Once Upon a Time X

Once Upon a Time 2016
(Art by Melissa Nucera)

I’m a bit late in joining in with Carl’s Once Upon a Time challenge this year! But as it doesn’t end until 21 June it’s not too late.

The Once Upon a Time X Challenge has a few rules:

  • Rule #1: Have fun.
  • Rule #2: HAVE FUN.
  • Rule #3: Don’t keep the fun to yourself, share it with us, please!
  • Rule #4: Do not be put off by the word ‘challenge’.

While this event retains the word ‘challenge’from its earliest days, the entire goal is to read good books, watch engaging television shows and films, play immersive games and most importantly, visit old friends and make new ones. There are several ways to participate – see Carl’s sign-up post.

I’ll be doing:
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which involves the reading of one or more short stories that fit within at least one of these four genres:  Fairy Tale, Folklore, Fantasy and Mythology, including the seemingly countless sub-genres and blending of genres that fall within this spectrum.

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I’m planning to read/re-read some of Hans Christian Andersen’s Fairy Tales from this old book, sadly now falling apart. It belonged to my mother when she was a child.  I read some, but by no means all, of these stories when I was little and I’m looking forward to re-living the experience.

Bones and Silence by Reginald Hill

I found a lot to enjoy in Bones and Silence, Reginald Hill’s 11th book in his Dalziel and Pascoe series, first published in 1990.

Blurb (from the back cover):

When Detective Superintendent Andy Dalziel witnesses a bizarre murder across the street from his own back garden, he is quite sure who the culprit is. After all, he’s got to believe in what he sees with his own eyes. But what exactly does he see? And is he mistaken? Peter Pascoe thinks so.

Dalziel senses the doubters around him, which only strengthens his resolve. To make matters worse, he’s being pestered by an anonymous letter-writer threatening suicide. Worse still, Pascoe seems intent on reminding him of the fact.

Meanwhile the effervescent Eileen Chung is directing the Mystery Plays. And who does she have in mind for God? Dalziel of course. He shouldn’t have too much difficulty in acting the part …

My thoughts:

I liked all the complications of plot and sub-plots in this book and the interplay of the characters. It’s full of interesting characters and humour, but it is the plot that takes precedence. It is so tricky, with numerous red herrings and plot twists. Dalziel is positive that he saw Philip Swain shoot his wife; shooting her at close range, destroying much of her face and removing the top of her head. But Swain insists it was an accident – he was trying to stop her from killing herself and the gun went off. The only other witness, Greg Waterson, backs up Swain’s story – and then disappears.

My image of Dalziel comes from Warren Clark’s portrayal of him in the TV series because I watched the programmes before I read any of Hill’s books. To me Warren Clarke is Dalziel, just as David Suchet is Poirot. Dalziel is a larger than life character, speaks his mind and is never politically correct. He is is positive in his belief in Swain’s guilt even when everyone else thinks his wife’s death was an accident:

Andrew Dalziel, despite what his friends said, was no paranoiac. He did not believe himself to be infallibly perfect or unjustly persecuted. His great strength was that he walked away from his mistakes like a horse from its droppings, and as he himself once remarked, if you leave crap on people’s carpets, you’ve got to expect a bit of persecution.

But when he believed himself right, he did not readily accept evidence that he might be wrong, not while there was any stone left unturned. (page 242)

But it doesn’t help that Swain has been cast in the role of the devil opposite Dalziel’s God in the mystery play and the two are constantly sparring. The whole sub-plot of the mystery play is brilliant. Each Part of the book is headed by a quotation from the York Cycle of Mystery Plays, each one relevant to the events that follow. And the vision of Dalziel as God is so funny, especially when the fat man has to climb a narrow ladder up the back of a triple decker stage mounted on a flat car. Dalziel has to sit on a tiny platform over the upper deck, perched above polystyrene clouds.

Pascoe has recently returned to work after a period of sick leave, following an accident and, impatient to find evidence against Swain, Dalziel delegates the anonymous letters to Pascoe to discover who has been sending them. This sub-plot about the identity of the letter writer is the only part of the book that I’m not sure about. I had several thoughts about who it could be, but I was wrong and in the end when the author was revealed I wasn’t completely convinced that that character could have known all the information given in the letters. Still, it makes a dramatic conclusion to the book and came as a complete surprise to me.

