Death Comes as the End by Agatha Christie

In 1944 Agatha Christie published Death Comes as the End and in 1945 Sparkling Cyanide, neither of them featuring Hercule Poirot or Miss Jane Marple. By chance these two books are the last full length crime fiction novels by Agatha Christie that I had left to read. There are plenty of short stories of hers that I still have to read and her Mary Westmacott novels as well as her plays, so it is not the end of my reading of her work.

Death Comes As The End

The idea to write a detective story set in Ancient Egypt came from a friend, Professor Stephen Glanville – Death Comes as the End was the result. It is set on the West bank of the Nile at Thebes in about 2000 BC. But in her Authors Note Agatha Christie explained that both time and place are incidental and any other time or place would have served as well. She based her characters and plot on some letters from a Ka priest in the 11th Dynasty:

The letters painted to perfection the picture of a living family: the father fussy, opinionated, annoyed with his sons who did not do as he said; the sons, one obedient but not obviously bright, and the other sharp-tempered, showy, and extravagant. The letters the father wrote to his two sons were about how he must take care of a certain middle-aged woman, obviously one of those poor relations who all through the ages live with families, to whom the heads of families are always kindly, whereas the children usually grow up disliking them because they are often sycophants and makers of mischief. (Agatha Christie’s Autobiography page 514)

From these letters she constructed her story, adding Renisenb, a daughter, Nofret, a concubine for Imhotep, the father, a spoilt younger son and a greedy but shrewd grandmother. He is besotted by Nofret who antagonises the family, setting Imhotep against them. Things come to a head after Nofret has manipulated Imhotep to disinherit his sons and marry her and she is found dead, apparently having fallen from a cliff. More deaths follow.

The mystery in this book is actually not too puzzling. For me, its interest lay in the setting and period details. Agatha Christie, according to her Autobiography had done a lot of reading from books lent to her by Glanville and had also bombarded him with questions about daily life and customs in the 11th Dynasty – such as what food did they eat, how did they cook it, did men and women eat together, what sort of rooms did they sleep in, where did they keep their linen, what sort of houses did they have, and so on?

The end result for me was of authenticity – it all came over as real, the characters were individuals, their relationships were convincing and although Agatha Christie wasn’t happy with the ending, which she changed on Glanville’s suggestion, I thought it was fine. And just as she had pleasure in writing it I had pleasure in reading it.

Reading Challenges: Agatha Christie Reading Challenge, Mount TBR Reading ChallengeVintage Cover Scavenger Hunt for the Golden Age in the category ‘A Green Object’.

A Month in the Country by J L Carr

A Month in the Country (Penguin Modern'¦‘Ah, those days … for many years afterwards their happiness haunted me. Sometimes listening to music, I drift back and nothing has changed. The long end of summer. Day after day of warm weather, voices calling as night came on and lighted windows pricked the darkness and, at day-break, the murmur of corn and the warm smell of fields ripe for harvest. And being young.

As an old man Tom Birkin is looking back to the summer of 1920 when he was asked to uncover a huge medieval wall-painting in the village church of Oxgodby in Yorkshire. J L Carr’s A Month in the Country is a beautifully written little book of just 85 pages, set in the aftermath of World War I. Tom, his ‘nerves shot to pieces, wife gone, dead broke‘,  is still suffering from shell shock after the battle of Passchendaele. Living in the church bell tower, he begins to uncover the painting, excited and engrossed in his work.

Another war veteran, Charles Moon is also in Oxgodby, an archaeologist, camping in a meadow next to the church, whilst he looks for a lost 14th century grave. There are also two more people who are relatively new to the village – the vicar and his beautiful wife, Arthur and Alice Keach. Tom and Moon decide their marriage is an ‘outrage’ and Tom finds her enchanting – reminding him of Botticelli’s Primavera.

I loved this quiet novel, in which not a lot happens and yet so much happens as Tom describes the events of that summer – his relationships with the local people as well as with Moon and Arthur and Alice Keach. There’s the unforgettable Sunday School outing and a visit to Ripon with the Wesleyans looking for an American organ to replace the harmonium in their chapel. It’s during this visit Tom learns more about Moon.

I loved the detail of the wall-painting – the original methods of painting, the colours, the people in the painting. It’s a masterpiece, a Doom, a Christ in Judgement painting. Tom wonders about the original artist, the nameless man and why the painting had been covered and as he uncovers more of the painting thinks that he has lived with a great artist and had shared with the unknown man the ‘great spread of colour’ and feels ‘the old tingling excitement’.

But above all it is the writing that I loved the most – words that took me back in time to that glorious summer in Oxgodby. At the end Tom looks back at that summer with nostalgia for the things that have disappeared, contemplating that

We can ask and ask but we can’t have again what once seemed ours for ever – the way things looked, that church alone in the fields, a bed on a belfry floor, a remembered voice, the touch of a hand, a loved face. They’ve gone and you can only wait for the pain to pass.

