Agatha Christie Reading Challenge – Update

In September 2008 Kerrie at Mysteries in Paradise launched the Agatha Christie Reading Challenge to read her way through Agatha Christie’s novels, in the order in which they were written.  I joined in but decided to read the books as I come across them rather than in order of publication. There are 66 mystery and detective novels and numerous collections of short stories.

Up to now I’ve read 54 books and 4 short story collections. The list of the books I’ve read is on my Agatha Christie Reading Challenge page. Just 11 or 12 books left for me to read (plus the short stories!):

  1. 1925 – The Secret of Chimneys – I think I’ve read this one! But I can’t find a record of it or the book, so maybe I haven’t!
  2. 1930 – The Murder at the Vicarage
  3. 1931 – The Sittaford Mystery
  4. 1935 – Three Act Tragedy*
  5. 1938 – Appointment with Death
  6. 1940 – Sad Cypress
  7. 1942 – The Moving Finger*
  8. 1944 – Towards Zero*
  9. 1944 – Death Comes as an End
  10. 1945 – Sparkling Cyanide
  11. 1945 – Destination Unknown
  12. 1969 – Hallowe’en Party*

* books I own

I also have The Mouse Trap to read and some of the short story collections  – Wikipedia lists these and there are a lot! Then there are the books Agatha Christie wrote under the pseudonym of Mary Westmacott. I’ve read her Autobiography, but there is also an earlier book, Come, Tell Me How You Live under the name of Agatha Christie Mallowan.

Nemesis by Agatha Christie

Nemesis first published in 1971, is one of Agatha Christie’s later books written in her eighties. It is the last book she wrote about Miss Marple. There are two more books that were published later, but those were written earlier. It’s not among the best of her books, it’s slow moving, lots of dialogue, lots of recapping of events and clues, lots of moralising and social commentary. It follows on, although it is not a sequel to, A Caribbean Mystery in which Miss Marple met Mr Rafiel.

It’s slow moving because for quite a while Miss Marple doesn’t know what the crime is that she has been asked to investigate. Mr Rafiel, who she met in the West Indies, has left her £20,000 in his will on condition she investigates a certain crime, but doesn’t give her any details. He wrote that she had a natural flair for justice leading to a natural flair for crime and reminded her that the code word is Nemesis. Then she is invited to join a tour of Famous Houses and Gardens of Great Britain at Mr Rafiel’s expense. And off she goes.

As Miss Marple remarks:

Murders as reported in the press have never claimed my attention. I have never read books on criminology as a subject or really been interested in such a thing. No, it has just happened that I have found myself in the vicinity of murder rather more often than would seem normal. (page 90)

What an understatement!

Miss Marple has to first of all work out who she can trust.Very gradually through meeting people and talking to them in her usual rather scatty old-lady manner Miss Marple begins to uncover a crime committed years earlier, working largely on intuition. During this process Miss Marple ponders on a number of subjects from wondering how the three witches in Macbeth should be portrayed, during the visit Mr Rafiel had arranged for her with the three sisters at the Old Manor House, to her disapproval of the clothes young women wore. I suspect this was Agatha Christie using Miss Marple as a mouthpiece for her own views – just as this view of rape expressed by  another character, Professor Wanstead, a friend of Mr Rafiel may be her own thoughts too:

Girls you must remember, are far more ready to be raped nowadays than they used to be. Their mothers insist, very often, that they should call it rape. (page 182)

But I wondered about the whole premise of the book – would someone really ask a person to investigate a crime and not give them any details?  It seems highly improbable to me even if Mr Rafiel had wanted Miss Marple to approach the crime with an open mind. And surely if Mr Rafiel really wanted to discover the true facts about the crime he could easily have done so before he died.

I think Nemesis lacks tension and suspense. The characters are rather hard to differentiate, mainly because there are too many, and too many who have no part in the mystery. There are few red herrings to deflect the reader, just unexplained facts that Miss Marple clears up in the last chapters. But I think it is an unusual book and I quite enjoyed it.

Adding to the TBR Shelves

A few days ago I rearranged my bookshelves – and now I’ve got to make space for a few more books, because I went to Barter Books in Alnwick on Tuesday and came home with more books to add to the TBR shelves.

Dead Scared pile I really enjoy going to Barter Books, wandering around the shelves and browsing. But I also take with me lists of books I want to look at including a list of the Agatha Christie books I haven’t read and don’t already own. There is always a good selection of books, the stock regularly changes, so there are always ‘new’ books to look at. (Barter Books is, as its name indicates, a sort of exchange of used books; you take some in and choose others in exchange. You can, of course, just buy the books if you haven’t any credit.)

