The Bookman's Tale by Charlie Lovett

When Alma Books contacted me to ask if I would like a review copy of The Bookman’s Tale: a novel of love and obsession by Charlie Lovett I was delighted. How could I resist a book about books, involving a search to discover the truth behind what could be a priceless Shakespearean manuscript? The book arrived the next day and I made the ‘mistake’ of looking at it whilst I drank a cup of coffee. I couldn’t put it down and by the end of the day I had read half the book.

The Bookman’s Tale

Synopsis from the back cover:

 A mysterious portrait ignites an antiquarian bookseller’s search – through time and the works of Shakespeare – for his lost love.

After the death of his wife, Peter Byerly, a young antiquarian bookseller, relocates from the States to the English countryside, where he hopes to rediscover the joys of life through his passion for collecting and restoring rare books. But when he opens an eighteenth-century study on Shakespeare forgeries, he is shocked to find a Victorian portrait strikingly similar to his wife tumble out of its pages, and becomes obsessed with tracking down its origins. As he follows the trail back to the nineteenth century and then to Shakespeare’s time, Peter learns the truth about his own past and unearths a book that might prove that Shakespeare was indeed the author of all his plays.

My view:

There are three different strands to this book, which interconnect and are interwoven throughout the book: the present day ie 1995 with Peter in England, the 1980s in America when Peter met and fell in love with Amanda, and the story of the Pandosto manuscript, a romance by Elizabethan poet Robert Greene, on which Shakespeare based The Winter’s Tale, from 1592 to 1879.

It began really well and Peter is not the only bookseller involved in the story – there is Bartholomew Harbottle in the Elizabethan/Stuart period and the Victorian Benjamin Mayhew both of whom play important roles. I really liked the historical sections and the details about the book trade and forgery is fascinating. I found the love story between Peter and his beloved Amanda rather cloying. Peter himself, suffers from an anxiety disorder and it is only his love for books and Amanda that seemed to make it possible for him to function at all – a good portrayal of an obsessive neurotic character.

By the second half of the book however, my enthusiasm for it began to droop a little as the chase around England became more frantic and a bit improbable. The many story lines as the book progressed became a series of cliff hangers, culminating in what seemed to me like something out of a cross between a Dan Brown novel, an Enid Blyton Famous Five book and a murder mystery. But, although there are just too many coincidence, twists and turns, and at times it is a bit melodramatic I still enjoyed it, swept along by the plot, an absorbing mix of historical fact and fiction, mystery and romance set in a book lovers’ world.

Charlie Lovett is a writer, teacher and playwright of plays for children. He is also a former antiquarian bookseller and an avid book collector. All this is evident in The Bookman’s Tale! He has a website with more information about the book and the sources he used.

Tamburlaine Must Die by Louise Welsh

It was a treat to read Tamburlaine Must Die, a short book that I read in a day. I can’t remember when I last read a book in a day!

Sometimes novellas, such as this is with just 140 pages, can seem lacking, needing more depth of character or plot, leaving me feeling that it should really have been a full length novel, or an even shorter story. But Tamburlaine Must Die has an immediacy, that drew me in to the late Elizabethan world.

I wrote about the opening paragraph and synopsis on Tuesday and almost immediately after I began to read the book. Written in the first person and set in May 1593, it’s a tense, dramatic story of the last days of Christopher Marlowe, playwright, poet and spy. Accused of heresy and atheism, his death is a mystery, although conjecture and rumours abound. Louise Welsh has used several sources in writing this novella, but as she writes in the Author’s Note:

History has bequeathed us a tantalising framework of facts – the Elizabethans were as prolific as the Stasi when it came to official documents. Yet the facts can’t tell us the full tale and historian’s theories on Marlowe’s death are ultimately well informed, meticulously researched speculation.

We know that Marlowe dies in a house in Deptford. We know the date of his death and the three men present. We know the nature of the wound that killed him. Everything else is educated guesswork, or in this author’s case, a fiction.

Tamburlaine Must Die conveys the claustrophobic atmosphere of danger surrounding Marlowe; who can he trust, and who is behind the pseudonym of ‘Tamburlaine’, who posted a libellous handbill referencing Marlowe’s plays? He is very aware that death is just around the corner:

A dagger can find its way into a belly or a back before the victim spies it. I thought I felt the prickle of surveillance on my shoulders. And though I knew it was most likely the effect of my own blood running faster in my veins, I made my way from the crush of people, trying to keep note of who was around me, checking  if any faces lingered in the thinning crowd. (page 31)

As well as Marlowe, Louise Welsh throws in Dr Dee and Thomas Walsingham, Marlowe’s patron and refers to Walter Raleigh too. In such a brief book she has managed to convey the political and the seedy underworld of the Elizabethan period, the dishonesty and love of intrigue, the dangers of the plague and the threat of war. Has much changed since then, I wonder.