Although Bones and Silence is a long book (524 pages) I read it quite quickly, completely absorbed in its mysteries and impressed both with the ingenuity of the plot and the quality of the writing. I really mustn’t leave it very long before I read some more of Reginald Hill’s books.

  • Paperback: 528 pages
  • Publisher: Harper (25 Jun. 2009)
  • Language: English
  • ISBN-10: 0007313128
  • ISBN-13: 978-0007313129
  • Source: I bought the book

Reginald Charles Hill FRSL (3 April 1936 ‘“ 12 January 2012) was an English crime writer, and the winner in 1995 of the Crime Writers’ Association Cartier Diamond Dagger for Lifetime Achievement.

Reading Challenges: Mount TBR Reading Challenge 2016 – a book I’ve owned for four years.

Before the Fact by Francis Iles

On the face of it Before the Fact is a straight forward story. It tells the tale of wealthy, intelligent but plain Lina McLaidlaw whose family are against her marriage to the handsome, charming and fascinating Johnnie Aysgarth; Lina’s father tells her Johnnie is a ‘rotter’. But right from the opening paragraph it’s obvious that Lina’s father is right. In fact Johnnie is much worse than her father realised:

Some women give birth to murderers, some go to bed with them, and some marry them. Lina Aysgarth had lived with her husband for nearly eight years before she realized that she was married to a murderer.

First published in 1932 by Francis Iles (* see below*), Before the Fact is a Golden Age crime fiction novel that is a psychological character study of its two main characters, Lina and Johnnie. It’s cleverly written. Lina slowly realises Johnnie’s true nature – that of a compulsive liar and gambler, a manipulative scoundrel who thinks nothing of being unfaithful, even of arranging a murder, or two.  But still she stays with him, trying to control and change him, believing his lies until she has to accept him for what he is, with disastrous consequences.

As Lina’s eyes are slowly opened I became exasperated at her naiveté, her acceptance of what she she has discovered about Johnnie. She comes across as a fool besotted by him and desperate for his love and attention, and even though her suspicions are aroused she still deliberately ignored all the warning signs, descending from panic, terror, horror and despair into passivity. She is maddening, a born victim and I began to wonder how it could possibly end. It was even more chilling than I had imagined.

*About the Author (copied from the publishers):

Frances Iles was a pseudonym of Anthony Berkeley Cox, who was born in 1893 in Watford. After serving in the army during the First World War, Berkeley worked as a journalist for many years before his first foray into the crime genre with The Layton Court Mystery (1925).

His two primary non-de-plumes were Francis Iles and Anthony Berkeley. As the former, he was a master of the psychological suspense genre, always with a wry humorous tenor to his writing; as the latter he acted as a trailblazer in the classic ‘Golden Age’ of crime and detective novels.

An intensely private man who always shunned publicity, Berkeley died in 1971.

As I read I marked a few passages that although not directly connected with the story I found interesting:

About artistic criticism – in particular female criticism:

If one did not happen to like a certain book, picture, or piece of music, one took it for granted that the book, picture, or piece of music was just bad; and the people who thought it was good, were, quite simply and plainly, mistaken. It never occurred to any female critic that a book might possibly be above her own level of intelligence (the men of course read only detective stories). (page 42)

on artists:

‘Aren’t artists intelligent?’ Lina asked innocently.

‘Of course they’re not. Most of them haven’t got the brains of a mouse. They just have this odd knack of being able to put things on canvas, and that’s all. They are the dullest of all the creators. Musicians are the nicest: you never hear a musician talk about himself at all. Then the really good authors. They don’t thrust their work down one’s throat; they’ve no need to. Then the second-rate authors, who do, and have. And then the painters, a long way bottom.’ (page 125)

I wonder who he was referring to?

And on murder:

When you incite a person to do something which both of you know will probably kill him – is that legally murder or not? (page 177)

Lina discusses this point with Isobel Sedbusk (based on Dorothy L Sayers), a writer of detective stories, thinking that it wasn’t ‘real murder, like giving the man poison, or shooting him, or anything like that.’ Isobel replies:

‘No, I’m inclined to doubt whether it would be murder, from the legal point of view. The legal definition of murder is ‘to kill with malice aforethought’. Still, you’ve got the malice aforethought all right. And if he knowingly incited the man to commit an act which would result in his death …’

Malice Aforethought – another novel by Francis Iles (published in 1931) begins with revealing the identity of the murderer. I shall have to read that one soon.