I’m very pleased with this little pile of books because I’ve been on the look out for some of them for quite a while, although one of them is a book (Talking to the Dead) that I only read about on Tuesday morning on Alex’s blog Thinking in Fragments. They are (from top to bottom):

  • The Floating Admiral – this wasn’t on my list of books to look for, but it was filed with the Agatha Christie books (I always look there first) and I thought it looks good. It’s a collaboration by Agatha Christie, Dorothy L Sayers and ten other crime writers from the Detection Club, with a prologue by G K Chesterton. It was originally published in 1931 and this new edition published in 1911 has an introduction by Simon Brett.
  • The Mysterious Mr Quin by Agatha Christie, featuring Mr Satterthwaite and Mr Quin, the man ‘who appears from nowhere‘ and ‘unravels mysteries that seem incapable of solution’. It is one of the early Christie books, first published in 1930. This edition is one of the Penguin Crime fiction books in green and white reprinted in 1961 for 2/6. This fills a gap in my reading of her earliest books.
  • The Mousetrap and Selected Plays by Agatha Christie. There are three other plays in this collection – And Then There Were None, Appointment with Death and The Hollow, adapted by Agatha Christie from her novels, which, with the exception of Appointment with Death, I have read, so it’ll be interesting to see how they differ from the originals.
  • The Queen of the Tambourine by Jane Gardam. This is the only non crime fiction book in the pile, by the author of Old Filth, which I loved. It’s described on the front cover as ‘Brilliant, wickedly comic … masterly and hugely enjoyable‘. It’s about a do-gooder and promises to be a refreshing change from the crime fiction.
  • Talking to the Dead by Harry Bingham – the book recommended by Alex. It’s the first in the Fiona Griffiths series, a crime thriller in which police woman Fiona Griffiths investigates the death of a woman and her six-year old daughter. It is described on the back cover as ‘a stunner with precision plotting, an unusual setting, and a deeply complex protagonist … breathtaking.’
  • Dead Scared by S J Bolton. I like S J Bolton’s books and I’ve been looking out for this one, the second in her Lacey Flint series ever since I read the first book, Now You See Me. This is another crime thriller featuring a police woman, this one investigating a spate of suicides – all female university students.

The Big Four by Agatha Christie

I’ve read a lot of Agatha Christie’s books, most of which I’ve really enjoyed, but I’m not too keen on her books that involve spies and gangs of international criminals who are seeking world domination. And The Big Four, first published in 1927, is one of those books.

Basically it’s a collection of short stories (derived from a series of stories that first appeared in The Sketch, a weekly magazine) in which Hercule Poirot and Captain Hastings lock forces with a vast organisation of crime led by four individuals, in the course of which they uncover the identity of the ‘Big Four’. The aim of the Four is ‘to destroy the existing social order, and to replace it with an anarchy in which they would reign as dictators.’  They are a Chinese man, Li Chang Yen, an American multi-millionaire, a French woman and ‘the Destroyer’, an Englishman. Poirot is convinced that they are behind everything:

The world-wide unrest, the labour troubles that beset every nation, and the revolutions that break out in some. There are people, not scaremongers, who know what they are talking about, and they say that there is a force behind the scenes which aims at nothing less than the destruction of civilisation. (page 25)

In the course of their investigations Poirot and Hastings find themselves in many dangerous  situations, all melodramatic and a little far-fetched, from which they miraculously escape certain death. The Big Four is action packed, with Poirot uncharacteristically chasing off after the criminals, still using his ‘little grey cells’ of course, whilst Hastings is knocked out and kidnapped, and Li Chang Yen threatens to abduct and torture Hasting’s wife, whom he had left behind in their ranch in the Argentine.

This is not one of my favourite Agatha Christie books. But perhaps it is not so surprising that The Big Four is far from her best. It was in  December 1926 that Agatha Christie disappeared after her husband, Archie Christie had told her he wanted a divorce and in 1927 she was still recovering from this. It was her brother-in-law’s suggestion that the last Poirot short stories she had published could be re-written to ‘have the appearance of a book‘ as a ‘stop-gap‘ – and the result was The Big Four, which, I think, suffers from being a loosely connected collection of episodes. Agatha explained in her Autobiography that Campbell Christie had helped her with linking the short stories as she was ‘unable to tackle anything of the kind.‘ (Autobiography page 365)

They Do It With Mirrors by Agatha Christie

I’m slowly reading my way through Agatha Christie’s books, not in chronological order, but just as I come across them and this month I’ve read They Do It With Mirrors which was first published in 1952.

I don’t think it’s one of her best, but I did like it. It begins with Miss Marple reminiscing with an old friend, Mrs Ruth Van Rydock, an American. Miss Marple has known her and her sister, Carrie Louise since they had been together at a pensionnat in Florence. Ruth is worried about Carrie Louise, who is now living in a country house in the south of England with her husband, Lewis Serrocold, which he has turned into a home for delinquent boys. She can’t put her finger on what is wrong, she just felt the atmosphere wasn’t right, whether it was the boys’ home – ‘those dreadful young delinquents‘ or something else and she asks Miss Marple to visit Carrie Louise to see if her fears are justified.

