Six Degrees Of Separation: Year of Wonders to Blood Harvest

I found this meme on Debbie’s ExUrbanis blog. It is hosted by Books Are My Favourite and Best, and was inspired by Hungarian writer and poet Frigyes Karinthy. In his 1929 short story, ‘Chains’, Karinthy coined the phrase ‘˜six degrees of separation‘. The phrase was popularized by a 1990 play written by John Guare, which was later made into a film starring Stockard Channing.

On the first Saturday of every month, a book is chosen as a starting point and linked to six other books to form a chain. Readers and bloggers are invited to join in by creating their own ‘chain’ leading from the selected book, for example, books by the same authors, from the same era or genre, or books with similar themes or settings. Or, you may choose to link them in more personal or esoteric ways: books you read on the same holiday, books given to you by a particular friend, books that remind you of a particular time in your life, or books you read for an online challenge.

You make your own rules. A book doesn’t need to be connected to all the other books on the list, only to the ones next to them in the chain.

This is my first chain:

Year of Wonders chain

The chain this month begins with Year of Wonders by Geraldine Brooks, one of my favourite authors, although I haven’t read this book – yet. It’s set in a small village in Derbyshire, during the year of 1666 ravaged by the plague. The story was inspired by the true story of the villagers of Eyam, Derbyshire and their own historical account of the plague.

This leads on to the following books:

Company of Liars by Karen Maitland, also a novel of the plague, but set in 1348 as a group of people flee across England as the plague moves inland from the ports. The members of the group, a conjurer, a one-armed storyteller, a musician and his apprentice, a young couple on the run, a mid-wife and a strange child who can read the runes, are all liars with secrets that are gradually exposed as they journey on.

Secrets are also a major part of In Bitter Chill by Sarah Ward, in which two girls go missing: Rachel Jones returns, Sophie Jenkins is never found. Thirty years later, Yvonne, Sophie’s mother commits suicide, which prompts Rachel, to try to remember what had happened. She is a genealogist and her research into her own family history proves to be invaluable, as devastating family secrets are revealed. This also links back to Year of Wonders as it is set in Derbyshire.

In The Blood Detective genealogist Nigel Barnes helps DCI Grant Foster to track down a killer who has left cryptic clues carved into his victims’ bodies. Although this has some really gruesome scenes, which I normally avoid, this a fascinating fast-paced book linking the crimes of the past ‘the events of 1879 ‘ to a series of murders in the present.  It is set in London and the topography of London through the years also helps Barnes to solve the crimes.

Asta’s Book by Barbara Vine is also set in London. It begins in 1905 when Asta Westerby and her husband Rasmus come to East London from Denmark with their two little boys.  Asta keeps loneliness and isolation at bay by writing a diary. These diaries, published over seventy years later, reveal themselves to be more than a mere journal. For they seem to hold the key to an unsolved murder and to the mystery of a missing child. It falls to Asta’s granddaughter Ann to unearth the buried secrets of nearly a century before.

Denmark and family secrets are the links to this next book, Anna Marklin’s Family Chronicles, a psychological mystery by Dorte Hummelshoj Jakobsen, a Danish author.  Set in Denmark in the present day with flashbacks to Sweden during the early part of at the beginning of the twentieth century, Anna finds herself with beset with problems. Her father is seriously ill and strangely secretive about his family background.  Anna longs to know more and when she finds her grandmother’s journal she is enthralled. But digging into the past can reveal secrets that you might not want to know.

The final link in this chain is another psychological mystery, Blood Harvest by Sharon Bolton. I could have chosen any one of her books but this one stands out for me.  Evi, a psychiatrist has a new patient, Gillian, unemployed, divorced and alcoholic, who can’t accept that her daughter died in the fire that burnt down her home. Meanwhile, the new vicar in town is feeling unwelcome and hears voices in the church, but can’t find anyone there And a young boy keeps seeing a strange, solitary girl playing in the churchyard. Who is she and what is she trying to tell him? It’s a dark, scary book and one that I found disturbing, but thoroughly absorbing.

My chain goes from a seventeenth century English village devastated by plague to a twentieth century English village in six links, via books revealing murder, mayhem and mystery in their pages. Apart from Year of Wonders these are all books I’ve read and enjoyed, even The Blood Detective, a grisly tale.