First Chapter First Paragraph Tuesday Intros

Every Tuesday Diane at  Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros, sharing the first paragraph or (a few) of a book she’s reading or thinking about reading soon.

Today I’m in the mood for reading short fiction and picked this book off my to-be-read shelves. It’s Tamburlaine Must Die by Louise Welsh, set in 1593 it tells the story of playwright, Christopher Marlowe’s last days, weaving together fact and fiction. It’s only 140 pages.

It begins:

I have four candles and one evening in which to write this account. Tomorrow I will lodge these papers with my last true friend. If I survive the day, they will light our pipes. But should I not return, he has instructions to secrete this chronicle where it will lie undiscovered for a long span, in the hope that when these pages are found, the age will be different and my words may be judged by honest eyes.

When I read the first four words I immediately thought of the Ronnie Barker and Ronnie Corbett sketch from years ago in the Two RonniesThe Four Candles. I don’t suppose that is the response Louise Welsh would have expected, but there it is, that’s what came to my mind. But this is not a comedy as this summary from Amazon reveals:

London, 1593. A city on edge. Under threat from plague and war, strangers are unwelcome, suspicion is wholesale, severed heads grin from the spikes on Tower Bridge. Playwright, poet and spy, Christopher Marlowe walks the city’s mean streets with just three days to find the murderous Tamburlaine, a killer escaped from the pages of his most violent play. Tamburlaine Must Die is the searing adventure of a man who dares to defy both God and the state and whose murder remains a taunting mystery to the present day.

What do you think? Would you keep reading?

Falling Angels by Tracy Chevalier

I really enjoyed reading Falling Angels by Tracy Chevalier. It’s been sitting unread for several years on the to-be read shelves and I’ve been meaning to read it for ages after reading her earlier book, Girl with a Pearl Earring. I should have got round to it sooner.

It begins:

I woke this morning with a stranger in my bed. The head of blond hair beside me was decidedly not my husband’s. I did not know whether to be shocked or amused.

Well, I thought, here’s a novel way to begin the new century.

It is 1901, the day after Queen Victoria’s death and the ‘I’ in this opening is Kitty Coleman, one of several narrators in this novel set in Edwardian England.

Synopsis from Tracy Chevalier’s website:

Two families visit neighboring graves in a fashionable London cemetery. One is decorated with a sentimental angel, the other an elaborate urn. The Waterhouses revere the late Queen and cling to Victorian traditions; the Colemans look forward to a more modern society. To their mutual distaste, the families are inextricably linked when their daughters become friends behind the tombstones. And worse, befriend the gravedigger’s son.

As the girls grow up and the new century finds its feet, as cars replace horses and electricity outshines gas lighting, Britain emerges from the shadows of oppressive Victorian values to a golden Edwardian summer. It is then that the beautiful, frustrated Mrs Coleman makes a bid for greater personal freedom, with disastrous consequences, and the lives of the Colemans and the Waterhouses are changed forever.

A poignant tale of two families brought reluctantly together, Falling Angels is an intimate story of childhood friendships, sexual awakening and human frailty. Yet its epic sweep takes in the changing of a nation, the fight for women’s suffrage and the questioning of steadfast beliefs.

My view:

This book covers the years from 1901 – 1908 when the world was on the cusp of change just before the outbreak of the First World War, and I found myself wondering what my grandmothers, who would have been much the same age as Kitty Coleman and Gertrude Waterhouse, had thought about it all. What would they have thought about the suffragettes for example? I suspect it would have been similar to one of the characters, Jenny Whitby, the Colemans’ maid servant, as they too were domestic servants. Jenny is horrified when she listens to the suffragettes, whilst she served them with scones at Kitty Coleman’s ‘At Home’:

What I heard made me want to spit. They talked about helping women but it turns out they are choosy about who exactly gets the help. They ain’t fighting for my vote – only for women who own property or went to university. (pages 227 – 228)

Maybe my great aunt who never married and became a matron at a public school would have had more sympathy and agreed with the suffragettes that all women would not get the vote all at once and they had to start somewhere. These are the early years of the suffragette movement culminating in the book in June 1908 with the Women’s March in Hyde Park to demand Votes for Women.

