After the Armistice Ball by Catriona McPherson

After the Armistice Ball is the first book in the Dandy Gilver series. I’ve read a couple of the later books in the series and had to read this one in order to find out how Dandy (short for Dandelion) first became an amateur detective, or Society Sleuth, as she is called on the book cover.

It all began when there is an alleged theft of Lena Duffy’s jewels at Daisy Esslemont’s annual Armistice Ball in 1922 and Daisy asks Dandy to find out what really happened. Dandy is a bored wife, whose husband, Hugh is the ‘hunting, shooting and fishing’ type. The theft of the jewels is rapidly pushed to the sidelines after the death of Lena’s daughter, Cara in a lonely beach cottage in Galloway. Accompanied by Cara’s jilted fiancé, Alec Osborne, Dandy is faced with the puzzle of Cara’s death. Was she killed, or did she commit suicide? She had died in a fire, whilst on her own in the cottage – why was the cottage always kept so hot, so hot that the coal that was supposed to last all winter had been finished in one week?

The setting in the 1920s is convincing, the sense of dislocation after the First World War, the class divide and the contrast between the idle rich and the poor. The locations are beautifully described, and the characters are lively and come to life, particularly Dandy, although Hugh does seem to be a cardboard cut-out, but the book dragged in the middle as Dandy and Alec went over and over, and over the events and theorised about what had happened and why.

I too puzzled over the mystery and I did find the ending rather confusing, so much so that I had to re-read parts of the book to sort out what I thought had happened. I’m still not sure, but I think I know. Having said all that, I did enjoy the book, and apart from the middle section I raced through it and that’s probably where I missed some salient points.

My Rating: 3/5

I borrowed the book from my local library

The Woman in White by Wilkie Collins: a Book Review

I read The Woman in White (TWIW) by Wilkie Collins in January and have been wondering how to do justice to it in a post, because it’s a real chunkster of over 700 pages. (For a summary of the plot, with spoilers see the article on the book on Wikipedia.)

It’s one of the first if not the first ‘sensation novel‘. A ‘sensation novel‘ is one with Gothic elements  – murder, mystery, horror and suspense – within a domestic setting. Since reading TWIW I’ve read The Sensation Novel by Lyn Pykett, which describes such novels as a ‘minor subgenre of British fiction that flourished in the 1860s only to die out a decade or two earlier.’ They have complicated plots, are set in modern times, and are reliant on coincidences, with plots hinging on murder, madness and bigamy. They exploited the fear that respectable Victorian families had of hidden, dark secrets and explored the woman’s role in the family. There is a pre-occupation with the law – wills, inheritance, divorce and women’s rights over property and child custody. They are emotional dramas about obsessive and disturbed mental states, with villains hiding behind respectable fronts, and bold assertive women, as well as passive, powerless and compliant women.

These issues and more are present in TWIW. It has several first person narrators, who are each not in possession of the whole story. Their accounts from letters, diaries and formal statements are limited to what each one knew or had experienced, and are not always reliable. It begins with Walter Hartright’s meeting with the mysterious Woman in White, as he is on his way to take up the position of drawing master to Marian Halcombe and Laura Fairlie at Limmeridge House, in Cumberland.

 There, in the middle of the broad bright high-road – there, as if it had that moment sprung out of the earth or dropped from heaven – stood the figure of a solitary Woman, dressed from head to foot in white garments, her face bent in grave inquiry on mine, her hand pointing to the dark cloud over London as I faced her.

Just who she is only becomes clear much later on the story. During their conversation she reveals that she knows Limmeridge House and its occupants. Walter helps her, but then is filled with guilt when he is told that she had escaped from an asylum.

Laura and Marian are half-sisters, living with their uncle, Frederick Fairlie, a weak, effeminate invalid. Walter is immediately struck by the beauty of Marian’s figure, but astonished when he saw her face:

The lady is ugly! …

The lady’s complexion was almost swarthy, and the dark down on her upper lip was almost a moustache. She had a large, firm, masculine mouth and jaw; prominent, piercing, resolute brown eyes; and thick coal-black hair, growing unusually low down on her forehead.

Marian, clever and assertive is in complete contrast in both appearance and character to the lovely Laura. Walter falls in love with Laura, but she is pledged to marry Sir Percy Glyde, a marriage arranged by her dead father. Matters are complicated by the fact that Laura and the Woman in White look remarkably alike, which is central to the plot. Sir Percy attempts to gain total control of Laura’s money and property, aided by the villainous Count Fosco.

