The Classics Club Spin Result

Classics Club

The spin number in The Classics Club Spin was announced yesterday. It’s number …

3

which for me is Little Dorrit by Charles Dickens. The rules of the Spin are that this is the book for me to read by April 30, 2018.

Little Dorritt

I don’t know whether to laugh or cry. As it’s on my list I do want to read it – sometime – maybe not right now.

I know very little about Little Dorrit, just that it’s long and my copy is one of the Wordsworth Classics in a very small font. I stopped watching the TV adaptation with Tom Courtney as William Dorrit – such a dark and dreary production with him in the Marshalsea debtors’ prison. The blurb on the back cover says that Dickens’ working title for the book was Nobody’s Fault. Well, it’s his fault for writing it – and mine for for putting it on the Spin List – oh, yes and the Spin God for spitting out number 3.

I just hope I enjoy it!

Here’s the blurb from Amazon:

Little Dorrit is a classic tale of imprisonment, both literal and metaphorical, while Dickens’ working title for the novel, Nobody’s Fault, highlights its concern with personal responsibility in private and public life. Dickens’ childhood experiences inform the vivid scenes in Marshalsea debtor’s prison, while his adult perceptions of governmental failures shape his satirical picture of the Circumlocution Office. The novel’s range of characters – the honest, the crooked, the selfish and the self-denying – offers a portrait of society about whose values Dickens had profound doubts.

Little Dorrit is indisputably one of Dickens’ finest works, written at the height of his powers. George Bernard Shaw called it ‘a masterpiece among masterpieces’, a verdict shared by the novel’s many admirers.

A ‘masterpiece‘ – that makes it sound OK – doesn’t it?

Did you take part in the Classics Spin? What will you be reading?

My Friday Post: The Tenderness of Wolves by Stef Penney

Book Beginnings Button

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I am at the stage where I just don’t know what to read next – there are so many books I want to read but I keep picking one up, putting it down, picking up yet more books not sure which one is the right one for me right now.

But yesterday I wrote about some of my TBRs including The Tenderness of Wolves by Stef Penney and as three of my blogging friends, Cath, Sandra and Leah all said how much they had enjoyed it, I’m going to start reading it today.

The Tenderness of Wolves

 

The last time I saw Laurent Jammet, he was in Scott’s store with a dead wolf over his shoulder.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice. These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56

I have brought a knife in my pocket, which I am now holding, rather more tightly than is necessary. It’s not really that I think for a moment the murderer would come back – for what? – but I creep on, one hand on the cabin wall, until I can listen by the window for sounds within.

Blurb:

Canada, 1867. A young murder suspect flees across the snowy wilderness. Tracking him is what passes for the law in this frontier land: trappers, sheriffs, traders and the suspect’s own mother, desperate to clear his name. As the party pushes further from civilisation, hidden purposes and old obsessions are revealed. One is seeking long-lost daughters; another a fortune in stolen furs; yet another is chasing rumours of a lost Native American culture. But where survival depends on cooperation, their fragile truce cannot afford to be broken, nor their overriding purpose – to find justice for a murdered man – forgotten.

A – Z of TBRs: S and T

I’m now up to S and T in my A – Z of TBRs, a series of posts in which I take a fresh look at some of my TBRs to inspire me to read more of them, or maybe to decide not to bother reading them after all.

IMG_20180308_091608245_HDR.jpg

 

– is for The Stranger House by Reginald Hilla book I’ve had a mere two years. I bought this because I love Hill’s books.

It’s a stand-alone book, a psychological thriller – no Dalziel and Pasco in this book. It’s set in Cumbria in a fictitious valley, Skaddale and village, Illthwaite, where the Stranger House offers refuge to travellers – people like Australian, Samantha Flood and Miguel Madero, a Spanish historian. The two of whom uncover intertwining tales of murder, betrayal and love. There are dark mysteries at the heart of this ancient place.

