The Wild Places by Robert Macfarlane


I read The Wild Places by Robert Macfarlane at the end of December. I didn’t enjoy it as much as I thought I would from reading the blurb:

The Wild Places is both an intellectual and a physical journey, and Macfarlane travels in time as well as space. Guided by monks, questers, scientists, philosophers, poets and artists, both living and dead, he explores our changing ideas of the wild. From the cliffs of Cape Wrath, to the holloways of Dorset, the storm-beaches of Norfolk, the saltmarshes and estuaries of Essex, and the moors of Rannoch and the Pennines, his journeys become the conductors of people and cultures, past and present, who have had intense relationships with these places.Certain birds, animals, trees and objects – snow-hares, falcons, beeches, crows, suns, white stones – recur, and as it progresses this densely patterned book begins to bind tighter and tighter. At once a wonder voyage, an adventure story, an exercise in visionary cartography, and a work of natural history, it is written in a style and a form as unusual as the places with which it is concerned. It also tells the story of a friendship, and of a loss. It mixes history, memory and landscape in a strange and beautiful evocation of wildness and its vital importance.

I have mixed feelings about it. It does do all those things described above and maybe that was the problem for me -it tries to do too much. It is beautifully written, sometimes overwritten and it is also repetitive. There is a map showing the places he visited that helped me  to a certain extent – vague enough if you don’t want to pinpoint the precise locations. It is a book to read in small sections, to dip into rather than to read straight through as I did. I think I would have enjoyed it more if I had taken more time to read it – but during the times I did put it down I was in no hurry to get back to it.

I was intrigued by the places where he slept out and flabbergasted by the risks he took.

For example, he went on a night walk alone in the Cumbrian mountains. By the time he reached the mountains it was late afternoon and when he reached the ridge at over 2,000 feet the snow had thickened to a blizzard and it was hard to stand up in the wind. He decided to sleep on the surface of a frozen tarn that lay between two small crags giving some shelter from the wind. First he tested it by jumping gently on its centre; it didn’t creak, so he slept there in his sleeping and bivouac bags whilst it hailed and snowed. He began

to feel cold, deep down, as though ice were forming inside me, floes of it cruising my core, pressure ridges riding up through my arms and legs, white sheaths forming around my bones. (page 198)

When he woke he did a little dance on the tarn to warm himself and then saw that where he had been lying on the tarn,

the ice had melted, so that there was a shallow indent, shaped like a sarcophagus, shadowed out by the moonlight. (page 199)

However, I did enjoy the experience of reading The Wild Places, and  I’ve decided to read Macfarlane’s The Old Ways:  a Journey on Foot, particularly as a friend told me she had enjoyed it more than The Wild Places. Macfarlane describes how he set off from his Cambridge home to follow ancient tracks, holloways, drove roads and sea paths that criss-cross the British landscape.

Robert Macfarlane  is a Reader in Literature and the Geohumanities in the Faculty of English at Cambridge University. He is well-known as a writer about landscape, nature, memory, language and travel.

  • Paperback: 352 pages
  • Publisher: Granta Books (7 July 2008)
  • Language: English
  • ISBN-10: 1847080189
  • ISBN-13: 978-1847080189
  • Source: I bought my copy

A Life Like Other People’s by Alan Bennett

A Life Like Other People's

Alan Bennett’s A Life Like Other People’s is a poignant family memoir offering a portrait of his parents’ marriage and recalling his Leeds childhood, Christmases with Grandma Peel, and the lives, loves and deaths of his unforgettable aunties Kathleen and Myra. Bennett’s powerful account of his mother’s descent into depression and later dementia comes hand in hand with the uncovering of a long-held tragic secret. A heartrending and at times irresistibly funny work of autobiography by one of the best-loved English writers alive today. (Amazon)

I really like Alan Bennett’s work and was pleased to find this little book in the mobile library recently. It’s a beautifully written book taken from his collection Untold Stories and illustrated with black and white photographs. There is drama in this memoir, but written with clarity and keen observation in quiet tones about lives that are anything but ordinary. It is a completely absorbing book as Bennett recalls his childhood. He writes about his family including his two aunties, Kathleen and Myra, two very different characters from their sister, his mother. They saw themselves as ‘dashing, adventuresome creatures, good sports and always on for what they see as a lark.‘ They wore scent and camiknickers, and had the occasional drink and smoked.

He writes of mother’s fears – ‘of being spied on, listened to, shamed and detected‘ of her dread of being ‘the centrepiece‘ especially at her wedding. His parents didn’t like ‘splother‘, his father’s word for ‘the preening and fuss invariably attendant on the presence of the aunties.‘ Then there are the sad facts about his mother’s depression and subsequent dementia as she descended into delusion, her stays in hospital and the effect that had on the family.