I found it a book of two halves – slow to get going, full of descriptive writing and I was beginning to wonder when something was actually going to happen. Then in the second half the pace increased, the action was fast and complicated, with plenty of tension and melodrama. I enjoyed it, although I do prefer The Moonstone.

I read this book as part of November’s Autumn Classics Challenge and The Book Garden’s Tea and Books Challenge (reading books of over 700 pages).

The Help by Kathryn Stockett: a Book Review

The Help is Kathryn Stockett’s first novel. I loved it. I saw the film before I read the book – Octavia Spencer won a Golden Globe award as best supporting actress for her performance as Minny – and even though I knew the story I still found the book full of tension and completely absorbing. When I wrote about the film, I said I hoped the book lived up to my expectations. In fact, it did and more. As good as the film is, the book is even better and I think it’s one of the best books I’ve read for quite a while.

From the back cover:

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where black maids raise white children, but aren’t trusted not to steal the silver…

There’s Aibileen, raising her seventeenth white child and nursing the hurt caused by her own son’s tragic death; Minny, whose cooking is nearly as sassy as her tongue; and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared.

Skeeter, Aibileen and Minny. No one would believe they’d be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another. Each is in a search of a truth. And together they have an extraordinary story to tell…

My thoughts:

I didn’t find anything to detract from my enjoyment – even the fact that The Help is written in the present tense, which I normally don’t like, didn’t spoil it. I didn’t even realise it is in the present tense until I was well into the book. I think it’s better than the film because there is so much more in it, the characters are so well-defined, so believable, and the tension caused by the contrast between the black maids and their white employers is so appalling that I didn’t want to stop reading. The setting in Jackson in the early 1960s is tense to say the least. This book lives up to all the hype it created.

Aibileen, Minny and Skeeter are the three narrators and it is through their eyes that the book comes to life as they take turns telling their stories. As I was reading I could hear their voices.  Skeeter wants to be a writer and decides to write about what it is like working for white families from the coloured maids’ point of view. Aibileen is persuaded by Skeeter to tell her story in an attempt to change the prejudice and bigotry and improve the lives of the black population. Eventually other maids also tell their stories despite their fear of the consequences and the book is finally published. I was holding my breath as the story unfolded, would their cover be blown and how would the white women react?

It’s touching, poignant, funny, compelling and definitely thought-provoking. It’s a book that has stayed in my mind ever since reading it. I hope Kathryn Stockett writes more books!

  • My rating: 5/5
  • Author’s website: http://www.kathrynstockett.com/index.htm
  • Paperback: 464 pages
  • Publisher: Penguin; Reprint edition (13 May 2010)
  • Language English
  • ISBN-10: 0141039280
  • ISBN-13: 978-0141039282

The Burry Man’s Day by Catriona McPherson

This is the second in Catriona McPherson’s Dandy Gilver series.

Synopsis (taken from the back cover):

August 1923, and as the village of Queensferry prepares for the annual Ferry Fair and the walk of the Burry Man, feelings are running high. Between his pagan greenery, his lucky pennies and the nips of whisky he is treated to wherever he goes, the Burry Man has something to offend everyone wherever he goes whether minister, priest or temperance pamphleteer. And then at the Fair, in full view of everyone – including Dandy Gilver, present at the festivities to hand out prizes he drops down dead.

It looks as though the Burry Man has been poisoned – but if so, then the list of suspects must include everyone in the town with a bottle of whisky in the house, and, here in Queensferry, that means just about everyone …

Part of my interest in The Burry Man’s Day is that it is set in South Queensferry, on the south shore of the Firth of Forth, now part of the city of Edinburgh, formerly in the County of Linlithgowshire. I’ve been there once. It’s close to the Forth Road Railway Bridge:

Forth Road Railway Bridge

I haven’t seen the Burry Man’s Parade, which features strongly in this book; it must be a strange sight.

The book has a rather slow start, but it’s one I enjoyed for all its historical detail about the place, its traditions and the people. It has a great sense of place, with a map of Queensferry at the beginning of the book which helps you follow the action. I wasn’t very taken with Dandy Gilver. I liked her more in a later book in the series. In this book she comes across as a busy-body, albeit kind-hearted, and a snob, but then that’s probably just a reflection of the class structure of the times. She’s married to Hugh, who seems to spend his life hunting and shooting and managing his large estate at Gilverton in Perthshire. Dandy doesn’t have much in common with him, being rather bored by life at Gilverton and Hugh doesn’t feature much in this book.