[Miguel] entered the Seminary in Seville at the age of twenty-three at the same time as nineteen-year-old Sam Flood entered Melbourne University, both convinced they knew exactly what they were doing and where the paths of their lives were leading them.

And yet neither yet understanding that a particular path is not a prospectus and that it may, in the instant it takes for a word to be spoken or a finger-hold to be lost, slip right off your map and lead you somewhere unimagined in all your certainties.

In the cases of Sam Flood and Miguel Madero this place was situated far to the north. (page 22)

 

S – is also for Slipstream: A Memoir by Elizabeth Jane Howard (1923 – 2014), the author of the Cazalet Chronicles. I’ve been meaning to read this for so long – it’s been on my shelves for 11 years, would you believe! It was published in 2002 when she was seventy nine.

This quotation comes from the final chapter of the book:

For the last two years while I have been writing this, I have been getting noticeably older. Getting old is a classic slipstream situation. It’s rather like that game Grandmother’s footsteps. I stand at the end of a lawn with my back to a row of the trappings of old age whose object is to reach me before I turn round and send them back to their row. One or two of these have caught me during the last five years: I have neither the health or the energy that once I had. In these respects I am not as young as I feel. Arthritis is dispiriting because it is both painful and incurable, and it takes time to become reconciled to it. I can’t – like my friend Penelope Lively – garden any more and that is for both of us a privation.

But on the plus side,  I am able to go on writing, I can sew and cook and have friends to stay and above all I can read. I continue to go to my women’s group; I can still learn. One of the good things about living longer is that we have more time to learn how to be old. It is clear to me now that inside the conspiracy of silence about age – because of the negative aspects of the condition – there is the possibility of art; that is to say that it can be made into something worth trying to do well, a challenge, an adventure. I don’t want to live with any sort of retirement, with nostalgia and regret wrapped round me like a wet blanket. I want to live enquiringly, with curiosity and interest for the rest of my life. (page 476)

T– is for The True Deceiver by Tove Jansson, a book I’ve had for three years. She is probably best known for her children’s books – the Moomin stories. I haven’t read those or any of her books for adults. But a few years ago I kept seeing her name cropping up on book blogs and thought I would like her books. This one is set in winter in a Swedish hamlet. A strange young woman fakes a break-in at the house of Anna Aemelin, an elderly artist, to persuade her that she needs companionship.

Her parents had lived long lives and never allowed anyone to cut trees in their woods. They’d been rich as trolls when they died. And the woods were still untouchable. Little by little they had grown almost impenetrable and stood like a wall behind the house; the ‘rabbit house’, they called it in the village. It was a grey wood villa with elaborate carved window frames in white, as grey-white as the tall backdrop of snow-drenched forest. The building actually resembled a large, crouched rabbit – the square front teeth of the white veranda curtains, the silly bay windows under eyebrows of snow, the vigilant ears of the chimneys. All the windows were dark. The path up the hill had not been shovelled.

That’s where she lives. Mats and I will live there too. But I have to wait. I need to think carefully before I give this Anna Aemelin an important place in my life. (pages 30-1)

T is also for The Tenderness of Wolves by Stef Penney, another book I’ve had for 11 years! It was the 2006 Costa Book of the Year.looking at it now I think one of the reasons I haven’t read it yet is that it appears to be written in a mix of the present and past tenses.

Set in 1867 in Canada, on the isolated settlement of Dove River a man has been brutally murdered, a woman finds his body and her seventeen-year-old son has disappeared. She has to clear his name, heading north into the forest and the desolate landscape that lies beyond it …

In this extract Thomas Sturrock is listening to a conversation between two men when he just has to ask them who they are discussing – is it a trader?

‘A Frenchie trader in Dove River was murdered. I don’t know if there’s more than one such there.’

‘I don’t think there is. You didn’t hear a name by any chance?’

‘Not that I remember off the top of my head – something French, is all I recall.’

‘The name of my acquaintance is Laurent Jammet’.

