The last stop on Kerrie’s Crime Fiction on a Euro Pass is Turkey. The challenge has been to write posts linked to the country of the week. This time I’ve focused on the British author:
Barbara Nadel
Born in the East End of London, Barbara Nadel trained as an actress before becoming a writer. Now writing full-time, she has previously worked as a public relations officer for the National Schizophrenia Fellowship’s Good Companion Service and as a mental health advocate for the mentally disordered in a psychiatric hospital. She has also worked with sexually abused teenagers and taught psychology in schools and colleges, and is currently the patron of a charity that cares for those in emotional and mental distress.
I’d forgotten I’d pre-ordered Ian Rankin’s latest book The Impossible Dead, so it was a nice surprise yesterday when it was delivered. I don’t often buy a hardback book so that’s an additional pleasure, even if at nearly 400 pages it is quite heavy.
It is, of course, the follow-up book to The Complaints, starring D I Malcolm Fox and his team investigating other cops. I thoroughly enjoyed The Complaints and am hoping this will be as good if not even better.
From the back cover:
Asked to take on a simple case of police abuse, Malcolm Fox suddenly finds himself digging up a macabre death from the eighties. Little does he know that the answers he finds in that dark period of Scottish history will lead him to the highest echelons of power …
Now officially called Professional Ethics and Standards (you only need to add Team to the title to get the acronym PESTS!) they still call themselves The Complaints at least among themselves and other cops are never happy to see them or cooperate either.
I finished reading The House of Stairs, the third psychological thriller by Barbara Vine yesterday. It is a most remarkable book, in that it turns a murder mystery upside down, as it were. It is clear from the start that there has been a murder and the murderer is known – she has just been released from prison. But who did she murder? Why, where, when and how? The other characters all know – but not the reader.
The crime is only revealed very gradually, building up the suspense and tension in a series of flashbacks, as you realise the how, the where and the when, but only by inference – guesswork on my part really. The why too, can be worked out, but as for the who – I kept changing my mind, only finally deciding it must be this person, just a few pages before the denouement. Ruth Rendell writing as Barbara Vine certainly sets a puzzle, a tangled web of characters, situations, and psychological profiles. And, of course, there is a certain ambiguity right at the end. It’s not a book you can read quickly, but it certainly kept me turning the pages wanting to know what had happened.
The first person narrator is Elizabeth, who is told a terrible secret about her mother and lives her life as a consequence in fear of inheriting the family disease. At the beginning of the book she sees her old friend Bell, and follows her at a short distance, not sure it really is her. It gives her a sense of unease and a quiver of panic bringing back memories of earlier events that had resulted in Bell’s imprisonment for murder fourteen years ago.
She and Bell and a number of other characters (who come and go) lived with Cosette in the House of Stairs, so called because it’s a big house on five floors with a staircase of 106 stairs. Cosette had been married to Elizabeth’s mother’s cousin and they came to view each other as mother and daughter. Cosette is a caring character, very tolerant and easy-going, one who welcomes other people into her home, who listens to them and leaves them feeling revitalized. Bell, however, is cold and uncaring. The menace is felt as Bell climbs the stairs to her room on the top floor, the 104th step creaking as she does so and enters the room, the room with the dangerous window that came down to no more than six inches or so from the floor (page 121).
There is so much I could write about this book. For one thing there are various allusions to Henry James’s work, which Elizabeth is studying hoping to write a thesis about James – to say any more would be to reveal too much. Another allusion is to Tennyson’s poem Mariana and one that interested me greatly to a painting by Bronzino of Lucrezia Panciatichi, dressed in a beautiful red gown. It reminds Elizabeth of Bell, and when she wears a similar red dress found in Cosette’s belongings the resemblance is striking. I found a reproduction of the painting on Wikipedia:
Portrait of Lucrezia Panciatichi (circa 1540), Galleria degli Uffizi, Florence
Elizabeth has a thought, which struck me as particularly chilling. She looks at people
… wondering which of them, if any, are like her. I mean like her in that they have killed someone and been sent to prison for it, served their sentence and come out again. It is a new phenomenon. Murderers used to be hanged.
