The Red Monarch by Bella Ellis

Hodder and Stoughton| 18 November 2021| 326 pages| e-book| Review copy| 3*

Blurb

The Brontë sisters’ first poetry collection has just been published, potentially marking an end to their careers as amateur detectors, when Anne receives a letter from her former pupil Lydia Robinson.

Lydia has eloped with a young actor, Harry Roxby, and following her disinheritance, the couple been living in poverty in London. Harry has become embroiled with a criminal gang and is in terrible danger after allegedly losing something very valuable that he was meant to deliver to their leader. The desperate and heavily pregnant Lydia has a week to return what her husband supposedly stole, or he will be killed. She knows there are few people who she can turn to in this time of need, but the sisters agree to help Lydia, beginning a race against time to save Harry’s life.

In doing so, our intrepid sisters come face to face with a terrifying adversary whom even the toughest of the slum-dwellers are afraid of . . . The Red Monarch.


The Red Monarch is the third Brontë Mystery book in which the main characters are the three Brontë sisters, Charlotte, Emily and Anne and their brother Branwell. I’ve read the first two and enjoyed them. But when I came across the first book I wasn’t at all sure I wanted to read it, as I’m never very keen on books that use real people as fictional characters. So, I was delighted to find that I thoroughly enjoyed the books even though, of course, the stories about the Brontës being ‘detectors’, or amateur sleuths, are pure imagination. The setting in the Yorkshire Moors is superb, the characters came across as ‘real’ and the books are well plotted.

And so, I was looking forward to reading The Red Monarch and it began well in Haworth in August 1852 as Charlotte is trying to write Villette. She is in despair after the deaths of her siblings – Emily and Branwell in 1848, and Anne in 1849. Instead of writing she reads a little notebook containing Emily’s poems and one particular poem brought back to her the dreadful events that had taken place and the terrors and cruelties they had seen, on their excursion to London. It had all taken place just after the Brontë sisters’ first poetry collection had been published – in 1846.

It was at this point, right at the beginning of the story about their time in London, that I thought I was reading a completely different type of mystery from the earlier books – not only is in not set in Yorkshire this book is a gothic melodrama. In a terrifying attack on Lydia and her husband Harry, a gang of thieves and murderers, led by Noose, had burst into Harry and Lydia’s bedroom. They had seized Harry and threatened to kill him unless Lydia brought them the jewel that Harry had been ordered to collect. Lydia, who was pregnant, had seven days to save their lives. But it is the Red Monarch, who was in control of the gang, and who held them all under his control – a most villainous and fearsome gangster. In desperation Lydia wrote to Anne for help.

The story is melodramatic, sensational and fast-paced. It is told through each of the sisters’ eyes, each one clearly distinctive, whilst Emily (once more) is the standout character. They are all independent women, strong-willed and determined and as Victorian women, vastly underestimated by the men. But, I had a hard time accepting the Brontë sisters in this story. Whereas in the two previous books I could believe that the Brontë family were just as Bella Ellis has described them, in this book I couldn’t.

The descriptions of mid 19th century London are vivid, clearly depicting the filthy living conditions of the poor, the sights and foul smells. The details of the Brontës’ search for Harry and the missing jewel test their strength, courage and skill in detection.

There are a few other real people who play a minor role, notably Charles Dickens, who is dismissive when Charlotte, somewhat in awe of him, asks for his advice as a writer, telling her to abandon any ideas of being a novelist and to marry, or teach. His companion, Mrs Catherine Crowe, another real author who wrote supernatural tales, was much more approachable and friendly, contacting her spirit friends to help with Charlotte’s search as well as giving her useful advice as a writer. Another character, with a larger role, is Louis Parensell, who develops a passion for Emily. He was not a real person, but Virginia Moore, a Brontë biographer, misread the handwritten title of Emily’s poem ‘Love’s Farewell’ as ‘Louis Parensell’, and developed the theory that Louis was Emily’s secret lover.

As the novel reached its dramatic climax, Emily in particular is in danger of losing her life as she dared to challenge the Red Monarch. I was most interested in the identity of The Red Monarch – was he in fact a real person, or totally fictitious? There various references to him throughout the novel, what was the origin of his name, and what was the meaning of his insignia? It seemed to be two capital Rs back to back topped with a crown and contained within a five-pointed star of pentagram. Anne had first discovered them and she felt sure they carried a secret meaning to those in know. When the identity of the Red Monarch is finally revealed I was surprised – but it is appropriate in that the real person has been described as a maniacal, controlling man.

