Agatha Christie and the Eleven Missing Days by Jared Cade

In December 1926 Agatha Christie disappeared from her home, Styles, in Berkshire. She was found eleven days later in a hotel in Harrogate, Yorkshire apparently suffering from amnesia. Agatha Christie and the Eleven Missing Days by Jared Cade delves into the mystery of her disappearance. The book is not just about those eleven days but is a biography that reveals how those eleven days and the events that led up to her disappearance influenced the rest of her life.

Agatha’s Autobiography is silent on the matter. She recalls how they chose Styles, remarking that it was an unlucky house and that she had felt it as soon as she moved in. She then moved swiftly on merely saying:

The next year of my life is one I hate recalling. As so often in life, when one thing goes wrong, everything goes wrong. (page 356)

Sadly she was  right, as Jared Cade reveals from information given to him by Judith and Graham Gardner. Judith’s mother was Nan Watts, Agatha’s sister-in-law and life-long friend. They showed him photographs and private letters shedding light on the situation.  It makes a fascinating book. I did feel as though I was intruding into Agatha Christie’s private life that she had not wanted made known but Cade writes sympathetically. Now I really must read her life story in her own words, as so far I’ve only dipped into it reading snippets here and there.

Long and Short of It – Booking Through Thursday

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Which do you prefer? Short stories? Or full-length novels?

Comparing short stories and full-length novels is like comparing a weekend away with a month long holiday. A few days away means that you can only skim the surface of a place, not really getting to know it very well, seeing the highlights and you can come home thinking you wanted to stay longer, wanting more. Short stories can be like that. Or a weekend away can be just right  – you’ve seen and done all there is to see and do, you’ve enjoyed it but don’t hanker after any more. Short stories can be like that too.

A month away means that you can settle into a place, explore it in more detail, get to know people and become immersed in it, so much so that you don’t want to go home. Novels can be like that, you never want a good book to end. On the other hand it can get boring, repetitive and tedious and you can’t wait to get home. Novels can be like that too.

In other words both can be right under the right circumstances, but if I had to choose between an enjoyable short break or a longer one then of course I’d go for the longer one.

Wondrous Words on Wednesday

There are two memes I sometimes take part in on Wednesdays, diametrically opposite to each other, which amuses me. One is this one, Wondrous Words Wednesday run by Kathy of Bermuda Onion’s Weblog and the other is Wordless Wednesday which I did earlier today – featuring a sparrow feeding its baby in our garden and a baby rabbit eating cherry blossom, also in our garden.

I have just two words this week that I didn’t immediately know their meanings. One is from The Holly-Tree Inn, written in 1855 by Charles Dickens:

The narrator is travelling by stagecoach in the dead of winter. This is what he finds when he arrives at the Peacock Inn in London where he was joining the coach:

When I got up to the Peacock – where I found everybody drinking hot purl, in self-preservation – I asked, if there were an inside seat to spare.

Purl here is not a knitting stitch but  is warm beer infused with gin and spices or herbs, usually ginger and sugar, also called ‘dog’s nose’.

My second word is from The Mystery of the Blue Train by Agatha Christie. In this scene Mr Van Aldin is describing to his daughter a little adventure he had in Paris:

Nothing to tell, Ruthie. Some apache fellows got a bit fresh and I shot at them and they got off. That’s all. (page 24)

Apache in this instance is not a native American Indian, although the image of a Red Indian waving a tomahawk in Paris did come immediately into my mind,  but it is a lawless ruffian or hooligan in Paris or elsewhere.

The Holly-Tree Inn by Charles Dickens

The Holly-Tree Inn by Charles Dickens and others is a lovely little book, both to hold and to read. It’s a Hesperus Press publication, smooth paper and a softback cover with flaps you can use as bookmarks. I received my copy via Library Thing Early Reviewers Programme. I enjoyed reading it.