The man’s eyes light up with pleasure. ‘Well I’m sorry, I truly am, but I think that was the name that was mentioned.’

Sturrock falls uncharacteristically silent. He has had to deal with many shocks in his long career, and his mind is already working out the repercussions of this news. Tragic, obviously for Jammet. Worrying, at the least for him. For there is unfinished business there that he has been very keen to conclude, awaiting only the financial means to do so. Now that Jammet is dead, the business must be concluded as soon as possible, or the chance may slip out of his reach for good. (pages 34-5)

What do you think? Do you fancy any of them? Would you ditch any of them?

The Western Wind by Samantha Harvey

Jonathan Cape, Vintage Digital| 1 March 2018|304 p|Review copy|4.5*

Description

First Chapter First Paragraph: Gem Squash Tokoloshe by Rachel Zadok

Every Tuesday First Chapter, First Paragraph/Intros is hosted by Vicky of I’d Rather Be at the Beach sharing the first paragraph or two of a book she’s reading or plans to read soon.

I’ve been wondering what to read next and looking at my bookshelves Gem Squash Tokoloshe by Rachel Zadok caught my eye.

Gem Squash Tokoloshe

 

It begins with a section in a different font:

The Soul Seeker
Something wake him, stir a hunger in his guts, call. He lick the breeze, taste a morsel of fear on the icy air. His glands drip, his cheeks, taut drawn, long to stretch, distort with moans and screams. There’s pain out there.

and moves on to Chapter One

My Mother believed in magic. She told me stories of the fairies who lived on our farm as she rocked me to sleep at night. On hot summer nights, Mother left the window open, letting in the cool night breeze which carried the smell of citrus to my nostrils. That smell, mixed with the perfume of Mother’s lilac-scented soap, brings Dead Rex and Tit Tat Tay into my mind, and makes me look over my shoulder to make sure they’re not behind me. I’d lived on the farm from the day I was born, and as long as I could remember, I’d been surrounded by fairies. they lived on the peripheries of my vision, well hidden from my curious eyes, but I knew they were there. Mother was forever warning me about the dangers of bad fairies: ‘Don’t go into the orchard alone, Tit Tat Tay will steal you and turn you into a monkey child.’

Blurb

She just sat there hardly moving, staring at the drive. Black marks formed under her eyes where her lashes bled their waxy coating onto her skin. Her rouged cheeks were smudged. Mother looked like she was melting in the heat.

Faith leads an isolated existence on her family’s drought stricken farm in the Northern Transvaal of South Africa. When the rain stopped, her father took to the road as a travelling salesman, returning only at weekends. Now Faith lives with her mother Bella and dog Boesman anticipating his visits – until one day he stops coming and Bella’s health begins to go into rapid decline.

Fifteen years later Bella has died incarcerated in the Sterkfontein asylum for the criminally insane. Faith has not spoken to her mother for ten years and is on the brink of a breakdown of her own. Now, with her mother’s death, she inherits the farm and must return to confront the dark mysteries of the past . . .

In prose as lithe and imaginative as that of Alexandra Fuller, Rachel Zadok te Riele recreates the voice of a young girl growing up during the height of apartheid unrest in South Africa. As Faith struggles to make sense of the complex world in which she lives and come to terms with the beliefs her society and upbringing have inculcated in her, what emerges is a richly compelling, emotionally resonant tale of courage set against the backdrop of a chaotically divided and deeply beautiful country.

∼ ∼ 

The Soul Seeker section is creepy and disturbing. I flicked to the end of the book to find a final section entitled The Baby Snatcher, printed in the same font as The Soul Seeker and now I’m intrigued to find out what comes in between.

What do you think – would you read on?

Six Degrees from The Beauty Myth to The Labours of Hercules

I love doing Six Degrees of Separation, a monthly link-up hosted by Kate at Books Are My Favourite and Best. Each month a book is chosen as a starting point and linked to six other books to form a chain. A book doesn’t need to be connected to all the other books on the list, only to the one next to it in the chain.