First Chapter, First Paragraph: The Girl in the Cellar

First chapterEvery Tuesday Diane at Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros to share the first paragraph sometimes two, of a book that she’s reading or planning to read soon.

I didn’t read any of my books for the 20 Books of Summer Challenge in July, so I’ve got some catching up to do. One of the shorter books on my list is The Girl in the Cellar by Patricia Wentworth, in which Miss Silver helps Anne, who has lost her memory, but who thinks she has witnessed a murder.

It begins:

She looked into the dead unbroken dark and had neither memory nor thought. She was not conscious of where she was, or of how she had come there. She was not conscious of anything except the darkness. She did not know if time had passed. There seemed to be no sense that it went by, but it must have done, because the moment when she knew nothing but darkness had changed into a moment in which she knew that her feet were on stone, and that she must not move from where she stood.

Blurb:

A young woman regains consciousness and finds herself on some cellar steps. At the bottom of the steps there is the corpse of a dead girl. She cannot remember who she is, what has happened or why she is there. Terrified and confused she manages to find a way out and as she flees she runs into Miss Silver, who offers to help her.

A letter in her bag is the only clue to her identity. But by investigating what has happened to her will she find herself in danger? Can she trust the letter writer? And who is the girl in the cellar?

This is a Miss Silver Mystery (there are 32 in the series), first published in 1961, the year that Patricia Wentworth died. She was born in India in 1878 and wrote dozens of best-selling mysteries being recognised as one of the ‘mistresses of classic crime.’She died in 1961 and was as popular in the 1940s as Agatha Christie and Dorothy L Sayers. Miss Silver, a contemporary of Miss Marple ‘was her finest creation‘.

What do you think? Would you keep reading? I think this opening paragraph sets the scene well, with the sense of danger and mystery to make me want to know more.

The Man Who Would Be King by Rudyard Kipling

For me the book chosen for the current Classics Club Spin is The Man Who Would Be King by Rudyard Kipling. It’s a novella, just 60 pages, which first appeared in The Phantom Rickshaw and other Eerie Tales, published in 1888.

Set in India and narrated by a journalist this is a story of two ruffianly-looking adventurers, wanderers and vagabonds, Daniel Dravot and Peachey Carnehan, who announce that they are off to Kafiristan in the mountains of Afghanistan to make themselves Kings. They tell the journalist that when they have got their kingdom ‘in going order’ they will let him know and that he can then come and help them govern it.

But some two years later, on a hot summer’s night, what was left of Carnehan crept into the journalist’s office,

He was bent into a circle, his head was sunk between his shoulders, and he moved his feet one over the other like a bear. I could hardly see whether he walked or crawled- this rag-wrapped, whining cripple who addressed me by name, crying that he was come back. (page 24)

And he had a sorry tale to tell.

I was a bit disappointed with it, mainly because for a novella it took such a long time to set the scene and the opening section was confusing, with references I didn’t understand. After the slow beginning the story picks up when it gets to relating what happened to Dravot and Carnehan. The Kipling Society website (where you can read the story, which is also free on Amazon) has some notes that helped me understand more – Masonic, Biblical and other references and details about the places and people mentioned.

The Kipling Society also gives details of the background to the story and some critical responses to it. Overall the responses are good – that it is a memorable, fantastic tale, some believing it to be a masterpiece, but Kingley Amis stated it was a ‘grossly overrated long tale‘. I was also interested that Edmund Wilson is quoted as stating that the story is “…surely a parable of what might happen to the English if they should forfeit their moral authority.”[Edmund Wilson ‘The Kipling that Nobody Read’, in Kipling’s Mind and Art ed. Andrew Rutherford, Oliver & Boyd, 1964.]

There was a film adaptation in 1975, starring Sean Connery as Dravot and Michael Caine as Carnehan with Christopher Plummer as Kipling, which according to some is much better than the story itself.

Rudyard Kipling was born in Bombay in 1865 and lived there until he was five when he was taken to live in England, returning to India in 1882, where he worked as a journalist. As well as short stories he also wrote poems, including If, and novels, and was awarded the Nobel Prize in Literature in 1907.

My copy is an e-book, which I’ve had for several years, so it counts towards my Mount TBR Reading Challenge.

