Circus of Wonders by Elizabeth Macneal

Picador| 13 May 2021| 384 pages|Review copy| 4*

Description

1866. In a coastal village in southern England, Nell picks violets for a living. Set apart by her community because of the birthmarks that speckle her skin, Nell’s world is her beloved brother and devotion to the sea.

But when Jasper Jupiter’s Circus of Wonders arrives in the village, Nell is kidnapped. Her father has sold her, promising Jasper Jupiter his very own leopard girl. It is the greatest betrayal of Nell’s life, but as her fame grows, and she finds friendship with the other performers and Jasper’s gentle brother Toby, she begins to wonder if joining the show is the best thing that has ever happened to her.

In London, newspapers describe Nell as the eighth wonder of the world. Figurines are cast in her image, and crowds rush to watch her soar through the air. But who gets to tell Nell’s story? What happens when her fame threatens to eclipse that of the showman who bought her? And as she falls in love with Toby, can he detach himself from his past and the terrible secret that binds him to his brother.

Moving from the pleasure gardens of Victorian London to the battle-scarred plains of the Crimea, Circus of Wonders is an astonishing story about power and ownership, fame and the threat of invisibility.

I loved Elizabeth Macneal’s first book, The Doll Factory, so I was keen to read her second, Circus of Wonders, set in 1866. I liked the circus setting and the variety of characters. The main character is Nell, the ‘leopard girl’, who is both shunned and ridiculed by the people in her village because of the birthmarks on her face and all over her body. When the travelling circus visits the village her father sells her to Jasper Jupiter’s ‘Circus of Wonders‘ as it includes a ‘freak show’, highlighting the very different attitudes of the times from those of the present day. This makes for uncomfortable reading at times, as Stella, the bearded lady, Brunette, the Welsh Giantess, and Peggy the dwarf who drives a miniature carriage are treated as objects of curiosities, acts to be bought and sold, just as Nell was sold.

It’s narrated from the perspectives of the three main characters, Nell, who became a star as ‘Nellie Moon’ flying high above the circus ring suspended beneath a balloon, Jasper, the ambitious circus owner and Toby his younger, gentler brother. Jasper is the driving force as he is forever looking for new acts to draw the crowds. His ambition is to gain a pitch in London, hoping the Queen might hear of him and want to see his show. He knows that the queen is the ‘freak-fancier par excellence, who has summoned Aztecs, pinheaded people and dwarves to her Palace’.

The brothers had both taken part in the Crimean War, Jasper as a soldier and Toby as a photographer. Toby is haunted by memories of the war and in particular of what happened to Dash, Jasper’s friend, during the siege of Sevastopol. The horror of the war has never left him. Although the circus is the main focus of the novel, it is the mystery of what happened in the Crimea and the relationships between Jasper, Toby and Dash that interested me the most and made me want to read on.

This is a novel that transported me back to the Victorian period, full of the atmosphere of both the circus and of war. It reveals the insecurities, fears and isolation that the characters suffer. It emphasises the exploitation of ‘freaks of nature’, who draw the crowds and the power of illusions. I like the mix of fact and fiction and the way that Macneal interweaves the details of the Crimean War with the circus narrative. However, I don’t think it’s quite as good as The Doll Factory, which totally captivated me with its dark tale of obsession, pulsing with drama, intrigue and suspense.

With thanks to NetGalley and especially to Pan McMillan, Picador for my review copy.

Inland by Téa Obreht

Weidenfeld & Nicolson| 13 August 2019| 386 pages| Review copy| 3*

Nora is an unflinching frontierswoman awaiting the return of the men in her life, biding her time with her youngest son – who is convinced that a mysterious beast is stalking the land around their home – and her husband’s seventeen-year-old cousin, who communes with spirits.

Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West.

Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht’s talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely – and unforgettably – her own.

My thoughts:

Inland by Téa Obreht has had many accolades, including being named one of the best books of the year by The Guardian, Time, Washington Post, Entertainment Weekly, Esquire, Good Housekeeping, and The New York Public Library. I love the cover and the description made me keen to read it. It’s a book that has been on my NetGalley shelf for far too long, I’m sorry to say, mainly because each time I began reading it I struggled to understand what was going on.

