Category: Fiction

My Friday Post: Caedmon’s Song

Published on by Margaret9 Comments

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’ve been rather neglecting my TBRs so far this year, so I’ve been going through them deciding which one to read next and came across Caedmon’s Song by Peter Robinson, one of his standalone books.

Caedmon's Song

It begins:

Martha Browne arrived in Whitby one clear afternoon in early September, convinced of her destiny.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

Kirsten looked away towards the window. Outside, beyond the flowers, and the get-well cards on her table, she could see the tops of trees swaying slowly in the wind and a distant block of flats, white in the July sun, ‘I don’t know if I want to remember,’ she whispered. ‘I feel so empty.’

Blurb:

On a balmy June night, Kirsten, a young university student, strolls home through a silent moonlit park. Suddenly her tranquil mood is shattered as she is viciously attacked.

When she awakes in hospital, she has no recollection of that brutal night. But then, slowly and painfully, details reveal themselves – dreams of two figures, one white and one black, hovering over her; wisps of a strange and haunting song; the unfamiliar texture of a rough and deadly hand . . .

In another part of England, Martha Browne arrives in Whitby, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

I’ve enjoyed reading some of Peter Robinson’s Inspector Banks books. Caedmon’s Song, described as a ‘psychological thriller‘ looks a bit different and I’m wondering about Martha’s research – is it connected to Dracula? after all Whitby Abbey was Bram Stoker’s inspiration for his novel, Dracula.

The Kill Fee by Fiona Veitch Smith

Published on by Margaret3 Comments

The Kill Fee (Poppy Denby Investigates #2)

The Kill Fee is the second book in the Poppy Denby Investigates series. I haven’t read the first book, The Jazz Files, but I had no difficulty reading this second book as it reads well as a standalone, with enough detail of previous events for me to follow the story.

It is set in London in 1920 with flashbacks to Russia in 1917. Poppy is the Arts and Entertainments Editor at the Daily Globe and whilst she is covering an exhibition of Russian Art at the Crystal Palace a guard is shot and injured and one of the Fabergé Eggs on display is stolen. It’s not just an extremely valuable Egg, one that had been owned by a member of the Tsar’s family, but one that is said to contain a secret that could threaten royal families throughout Europe.

This is reminiscent of the Golden Age crime fiction as Poppy sets about finding who stole the Egg and there are plenty of suspects. The theft is followed by a couple of murders and a poisoning, and a secret passageway as Poppy chases around London in hot pursuit of the killer.

Its an enjoyable read that kept me entertained with a mix of fictional and historical characters and a look at 1920s’ society. I particularly liked the Russian connection and the information about White and Red Russians and the Russian Revolution of 1917 – by 1920 this was coming to a head in the Crimea. The book begins with an episode in Moscow in 1917 as an unnamed man in a bearskin coat enters the house of an aristocratic family to find a scene of carnage. Most of the family have been murdered, but he rescues a small girl, her little dog and her English nanny. How this fits into the rest of the book only gradually becomes clear.

There is a map of 1920s London that helps to follow the action and a list of the fictional and historical characters that I found useful. Fiona Veitch Smith explains in her historical Note at the end of the book how she got the idea for The Kill Fee and how she blended fact with fiction. Apart from a few ‘tweaks’ she has stuck to the historical timeline, as far as she is aware, moving the Russian Embassy to Kensington Gardens seven years earlier than it really did and bringing forward the selling of paper poppies by one year – these were launched by the British Red Cross in 1921. The plotline of the theft of the Fabergé Egg and the exhibition at the Crystal Palace is a figment of her imagination. She apologises for ‘any unintentional errors you may find.’

Well, I did find another anachronism. At one point (page 209 in my paperback copy) Poppy and Daniel are arguing as he drives across London approaching the Victoria Embankment when he had to slow down ‘to allow a family to cross the road at a pelican crossing.‘ I think this must be a typing error as although pedestrian crossings existed more than 2000 years ago, (as can be seen in the ruins of Pompeii), pelican crossings weren’t introduced in the United Kingdom until 1969.

None of this affected my enjoyment of the book as the world of London in the 1920s came to life and the complex plot and fast pace kept my brain ticking over, keeping track of the different sub-plots and characters. The kill fee in the title refers to the money offered to Rollo, the Daily Globe owner and editor-in-chief, to stop him from publishing the story concerning the theft of the Fabergé Egg.

My thanks to LibraryThing Early Reviewers for my copy of this book.