Miss Marple finds an unhappy household, including Mildred, Carrie Louise’s widowed daughter, Stephen and Alex, her stepsons, and Gina, her adopted daughter’s daughter, married to an American, Wally Hudd. Lewis Serrocold is Carrie’s third husband, described by Ruth as a

‘crank’, a ‘man with ideals’, ‘bitten by the bug of wanting to improve everybody’s lives for them. And, really you know, nobody can do that but yourself.’

All is not well with the boys either – one of them, Edgar Lawson is suffering from delusions, saying his father is Churchill and then that he is Montgomery. He loses control and Lewis takes him into his office, but their raised voices are heard by the others, culminating in the sound of gunshots. But it is not Lewis or Edgar who is killed, but one of the trustees of the home, Christian Gulbrandsen, the brother of Carrie Louise’s first husband who was alone in his study. So Ruth’s fears materialise when Christian is found shot dead and it seems that someone is trying to poison Carrie Louise.

As I expected from the title not everything is as it appears.  The layout of the house is of importance and there is a plan showing how the rooms are connected, but even so I was still in the dark. I hadn’t worked out who the murderer is and had even ruled out the person in question quite early on in the book. Miss Marple, however, was not deceived and had sorted out the reality from the illusion and seen through the misdirection.

… all the things that seemed to be true were only illusions. Illusions created for a definite purpose – in the same way that conjurers create illusions to deceive an audience.

There are a number of points that struck me as interesting as I read the book, not essential to the plot, but maybe revealing Agatha Christie’s opinions and her views of post-war society. There is the subject of self-help and the issue of expecting things to be granted as a right, focussing on providing education for the juvenile delinquents by men crazy with enthusiasm like Lewis Serrocold:

One of those men of enormous will power who like living on a banana and a piece of toast and put all their energies into a Cause.

 

She makes the point that just because a person comes from a deprived background doesn’t mean they’re going to turn into criminals and it is the honest ones who could do with a start in life – ‘But there, honesty has to be its own reward – millionaires don’t leave trust funds to help the worthwhile.’

There are comments on the oddness of the English, being prouder of defeats and retreats than of their victories, using Dunkirk as an example and the Charge of the Light Brigade. At the same time as I was reading this I was also reading Jeremy Paxman’s The English: a Portrait of a People, in which he also comments on this trait – turning the consequence of catastrophe into a ‘victorious retreat’.

On a more personal level there are her views on the vulnerability of women:

Women have a much worse time of it in the world than men do. They’re more vulnerable. They have children and they mind – terribly – about their children. As soon as they lose their looks, the men they love don’t love them any more. They’re betrayed and deserted and pushed aside.

 

I can’t help thinking that really was Agatha Christie speaking from experience.

Five Little Pigs by Agatha Christie

There are many things I like about Five Little Pigs, a Poirot mystery first published in 1943. I like the plot and the way it’s structured, the characterisation, the dialogue, and Agatha Christie’s fluent style of writing. In addition the solution is convincing and satisfying.

Caroline Crale was convicted of the murder of her husband, Amyas and died in prison. Sixteen years later, her daughter, a child of five at the time of the murder, asks Poirot to clear her mother’s name, convinced that she was innocent.

Poirot checks the police records, talks to the lawyers who conducted the trial and to the five eyewitnesses, persuading them to write down their versions of events. He finds that she had ample motive for the crime, at no time had she protested her innocence, although she contended that he had committed suicide, and all the eyewitnesses thought she was guilty.

Inevitably there are different versions of the events and conflicting views of Caroline’s character, all very clearly set out. So what did actually happen? Was Caroline innocent or guilty?

Poirot, in his usual methodical manner, goes through the sequence of events, and having gathered together all the people involved, using logic and psychology to detect the incongruous he makes his denouement.

The description of Amyas Crale’s house, Alderbury appears to have been modelled on Agatha Christie’s own house, Greenway, complete with a Battery overlooking the river, just as at Greenway. The book was written in 1943, making it 16 years after 1926, the year of her disappearance before her divorce from her first husband, Archie Christie, so I don’t think that it’s a coincidence that Amyas Crale, a womaniser who was proposing to leave his wife for another woman has the same initials as Archie Christie!

I think the nursery rhyme theme of the title and the chapter headings is rather forced, as it doesn’t really throw any light on the mystery. It seems that Agatha Christie was a bit carried away with her ‘crimes of rhymes’, just as Poirot was obsessed with the jingle:

A jingle ran through Poirot’s head. He repressed it. He must not always be thinking of nursery rhymes. It seemed an obsession with him lately. And yet the jingle persisted.

This little pig went to market, this little pig stayed at home…’ (page 33)

This is the first Agatha Christie book I’ve read this year and I’m pleased it was such a good one!

Five Little Pigs is my 8th TBR book I’ve read this year in the Mount TBR Challenge, and the TBR Triple Dog Dare, the 2nd for the My Kind of Mystery Challenge and the 2nd for the What’s in a Name 7 Challenge (in the category, a book with a number written in letters in the title). And last, but by no means least, it’s the 56th Agatha Christie book I’ve read in the Agatha Christie Reading Challenge.