I wanted to read A Month in the Country because years ago I’d watched a TV adaptation of the book and loved it. So after I finished reading it I thought I’d look for the film and watch it again. But the film was lost for years and the only available copies now are rare and expensive. So, I won’t be watching it and thinking about it I realise that it would be a mistake to watch it – as I enjoyed the book so much. But it would be good to see the wall-painting …

Reading challenges: Mount TBR Reading Challenge and maybe What’s In a Name? in the ‘Month of the Year’ category if I don’t read a book naming a month of the year!

Vintage Crime Fiction

I’ve been thinking about joining Bev’s Vintage Mystery Cover Scavenger Hunt, but I didn’t think I had enough books in the Vintage Mystery genre to attempt it.

BUT, the Scavenger Hunt idea appeals to me and so I thought I would have a look at my own books, just to see exactly how many books I do have that match Bev’s definition of ‘Vintage Mystery’, which is:

* All books must be from the mystery category (crime fiction, detective fiction, espionage, etc.). The mystery/crime must be the primary feature of the book–ghost stories, paranormal, romance, humor, etc are all welcome as ingredients, but must not be the primary category under which these books would be labeled at the library or bookstore. 

*For the purposes of this challenge, the Golden Age Vintage Mysteries must have been first published before 1960. Golden Age short story collections (whether published pre-1960 or not) are permissible provided all of the stories included in the collection were originally written pre-1960.  Silver Age Vintage Mysteries may be first published any time from 1960 to 1989 (inclusive).  Again, Silver Age short story collections published later than 1989 are permissible as long as they include no stories first published later than 1989. 

And to my surprise, when I went to my shelves – instead of looking at my list in LibraryThing – I found I actually have 14 books first published pre-1960 and 7 first published between 1960 and 1989 (inclusive). My LibraryThing catalogue is certainly not complete!

So, in theory I do have enough books to attempt the Scavenger Hunt for both eras, provided that the covers show the objects listed for the Hunt! And as I do want to read all these books, it’s a no-brainer, so I’m going to do it. And I’m going in for both Eras!

The idea is  to find as many objects on the scavenger hunt list as possible on the covers of the mystery books you read. The minimum number of items to complete the challenge is six items from the covers of books read from a single Vintage Mystery Era.

These are my books in the Golden Age Vintage era. Some are Penguin books with no pictures on the covers and so I’ll look for alternative covers.

Vintage gold

And these are my books from the Silver Age Vintage era.

Vintage silver

The Challenge runs from January 1, 2016 to December 31, 2016. Sign up any time between now and November 1, 2016.  Any books read from January 1 on may count regardless of your sign-up date.

And “On the cover” may apply to either the front or the back cover of the book. For example, if you need a map or a chart for your scavenger hunt list, then Dell Mapbacks are perfect–with the map in question on the back cover. Also, the item should be found on the cover of the edition that you read. If at all possible either post a picture showing the item on the cover or provide a link to a page showing us. Exception:  If the edition you read has no picture whatsoever (hardbacks that have no dust jacket or e-copies, for example), then you may go on another scavenger hunt online to find a cover image–again, please provide a link to the edition used.

This is the list for the Golden Age Era there are 75 items!!! (The Silver Age Era lists the same items.)Scavenger Hunt1

My Week in Books: 13 January 2016

This Week in Books is a weekly round-up hosted by Lypsyy Lost & Found, about what I’ve been reading Now, Then & Next.

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A similar meme,  WWW Wednesday is run by Taking on a World of Words.

Currently I’m reading two books:

The Pattern in the Carpet by Margaret Drabble, subtitled A Personal History with Jigsaws. It’s a mix of memoir, Margaret Drabble’s own personal reflections on doing jigsaws and the history of jigsaws and of children’s games and puzzles. I’ve always loved doing jigsaws and I’m loving this book.

Death Comes As the End by Agatha Christie

I’m also in the middle of reading Death Comes as the End by Agatha Christie. This is a murder mystery set in Ancient Egypt, which despite its historical setting is a typical Agatha Christie mystery as members of a ka-priest’s family are murdered.

Then: this year I’ve been struggling to get rid of an awful cold which has turned into an irritating cough, which has meant that although I’ve still been able to read I haven’t managed to write about most of the books, including this one that I finished a few days ago:

A Month in the Country (Penguin Modern'¦

A Month in the Country by J L Carr. I love this little book set in the summer of 1920 when Tom Birkin, injured in the trenches in the First World War goes to a Yorkshire village to uncover a huge fourteenth century painting on the wall of the village church. A beautiful book! My post will follow soon.

Next – I been reading my way through Agatha Christie’s crime novels and I still have one more to read – Sparkling Cyanide, so that will be my next book.

Sparkling Cyanide by Agatha Christie

Blurb:

A beautiful heiress is fatally poisoned in a West End restaurant’¦ Six people sit down to dinner at a table laid for seven. In front of the empty place is a sprig of rosemary ‘“ in solemn memory of Rosemary Barton who died at the same table exactly one year previously. No one present on that fateful night would ever forget the woman’s face, contorted beyond recognition ‘“ or what they remembered about her astonishing life.