It is a book of two halves really, alternating between the two storylines as the blurb outlines. I found the Lurie narrative difficult to follow at first. It’s vague – at times I didn’t know who was who, who was talking, who was a camel and who was a person. I did work it out eventually! Lurie is a former outlaw, who sees and talks to the dead. He is haunted by the spirit of Hobb, a kid of four or five. But Lurie’s story is slow and meanders. I was losing interest, and often the location was unclear as he moved from place to place. However as I got further into his story I did form a clearer picture of his life as he joined the Camel Corps and became a cameleer. (I was fascinated to discover that camels were used in the American West as pack animals.)

But it’s the second story of Nora Lark and her family, which is much clearer and easier for me to understand. It saved the book for me and made me keen to read on. They are living in Arizona in a homestead. There’s been no rain for months and their water supply is nearly exhausted. Emmett, her husband has gone to get more water and has not returned . Her two sons have gone to look for him, and Nora is left at home with her youngest son, Toby, who is terrified by a mysterious beast he sees around their house at night, and Josie, her husband’s seventeen year old ward and cousin, who see spirits. Nora’s daughter, Evelyn died before her sons were born, under mysterious circumstances, and she is constantly in Nora’s mind as she imagines her growing up and having conversations with her.

Several times as the narrative turned from Nora back to Lurie, I was about to give up on the book, but I wanted to know what happened to the Larks and to find out how the two strands would interlink, or if indeed they ever did interlink (they do). As I read on I began to understand more about Lurie and his life, but it was hard work. If I re-read it I think I would enjoy it more, but I don’t feel inclined to right now. But I really liked Nora’s story and the depiction of life in the American West during the mid-to-late 19th century.

In her acknowledgements Téa Obreht explains that Inland is a work of imagination based in part on the journals, letters and reports of the men who were part of at least one aspect of this history and on the work of the historians of the American West.

My thanks to the publishers and NetGalley for my review copy, with apologies for taking so long to read the book.

A Town Called Solace by Mary Lawson

Chatto & Windus| 18 February 2021| 294 pages| Review copy| 5*

It was a complete pleasure to read A Town Called Solace by Mary Lawson. I loved the clarity of the narrative, focused on three main characters, each perfectly distinct and finely described and the sense of location in a small town is excellent.

It’s set in North Ontario in 1972, but looks back to events thirty years earlier when Elizabeth Orchard first met Liam who was then a small boy of 3 when he and his family lived in the house next door. The last time she saw him he was still only 4 years old. It was not a happy time for either of them, and thirty years later, when she is dying she wants to make amends and gives him her house.

Clara lives next door to Elizabeth, who she loves, and she is alarmed when she sees Liam moving into Elizabeth’s house. Elizabeth had given her a key and she goes in every day to feed Moses, Elizabeth’s cat. She has no idea that Elizabeth is dying and is furious when she discovers that Liam is moving Elizabeth’s things and packing them in boxes. Her life is in turmoil in any case as she is devastated that Rose, her 16 year old sister has gone missing.

The narration moves between these three people, seeing events through their eyes. Elizabeth, in hospital looks back over her life, remembering her despair at not having a child of her own, and her love for little Liam that ended badly, despite her good intentions. Clara spends the time before and after school at the window looking out for Rose’s return and Liam, whilst remembering his sad childhood, is trying to rebuild his life after his marriage ended in divorce.

I loved this book. It’s about families, the things that go wrong, about memories and about friendships and the care that people have for each other. It’s moving and sad, but also filled with hope. And it’s beautifully written.

Many thanks to the publishers and NetGalley for my review copy.

The Pact by Sharon Bolton

Trapeze | May 2021| 355 pages| e book| Review copy| 4 stars

I was completely gripped by The Pact. It’s a fast-paced novel about a group of five teenagers. It’s summer and they are waiting for their A level exam results. It’s the night before the results come out, the night before all their lives were changed for ever. They were all expecting to get the grades they need to go on to university and to have the brilliant careers they envisaged. But that night was the last carefree night for all of them as it ended in disaster.