  • Paperback: 320 pages
  • Publisher: Lion Fiction (16 Sept. 2016)
  • Language: English
  • ISBN-10: 1782642188
  • ISBN-13: 978-1782642183

This is my 10th book for the Mount TBR Challenge.

The Lauras by Sara Taylor

Published on by Margaret1 Comment

The Lauras by Sara Taylor is due to be published in paperback in the UK on 6 April 2017. Kindle and hardcover copies have already been published. My copy is a digital version for review from the publishers, via NetGalley.

It’s a road-trip story as Ma leaves her husband in Virginia and takes to the road with her thirteen-year old child, Alex. I really liked those parts of the novel in which Sara Taylor describes their journey and the places they travel through or stay at for a while, sometimes sleeping in the car, sometimes in a motel, and sometimes for a longer stay whilst she earns enough money to continue their journey. But I didn’t like the structure of the book as much, because it is basically just a collection of stories that Ma tells Alex – stories about her childhood and teenage years; about her childhood in Sicily, the time she spent in foster homes, and the friends she made, several of them called Laura- as they travel to visit people from her past. This structure makes the book disjointed, especially as neither Alex nor the reader knows where it is going or when/if it will come to an end. It unsettled me in that respect.

It’s narrated in the first person by Alex, looking back some 30 years to that journey. Alex was a shy and lonely teenager, unable to fit in with others and unsure about sexuality and gender. It makes for very uncomfortable reading in places as Alex is confronted by the misunderstandings and abuse of others. Ma is also a troubled person, having suffered various traumas, hardships and emotional insecurities. Both of them have itchy feet, not happy to stay for long in one place and unable to relate easily to others.

It’s a book about identity, about outsiders, and about parenting and relationships. I liked the various meditations on memory, its unreliable nature and slipperiness and on reality. Alex observes that we don’t actually have perfect memories of what happened, but just have fragments that we piece together to understand and make sense of events, to explain our life to ourselves. After they’ve gone all we have left of people are their stories, not necessarily the stories they told us, but as we remember those stories. Alex realises in later life that we can gloss over some memories  or can pretend to ourselves we have forgotten certain times and places, until some unexpected smell or sound drops us back into ‘that awkward, adolescent body’.

I can’t say that it’s a book I enjoyed or would want to re-read. It’s not a book I was eager to get back to once I put it down, but it certainly gave me much to think about.

  • Format: Kindle Edition
  • File Size: 2773 KB
  • Print Length: 302 pages
  • Publisher: Cornerstone Digital (4 Aug. 2016)
  • Rating: 2.5 stars

The Legacy by Yrsa Sigurdardottir

Published on by Margaret2 Comments

The Legacy is my first venture into Icelandic Noir and the first in a new series by Yrsa Sigurdardottir – the Children’s House thriller series, translated from Icelandic by Victoria Cribb.

I think the first thing I should say about this book is that I loved it and once I started reading I just didn’t want to put it down. What is so remarkable about that is that there are some particularly dark and nasty murder scenes, which would normally guarantee that I’d stop reading. I am so glad I did read on. The Legacy is an excellent book. It’s dark, mysterious and very cleverly plotted, full of tension and nerve-wracking suspense. Although I thought I’d worked out who the murderer is I was completely wrong, but looking back I could see all the clues are there, cunningly concealed – I just didn’t notice them.

It begins with a prologue set in 1987 when three young children, two boys and their little sister are waiting to be adopted. It’s hard to find anyone willing to adopt all three and they are separated. The psychiatrists’ opinion is that it is in their best interests to be parted and that their horrendous background be kept secret, hoping that time and being split up would obliterate their memories. I did try to keep the events in the prologue in mind as I read and had some idea of how it related to the rest of the book, but it was only when I came to the dramatic conclusion that everything became clear.

Move forward to 2015 to Elisa whose husband is away leaving her on her own with three young children for a week. Her seven-year old daughter, Margrét wakes her, frightened because there is a man in the house. What follows is the first horrifying murder (read it quickly and try not to linger over the details because the pictures they paint don’t bear thinking about). Margrét, who was hiding when her mother is killed, is the only witness and she’s too traumatised to say very much.

She is taken to the Children’s House where Freyja, the child psychologist in charge and the detective Huldar, in charge of the police investigation, try to get to the truth. It’s immensely difficult, complicated by more murders. Freyja and Huldar are both sympathetic characters, both deeply committed to their jobs, but because of past history between them unable to trust each other.