The Spy Who Came in from the Cold by John le Carré

I’ve recently read John le Carré’s biography by Adam Sisman and inevitably it made me want to read le Carré’s books. I decided to start with his third novel, The Spy Who Came in from the Cold, first published in 1963.

Blurb:

a gripping story of love and betrayal at the height of the Cold War. This Penguin Modern Classics edition includes an afterword by the author and an introduction by William Boyd, author of Any Human Heart.

Alex Leamas is tired. It’s the 1960s, he’s been out in the cold for years, spying in the shadow of the Berlin Wall for his British masters. He has seen too many good agents murdered for their troubles. Now Control wants to bring him in at last – but only after one final assignment. He must travel deep into the heart of Communist Germany and betray his country, a job that he will do with his usual cynical professionalism. But when George Smiley tries to help a young woman Leamas has befriended, Leamas’s mission may prove to be the worst thing he could ever have done. In le Carré’s breakthrough work of 1963, the spy story is reborn as a gritty and terrible tale of men who are caught up in politics beyond their imagining.

My view:

This is a dark, tense book and quite short, just 252 pages. It’s complicated and although the language le Carré uses is clear and straight forward at times I wasn’t sure just what was going on, what lay behind the scenes – just what was Leamas up to, amidst the various deceptions and subterfuges? George Smiley does appear briefly in the book, but is there throughout in that he is masterminding Leamas’ mission.

Back from Berlin where he had seen his last agent killed whilst trying to cross the Berlin Wall, Leamas is apparently no longer useful. He goes to seed whilst working out his contact in the Banking Section, transforming into a drunken wreck no longer of use to the Secret Services, left without any money or a job until he finds work as a helper in a library for Psychical Research. Here he meets Liz Gold, who then unwittingly gets drawn into Smiley’s plan.

The atmosphere throughout is of secrecy, manipulation, of human frailty and its duplicitous nature. As the German, Fiedler says for a secret agent:

… deception is first a matter of self-defence. He must protect himself not only from without, but also from within, and against the most natural of impulses; though he earns a fortune, his role may forbid him the use of a razor, though he  be erudite, it can befall him to mumble nothing but banalities; though he be an affectionate husband and father, he must under all circumstances withhold himself from those in whom he should naturally confide. (page 143)

By the end of the book Leamas is in despair as his mission seems to have failed. Liz can’t work out which side he is on and he says:

What do you think spies are: priests, saints, martyrs? They’re a squalid procession of vain fools, traitors too, yes; pansies, sadists and drunkards, people who play cowboys and Indians to brighten their rotten lives. (page 243)

I hate it; I hate it all; I’m tired. But it’s the world, it’s mankind that’s gone mad. We’re a tiny price to pay … but everywhere’s the same, people cheated and misled, whole lives thrown away, people shot and in prison, whole groups and classes of men, written off for nothing. (pages 244-5)

But then again did his mission fail? This is one of those books that I find so hard to write about without giving away too much of the plot – the introduction by William Boyd begins with this statement, ‘New readers are advised that this Introduction makes details of the plot explicit.‘ And indeed it does. I was glad I read it after reading the book, though, as it also gives an interpretation that I found helpful – in particular just what Boyd thought was meant by ‘coming in from the cold‘.

This fulfils the “Broken Object” category on the Silver Vintage Scavenger Hunt card.

Sandlands by Rosy Thornton

SandlandsSandlands is a beautiful collection of short stories that held me spellbound from start to finish. This is all the more extraordinary as I am not a great fan of short story collections. I often find that they leave me feeling that something is missing – either the storyline is not developed enough, or the characters are not convincing, or that they are just too trite or banal. In other words that they are disappointing.

Not so with Sandlands – I think this is a special collection of well written stories set in the Suffolk landscape, describing real people, and containing well- researched detail into myths and folklore, wildlife, and environmental changes that slips seamlessly into the fiction. They are just the right length for me, perfect little cameos each one complete and satisfying – that’s not to say that all the ends are neatly tied up, as some, such as Nightingale’s Return, about an Italian visiting the farm where his father had worked  as a prisoner of war, end leaving me wondering what happened next, or rather just what had happened in the past.