Reading Challenges:

People of the Book by Geraldine Brooks

When I began reading People of the Book by Geraldine Brooks I wondered why I’d left it nearly eight years on my book shelves before I  got round to reading it. I loved it; it’s a real gem! It has joined the ranks of my favourite books and is definitely a book for keeping and (I hope) for re-reading.

How could I not love a book about books, in particular an ancient book, one that was thought to be lost or destroyed, a book that escaped burning by the Inquisition and the Nazis, a book that survived shelling during the Bosnian War in the 1990s, a book known as the priceless Sarajevo Haggadah – a medieval Jewish prayer book containing the illustrated traditional text of the Passover Haggadah which accompanies the Feast of Passover.

In Geraldine Brooks’ Afterword she explains that People of the Book is fiction, inspired by the true story of the Hebrew codex known as the Sarajevo Haggadah. Some of the facts are true to the haggadah’s known history but most of the plot and all of the characters are imaginary. She then goes on to define what is true and what is fictional, which I think is the best way of presenting historical fiction.

Australian Hanna Heath is a rare-book restorer and it’s not only the content of the haggadah that interests her, it is the hidden history of the book that captured her imagination and also mine. She finds tiny clues to its history as she restores the book – a fragment of an insect’s wing, wine stains, salt crystals and a tiny white hair – clues to unlock its mysteries. The story of the book is told in reverse chronological order beginning in 1996 and working back to 1480. Interwoven with each story is Hanna’s own story as she too discovers her roots. It’s a story too of love and war, of family relationships, of Anti-Semitism and of historical religious conflicts as the haggadah survived disaster after disaster. It’s also a novel about preserving the past, its culture and history for future generations. It has depth and breadth and is beautifully written. I was irresistibly engrossed in this book and full of wonder at its stories, reaching back in time from Sarajevo to Vienna, Venice, Tarragona to Seville in 1480 and also Hanna’s story from 1996 to 2002.

There are many descriptions of the haggadah throughout the book, all of which made me eager to know more about it. This is just one example from the chapter on wine stains set in Venice in 1609:

Aryeh released the catches, admiring the work of the silversmith. Each clasp, closed, was in the form of a pair of wings. As the delicate catch released – still smoothly after more than a century – the wings opened to reveal a rosette enfolded within. Aryeh saw at once that the book was a haggadah, but unlike any he had seen before. The gold leaf, the pigments … he stared at the illuminations, opening each page eagerly. He was delighted, yet a little disturbed, to see Jewish stories told in an art so like that of the Christians’ prayer books. (page 163)

And here, by way of contrast, is a description of Arnhem Land in the north east corner of Australia’s Northern Territory, where Hanna is working in the caves studying the Aboriginal rock art to document and preserve it before the uranium or bauxite companies blasted it into rubble:

I stepped out of the cave and blinked in the bright daylight. The sun was a big disc of brilliant madder, reddening the stripes of ore that ran through the sheer black-and-ocher rock face. Down below, the first shoots of new spear grass washed the plain in vivid green. Light silvered the sheets of water left behind by the previous night’s downpour. We’d moved into Gunumeleng – one of six seasons the Aborigines identified in a year that whites simply divided into Wet and Dry. Gunumeleng brought the first storms. In another month, the entire plain would be flooded. The so-called road, which was actually virtually a marginal dirt track, would be impassable. (pages 339-340)

I just had to know more about the Sarajevo Haggadah and found these illustrations (see Wikimedia Commons for more illustrations and these sites for more information –  WikipediaThe Times of Israel and About Haggadah:

Copies of Sarajevo Haggadah in parliament building – from Wikimedia Commons

The Sarejevo Haggadah, 15th century Spain – from Wikimedia Commons
Reading challenges: Mount TBR Reading Challenge 2016

Reading Challenges 2106: Quarterly Update

Writing my last post on the Mount TBR Reading Challenge: Check Point made me think it would be a good time to see where I’m up to with the other reading challenges I’m doing. They are:

Mount TBR 2016Mount TBR 2016 – target: to read as many of my own books as I can. There are eight levels and I’m aiming first of all for Mt Ararat, which is 48 books. Progress – I’ve read 15 books, taking me on to the second level, Mont Blanc (24 books) so well on track to meet my target and hopefully go beyond it – maybe even to Mt Kilimanjaro (60 books).

