My Friday Post: Caedmon’s Song

Book Beginnings ButtonEvery Friday Book Beginnings on Friday is hosted by Gillion at Rose City
Reader
 where you can share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

I’ve been rather neglecting my TBRs so far this year, so I’ve been going through them deciding which one to read next and came across Caedmon’s Song by Peter Robinson, one of his standalone books.

Caedmon's Song

It begins:

Martha Browne arrived in Whitby one clear afternoon in early September, convinced of her destiny.

Also every Friday there is The Friday 56, hosted by Freda at Freda’s Voice.

Friday 56

These are the rules:

  1. Grab a book, any book.
  2. Turn to page 56, or 56% on your eReader.
  3. Find any sentence (or a few, just don’t spoil it) that grabs you.
  4. Post it.
  5. Add the URL to your post in the link on Freda’s most recent Friday 56 post.

Page 56:

Kirsten looked away towards the window. Outside, beyond the flowers, and the get-well cards on her table, she could see the tops of trees swaying slowly in the wind and a distant block of flats, white in the July sun, ‘I don’t know if I want to remember,’ she whispered. ‘I feel so empty.’

Blurb:

On a balmy June night, Kirsten, a young university student, strolls home through a silent moonlit park. Suddenly her tranquil mood is shattered as she is viciously attacked.

When she awakes in hospital, she has no recollection of that brutal night. But then, slowly and painfully, details reveal themselves – dreams of two figures, one white and one black, hovering over her; wisps of a strange and haunting song; the unfamiliar texture of a rough and deadly hand . . .

In another part of England, Martha Browne arrives in Whitby, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

I’ve enjoyed reading some of Peter Robinson’s Inspector Banks books. Caedmon’s Song, described as a ‘psychological thriller‘ looks a bit different and I’m wondering about Martha’s research – is it connected to Dracula? after all Whitby Abbey was Bram Stoker’s inspiration for his novel, Dracula.

The Kill Fee by Fiona Veitch Smith

The Kill Fee (Poppy Denby Investigates #2)

The Kill Fee is the second book in the Poppy Denby Investigates series. I haven’t read the first book, The Jazz Files, but I had no difficulty reading this second book as it reads well as a standalone, with enough detail of previous events for me to follow the story.

It is set in London in 1920 with flashbacks to Russia in 1917. Poppy is the Arts and Entertainments Editor at the Daily Globe and whilst she is covering an exhibition of Russian Art at the Crystal Palace a guard is shot and injured and one of the Fabergé Eggs on display is stolen. It’s not just an extremely valuable Egg, one that had been owned by a member of the Tsar’s family, but one that is said to contain a secret that could threaten royal families throughout Europe.

This is reminiscent of the Golden Age crime fiction as Poppy sets about finding who stole the Egg and there are plenty of suspects. The theft is followed by a couple of murders and a poisoning, and a secret passageway as Poppy chases around London in hot pursuit of the killer.

Its an enjoyable read that kept me entertained with a mix of fictional and historical characters and a look at 1920s’ society. I particularly liked the Russian connection and the information about White and Red Russians and the Russian Revolution of 1917 – by 1920 this was coming to a head in the Crimea. The book begins with an episode in Moscow in 1917 as an unnamed man in a bearskin coat enters the house of an aristocratic family to find a scene of carnage. Most of the family have been murdered, but he rescues a small girl, her little dog and her English nanny. How this fits into the rest of the book only gradually becomes clear.

There is a map of 1920s London that helps to follow the action and a list of the fictional and historical characters that I found useful. Fiona Veitch Smith explains in her historical Note at the end of the book how she got the idea for The Kill Fee and how she blended fact with fiction. Apart from a few ‘tweaks’ she has stuck to the historical timeline, as far as she is aware, moving the Russian Embassy to Kensington Gardens seven years earlier than it really did and bringing forward the selling of paper poppies by one year – these were launched by the British Red Cross in 1921. The plotline of the theft of the Fabergé Egg and the exhibition at the Crystal Palace is a figment of her imagination. She apologises for ‘any unintentional errors you may find.’

