Katharina: Fortitude by Margaret Skea

Historical fiction at its best

‘We are none of us perfect, and a streak of stubbornness is what is needed in dealing with a household such as yours, Kat… and with Martin.’ 

Katharina fortitude

Sanderling Books|23 July 2019|print length 446 pages|e-book review copy|5*

My thoughts:

I loved this book; beautifully written and meticulously researched Katharina: Fortitude by Margaret Skea it presents a vivid portrait of Katharina von Bora from the beginning of her married  life with Martin Luther in 1525 to her death in 1552. It is the conclusion to Katharina: Deliverance, which covered the early years of her life from 1505 up to her wedding to Luther.

They both work well as standalone novels but I think reading both gives a fully rounded picture of her life. Margaret Skea is a skilful storyteller and seamlessly blends historical fact into her fiction. She is an award winning author both for her short stories and her historical novels – and Katharina: Deliverance was Runner-up in the Historical Novel Society Novel Award 2018.

Just as in Katharina: Deliverance, I was transported back in time and place to Reformation Germany, and in particular to Wittenberg in Saxony, experiencing the social, cultural and political situation. It’s also an intensely personal novel and I feel I really came to know Katharina and Martin very well. They lived through turbulent times, suffering outbreaks of plague, political and religious conflict as well as coping with the death of two of their children. Their marriage, initially one of convenience, opposed by some of his friends and fellow reformers, eventually became full of their love for each other and Martin came to value Katharina’s candid opinions and the support she gave him.

I felt immense admiration for Katharina, for her strength of character, resilience and courageous spirit. She gave birth to six children, whilst looking after Martin, who was often ill and suffered from depression. And in addition she also managed the daily life of the Lutherhaus in Wittenberg, often under financial difficulties because of Martin’s generosity towards others. She catered for the students and all the visitors and boarders, as well as working in the garden, with its vegetable beds and herb garden, the brewhouse, stable and piggery. Luther continued to be involved in religious controversy, whilst lecturing students, and holding his Table Talk sessions discussing a variety of topics ranging from theology and politics to diseases and their remedies.  He also translated the Bible into German, composed hymns, catechisms and treatises. 

I have often written in my reviews that I am not a fan of novels written in the present tense, but I had no issues with it in either of these books about Katharina and I think it fits the story perfectly. I was totally immersed in the story, enhanced by the richly descriptive writing, which made it compulsively readable for me.

In her Author’s Note Margaret Skea states that her book, based on a research trip in Saxony, ‘is a work of fiction, and though based on extensive research, the Katharina depicted here is my own interpretation’. There is a list of the main characters, a glossary of German terms and a map showing Saxony and Surroundings to help with the locations. It is a remarkable story, full of drama, centred on Katharina, a strong and courageous woman who never gave up no matter the difficulties that life with Luther brought her. I loved it.

With many thanks to Margaret Skea for sending me an advance review copy.

 

My Friday Post: Gallows Court by Martin Edwards

Book Beginnings Button

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’ve just started Gallows Court by Martin Edwards, the first in a series set in 1930s London.

Gallows Court

‘Jacob Flint is watching the house again.’ The housekeeper’s voice rose. ‘Do you think he knows about …?’

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

30879-friday2b56These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader. If you have to improvise, that is okay.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

‘I told you last night not to threaten me, Mr Flint. You should heed my advice. There are worse fates than the misfortune that befell Thomas Betts.’

Blurb:

London, 1930.
A headless corpse; an apparent suicide in a locked room; a man burned alive during an illusionist’s show in front of thousands of people. Scotland Yard is baffled by the sequence of ghastly murders unfolding across the city and at the centre of it all is mysterious heiress Rachel Savernake. Daughter of a grand judge, Rachel is as glamorous as she is elusive.

Jacob Flint, a tenacious young journalist eager to cover the gruesome crimes, is drawn into Rachel’s glittering world of wealth and power. But as the body count continues to rise, Jacob is convinced Rachel is harbouring a dark secret and he soon becomes part of a dangerous game that could leave him dancing at the end of the hangman’s rope if he pursues the truth.

What do you think? Would you keep reading?

I have high expectations of this book as I’ve thoroughly enjoyed all of Martin Edwards’s books that I’ve read, particularly his Lake District murder mysteries. Gallows Court has been on my radar since it was published last year so it’s time I read it, especially as now I see that his next book, due out in March next year, is to be Mortmain Hall, a sequel to Gallows Court. 

Sanditon by Jane Austen, edited by Kathryn Sutherland

Sanditon

Jane Austen has long been one of my favourite authors so I was delighted when Georgie Malcolm at the Oxford University Press contacted me to see if was interested in a review copy of a new edition of Jane Austen’s final, incomplete work Sanditon, edited with an introduction and explanatory notes on the text by Austen expert and Oxford University lecturer Kathryn Sutherland. 