There are revelations of family secrets and many touching and sad (but never sentimental) episodes, for example the futile search for Aunty Kathleen, suffering from a condition similar to Alzheimer’s, after she just walked out of her hospital ward. She was found several days later in drenched undergrowth in a wood near the M6.

It is a sad book but also a heart-warming story – the love of his parents and family shines throughout the book.

  • Hardcover: 256 pages
  • Publisher: Faber & Faber; Main edition (3 Sept. 2009)
  • Language: English
  • ISBN-10: 0571248128
  • ISBN-13: 978-0571248124
  • Product Dimensions: 13.5 x 2.3 x 17.5 cm
  • Source: Library

Landscapes: John Berger on Art

Landscapes : John Berger on Art, edited by Tom Overton is a collection of essays by art critic, novelist, poet, and artist John Berger written over the past 60 plus years. However both the title and the cover art – a painting of a landscape – led me to think it would discuss landscapes. But I should have taken more note of this sentence in the blurb-‘Landscapes offers a tour of the history of art, but not as you know it.‘ It is definitely not art as I know it but it is a “landscape” of Berger’s thoughts on his life, on people and ideas that have influenced him, artists and authors that he liked and disliked, with very little in it about landscapes. There are essays on his life, people, ideology, philosophy and on art history and theory about the nature and meaning of art.

Having said that there are sections that I liked and enjoyed, such as the chapters on The Ideal Critic and the Fighting Critic and on Cubism. Knowing next to nothing about cubism and not liking the cubist paintings I have seen, I think I now understand what the artists were attempting, moving away from art that imitated nature to their representation of reality on a two dimensional plane to portray a more complex image of reality.

I am obviously not the target audience for this book!

  • Format: Kindle Edition
  • File Size: 1131 KB
  • Print Length: 272 pages
  • Publisher: Verso (1 Nov. 2016)

I received a copy of this book from Netgalley.

The History of Modern Britain by Andrew Marr

I’ve taken quite a long time (nearly two months) to read Andrew Marr’s The History of Modern Britain, which covers the post World War II period up to 2006, with an added introduction in the paperback edition written in 2008. This is a brief review of a very long and detailed book – too long and detailed for me to sum up meaningfully in a few paragraphs.

So, here is the blurb from the back cover:

This is an account of great political visions – and how they were defeated – and of the resilience, humour and stroppiness of the British public. From the Second World War onwards, Britain has been a country on edge: first of invasion, then of bankruptcy, then on the vulnerable front line of the Cold War, and later in the forefront of the great opening up of capital and migration now reshaping the world. This history follows all the political and economic stories, but deals too with comedy, cars, the war against homosexuals, Sixties anarchists, oil-men and punks, Margaret Thatcher’s wonderful good luck, the true heroes of British theatre, and the victory of shopping over politics.

I wanted to read this book after watching Andrew Marr’s BBC 2 series, History of Modern Britain, which was first shown in 5 episodes in 2007 –  but it was the EU Referendum that nudged me into reading it this year. Like many others, I’ve now become addicted to news and comment programmes, but my knowledge of modern history, even though, or maybe because, I’ve lived through a lot of it, is sketchy, so it was fascinating, if somewhat scary, to read about events I remembered or had half-forgotten.

It’s an obvious statement, but still true, that Britain has changed since 1945 to be almost unrecognisable today and inevitably it is still changing. This book shows how we were then and how we got to where we are today. It’s mainly a political and economic history, with short sections on social and cultural events thrown into the mix.

Despite its length and complexities it is a readable book, which doesn’t surprise me as Andrew Marr is a journalist, TV presenter and political commentator. He was born in Glasgow in 1959. He studied English at the University of Cambridge and has since enjoyed a long career in political journalism, working for the Scotsman, the Independent, the Daily Express and the Observer. From 2000 to 2005 he was the BBC’s Political Editor. He has written and presented TV documentaries on history, science and politics, and presents the weekly Andrew Marr Show on Sunday mornings on BBC1 and Start the Week on Radio 4.

  • Paperback: 672 pages
  • Publisher: Pan; Reprints edition (6 Mar. 2009)
  • Language: English
  • ISBN-10: 0330511475
  • ISBN-13: 978-0330511476
  • Source: my own copy

Reading challenges: Mount TBR Reading Challenge and Read Scotland.

Books Read in May 2016

May was another good reading month for me. I read seven novels and one book of memoirs.

The Voyage Out by Virginia Woolf – a book I’ve owned for years. Virginia Woolf’s first novel about a young woman’s search for life, love and the world, an intriguing book.  Woolf explores the nature of Rachel’s mind, her obsessions and beliefs and through it her own thoughts about depression, suicide, death and the meaning of life. A sad book.