Well, I did find another anachronism. At one point (page 209 in my paperback copy) Poppy and Daniel are arguing as he drives across London approaching the Victoria Embankment when he had to slow down ‘to allow a family to cross the road at a pelican crossing.‘ I think this must be a typing error as although pedestrian crossings existed more than 2000 years ago, (as can be seen in the ruins of Pompeii), pelican crossings weren’t introduced in the United Kingdom until 1969.

None of this affected my enjoyment of the book as the world of London in the 1920s came to life and the complex plot and fast pace kept my brain ticking over, keeping track of the different sub-plots and characters. The kill fee in the title refers to the money offered to Rollo, the Daily Globe owner and editor-in-chief, to stop him from publishing the story concerning the theft of the Fabergé Egg.

My thanks to LibraryThing Early Reviewers for my copy of this book.

  • Paperback: 320 pages
  • Publisher: Lion Fiction (16 Sept. 2016)
  • Language: English
  • ISBN-10: 1782642188
  • ISBN-13: 978-1782642183

This is my 10th book for the Mount TBR Challenge.

The Legacy by Yrsa Sigurdardottir

The Legacy is my first venture into Icelandic Noir and the first in a new series by Yrsa Sigurdardottir – the Children’s House thriller series, translated from Icelandic by Victoria Cribb.

I think the first thing I should say about this book is that I loved it and once I started reading I just didn’t want to put it down. What is so remarkable about that is that there are some particularly dark and nasty murder scenes, which would normally guarantee that I’d stop reading. I am so glad I did read on. The Legacy is an excellent book. It’s dark, mysterious and very cleverly plotted, full of tension and nerve-wracking suspense. Although I thought I’d worked out who the murderer is I was completely wrong, but looking back I could see all the clues are there, cunningly concealed – I just didn’t notice them.

It begins with a prologue set in 1987 when three young children, two boys and their little sister are waiting to be adopted. It’s hard to find anyone willing to adopt all three and they are separated. The psychiatrists’ opinion is that it is in their best interests to be parted and that their horrendous background be kept secret, hoping that time and being split up would obliterate their memories. I did try to keep the events in the prologue in mind as I read and had some idea of how it related to the rest of the book, but it was only when I came to the dramatic conclusion that everything became clear.

Move forward to 2015 to Elisa whose husband is away leaving her on her own with three young children for a week. Her seven-year old daughter, Margrét wakes her, frightened because there is a man in the house. What follows is the first horrifying murder (read it quickly and try not to linger over the details because the pictures they paint don’t bear thinking about). Margrét, who was hiding when her mother is killed, is the only witness and she’s too traumatised to say very much.

She is taken to the Children’s House where Freyja, the child psychologist in charge and the detective Huldar, in charge of the police investigation, try to get to the truth. It’s immensely difficult, complicated by more murders. Freyja and Huldar are both sympathetic characters, both deeply committed to their jobs, but because of past history between them unable to trust each other.

The narrative is in the third person and switches between Freyja’s and Huldar’s viewpoints, interspersed by that of another character, Karl a student and radio ham enthusiast who has been receiving strange messages from a mysterious numbers station broadcasting, unusually, in Icelandic. These consist of long strings of numbers read out by synthesised voices. Karl dreams of successfully cracking the codes. I was both intrigued and completely mystified by this part of the novel. I was completely engrossed in the plot and the characters and I shall certainly be reading more of Yrsa Sigurdardottir’s books in the future.

My thanks to the publishers, Hodder and Stoughton, for an e-book copy for review, via NetGalley.

  • Format: Kindle Edition
  • File Size: 2046 KB
  • Print Length: 464 pages
  • Publisher: Hodder & Stoughton (23 Mar. 2017)
  • My rating: 5* (despite the horrific murders)

A Death in the Dales by Frances Brody

A Death in the Dales (Kate Shackleton #7)

A Death in the Dales is the 7th book in Frances Brody’s Kate Shackleton series of historical crime fiction books set in 1920s Yorkshire. Kate is an amateur detective. I’ve read the first two, Dying in the Wool and A Medal For Murder, and so I’ve jumped ahead in the series with this book. It’s not always possible to read a series in order and in this case I don’t think it matters – A Death in the Dales reads well as a standalone.