For Felix, Talitha, Amber, Daniel and Megan the summer had been glorious – they gone to festivals, lazed around Talitha’s parents’ pool, drinking and enjoying life. That night they decided that Daniel should take the rite of passage the other four had already done that summer. And so it was that they were driving at 80 miles an hour in darkness the wrong way down the M40. The others had had heart-stopping near misses, although Megan had proved to be the coolest of them all. Daniel’s drive was the worst. He drove badly and out of the darkness another car appeared headed towards them and they crashed. A mother and her two young daughters were killed.

What happened next took my breath away. – they drove back to Talitha’s house and after a lengthy discussion when they realised the consequences of what they had done Megan announced that she would take the blame, on the condition that they agree that they owe her a ‘favour’, once she has been released from prison. The ‘favour’ is to do whatever she asks them individually and if they renege she will tell the truth about what had happened that night.

Twenty years later she is released from prison and the time for the calling in her favours begins. The other four have all done well for themselves and hope Megan’s experiences in prison have blotted out her memory about the ‘favours’ they owe her. But Megan is out for revenge and has no mercy for the ‘friends’ who had left her to rot in prison and is determined that they should pay. And so their nightmares begin.

This is a book full of suspense and tension, that just kept building as I read on. It is compelling reading but I didn’t like any of the characters, and I don’t think you are meant to. At times I did feel sorry for Megan – up to a certain point. All the way through I couldn’t understand why Megan had taken the blame. She was from a different background than the others. Their families were privileged, rich and successful, whereas she was from a poor single-parent family. She was a scholarship girl at their private school. She saw it as a token appointment from a posh school declaring its progressive credentials. The others saw her as not really one of them, but she was the head girl and the cleverest of them all. I didn’t think it could be for the power she held over them, surely that wouldn’t compensate for spending time in prison?

It is not my favourite of Sharon Bolton’s books. The ending felt rushed and surprised me and I think it wasn’t really believable, but then I found the plot as a whole difficult to accept. Even so, I just couldn’t stop reading it and managed to suspend my disbelief enough to enjoy it.

My thanks to the publishers and NetGalley for my review copy.

The Royal Secret by Andrew Taylor

Harper Collins UK| 29 April 2021| 476 pages| e-book| Review copy| 4*

Description:

From the No.1 bestselling author of The Last Protector and The Ashes of London comes the next book in the phenomenally successful series following James Marwood and Cat Lovett during the time of King Charles II.

Two young girls plot a murder by witchcraft. Soon afterwards a government clerk dies painfully in mysterious circumstances. His colleague James Marwood is asked to investigate – but the task brings unexpected dangers.
 
Meanwhile, architect Cat Hakesby is working for a merchant who lives on Slaughter Street, where the air smells of blood and a captive Barbary lion prowls the stables. Then a prestigious new commission arrives. Cat must design a Poultry House for the woman that the King loves most in all the world.
 
Unbeknownst to all, at the heart of this lies a royal secret so explosive that it could not only rip apart England but change the entire face of Europe

My thoughts:

I’ve read all of the previous Marwood and Lovett books, set in 17th century England, and thoroughly enjoyed each one, so I was delighted when Rachel Quin at HarperCollins asked me if I’d like a proof copy of  The Royal Secret to review. It is the 5th book in the series and although it does work as a stand-alone book I do think it’s best to read them in sequence to get the full background of the Restoration period and the relationship between James Marwood and Cat Hakesbury (formerly Lovatt).

The year is 1670, two years have passed since the end of the previous book, The Last Protector. Cat Hakesby’s work as an architect continues after her husband’s death and after designing a poultry house for the young daughter of Lord Arlington, the Secretary of State, she gains a commission to design one for Charles II’s sister, ‘Minette,’ the Duchess of Orléans. Meanwhile Marwood is a government clerk clerk to Joseph Williamson and also working for Lord Arlington. They find themselves involved in a complicated situation that is full of danger.

Marwood is instructed to investigate the mysterious death of Richard Abbott, one of Lord Arlington’s men, and retrieve some confidential papers from the victim’s home. Abbott’s step-daughter, Maria and the maid, Hannah have been dabbling in witchcraft and Maria believes she is responsible for his death. Marwood’s investigation brings him into contact with a merchant, Mr Fanshawe (also one of Cat’s clients) and through him with a mysterious Dutch gentleman, Henryke Van Riebeeck. Van Riebeeck just happens to be Anna Abbott’s brother, and Fanshawe’s son was Anna Abbott’s first husband and the father of Maria. After Abbott’s death she and Maria together with Hannah had gone to live in Fanshawe’s house. Fanshawe is an interesting character, who has recently bought a lion, who he named Caliban, a mangy bad-tempered beast that he keeps in the stables at his house in Slaughter Street.