I enjoyed this book, but I think the two previous books are much better and seem more authentic, aided by being set in the Brontës’ Yorkshire. They were out of place in London. It all seems to me to be over dramatic and unbelievable. The fictional element far outweighs the historical.

~~~

‘Bella Ellis’ is the Brontë-inspired pen name for the author Rowan Coleman, who has been a Brontë devotee for most of her life. As well as writing the Brontë Mysteries she is the .author of sixteen novels including the Richard and Judy pick The Memory Book and the Zoe Ball bookclub choice, The Summer of Impossible Things.

My thanks to Hodder Stoughton for a review copy via NetGalley

Book Beginnings & The Friday 56: The Homecoming by Anna Enquist

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading. You can also share from a book you want to highlight just because it caught your fancy.

This week I’m featuring The Homecoming by Anna Enquist, to be published on 1 April 2022. This is my Amazon First Reads choice this month – where you can choose to download a free e-book from a choice of eight early release titles if you subscribe to Amazon Prime.

The Book Begins:

He’ll expect an empty table when he comes home, she thought. He’ll be lugging chests and sacks into the house, filled with journals, sketches and maps.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice, where you grab a book and turn to page 56 (or 56% of an eBook), find one or more interesting sentences (no spoilers), and post them.

Page 56:

How could he, from one minute to the next, become a father again, or a husband? In the brief span of time between dusk and darkness, there was no way to catch up on three years. They would have to take a leap of faith and trust that, in the coming weeks and months, they could fill in the gaps.

I was beginning to think I wouldn’t choose an Amazon First Reads book this month, until I came to the Literary Historical Fiction choice (I notice that this is a different choice from the US selection). I chose this book because I like historical fiction and this one is about Elizabeth Cook, the wife of the eighteenth-century explorer, Captain James Cook. I also chose it because it’s by Anna Enquist, (the pen name of one of the more popular authors in the Netherlands, Christa Widlund-Broer.) She is a musician, and a psychoanalyst as well as a poet and novelist, and I have read one of her books before, a Leap, a very short book (80 pages) made up of six dramatic monologues. Overall they are sad, even tragic stories and I liked her style of writing, which is clear and brings the people and places to life. 

I started to read The Homecoming as soon as I downloaded it and so far I am enjoying it very much.

Synopsis:

After twelve years of marriage to English explorer James Cook, Elizabeth has yet to spend an entire year with her husband. In their house by the Thames, she moves to the rhythms of her life as a society wife, but there is so much more to her than meets the eye. She has the fortitude to manage the house and garden, raise their children, and face unbearable sorrow by herself—in fact, she is sometimes in thrall to her own independence.

As she prepares for another homecoming, Elizabeth looks forward to James’s triumphant return and the work she will undertake reading and editing his voluminous journals. But will the private life she’s been leading in his absence distract her from her role in aid of her husband’s grand ambitions? Can James find the compassion to support her as their family faces unimaginable loss, or must she endure life alone as he sails off toward another adventure?

An intimate and sharply observed novel, The Homecoming is as revelatory as James Cook’s exploration of distant frontiers and as richly rewarding as Elizabeth’s love for her family. With courage and strength, through recollection and imagination, author Anna Enquist brilliantly narrates Elizabeth’s compelling record of her life, painting a psychological portrait of an independent woman ahead of her time and closely acquainted with history.

The Second Cut by Louise Welsh

Canongate Books| 27 January 2022| 372 pages| e-book| review copy via NetGalley| 3.5*

Synopsis:

Auctioneer Rilke has been trying to stay out of trouble, keeping his life more or less respectable. Business has been slow at Bowery Auctions, so when an old friend, Jojo, gives Rilke a tip-off for a house clearance, life seems to be looking up. The next day Jojo washes up dead.

Jojo liked Grindr hook-ups and recreational drugs – is that the reason the police won’t investigate? And if Rilke doesn’t find out what happened to Jojo, who will?

Thrilling and atmospheric, The Second Cut delves into the dark side of twenty-first century Glasgow. Twenty years on from his appearance in The Cutting Room, Rilke is still walking a moral tightrope between good and bad, saint and sinner.(Amazon UK)