This was originally published in 1855, being the Christmas number of Dickens’s periodical Household Words. It was so popular that it was then adapted for the stage. It’s a collection of short stories by Dickens, Wilkie Collins, William Howitt, Adelaide Anne Procter and Harriet Parr, around the theme of travellers and  inns. I liked Collins’s and Howlitt’s stories the most.

It begins with a story by Dickens, The Guest in which a gentleman on his way to Liverpool is snowed in at the Holly-Tree Inn in Yorkshire. To keep himself entertained he reminisces about inns he has visited, giving glimpses into travel and inns in the 19th century. Having exhausted his own memories, this story ends with the idea of asking the inmates of the inn for their own stories.

So, the next stories are from:

The Ostler by Wilkie Collins. In this the landlord tell’s the ostler’s tale of his dread of his wife after dreaming that she is about to murder him, a tale of impending doom:

His eyes opened owards the left hand side of the bed, and there stood – The woman of the dream again? – No! His wife; the living reality, with the dream spectre’s face – in the dream-spectre’s attitude; the fair arm up – the knife clasped in the delicate, white hand. (page 53)

The Boots by Charles Dickens – according to Melisa Klimaszewski’s Introduction this tale was such a favourite that Dickens included it in his later public readings. It’s not quite to my taste, a sentimental tale about two young children determined to elope, staying at the Holly- Tree inn:

Boots could assure me that it was better than a picter (sic) and equal to a play, to see them babies with their long bright curling hair, their sparkling eyes, and their beautiful light tread, a rambling in the garden, deep in love.

The Landlord by William Howitt. An entertaining tale of the landlord’s brother who emigrated to Australia in order to better himself. But when they get there they wished they’d stayed in England. It seems they arrived just at the wrong time. Howitt, himself had travelled to Australia in search of gold and his experience is reflected in his tale. 

The Barmaid by Adelaide Anne Procter – a sad story told in verse by the landlord’s niece of Maurice and his love for ‘the loveliest little damsel his eyes had ever seen.’  Not the most challenging of tales.

The Poor Pensioner by Harriet Parr. Hester lives at the inn on ‘broken victuals’, now a poor demented creature refusing to believe that her son was guilty of murder. She waits in vain for his sentence to be reversed. This tale reveals how her wild and wilful ways as a young woman led her to seek for change and excitement with disastrous results. 

The Bill by Charles Dickens. This story completes the cycle. A week has gone by, the Guest’s route is now clear of snow and he can leave.He then discovers that his enforced stay at the inn has changed his life!

Reading this book has made a welcome break in reading modern fiction and has made me keen to read more of Dickens’s and Collins’s books.  I knew nothing about the other authors but fortunately there is a short section at the end with biographical notes about the contributors.

Hector and the Search for Happiness by François Lelord

This is a very easy book to read and I read it straight through in one go. Hector is a psychiatrist who realises that he can’t help people who are unhappy, so he travels around the world to find out the secret of happiness – what makes people happy or sad. Described on the back cover as a ‘modern fable’ I think that is the best way to think about Hector and the Search for Happiness by François Lelord, translated by Lorenzo Garcia.

A fable, according to one definition in the dictionary is a tale in literary form, not necessarily probable in its incidents, intended to instruct or amuse and this is most definitely a story intended to instruct, complete with short maxims called Lessons, which Hector jots down in his little notebook. But really I found there was nothing there I didn’t already know, things like ‘Making comparisons can spoil your happiness’. It’s simplistic and ‘nice’ in a sort of sit down and I’ll tell you a story sort of way, beginning:

Once upon a time there was a young psychiatrist called Hector who was not very satisfied with himself. (page 1)

But it’s really a self-help book rather than a novel.

François Lelord is indeed a writer of self-help books and he has also written non fiction psychology guides to daily life, after a career as a psychiatrist in France and the USA. At the end of the book there is a Question and Answer section in which Lelord explains that he feels that emotional subjects such as happiness and love ‘can’t just be carved up into chapters, rules and lessons’ and by writing this as a fable he hopes to make it more personal. Actually I found this part of the book better than the fable. Each to his own.

My copy was kindly supplied by the publishers, Gallic Books.