Now they are set free and come back to live among us. Or to exist. I look at people and I wonder. … ordinary people looking like everyone else, having ordinary jobs, perhaps living next door. (page 212)
The House of Stairs:
Paperback: 282 pages
Publisher: Penguin 1989
Source: I bought the book (a secondhand copy)
Rating 4/5
Barbara Vine’s earlier psychological thrillers are:
Kerrie’s Crime Fiction Europass stops in Italy this week, which gives me the opportunity to write about David Hewson‘s Italian mysteries featuring Detective Nic Costa and his partner Gianni Peroni. The books in this series are:
A Season for the Dead (2003)
The Villa of Mysteries (2004)
The Sacred Cut (2005)
The Lizard’s Bite (2006)
The Seventh Sacrament (2007)
The Garden of Evil (2008) Shortlisted for Theakston’s Old Peculiar Crime Novel of the Year Award 2009.
Dante’s Numbers (revised edition The Dante Killings in the US) (2008)
The Blue Demon (City Of Fear in the US) (2009)
The Fallen Angel (2011)
Carnival for the Dead (2012)
This is a new series for me and I’ve jumped in to read the fourth book, The Lizard’s Bite, I hope I shouldn’t have read the earlier books before this one.
In a dilapidated glass furnace off the island of Murano the fire races out of control. Two people are dead, and for Leo Falcone, exiled to Venice, with Nic Costa and Gianni Peroni, the question is whether he’s dealing with one murderer or two.
For Costa, life in Venice is more perplexing on other fronts too. His relationship with Emily Deacon is deepening, and she is missing the law enforcement work she’s abandoned for a different, quieter career. Slowly, the sluggish world of the lagoon begins to enfold the Romans in its sinister grip, as they try to untangle the complex family ties of the tragic Arcangeli family on a private island falling into ruin. (Description copied from David Hewson’s website)
The House at Sea’s End by Elly Griffiths is the third Ruth Galloway Investigation. I enjoyed the first two more than this last one. I found the use of the present tense in this book grated on me more than the other two and I thought the mystery element less than satisfactory – I solved it straight away! But having said all that it was still an enjoyable book, because of the characters.
It’s all about Ruth, her job as a forensic archaeologist, her baby and its father, and how she copes with juggling work and bringing up a child, or rather how she struggles with it all.
The bones of six people are found in a gap in the cliff, a sort of ravine, where there had been a rock fall at Broughton Sea’s End. Sea’s End House stands perilously close to the cliff edge above the beach.
High up on the furthest point of the cliff, is a grey stone house, faintly gothic in style, with battlements and a curved tower facing out to sea. A Union Jack is flying from the tower. (location 51)
These bones aren’t as ancient as those Ruth usually investigates and date back to about fifty or sixty years earlier. Chemical tests indicate they are of German origin and there are local stories about strange happenings concerning the Home Guard during the war. The captain of the Home Guard was Buster Hastings, the father of the current owner of Seas End House, Jack Hastings. Does he know more than he is admitting? Added to this mystery there is also the death of Dieter Eckhart, an investigative journalist to solve. Who wanted him dead and why?
This brings DCI Harry Nelson into the picture and as in the earlier books Ruth is drawn into great danger as she delves further into both mysteries. Other characters from the earlier books are also here – Ruth’s friends, Shona and Cathbad, the part-time Druid. I found some of the back stories slowed the action down too much for my liking and I just wanted it to move along. I found this at odds with the present tense, which does rush my reading. I really, really do wish these books weren’t written in the present tense!
I don’t usually like sequels to books written by a different author, but I think I’ll have to make an exception for this one. It’s set six years after the events of Pride and Prejudice, Jane Austen’s tale of romance and social advancement and sees Darcy and Elizabeth’s marriage thrown into disarray when Lydia Wickham arrives unannounced and declares her husband has been murdered.
For more information see this BBC page after P D James’s talk on Radio 4 the other day, although she declined to give any further details saying, “It’s rather secret at the moment, because it’s something entirely new.”