Destination Unknown by Agatha Christie

I had no great expectations when I began reading Agatha Christie’s Destination Unknown (first published in 1954) because I’ve not been keen on her stand-alone international intrigue/spy mysteries. But I thought it started very well and I was soon drawn into the story.

It’s the early 1950s and a number of scientists have disappeared, amongst them is Thomas Betterton, a brilliant nuclear scientist, who had discovered ZE Fission. The British Secret Service suspect that he and the other missing scientists have gone beyond the Iron Curtain, either kidnapped, or tempted by money or by the dream of an ideal world, working for the good of humanity. His wife, Olive, has no idea where he is, but sets off for Morocco, ostensibly on medical advice for a complete rest. However, the plane crashes and she is killed before she gets to her destination.

Hilary Craven, whose abundant red hair is similar to Olive’s, is intent on taking her own life, but she is recruited by Jessop, a British Secret Service Agent who persuades her that if she wants to kill herself she could help her country at the same time by impersonating Olive and thus trace Betterton. In doing so it leads her to a secret scientific complex hidden in the High Atlas mountains and a terrifying discovery.

It went over the top with a string of disasters, involving a faked air disaster, radio-active pearls, a leper colony, and secret laboratories all part of a vast organisation masterminded by a wealthy and powerful fanatic. And added to the international intrigue there is also a murder which is only revealed right at the end of the book. If the plot is bizarre and rather weak, and some of the characters are stereotypes, Hilary’s character is more convincing. And as in her other spy thrillers, Agatha Christie uses it as a vehicle for her own concerns about the state of the post-war world, decrying what she saw as the attempt to impose a world order and discipline, where individuality is suppressed. Hilary thinks she:

would rather have a world of kindly, faulty human beings, than a world of superior robots who’ve said goodbye to pity and understanding and sympathy. (page 102)

It’s a dangerous world where

Once you have got into that state of mind where the taking of human lives no longer counts, then if it is simpler to put a little explosive package under a seat in a plane than to wait about at the corner on a dark night and stick a knife in someone, then the package will be left and the fact that six other people will die also is not even considered. (pages 143-144)

Just as true today as in the 1950s!

I am nearing the end of reading Agatha Christie’s full length novels and now have just 2 left to read. Although Destination Unknown is not one of my favourites I did enjoy reading it – it moves quickly and kept me interested in its twists and turns. There’s a lot going on and it’s not easy to know who is telling the truth and who to trust.

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Added on 15th January 2016:

The edition of Destination Unknown that I read has this cover, fulfilling the cigarette/pipe category on the Golden Age Vintage Mystery Hunt card, as well as the Mount TBR Reading Challenge:

In Bitter Chill by Sarah Ward

I’ve made a great start to 2016 with the first book I’ve read this year. In Bitter Chill by Sarah Ward is her debut novel and it is excellent. I’ve been enjoying her book blog, Crimepieces, for a while now, so when I saw that she had published a book, I knew I had to read it. It will certainly be on my list of favourite books at the end of the year.

This is just the sort of book I love – excellent storytelling, moving smoothly between the past and the present as the secrets from the past gradually emerge, great characterisation and a superb location in the Derbyshire Peak District that Sarah Ward obviously knows very well. It is also a complex and puzzling mystery that kept me glued to the book.

In January 1978 two eight-year old girls, Rachel Jones and Sophie Jenkins were walking to school together when a strange woman offered them a lift in her car. Rachel is later found in Truscott Woods but Sophie was never found.  Move forward 30 years when Sophie’s mother commits suicide. Troubled by Yvonne Jenkin’s suicide, the police reopen the case – Superintendent Llewellyn who was on the original team asks DI Francis Sadler and his team, DC Connie Childs and DS Damian Palmer to see if there was anything that had been missed in 1978.

Rachel has very little memory of the kidnapping as she was drugged and she has nothing to add to the statement she made as a child. But prompted by Yvonne’s suicide she tries to remember what had happened and as she is a genealogist her research into her own family history proves to be invaluable. The questions are which child was the target, why was Rachel the only one to escape and what is the significance of her missing socks? The tension and mystery ramp up with a modern day murder, when Mrs Lander, one of the teachers at the girls’ school is found dead in the woods where Rachel was discovered 30 years earlier.

As I read I jotted down a few points that I thought were relevant. These were socks, illegitimacy, missing fathers and was Mrs Lander’s murder connected to the kidnapping and Yvonne’s suicide? It was only near the end of the book that I worked out why these points were relevant.

Connie was my favourite police officer and I liked the relationship between her and Sadler and the competition between her Sergeant Damian Palmer. I also liked the fact that although there are violent deaths in this book they are not described graphically. The weather gets colder and colder as the chilling events unfold and the devastating family secrets are revealed.

This is a powerful and well written crime fiction novel, one that I enjoyed immensely. I’m glad that there is to be a sequel, A Fragile Spring, which will be published later this year. I’m definitely looking forward to reading it.