In Sanditon, Jane Austen writes what may well be the first seaside novel: a novel, that is, that explores the mysterious and startling transformations that a stay by the sea can work on individuals and relationships. Sanditon is a fictitious place on England’s south coast and the obsession of local landowner Mr Thomas Parker. He means to transform this humble fishing village into a fashionable health resort to rival its famous neighbours of Brighton and Eastbourne. 

In this, her final, unfinished work, the writer sets aside her familiar subject matter, the country village with its settled community, for the transient and eccentric assortment of people who drift to the new resort, the town built upon sand. If the ground beneath her characters’ feet appears less secure, Austen’s own vision is opening out. Light and funny, Sanditon is her most experimental and poignant work.

I first read Sanditon only four years ago, in a combined publication of  Lady Susan, The Watsons and Sanditon and reviewed it in this post. I thoroughly enjoyed Sanditon, even in its unfinished state. It’s the last fiction that Jane Austen wrote, beginning it in January 1817, the year she died.

I’m looking forward to reading this new edition with great interest, particularly the introduction and the notes explaining literary allusions, references to diseases and contemporary medical treatments, Regency fashions, quasi-specialist language, etc. It certainly looks excellent!

And I see that ITV has a new adaptation by Andrew Davies of Sanditon that will air in eight parts this autumn.

  • Paperback: 128 pages
  • Publisher: OUP Oxford (25 July 2019)
  • Language: English
  • ISBN-10: 0198840837
  • ISBN-13: 978-0198840831

Dolly by Susan Hill

Dolly

Profile Books|October 2012|153 pages|Library book|4*

Dolly: A Ghost Story is a small book – in size and in length and I read it very quickly. Although I think it is a supernatural tale I don’t think it is a ghost story. But it does have an uneasy foreboding and melancholic atmosphere, mainly set in a mysterious isolated country house in the Fens.

There is not much to say about it really. It’s the story of two children, cousins Edward and Leonora who spend a summer with their Aunt Kestrel at her house, Iyot Lock, a large decaying house in the Fens. Edward tries to get on with Leonora, an insufferably mean and spiteful child. Expecting a birthday present of a doll from her aunt, she has a tantrum when she is given a baby doll totally unlike the doll she wanted and breaks its head. From that point on strange things begin to happen with disastrous consequences.

It is well written and I relished the descriptive writing of the landscape, that oppressive feeling that the sky above is falling in on you that I’ve experienced in that area. The tension is there from the start and it gradually builds as events unfold and the storm clouds gather.  There are hints of evil as well as spite and malice, in Leonora and what happens to the doll and the cousins is where the supernatural element comes in. 

But I think the plot is too formulaic and I could easily foretell what was going to happen. To say what it reminded me of would be too much of a spoiler. The ending, as so often in short stories and novellas comes too quickly, but nevertheless I did enjoy reading it. There is a certain satisfaction in predicting what would happen and being right as opposed to getting to the end and expecting more. It made a pleasurable change as it filled a gap between longer and more demanding books.

Reading challenge: Virtual Mount TBR as it is a library book.

Blood on the Tracks: Railway Mysteries edited by Martin Edwards (British Library Crime Classics)

I’ve said before that I’m not a big fan of short stories, often finding them disappointing. So I’m glad to say that I enjoyed this anthology edited by Martin Edwards: Blood on the Tracks: Railway Mysteries. Some stories, of course, are better than others.

Blood on the tracks

There are fifteen railway themed stories in the collection and an introduction on classic railway mysteries by Martin Edwards. He has also prefaced each story with a brief biographical note, which I found useful as some of the authors were new to me. I read the collection slowly over a few months, which I find is the best way to approach a short story collection.

Train travel provides several scenarios for a mystery – the restriction of space on trains, with or without a corridor, means that there are a limited number of suspects and they can also provide an ideal place for a ‘locked room’ crime or an ‘impossible crime’ story. This collection also includes a couple of crimes with a supernatural element.

The mysteries are presented in roughly chronological order from 1898 up to  the 1950s. The ones I enjoyed the most are by R Austin Freeman, Roy Vickers, Dorothy L Sayers, F Tennyson Jesse and Freeman Crofts Willis.