It’s 1926 and Kate Shackleton’s friend, Dr Lucian Simonson, has offered her the use of his late Aunt Freda’s cottage in Langcliffe for a short holiday with her niece Harriet, who is recovering from diphtheria. Ten years earlier Freda had witnessed the murder of the landlord of the alehouse across the street from her house. A man was found guilty of the murder and hanged – but Freda was convinced that they had convicted the wrong man.

Freda’s friend Mr Wigglesworth, the local apothecary, asks Kate to investigate the murder and gives her Freda’s papers regarding the trial. Although she had intended to have a holiday from her investigations she can’t resist looking at the papers and is convinced that Freda had wanted to her to solve the mystery and find out who had killed the pub landlord.

As well as investigating the murder, Kate also helps Harriet and her new friend, Beth to find out what has happened to Beth’s young brother who has gone missing from the farm where he was working, and then a suspicious death on the same farm.

I enjoyed reading about life in the 1920s; Frances Brody paints a very believable picture of life in a rural setting in the Dales during the post World War One years. Kate is a very likeable character and has to overcome the suspicion of strangers from the local community once she starts digging into the past. And there is the added complication of Kate and Lucian’s personal situation. All in all it’s a complicated mystery with several strands, numerous suspects and plenty of red herrings.

Frances Brody is an excellent storyteller and her books are well-plotted and complex murder mysteries in the historical setting of the 1920s and in the style of the golden age crime fiction.

The series so far is:

1. Dying in the Wool (2009)
2. A Medal For Murder (2010)
3. Murder in the Afternoon (2011)
4. A Woman Unknown (2012)
5. Murder on a Summer’s Day (2013)
6. Death of an Avid Reader (2014)
7. A Death in the Dales (2015)
8. Death at the Seaside (2016)
9. Death in the Stars (to be published in October 2017)

Reading Challenges: Mount TBR 2017 and What’s in a Name? in the category: ‘A title in which at least two words share the same first letter ‘“ alliteration!’

  • Paperback: 384 pages
  • Publisher: Piatkus (1 Oct. 2015)
  • Language: English
  • ISBN-10: 0349406561
  • ISBN-13: 978-0349406565
  • Author’s website: Frances Brody
  • Source: I bought it

Everything but the Truth by Gillian Mcallister

A brilliant book full of secrets and lies

Just how much can you trust the person you love?

Everything but the Truth is Gillian McAllister’s stunning breakthrough thriller about deceit, betrayal and one woman’s compulsive need to uncover the truth

It all started with the email.

Rachel didn’t even mean to look. She loves Jack and she’s pregnant with their child. She trusts him.

But now she’s seen it, she can’t undo that moment. Or the chain of events it has set in motion.

Why has Jack been lying about his past? Just what exactly is he hiding? And doesn’t Rachel have a right to know the truth at any cost?

My thoughts

I was hooked right from the start of Everything but the Truth by Gillian McAllister. It has everything – it’s very readable and well written, with a great sense of place, set in both Newcastle and Oban, with clearly defined and believable characters, a complex plot with plenty of twists and turns, and a dark secret. It is up to date about social media and information about the internet and how to find hidden information (which as I’m not that computer savvy I had to Google to see if it was genuine – it is). The atmosphere in this book is tense and increasingly dark and claustrophobic. Everything but the Truth is an outstanding book in my opinion.

I didn’t want to stop reading it and when I wasn’t reading it I was thinking about it. As well as being about lies and secrets it’s also about relationships. How we get to know people and learn to trust them. Rachel and Jack are in a very new relationship and there is still an awful lot they don’t know about each other. And when Rachel realises Jack has a secret she doesn’t know how to get him to open up to her about it. Just what is his secret and is it really so terrible that he can’t talk about it? And why can’t he drive? But what does Jack really know about Rachel? Is she hiding something too, or is she paranoid?