I enjoyed reading Louise Welsh’s debut novel, The Cutting Room back in 2005, even though it was not the usual type of book that I read, and was way out of my comfort zone. I remember that its dark, edgy atmosphere made it compelling reading about Rilke an auctioneer who discovered a collection of violent and highly disturbing photographs. So when I saw that she’d written another novel, about, Rilke, The Second Cut I was keen to read it. I had forgotten most of the detail in The Cutting Room, but that didn’t matter as this book reads well as a standalone.

Twenty years have passed since the first book was published and much has changed in the world, but Rilke at forty seven years old, is now only four years older in this second book, still an auctioneer at Glasgow’s Bowery Auctions and ‘too tall, too thin and too cadaverous to look like anything other than a vampire on the make’. I found this somewhat confusing as The Second Cut is clearly set in the present day, with all the changes that have taken place in the last twenty years regarding the rights of LBGTQ+ people, and the references to Covid.

Just like The Cutting Room, I found this compelling reading, but not always comfortable reading, particularly about the darker side of Glasgow’s violent underworld and gay scene. The characters are vividly drawn and from start to end the pace is fast, and the details about the auction house are fascinating. There are two main threads – the first is Rilke’s determination to find out how and why his old acquaintance Jojo turned up dead on a doorstep.

Aand the second follows his suspicions about the truth behind the house clearance of Ballantyne House, a neglected Georgian house in Galloway, less than two hours from Glasgow. It was crammed with many valuable items along with the dross. It was owned by Mrs Forrest, an old lady who had been a concert pianist but was now suffering from dementia, so her son and nephew were dealing with the sale of the property and its contents. I read a lot of crime fiction, so I soon guessed what had happened to Mrs Forrest, and similarly I was immediately suspicious about what was going on in the polytunnels.

But it’s the gay scene that is the main focus of the book and in her Afterword Louise Welsh explains that she had written The Cutting Room twenty years ago in a white-hot rage about the intensity of the hostile environment against LBGTQ+ people. Although much has changed since then with equal marriages, increased visibility, access to hate laws, improved awareness of queer and trans rights, with a general consensus that violence and prejudice against LBGTQ+ people is wrong, outrages still occur. She writes that the Glasgow she inhabits is largely better, in terms of sexuality, than it was twenty years ago. I have to say that some of the scenes in The Second Cut seem to be stuck in the past – or have I got that wrong?

Many thanks to Canongate Books for a review copy via NetGalley

Six Degrees of Separation: from the End of the Affair by Graham Greene to Peril at End House

Six Degrees of Separation is a monthly link-up hosted by Kate at Books Are My Favourite and Best. Each month a book is chosen as a starting point and linked to six other books to form a chain. A book doesn’t need to be connected to all the other books on the list, only to the one next to it in the chain.

The chain this month begins with  The End of the Affair by Graham Greene, a book I have read. It is a study of love and hate, of desire, of jealousy, of pain, of faithfulness, and of the interaction between God and people. Maurice’s love affair with his friend’s wife, Sarah, had begun in 1944 during the London Blitz. They had met at a party held by Sarah’s husband, Henry. The affair had ended suddenly after his house had been bombed by a V1 and Sarah had not explained why. Two years later Maurice, still obsessed by Sarah employed Parkis, a private detective to find out the truth.

As usual I spent some time thinking about where to start my chain – and came up with several options. In the end I chose The Mysterious Affair at Styles by Agatha Christie, about a completely different affair – that of the murder of old Mrs Inglethorp. First published in 1920, this was the novel in which Agatha Christie created Hercule Poirot, the famous Belgian detective and introduced Captain Hastings and Inspector Japp. Mrs Inglethorp died from from strychnine poisoning.

My second link is to Peter Robinson’s crime novel Cold is the Grave in which Emily Riddle is also murdered by strychnine, mixed with cocaine. As Inspector Banks investigates her death, the case gets more complicated with blackmail, another death and a suicide.

Blackmail also features in my third linkThe Big Sleep by Raymond Chandler in which millionaire General Stallwood is being blackmailed. This is a story of sex, drugs, blackmail and high society, set in Los Angeles.

My fourth link: is Not the End of the World by Christopher Brookmyre, a crime thriller also set in Los Angeles. It’s at the end of the last century when people were in the grip of ‘1999 Syndrome’. Brookmyre is a Scottish novelist whose novels mix politics, social comment and action with a strong narrative. He has been referred to as a Tartan Noir author.

