ruin, collapse, the sinking ship of state: the point of no return, the shifting balance, the crumbling edifice and the sands of time. Only the cliche flourishes. (page 130)

Not long afterwards everything changed!