Gillian McAllister’s debut book is simply excellent, written with assurance and with great insight into human nature. It is without doubt one of the best books I’ve read this year.

Thank you to Gillian McAllister, the publishers and NetGalley for my copy of this book for review.

  • Format: Kindle Edition
  • File Size: 1230 KB
  • Print Length: 420 pages
  • Page Numbers Source ISBN: 1405928263
  • Publisher: Penguin (9 Mar. 2017)

Let the Dead Speak by Jane Casey

A murder scene, but where’s the body?

The first book in Jane Casey’s Maeve Kerrigan series was The Burning, published in 2010, but I didn’t get round to reading it until February 2015. I was hooked immediately and read the next five books in quick succession by the end of August 2015. These are all police procedurals, fast-paced novels, with intriguing and complex plots and developing the relationships between the main characters. So, I think that although the books read well as stand-alones, it helps enormously to read them in order.

Let the Dead Speak  is the seventh Maeve Kerrigan book (published today, 9 March 2017 ) and it is no less intriguing and complex than the earlier books. I loved it.

Blurb:

When eighteen-year-old Chloe Emery returns to her West London home she finds Kate, her mother, missing and the house covered in blood. There may not be a body, but everything else points to murder. Maeve Kerrigan is young, ambitious and determined to prove she’s up to her new role as detective sergeant.

In the absence of a body, she and maverick detective Josh Derwent turn their attention to the neighbours. The ultra-religious Norrises are acting suspiciously; their teenage daughter definitely has something to hide.

Then there’s William Turner, once accused of stabbing a schoolmate and the neighbourhood’s favourite criminal. Is he merely a scapegoat or is there more behind the charismatic facade?

As the accusations fly, Maeve must piece together a patchwork of conflicting testimonies, none of which quite add up. Who is lying, who is not? The answer could lead them to the truth about Kate Emery, and save the life of someone else.

Let the Dead Speak continues to develop the detectives’ personal lives as well as detailing the investigations into Kate Emery’s disappearance. Maeve has been promoted and is now a detective sergeant (a long over-due promotion I think) and the murder investigation team has a new member, DC Georgia Shaw, a graduate on a fast-track scheme. Maeve finds her rather irritating. DI Josh Derwent is still her boss and neither he nor Maeve stick to the rules, but act independently as they see fit. The chemistry between the two of them is still there and is still full of undercurrents. DCI Una Burt is acting up as their Superintendent and the working relationship between her and Maeve is now improving.

There are several strands to the investigation – first of all if Kate was killed where is her body and who had the motive and opportunity to kill her? If she was not killed why is there so much blood in the house, whose blood is it, and where is Kate?

I enjoyed the fast-paced action, the interaction between the characters, both the police and the other characters. Chloe, who is very shy and lacking in confidence as well as in social skills is of little help in discovering what has happened to her mother. I liked the portrayal of the Norris family, Bethany and her parents and uncle, who are all members of an evangelical church, the Church of the Modern Apostles. Bethany refuses to answer Maeve’s questions and is openly hostile. Then there is the local ‘bad boy’ William Turner – what is his involvement? Similarly are Chloe’s father and stepmother and her step-brothers responsible in any way?

I kept changing my mind about what had happened and who was the guilty party, but it had me foxed. And then when I had it worked it out the last chapter surprised me yet again with the twist at the end. Maeve Kerrigan really is an excellent detective.

Thanks to the publishers via NetGalley for my copy.

  • Format: Kindle Edition
  • File Size: 1803 KB
  • Print Length: 352 pages
  • Publisher: HarperCollins (9 Mar. 2017)

The earlier books in the series are

0.5. Left For Dead (2013)
1. The Burning (2010)
2. The Reckoning (2011)
3. The Last Girl (2012)
4. The Stranger you Know (2013)
5. The Kill (2014)
6. After the Fire (2015)