My fifth link is via the genre Noir, this time to Icelandic Noir in the The Legacy by Yrsa Sigurdardottir. This is the first book in her Children’s House thriller series. After seeing her mother brutally murdered, seven-year old Margrét is taken to the Children’s House where Freyja, a child psychologist is in charge. Freyja and the police officer Huldar in charge of the police investigation, try to get to the truth of what had happened.

My final link, brings the chain round to a full circle with the words ‘house’ and ‘end’ in the title of Agatha Christie’s Peril at End House. Poirot is on holiday in Cornwall where he meets Nick Buckley who lives at End House. She tells him of her “accidental brushes with death”. Convinced he is in grave danger, he just cannot resist investigating who is her would-be killer.

My chain is a circle and apart from the starter are all crime novels beginning and ending with books by Agatha Christie. They are a mix of Golden Age mysteries, modern detective stories ,hard-boiled. fiction and two types of ‘noir’ crime fiction.

Next month (April 2, 2022), we’ll start with a hot favourite to make the 2022 Women’s Prize for Fiction longlist, Our Wives Under the Sea by Julia Armfield, which I think looks very strange.

Throwback Thursday: Here Lies Arthur by Philip Reeve

Today I’m looking back at my post on Here Lies Arthur by Philip Reeve, historical fiction, retelling the life of the legendary King Arthur. I first reviewed it on February 5, 2008.

My review begins:

This was one of the best books I read in 2007. Philip Reeve is a new author to me. Here Lies Arthur is an adventure story, set in Britain in AD 500. I have always been fascinated by the legend of King Arthur and this book tells his story, casting a new and original slant on the ‘facts’. Very little historical evidence has survived to give concrete information about life in Britain from the fifth to the sixth centuries. The picture Reeve paints is of a turbulent and harsh world, with Arthur as a war-leader in a land where opposing war-bands fight for supremacy. Arthur is not the romantic hero of legend but a dangerous, quick-tempered man, ‘solid, big-boned with a thick neck and a fleshy face. ‘A bear of a man.’

Click here to read my full review

The next Throwback Thursday post is scheduled for March 31, 2022.

Death in the Tunnel by Miles Burton

Death in the Tunnel by Miles Burton – this is a British Library Crime Classic, first published in 1936, about the death of Sir Wilfred Saxonby who was found in a first class compartment of the 5 pm train from London to Stourford. He had been shot through the heart. Initially it was thought he had committed suicide while the train was passing through a long tunnel, but there seemed to be no reason why he should have wished to kill himself. Inspector Arnold of Scotland Yard became interested in the case when he heard of a strange incident that had taken place in the tunnel – a mysterious red light had caused the driver to slow down for a few moments. Unable to find out why this had happened and whether it had any relevance to Sir Wilfred’s death he consulted his friend Desmond Merrion, an amateur expert in criminology and between them they discovered what had happened.

It’s a complex mystery -a type of locked room puzzle. If Sir Wilfred hadn’t committed suicide, who had a motive for killing him? Because Sir Wilfred had asked to have the compartment to himself, the rear guard had locked the door and it was only opened when the train reached Stourford – so how could anyone have got in? A miniature automatic pistol with Sir Wilfred’s initials on it is found under his seat, but although he had a certificate for a revolver and a rifle he didn’t have one for an automatic pistol. Why is his train ticket was missing and what is the significance of his wallet and its contents. It puzzles Inspector Arnold and Merrion and it puzzled me too. First of all it is not at all clear, if it was murder, who was responsible – his family, his business employees or contacts, or was it because of his personality – who disliked him so much to want him dead. And on top of all that how had he been killed? This both a whodunnit and a howdunit – and it is most ingenious. If you, like me, enjoy this puzzle type of mystery you’ll enjoy this book.

Miles Burton is a pseudonym. His real name was Cecil John Charles Street (1884 – 1964) and he also wrote under the names of John Rhode and Cecil Way. In his Introduction to Death in the Tunnel Martin Edwards writes about Street’s career as a crime writer. He was a founder member of the elitist Detective Club and was and compiled an anthology of the work of the Club’s members, Detection Medley, and continued to publish crime novels until the 1960s. He was a prolific writer – see this list of his works on the Fantastic Fiction site.

  • Publisher ‏ : ‎ British Library Publishing (10 May 2016)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 256 pages
  • ISBN-10 ‏ : ‎ 071235641X
  • ISBN-13 ‏ : ‎ 978-0712356411
  • Source: my own book
  • My Rating: 3*