The narrative is in the third person and switches between Freyja’s and Huldar’s viewpoints, interspersed by that of another character, Karl a student and radio ham enthusiast who has been receiving strange messages from a mysterious numbers station broadcasting, unusually, in Icelandic. These consist of long strings of numbers read out by synthesised voices. Karl dreams of successfully cracking the codes. I was both intrigued and completely mystified by this part of the novel. I was completely engrossed in the plot and the characters and I shall certainly be reading more of Yrsa Sigurdardottir’s books in the future.

My thanks to the publishers, Hodder and Stoughton, for an e-book copy for review, via NetGalley.

  • Format: Kindle Edition
  • File Size: 2046 KB
  • Print Length: 464 pages
  • Publisher: Hodder & Stoughton (23 Mar. 2017)
  • My rating: 5* (despite the horrific murders)

Sometimes I Lie by Alice Feeney

Published on by Margaret2 Comments

A gripping psychological thriller

Sometimes I Lie is Alice Feeney’s debut thriller. I usually take descriptions of books like this with a bit of scepticism: ‘Unnerving, twisted and utterly compelling, you won’t be able to put this new thriller down.’ But it really is like this – and I did find it utterly compelling.

I like complicated plots with believable characters and with twists and turns to keep me glued to the book. This book has all this and more. I was puzzled, stunned and amazed at the cleverness of the plot structure and how I’d had the wool pulled over my eyes, although I did have a suspicion of what it was all about, I just hadn’t worked out the whole truth.

I’m not going to say much about this book because I think it’s best to read it without knowing very much about it. It’s narrated by Amber Reynolds as she lies in hospital in a coma. She can’t move or speak, but she can hear and gradually she begins to remember who she is and what happened to her. But as the opening sentences reveal sometimes she lies. Actually it’s hard to figure out who is lying, who can be trusted and what really happened. There are flashbacks to what happened immediately before Amber ended up in hospital and there are diary entries from the early 1990s starting when Amber was nearly ten.

I thoroughly enjoyed Sometimes I Lie. It’s a complex, confusing, disturbing and brilliant book. I read it in just two sittings and when I got to the end I immediately had to turn back to the beginning and start reading it again.

Many thanks to the publishers and NetGalley for a review copy .

  • Format: Kindle Edition
  • File Size: 1872 KB
  • Print Length: 279 pages
  • Publisher: HQ (23 Mar. 2017)

Alice Feeney is a writer and journalist. She spent 16 years at the BBC, where she worked as a Reporter, News Editor, Arts and Entertainment Producer and One O’clock News Producer.

The Idea of You by Amanda Prowse

Published on by Margaret

Blurb:

With her fortieth birthday approaching, Lucy Carpenter dares to hope that she finally has it all: a wonderful new husband, Jonah, a successful career and the chance of a precious baby of her own. Life couldn’t be more perfect.

But the reality of becoming parents proves much harder than Lucy and Jonah imagined. Jonah’s love and support is unquestioning, but as Lucy struggles with work and her own failing dreams, the strain on their marriage increases. Suddenly it feels like Lucy is close to losing everything’¦

Heart-wrenching and poignant, this latest work by bestselling author Amanda Prowse asks the question: what does it mean to be a mother in today’s hectic world? And what if it’s asking too much to want it all?

My thoughts:

I like variety in my reading and so when the publishers of Amanda Prowse’ The Idea of You offered me a review copy I thought from the description that it would make a change from the genres I usually read.

Amanda Prowse is a popular author, described by the Daily Mail as the ‘queen of domestic drama‘. And I can see from the numerous 5 and 4 star reviews on Amazon and Goodreads that many readers love her books.

The Idea of You is mainly about relationships motherhood, and it is emotionally charged with the devastating effect of miscarriages, but apart from that I was not convinced that the characters were real. The dialogue seemed to me to be forced and not true to life and so I felt as as though I was on the outside looking in and at times the characters of Lucy and her teenage stepdaughter, Camille, seemed to merge into each other.

The narrative is interspersed with letters Lucy writes and for a while it’s not that clear who she is writing them to. But reading the Prologue along with other clues that Amanda Prowse drops in along the way about Lucy’s past, gave me a good indication of who it was, so it was no surprise when the recipient is finally revealed. I also thought the story of Camille was too predictable given Lucy’s situation. And the ending left me with rather a sickly aftertaste. In fact I found much of the book is too cloying for my liking.

  • Format: Kindle Edition
  • File Size: 2642 KB
  • Print Length: 334 pages
  • Page Numbers Source ISBN: 1503942333
  • Publisher: Lake Union Publishing (21 Mar. 2017)
  • Source: review copy from the publishers via NetGalley