The change between Victorian and Edwardian England was a gradual one, as attitudes to life and death were transformed and the middle-class Colemans and the Waterhouses reflect these changing attitudes with the Colemans looking forward to the modern era, whilst the Waterhouses still value the Victorian traditions. I was interested in the discussion about cremation/burial, with Kitty favouring cremation  in opposition to her mother-in-law as they visited the columbarium (a place for keeping cinerary remains, ie ashes) that had recently been opened at the cemetery. Their discussion with Mr Jackson, the superintendent of the cemetery was a theological one in which he ends the discussion of how God could reunite the body and soul if the body has been burnt by saying:

Surely there is no difference between the decomposed remains of a buried body and the ashes of a burned one. … I would simply say that God is capable of all things, and nothing we do with our remains will stop Him if he wishes to reunite our souls with our bodies. (pages 37 – 38)

I liked the multiple first person narrator structure of the book, giving an all round view of events and the characters’ views and thoughts. It was easy to distinguish between them all, the two daughters, Maude Coleman and Lavinia Waterhouse in particular are very well depicted. The setting too is so well described that I could imagine myself wandering round the cemetery with all its gothic symbology, and see the suffragettes’ march with their banners ‘Deeds not Words’ and hear their cries of ‘Votes for Women’.

It’s an easy to read book that still manages to contain depth both of characterisation and of themes – family relationships, in particular that of mother and daughter, attitudes towards death and mourning, the change in social codes, the perils of being an unmarried mother and the beginnings of the women’s movement. I was fascinated by it!

This page on Tracy Chevalier’s website lists her books – I have one more of hers – The Lady and the Unicorn, I mustn’t wait too long before I read it!

Although I didn’t read this to take part in any challenges I realise that it fits in with several I’ve signed up to do – the Mount TBR Challenge, the Historical Fiction Reading Challenge and the What’s in a Name Challenge (in the category of book with the word ‘down’ or an equivalent in the title).

June's Books & Crime Fiction Pick of the Month

I read six books in June, a bit less than usual as one of the books, Barnaby Rudge by Charles Dickens is a long book. Three are books from my backlog of to-be-read books, two are historical fiction and one was a re-read. All but one are crime fiction!

June 2013

  • A Fearful Madness by Julius Falconer – after the violent death of a part-time cathedral verger the dead man’s sister, anxious to see justice done, and two of the police suspects, both released without charge carry out their own investigations into his death. A complex mystery that kept me guessing right to the end.
  • The Third Pig Detective Agency by Bob Burke – a fairytale detective story in which Harry, the third little pig is employed by Aladdin to find his stolen lamp, aided or hindered by numerous characters, and finding himself in all sorts of tricky and dangerous situations.
  • The Owl Killers by Karen Maitland – a tale of witchcraft and pagan superstition set in 1321, mystical and mysterious and tragic as it explores the struggle to survive and the battleground between the old pagan beliefs and Christianity.
  • Kissing the Gunner’s Daughter by Ruth Rendell – this begins with the shooting of Sergeant Martin of Kingsmarkham CID whilst he was standing in a queue at the local bank. Then DCI Wexford is faced with more murders a few months later, when author Davina Flory, her husband and daughter, are shot dead at Tancred House.
  • Raven Black by Ann Cleeves – a re-read. This is the first of the Inspector Perez books set on Shetland, in which Perez investigates the death of a schoolgirl. I had forgotten who the culprit was and as on my first reading I failed to identify the murderer.
  • Barnaby Rudge by Charles Dickens – historical murder mystery set in England in the 1770s and the Gordon Riots of 1780. This  is now one of my favourite of Dickens’s books.

My Crime Fiction Pick of the Month is: Kissing the Gunner’s Daughter by Ruth Rendell, a book I just did not want to put down.

Kissing the Gunner's DaughterFor more Crime Fiction Picks of the Month see Kerrie’s blog, Mysteries in Paradise.

Barnaby Rudge by Charles Dickens

I knew absolutely nothing about Barnaby Rudge: a Tale of the Riots of ‘Eighty before I started to read it. It’s not a book that I’ve seen dramatised. But whilst reading (very slowly) Claire Tomalin’s biography, Charles Dickens A Life I came across the following information. In May 1836, the year that Dickens, then 24, married Catherine Hogarth on 2 April, he agreed he would write a three volume novel, called Gabriel Vardon by November. But by November he was trying to withdraw from the agreement, due to his commitments in writing Pickwick and Sketches by  Boz. He began writing Gabriel Vardon in 1839 and it was only in February 1841 that its serialisation began. By then he had renamed it as Barnaby Rudge.