This month the chain begins with The Beauty Myth by Naomi Wolf.

The Beauty Myth

This book is described on Goodreads as the bestselling classic that redefined our view of the relationship between beauty and female identity.  I haven’t read it  and most probably won’t read it. So the first link in my chain is to a book about a mythical woman known for her beauty and for being the cause of the fall of Troy. It is

Helen of Troy

Helen of Troy by Margaret George, a modern retelling of the ancient myth of Helen, Paris and the Trojan War. Coincidentally we’ve been watching the BBC’s Troy: Fall of a City I’m never sure I really want to watch film or TV adaptations and yet I find myself drawn to them. This leads me on to

Mythos: A Retelling of the Myths of Ancient Greece

Mythos: The Greek Myths Retold by Stephen Fry, although he hasn’t included the details of the Trojan War – he begins at the beginning where the poets captured the stories told by the Greeks of their gods, monsters and heroes – but doesn’t end at the end.

But Fry does include the story of King Tantalus, who was punished for his crimes by being made to stand in a pool of water beneath a fruit tree with low branches, with the fruit ever eluding his grasp, and the water always receding before he could take a drink. A modern re-working of the story is in my next chain link:

Tantalus: the sculptor's story by [Westwell, Jane]

Jane Westwell’s novel, Tantalus is the story of two lovers are separated not by barriers of race, class or creed, but by something much more devastating  – by time. They can see and can talk to each other  but can never touch. Theirs is an impossible love as each is trapped in their own time and space.

Another modern version of one of the Greek myths is that of Penelope and Odysseus in

 

The Penelopiad

Margaret Atwood’s The Penelopiad: The Myth of Penelope and Odysseus, described by Mary Beard in the Guardian as ‘exploring the very nature of mythic story-telling.’ This is one of the Canongate Myth series of books – retelling Homer’s account in the Odyssey. It also links to Helen of Troy as she is Penelope’s cousin. Atwood’s version explores what Penelope was really up to whilst Odysseus was away for twenty years.

My next link is to another book in the Canongate series:

Weight: The Myth of Atlas and Heracles

 

Weight: the Myth of Atlas and Heracles by Jeanette Winterson. Atlas, the guardian of the Garden of Hesperides and its golden apples, leads a rebellion against the Olympian gods and incurs divine wrath. For this the gods force him to bear the weight of the earth and the heavens for eternity. When Heracles, for one of his twelve labours, seeks to steal the golden apples he offers to shoulder the world temporarily if Atlas will bring him the fruit.

This brings me to yet another re-working of the Greek myths, about another Heracles – also known as Hercules, and his twelve labours:

The Labours of Hercules by Agatha Christie is a collection of 12 short stories featuring Hercule Poirot, first published in 1947. The stories were all first published in periodicals between 1939 and 1947.

The labours of Hercules were set for the classical Greek hero by King Eurystheus of Tiryns as a penance. On completing them he was rewarded with immortality. Hercule Poirot is a very different figure from the Greek hero, Hercules, but there is one way in which they are alike – Christie writes: ‘Both of them, undoubtedly, had been instrumental in ridding the world of certain pests … Each of them could be described as a benefactor to the Society he lived in … ‘

Poirot has set himself the task of solving twelve cases corresponding to the Twelve Labours of Hercules, including The Apples of the Hesperides, in which Poirot’s apples are emeralds on a tree around which a dragon is coiled, on a missing Italian renaissance goblet. It seems that Poirot may have to go on a world tour to investigate locations in five different parts of the globe in order to retrieve the goblet.

My chain this month has the same link running through the book – that of myths. From the modern obsession with beauty back to ancient myths and their modern versions and ending with a collection of short stories of crime fiction based on the Greek myths.

Next month  (April 7, 2018), we’ll begin with Arthur Golden’s bestseller, Memoirs of A Geisha.