This is Dandy’s second investigation and I suppose if I read the first book, After the Armistice Ball, I might understand her relation with Hugh and with Alec Osborne, her co-investigator. That’s one of the drawbacks of reading a series out of order.

There’s a lot more to this mystery than the death of Robert Dudgeon, who been the Burry Man for 25 years. He’d been extremely reluctant to take the part this year and the question  why was that remained unanswered for the majority of the book. I had an idea about the reason, but only guessed part of it. It’s a convoluted tale and the motive for the murder is buried deep in the descriptions of the characters and their histories. It’s a book you need to concentrate on, and at some points I did have difficulty in sorting out some of the minor characters. Other than that I think it’s a very good book, although maybe a bit too long.

  • My Rating 4/5
  • Author’s website: http://www.dandygilver.com/author.htm – where you can read an extract from this book
  • Paperback: 336 pages
  • Publisher: Robinson Publishing (30 Aug 2007)
  • Language English
  • ISBN-10: 1845295927
  • ISBN-13: 978-1845295929
  • Source: Library book

War Through the Generations Challenge – World War One

I’ve been thinking about Reading Challenges for next year. At first I thought I would only do one or two, because I start out full of enthusiasm and then find that by listing the books I want to read often ends up with me forgetting about them and reading something completely different. I’m very much a ‘mood’ reader. This made me feel a bit pressured when I remembered that I haven’t read the books/finished a particular challenge.

But then I realised that the pressure is purely of my own making, and as I really enjoy making lists and seeing which books I already own would fit into a challenge, I’ve decided to go ahead, make my lists and if I do complete the challenge, so much the better. This of course, means that I’m not treating it as a ‘challenge’, but then I don’t consider reading is or should be a ‘challenge’.  I  think I’ll call it ‘themed reading‘.

My books fit so well into this theme, so I’m signing up for The War Through the Generations:World War 1 Challenge.

Here are the details:

The challenge will run from January 1, 2012, through December 31, 2012.

The books, whether fiction or non-fiction must have WWI as the primary or secondary theme and occur before, during, or after the war, so long as the conflicts that led to the war or the war itself are important to the story. Books from other challenges count so long as they meet the above criteria.

  • Dip: Read 1-3 books in any genre with WWI as a primary or secondary theme.
  • Wade: Read 4-10 books in any genre with WWI as a primary or secondary theme.
  • Swim: Read 11 or more books in any genre with WWI as a primary or secondary theme.

And these are my books:

  • All Quiet on the Western Front by Erich Maria Remarque – a book I mean to read each year. I started it a couple of years ago and never finished it. I’ll have to start again.
  • The Ghost Road by Pat Barker – set in 1918 as the War came to an end. This is the third in the trilogy. I haven’t got the first two, so hope this stands well on its own.
  • Testament of Youth by Vera Brittain. This is Vera Brittain’s autobiography. She was 21 in 1914.
  • Chronicle of Youth by Vera Brittain. This is her war diary 1913 – 1917 on which she based Testament of Youth.

Gillespie and I by Jane Harris: a Book Review

Gillespie and I by Jane Harris is a cleverly told story, narrated by Harriet Baxter, alternating between events in 1888-90 (in Glasgow) and those in 1933 (in London). In 1888 Harriet moved to Glasgow where she got to know the painter, Ned Gillespie and his family. At first I liked Harriet but as I read on I became increasingly doubtful about her character, even though she comes across as an honest, reliable person. But, as she relates what her life is like in 1933 my impression of her began to change.

All is well at first but than a tragedy occurs which forms the major part of the book. It’s signalled in advance, when Harriet refers to the ‘horrible events’ that lay in the future. To say any more would be too much of a spoiler.

The setting of the book in Glasgow of the late 19th century is well described, helped by plans in the front of the book. The characters are also convincing, even some of the minor ones and her portrayal of Ned’s disturbed daughter, Sybil is quite chilling. This is a very detailed book, both about the place, artists and, through the account of a trial, the Scottish legal system of that period. It’s a book that lingered in my mind after I finished reading and if it wasn’t so long I’d like to re-read it in the light of what I now know.

  • Hardcover: 528 pages
  • Publisher: Faber and Faber (5 May 2011)
  • Language English
  • ISBN-10: 0571275168
  • ISBN-13: 978-0571275168
  • Source:an uncorrected proof from the publishers (via LibraryThing Early Reviewers)
  • My rating 3.5/5

I haven’t read Jane Harris first book, The Observations, although I’ve owned it for a while. It’s probably time I read that one too.