It’s a murder mystery as well as a historical novel, mainly concerning the events surrounding the Gordon Riots of 1780. The Riots began in protest to the Catholic Relief Act of 1778, which granted Roman Catholics exemption from taking the religious oath when joining the British Armed Forces and granted them a few liberties, previously denied to them. Led by Lord George Gordon the protests quickly turned violent, Parliament was invaded and Newgate prison was burned to the ground. I was rather surprised that Tomalin gave away most of the plot in describing Barnaby Rudge and gave away the identity of the murderer. I don’t intend to do the same as it spoilt the mystery for me.

Barnaby Rudge begins in 1775, five years before the riots as a group of customers in the Maypole Inn in the village of Chigwell, on the borders of Epping Forest and about 112 miles from London, recollect the murder of Reuben Haredale, the owner of The Warren, 22 years earlier to the day. His steward, a Mr Rudge was found months later, stabbed to death.The murderer had never been discovered. Reuben’s brother Geoffrey had lived at The Warren with his niece, Emma ever since.

From then on the book becomes much more complicated with many characters and sub-plots. There is the love story of Emma, a Catholic and Edward Chester, the son of Sir John Chester, a Protestant and opponent of her uncle, who is dead against their marriage. Also crossed in love are Joe Willet, whose father John Willet is the landlord of the Maypole and the captivating Dolly Varden whose father Gabriel Vardon is a locksmith. Barnaby Rudge is a simple young man, living with his mother. His pet raven, Grip goes everywhere with him. He’s a most amazing bird who can mimic voices and seems to have more wits about him than Barnaby. Grip is based on Dickens’s own ravens, one of whom was also called Grip. (Edgar Allen Poe was inspired by Dickens’s portrait to write his poem The Raven).

It’s a long book and in parts loses its impetus, but picks up when Dickens jumps five years forward into the Riots and I was taken aback by his vivid and dramatic descriptions of the violence and horror:

If Bedlam gates had been flung wide open, there would not have issued forth such maniacs as the frenzy of that night had made. … There were men who cast their lighted torches in the air, and suffered them to fall upon their hands and faces, blistering the skin with deep unseemly burns. There were men who rushed up to the fire, and paddled in it with their hands as if in water; and others who were restrained by force from plunging in, to gratify their deadly longing. On the skull of one drunken lad – not twenty, by his looks – who lay upon the ground with a bottle to his mouth, the lead from the roof came streaming down in a shower of liquid fire, white hot; melting his head like wax.

And then there is the attack on Newgate prison, the release of the prisoners and finally the scene as the mob set fire to the prison, scenes that rival the storming of the Bastille in A Tale of Two Cities.

By the end of the novel the murderer is revealed and all the plot strands are completed. There are a number of themes running through the novel – the relationship between fathers and sons, the position of authority, justice and the question of punishment for crime, and religious conflict. Dickens paints a picture of London, the dirt and poverty, the terrible condition of the roads, the perils of footpads and highwaymen which is in contrast to the countryside that still at that period surrounded London making it a cleaner, purer place to live in. There are detailed descriptions of the old inn, the Maypole and Vardon’s house and shop with their individual irregularities and strangeness.

And alongside all this are the characters, the restless innocent that is Barnaby, his over-protective and distracted mother, the melodramatic servant Miggs, the pure evil of Hugh, an idle servant at the Maypole who becomes one of the leaders of the riots, and Mr Dennis, the hangman to name but a few.

It wasn’t such a success as some of Dickens’s other novels but I think that that is not a fair reflection of its qualities. It’s almost a book of two parts and the dramatic second half, to my mind, more than makes up for the slow beginning which I had to read slowly and carefully. The portrayal of Barnaby Rudge is also masterly – a sympathetic but totally unsentimental characterisation of his ‘madness’ and his underlying common sense.

Barnaby Rudge was number 6 in the Classics Club Spin, which is the reason I’ve been reading it this June, rather than later.  I’ve had the book on my Kindle since March 2013, so not as long as some of my to-be-read books, so it also counts towards the Mount TBR Reading Challenge and the Historical Fiction Challenge too. There are numerous editions of Barnaby Rudge and each one gives different page numbers, depending, I suppose on the format and font size. The Kindle edition estimates its length at 845 pages, so it also counts towards the Tea and Books Challenge.