The individual stories are varied, some looking back to the past, some are sad leaving me with tears in my eyes, and some have a supernatural element. I loved all of them, but a few are outstanding, for example, Curlew Call in which a teenager spends time during her gap year living in an old house overlooking the the salt marshes, as a companion to Agnes, an old lady who is wheel-chair bound. She is fascinated by the landscape and the wildlife, in particular the curlews, calling out across the reed beds each evening, before she goes to sleep:

You wonder what they’re doing out there in the dark, sleepless and crying like that. And if you lie still and listen – really  listen – there’s something so pitiful about the sound, it could nearly break your heart. like someone whistling hopelessly over and over for a dog that’s lost. (pages 220 – 221)

Agnes paints, but not the usual East Anglian landscape of sky and clouds with a low horizon. I was really taken with the descriptions of her paintings, nearly all foreground, with reeds at the top and the rest of the painting taken up with the mudflats, showing the swirls and squiggles left by the tide. And the colours she’d used held my attention:

You think that mud is only grey and brown but when you look properly, the way Agnes had, you can see she’s right, and that it’s also the blackest black, and pure white, and it holds glints of red and gold and ochry yellow, and reflected blues and greens, and deep, imperial purple. (page 226)

As the story unfolds, so does the story of Agnes’ life.

And I finished reading the final story, Mackerel, with tears in my eyes when I came to the last paragraph, even though I had begun to realise what was inevitably the outcome. This is the story of a grandmother and her granddaughter, Hattie, set in a fishing village near the Suffolk sea. Ganny, as Hattie calls her has lived all her eighty nine years in the same place and is expert at handling and cooking fish.

Hattie, by way of contrast has an honours degree in marine ecology, has travelled the world, but also loves the Suffolk landscape and the world of her grandparents – the sights, smells and Ganny’s cooking, kippers, fish pie and above all the mackerel. This story is filled with images of Ganny filleting the mackerel, coating them in oatmeal to fry in butter, or to bake in greaseproof sprinkled with lemon or cider in a tight parcel. It made my mouth water reading about it.

As in Curlew Call, Ganny’s life unfolds and this story too is full of colour, this time of the sand instead of the mudflats:

This is a land of sand. The earth hereabouts is nothing but; it’s a wonder anything grows in it at all. On the common it’s a powder grey, soft as ash and lifted by the the slightest breeze, but on the roads it’s as golden yellow as any treasure island beach.

… You could almost fancy it the work of strange secret tides which rise in the night to cover the fields and lanes, then slip away before daylight to leave new spits and spars like a signature on the landscape. A land with the imprint of the sea. (page 256)

It’s impossible for me to do justice to these stories. If you like strong, atmospheric stories, stories that bring to life the world of the past, tying them to the present, stories of family life, of the natural world, of folklore and the mystery and wonder of it all then you’ll love this book as much as I did.

With grateful thanks to Rosy Thornton for sending me this lovely book to review. It’s published tomorrow. And she has also written full length novels that captivated as much as this collection – do read them. For more details see her website.

  • Paperback: 320 pages
  • Publisher: Sandstone Press Ltd (21 July 2016)
  • Language: English
  • ISBN-10: 191098504X
  • ISBN-13: 978-1910985045

First Chapter, First Paragraph

First chapterEvery Tuesday Diane at Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros, where you can share the first paragraph, or a few, of a book you are reading or thinking about reading soon.

I’m just about to start reading Moon Tiger by Penelope Lively. It won the Booker Prize in 1987.

It begins:

I’m writing a history of the world.’ she says. And the hands of the nurse are arrested for a moment; she looks down at this old woman, this ill old woman. ‘Well, my goodness, the nurse says. ‘That’s quite a thing to be doing, isn’t it?’ And then she becomes busy again, she heaves and tucks and smooths – ‘Upsy a bit, dear, that’s a good girl – then we’ll get you a cup of tea.’

Synopsis:

Claudia Hampton – beautiful, famous, independent, dying.

But she remains defiant to the last, telling her nurses that she will write a ‘history of the world . . . and in the process, my own’. And it is her story from a childhood just after the First World War through the Second and beyond. But Claudia’s life is entwined with others and she must allow those who knew her, loved her, the chance to speak, to put across their point of view. There is Gordon, brother and adversary; Jasper, her untrustworthy lover and father of Lisa, her cool conventional daughter; and then there is Tom, her one great love, found and lost in wartime Egypt.

What do you think?

Would you keep reading?