My Friday Post

Book Beginnings Button

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader
 where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’ve recently finished reading Gallows View by Peter Robinson, the first Inspector Banks book and have decided to read the series in the order they were written. The second Inspector Banks book is A Dedicated Man. A Dedicated Man

When the sun rose high enough to clear the slate roofs on the other side of the street, it crept through a chink in Sally Lumb’s curtain and lit on a strand of gold blonde hair that curled over her cheek. She was dreaming.

This opening doesn’t tell me much about the book. If I didn’t know it’s an Inspector Banks book I’d probably not bother reading much further. But reading the blurb encourages me to read on:

Blurb:

Near the village of Helmthorpe, Swainsdale, the body of a well-liked local historian is found half-buried under a dry stone wall. Harry Steadman has been brutally murdered. But who would want to kill such a thoughtful, dedicated man?

Chief Inspector Alan Banks is called in to investigate and soon discovers that disturbing secrets lie behind the apparently bucolic facade. It is clear that young Sally Lumb, locked in her lover’s arms on the night of the murder, knows more than she is letting on. And her knowledge could lead to danger . . .

Also every Friday Freda at Freda’s Voice hosts The Friday 56

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader. (If you have to improvise, that’s ok.)
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

From Page 56:

‘He was a fine man, good-tempered, even-natured. He had a sharp mind – and a tongue to match when it came to it – but he was a good man; he never hurt a soul, and I can’t think why anyone would want to kill him.’

‘Somebody obviously felt differently,’ Banks said. ‘I hear he inherited a lot of money.’

I’m pleased that page 56 provides information about the man in the title and provides an answer to the question of why anyone would want to kill such a good man. I haven’t read much more of the book so I’m still in the dark about the motive – was the man really killed for his money?

What do you think? Would you continue reading?

 

My Friday Post: The Taxidermist’s Daughter

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader
 where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

This week I’m featuring The Taxidermist’s Daughter by Kate Mosse ‘“ set in 1912 in a Sussex village where a grisly murder has taken place, this is part ghost story and part psychological thriller.

The Taxidermist's Daughter

Prologue

April 1912

Midnight

In the graveyard of the church of St Peter and St Mary, men gather in silence on the edge of the drowned marshes. Watching, waiting.

A good start I think, definitely full of foreboding.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

From Page 56:

He thought back to the painting on his easel in his studio, to the woman frozen lifeless in time, and realised it was the colour of her skin he’d got wrong. Too pink, no hollows and no shadows. No life in it.

Blurb:

The clock strikes twelve. Beneath the wind and the remorseless tolling of the bell, no one can hear the scream…

1912. A Sussex churchyard. Villagers gather on the night when the ghosts of those who will not survive the coming year are thought to walk. And in the shadows, a woman lies dead.

As the flood waters rise, Connie Gifford is marooned in a decaying house with her increasingly tormented father. He drinks to escape the past, but an accident has robbed her of her most significant childhood memories. Until the disturbance at the church awakens fragments of those vanished years …

What do you think? Would you continue reading?

My Friday Post: Our Spoons Came From Woolworths

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader
 where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

My opening this week is from Our Spoons Came From Woolworths by Barbara Comyns.

I told Helen my story and she went home and cried. In the evening her husband came to see me and brought some strawberries; he mended my bicycle, too, and was kind, but he needn’t have been, because it all happened eight years ago, and I’m not unhappy now.

Friday 56Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

From Page 56:

Charles said he had borrowed some money to send telegrams to his relations saying we had a boy of six ounces. I told him it was six pounds not ounces, but he said a few pounds either way wouldn’t make any difference. But Charles’s telegrams caused a huge sensation, and his family was most disappointed when in due course they discovered we had had quite a normal baby.

Description from the back cover:

Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. An artist’s model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s, where poverty, babies (however much loved) and husband conspire to torment her.

Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, and comes to regret her marriage – and her affair. But in this case virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes . . .

I’m only a few chapters into this book which at first seems to be a comic novel, written in a chatty, relaxed style, but going by the blurb it may not end that way.

My Friday Post: A Place of Execution

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader
 where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

One of the books I’m reading is A Place of Execution by Val McDermid.