So, Cat and Marwood are both involved with the same people, although in different circumstances. Their relationship is somewhat ambiguous. She is a strong-minded woman, a widow who values her independence in a society where women, although used to running households and dealing with their families’ financial matters, were only just beginning to find a place in society outside the home. And she doesn’t welcome Marwood’s interference in her life. That the two of them are attracted to each other is not acknowledged by either of them – especially, in this book, when Cat finds herself drawn romantically to Van Riebeeck. Her work takes her to the Royal Court in Paris to discuss her designs for the poultry house, although Minette seems more concerned with political matters and Cat wonders what the real reason for her visit is.

This is a well researched historical novel, mixing fact and fiction, bringing the streets of London and the royal court in Paris to life. At the same time it presents a mystery full of political intrigue, danger and conspiracy, involving witchcraft, poisonings, and tricky international relationships. It is only towards the end of the book that the royal secret is revealed – and I had had no idea until then what it was. I do hope there will be a sixth book for Marwood and Lovatt.

My thanks to the publishers and NetGalley for my review copy.

The Mirror Dance by Catriona McPherson

Hodder and Stoughton| 21 January 2021| 259 pages| e-book| Review copy| 3*

Description:

Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver’s semmingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig’s Publishers, its secrets hidden in the real stories behind their girls’ magazines The Rosie Cheek and The Freckle.

On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.

My thoughts:

I’ve read some of the Dandy Gilver mysteries by Catriona McPherson, set in the 1920s and 1930s Scotland. The Mirror Dance is the 15th book. The last one I read was the 6th, a few years ago now, so when I saw it on NetGalley I requested it. I was pleased to find, that although I’d missed so many of the books in the series, it’s easy to read as a standalone.

It begins on an August Bank Holiday weekend in 1937, when Dandy (short for Dandelion Dahlia!), a private detective, receives a phone call from Miss Sandy Bissett, a magazine publisher in Dundee. She asks Dandy to go to Dudhope Park to warn the Punch and Judy man there that he is infringing copyrighted property as he is using two of the magazine’s cartoon characters, Rosie Cheeke and Freckles in his show. So, the next day, Bank Holiday Monday, together with her female staff, Grant, her lady’s maid, Becky her housemaid and Mrs Tilling, her cook, Dandy goes to Dundee to see the puppet show, looking out for the appearance of the magazine characters.

But during the show, the puppet Scaramouche extended his neck upwards, unfolding from pleats like an accordion and then stayed still like a tableau. The children lost interest and the adults were grumbling. When Dandy and Grant went to the back of the Punch and Judy tent they found the puppeteer slumped dead behind the scene, with his throat cut. The police are called but Dandy and her partner, Alec take it upon themselves to investigate the murder, an apparently impossible murder, with no signs of the murderer, and no one knew the puppeteer’s name.

I liked the setting. There is a good sense of location in Dundee in the 1930s, when the effects of the First World War were still lingering and the threat of another war was on the horizon. This is a convoluted murder mystery, where there is more than meets the eye. There is a lot of detail about the publishing industry and the theatrical world of the time which was interesting, but overall the amount of detail of everyday life, with all its sights and smells, slowed the book down too much for me.

There are several complications, red herrings and apparent impossibilities and I was puzzled about the relevance of a murder 50 years earlier in the same park, of an earlier Punch and Judy man. I became a bit lost in the detail about the number of women suspects Dandy and Alec consider – there were two, and then perhaps there were three. Who were they and what was the motive for the murder? Gradually that became clear, but I got exasperated at the number of times Dandy and the others went over and over what was happening, working out how it could have happened and why. Although some of it is confusing and I hadn’t worked out the identity of the murderer some of it seemed so obvious to me that I couldn’t see why it took them so long to work it out. So, although I enjoyed the actual murder mystery and the mirror dance aspect, where everything is turned on its head, I did not enjoy how it was told.

My thanks to the publishers and NetGalley for my review copy.