Read Scotland 2016Read Scotland 2016 – target: to read and review Scottish books ‘“ any genre, any form ‘“ written by a Scottish author (by birth or immigration) or about or set in Scotland. There are 5 levels, the last being 21+ books.  I didn’t set myself a specific target and so far I’ve read 5 books, completing the first level.

Whats in a name16What’s in a Name? 2016 Challenge – target: to read books with titles that match six  different categories. Progress: two categories completed

  • A country
  • An item of clothing
  • An item of furniture
  • A profession: Doctor Thorne by Anthony Trollope
  • A month of the year: The Madness of July by James Naughtie
  • A title with the word ‘˜tree’ in it

Vintage coversVintage Mystery Cover Scavenger Hunt – I’m taking part in both the Golden and the Silver Age Vintage Mystery Scavenger Hunts. The aim: to find as many objects on the Scavenger Hunt list as possible on the covers of the mystery books you read. The minimum number of items to complete the challenge is six items from the covers of books read from a single Vintage Mystery Era. The Golden Age Vintage Mysteries must have been first published before 1960 and the Silver Age any time from 1960 to 1989 (inclusive).

My Progress: Five books read from the Golden Age and one from the Silver Age.

agatha_christie_rcAgatha Christie Reading Challenge: an ongoing challenge – to read Agatha Christie’s books. I have read all 66 of her books, but still have three to review and many of her short stories to read. And there are also the books she wrote under the pen name, Mary Westmacott.

Virginia WoolfI haven’t even started on Heavenali’s Virginia Woolf read-a-long but I would like to read some of Virginia Woolf’s short stories/essays and The Voyage Out, her first novel.

The Secret Hangman by Peter Lovesey

The Secret Hangman is the first book I’ve read by Peter Lovesey and as it’s the 9th in his Peter Diamond series I was hoping it would read OK as a stand alone book – it does. Peter Diamond is a Detective Superintendent with the Bath police.

Blurb:

Peter Diamond, the Bath detective, is having woman trouble. His boss wants him to find a missing person, the daughter of one of her friends in the choir. He is not enthusiastic. Another woman, who calls herself his Secret Admirer, wants to set up a meeting in a local pub. He tries ignoring her. Then there is sexy Ingeborg Smith, the ex-journo detective constable, distracting the murder squad from their duties. No one ignores Ingeborg.

Murder becomes a possibility when a woman’s body is found hanging from a playground swing in Sydney Gardens and a suspicious second ligature mark is found around her neck. Diamond investigates the victim’s colourful past. More hangings are discovered and soon he is certain that a secret hangman is at work in the city . . .

My thoughts:

Diamond’s wife had died three years earlier – as I haven’t read the earlier books I suppose this is a spoiler, but it is important to know this from the start of this book, because he is now beginning to recover from his grief and becomes rather too involved with an attractive woman he met by chance in a carpark. The story of their relationship runs parallel to the investigations into the hangings and the series of ram raids his boss wants him to investigate.

At first there doesn’t appear that there is any connection between the victims and the motive for killing them only becomes clear quite late on in the book. The only similarities are that the victims are all couples – the wives are killed first, followed a few days later by their husbands, and all the bodies are found in public places as though the killer wanted their deaths to be discovered and publicised.

It takes a while before Diamond cottons on to the identity of the killer – and I was there some time before him, but that didn’t spoil my enjoyment of the book. Diamond is not a brilliant detective. He is rather old-school, not above a bit of threatening behaviour (and more) to suspects, not bothered about upsetting his boss, nor is he comfortable with technology. But he is determined and thorough – I liked him and want to read more from the series.

Peter Lovesey is a British writer of historical and contemporary crime novels and short stories. He has written many books, not just the Peter Diamond series, but also a series of books featuring Sergeant Cribb, a Victorian-era police detective based in London – the full list of his books is on his website – there are plenty to read!

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Reading challenges: Mount TBR Reading Challenge – a book I’ve owned for 7 years, and one I should have read ages ago, but well worth the wait.