Crystal Nights by Dorte Hummelshoj Jakobsen, crime fiction that moves between events in Germany in 1938 to Kalum, a fictional village in Denmark, in the 1960s. a story of how evil touched so many lives with such terrible consequences and how by patience and perseverance the truth was revealed. I was carried away by the story.

Alive, Alive Oh! And Other Things That Matter by Diana Athill – memories, thoughts and reflections on her life as she approaches her 100th year (she was born in 1917). Her love of life shines through this remarkable book. I loved it.

The Cleaner of Chartres by Salley Vickers (LB) – a beautiful book that I enjoyed immensely, beautifully written, with the character of Agnès Morel at its centre. There is a mystery about her origins and also about her life before she arrived in Chartres.

Inside of Me by Hazel McHaffie – an excellent book. Hazel McHaffie’s novels cover medical ethics issues and the issues in Inside of Me concern body image, in particular, but not exclusively, about anorexia; identity, and relationships. There is also a mystery concerning missing teenage girls.

The Watchmaker of Filigree Street by Natasha Pulley – a mixture of historical fact and fantasy set in Victorian times, both in London and Japan. Bombs, clockwork inventions, the London Underground, Gilbert and Sullivan and much more more make up this fantastical tale. I loved it both for its historical settings and for its ingenuity.

Housekeeping by Marilynne Robinson – the story of Ruth and Lucille, orphans growing up in the small desolate town of Fingerbone in the vast northwest of America. I found this a melancholy tale about a dysfunctional family, a story of loneliness, loss, suicide, death, and transience. I liked it but it’s probably the least enjoyable book I read in May.

A Thousand Splendid Suns by Khalid Hosseini – I loved this amazing book, not an easy read emotionally, but one that will live in my memory as one of the most devastating and heartbreaking stories I’ve read. Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss and by fate. As they endure the ever escalating dangers around them – in their home as well as in the streets of Kabul – they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. (Goodreads summary)

My favourite books of the month are:

The Watchmaker of Filigree Street by Natasha Pulley

and A Thousand Splendid Suns by Khalid Hosseini

Impossible to choose between them!

Alive, Alive Oh! And Other Things That Matter by Diana Athill

Alive, Alive Oh! And Other Things That Matter by Diana Athill (published in 2015) contains memories, thoughts and reflections on her life as she approaches her 100th year (she was born in 1917). I quoted the opening paragraph of this book and a teaser paragraph in an earlier post, First Chapter, First Paragraph.

It’s only a short book (168 pages), but it covers a wide range of Diana Athill’s memories, many images of beautiful places, and the friends and lovers she has known. The chapters follow on chronologically but are unconnected except for the fact that they demonstrate her love of life.

She writes about her Great Grandfather’s garden at Ditchingham Hall in Norfolk, which she used to love visiting in the 1920s and 1930s, when her grandparents lived there. Her writing is so clear and precise, describing in detail its exact layout and expressing her delight in her memories of it.

In other chapters she describes post-war life and her visits to Florence, and in particular the Club Mediterranee in Corfu in the 1950s; her experiences in Trinidad and Tobago, where she was struck by the disparity between the local people and the tourists/incomers; and the miscarriage when she was in her early 40s, when she nearly died. It was heart breaking to read this remarkably candid account both about what happened and how she felt, her detachment, her resentment that she had lost the baby, even her relief, and finally her gratitude that she was still alive, and her love of life:

‘I AM ALIVE.’ 

It was enough.

It was everything. It was filling me to the brim with pure and absolute joy, a feeling more intense than any I had known before. (page 87)

It is this love of life that is evident in her writing that makes it such a remarkable book. She writes about her decision to move into a home, persuaded by a friend who lived there and about how much she enjoys living there. And her main luxury now is her wheelchair, which she finds has unexpected benefits, such as when she was at an art exhibition – the crowds fell away from her in her wheelchair and she was able to lounge in perfect comfort in front of Matisse’s red Dance.

Of course, she writes about death and dying, as ‘death is no longer something in the distance, but might well be encountered any time now.’ She doesn’t find this alarming, and remembers when she was close to death after her miscarriage that her feelings were of acceptance: ‘Oh well, if I die, I die‘. Death is not something she fears, although she has some degree of anxiety at the process of dying and recognises that whereas it’s ‘unwise to expect an easy death, it is not unreasonable to hope for one.

This book has given me much to think about, including this paragraph:

Looking at things is never time wasted. If your children want to stand and stare, let them. When I was marvelling at the beauty of a painting or enjoying a great view it did not occur to me that the experience, however intense, would be of value many years later. But there it has remained, tucked away in hidden bits of my mind, and now it comes out, shouldering aside even the most passionate love affairs and the most satisfying achievements, to make a very old woman’s idle days pleasant instead of boring. (pages 5 – 6)

I loved it.