  1. The Man with the Watches by Arthur Conan Doyle featuring an un-named sleuth, ‘a well-known criminal investigator’, about a man shot through his heart on the London to Manchester train. He had no ticket on him but had six valuable gold watches in his possession. This was first published in The Strand Magazine in 1898.
  2. The Mystery of Felwyn Tunnel by L T Meade and Robert Eustace. This was also first published in 1898 in which a signalman is found dead at the mouth of the tunnel. When another man dies in in the same place it looks as though something very strange is the cause of their deaths.
  3. How He Cut His Stick by Matthias McDonnell Bodkin. In this story Lady Detective Dora Myrl investigates the theft of £5,000 in gold and notes from a locked railway carriage.
  4. The Mysterious Death on the Underground Railway (1901) by Baroness Orczy, featuring the Old Man in the Corner, an ‘armchair detective’ as he sits in a teashop and tells journalist Polly Burton the solution to the murder of a young woman on the Underground, whilst he fiddles with a piece of string.
  5. The Affair of the Corridor Express by Victor L Whitechurch featuring the railway detective Thorpe Hazell. He investigates the kidnapping of the son of a millionaire.
  6. The Case of Oscar Brodski by R Austin Freeman, an ‘inverted’ detective story, in which the reader knows everything, whereas the detective knows nothing and it all hinges on the significance of trivial details, including fragments of glass, biscuit crumbs, a piece of string and threads of fabric.
  7. The Eighth Lamp by Roy Vickers – an underground mystery about switching off the station lamps after the last train had gone down the line, with a rather spooky supernatural ending.
  8. The Knight’s Cross Signal Problem by Ernest Bramah, in a steam engine crashes into a light train, killing twenty seven people and injuring forty plus. The cause of the accident is a mix up with the signals. I think this is one of the less successful stories for me.
  9. The Unsolved Puzzle of the Man with No Face (1928) by Dorothy L Sayers (a Lord Peter Wimsey story), . The body of a man is found on a lonely beach, his face slashed, and with no means of identification. Wimsey’s discussion of the crime with his fellow passengers as they travel into London, helps D I Winterbottom to solve the mystery – a most intriguing story.
  10. The Railway Carriage by F Tennyson Jesse (1931) – this is possibly my favourite story in the collection. It’s a supernatural mystery in which Solange Fontaine, a female sleuth with a ‘feeling for evil’ features meets two passengers on a train. Both the elderly woman, dressed in shabby black and the insignificant-looking man in a grey felt hat seem to be locked in their own thoughts and she feels very ill at ease. Then the train crashes. An excellent story.
  11. Mystery of the Slip-Coach by Sapper (1933), the creator of ‘Bulldog’ Drummond – an example of an ‘impossible crime’ in which the clue of a raw egg supplies the solution to the murder – I wasn’t convinced by this story.
  12. The Level Crossing by Freeman Crofts Willis ( 1933) in which a man is found dead, lying near an unmanned railway crossing. A mystery that shows the effects of unforeseen circumstances even on a well planned murder.
  13. The Adventure of the First-class Carriage by Ronald Knox (1947) a Sherlock Holmes pastiche with an ‘impossible crime’ scenario.
  14. Murder on the 7.16 by Michael Innes, a John Appleby mystery in which he investigates a murder in a railway carriage on trestles, not on wheels, as it is part of a film set.
  15. The Coulman Handicap by Michael Gilbert (1950s). I found this rather confusing as the police follow a woman passing on stolen goods as she uses the Underground to give them the slip. I think this is possibly the one story in the collection that failed to hold my interest.

My thanks to the publishers for my review copy via NetGalley.

  • Paperback: 358 pages
  • Publisher: Poisoned Pen Press (3 July 2018) in association with the British Library
  • Language: English
  • ISBN-10: 1464209693
  • ISBN-13: 978-1464209697
  • My rating: 3*

My Friday Post: Clouds of Witness by Dorothy L Sayers

Book Beginnings Button

Every Friday Book Beginnings on Friday is hosted by Gillion at Rose City Reader where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’m currently reading Clouds of Witness by Dorothy L Sayers, the second Lord Peter Wimsey book and one of my 20 Books of Summer.

Clouds of witness

 

Lord Peter Wimsey stretched himself luxuriously between the sheets provided by the Hôtel Meurice.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

30879-friday2b56These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader. If you have to improvise, that is okay.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

From amid the mud and the fallen leaves he retrieved a tiny glittering object – a flash of white and green between his finger-tips.

It was a little charm such as women hang upon a bracelet – a diminutive diamond cat with eyes of bright emerald.

Blurb:

The Duke of Denver, accused of murder, stands trial for his life in the House of Lords.
Naturally, his brother Lord Peter Wimsey is investigating the crime – this is a family affair. The murder took place at the duke’s shooting lodge and Lord Peter’s sister was engaged to marry the dead man.
But why does the duke refuse to co-operate with the investigation? Can he really be guilty, or is he covering up for someone?

What do you think? Would you keep reading?