A Place of Execution

It begins:

Like Alison Carter I was born in Derbyshire in 1950. Like her, I grew up familiar with the limestone dales of the White Peak, no stranger to the winter blizzards that regularly cut us off from the rest of the country. It was in Buxton, after all, that snow once stopped play in a county cricket match in June.

Blurb:

In the Peak District village of Scarsdale, thirteen-year-old girls didn’t just run away. So when Alison Carter vanished in the winter of ’63, everyone knew it was a murder.

Catherine Heathcote remembers the case well. A child herself when Alison vanished, decades on she still recalls the sense of fear as parents kept their children close, terrified of strangers.

Now a journalist, she persuades DI George Bennett to speak of the hunt for Alison, the tantalising leads and harrowing dead ends. But when a fresh lead emerges, Bennett tries to stop the story ‘“ plunging Catherine into a world of buried secrets and revelations.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

From Page 56:

Nothing made sense. If someone was ruthless enough to kidnap a young girl, surely they wouldn’t show mercy to a dog? Especially a dog as lively as Shep. He couldn’t imagine a dog with the collie’s spirit meekly submitting to having elastoplast tightly wound round its muzzle. Unless it had been Alison who’d done the deed.

I’ve read nearly half the book so far and I’m really enjoying it so far. It’s a standalone mystery and is compelling reading.

My Friday Post: Night Falls on Ardnamurchan

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader
 where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

One of the books I’m currently reading is Night Falls on Ardnamurchan: The Twilight of a Crofting Family by Alasdair Maclean.

Night Falls on Ardnamurchan: The Twilight of a Crofting Family

It begins:

Introduction 1: Father and Son

We hardly conceive of our parents as human. There are innumerable actions, there are whole areas of life and thought, that we do not care to see connected with them, that we scarcely allow ourselves, far less others, to connect with them.

From the back cover:

The Scottish poet Alasdair Maclean records the rise and fall of the remote crofting hamlet in the little-known area of Ardnamurchan where his family had its roots.

Perceptive, humorous and sharp he binds his own account of the crofter’s lifestyle and extracts from his father’s journal, a terser, more factual and down-to-earth vision of the day-to-day. It is an unusual and memorable story, one that not only describes life in a dying crofting community but also illuminates the shifting, often tortuous, relationship between children and their parents.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

The events on page 56 are concerned with winkle gathering, which provided an additional income to many of the crofters. The winkles were gathered and then stored where they could be refreshed by sea water until they were shipped to a merchant.

The reaction of a bag of thirsty winkles to a good splash of Mother Atlantic is delightful. For a few minutes all is creaks and squeaks and bubblings, as though a buzz of winkly conversation had broken out.

I found it was slow going at first, but now I’ve read half the book I’m really enjoying Maclean’s commentary on his father’s journal.

My Friday Post: Caedmon’s Song

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader
 where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’ve been rather neglecting my TBRs so far this year, so I’ve been going through them deciding which one to read next and came across Caedmon’s Song by Peter Robinson, one of his standalone books.

Caedmon's Song

It begins:

Martha Browne arrived in Whitby one clear afternoon in early September, convinced of her destiny.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

Kirsten looked away towards the window. Outside, beyond the flowers, and the get-well cards on her table, she could see the tops of trees swaying slowly in the wind and a distant block of flats, white in the July sun, ‘I don’t know if I want to remember,’ she whispered. ‘I feel so empty.’

Blurb:

On a balmy June night, Kirsten, a young university student, strolls home through a silent moonlit park. Suddenly her tranquil mood is shattered as she is viciously attacked.

When she awakes in hospital, she has no recollection of that brutal night. But then, slowly and painfully, details reveal themselves – dreams of two figures, one white and one black, hovering over her; wisps of a strange and haunting song; the unfamiliar texture of a rough and deadly hand . . .

In another part of England, Martha Browne arrives in Whitby, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

I’ve enjoyed reading some of Peter Robinson’s Inspector Banks books. Caedmon’s Song, described as a ‘psychological thriller‘ looks a bit different and I’m wondering about Martha’s research – is it connected to Dracula? after all Whitby Abbey was Bram Stoker’s inspiration for his novel, Dracula.