Miraculous Mysteries: Locked Room Mysteries and Impossible Crimes edited by Martin Edwards

I’ve said before that I’m not a big fan of short stories, often finding them disappointing. So I’m glad to say that I enjoyed this anthology edited by Martin Edwards: Miraculous Mysteries: Locked Room Mysteries and Impossible Crimes. Some stories, of course, are better than others.

These are the sixteen stories in the collection. Martin Edwards has prefaced each one with a brief biographical note, which I found useful as some of the authors were new to me. I read the collection slowly, which I find is the best way to approach a short story collection.

  • The Lost Special by Arthur Conan Doyle (not a Sherlock Holmes/Dr. Watson story) about a train that disappears on its route from Liverpool to London. This was first published in The Strand Magazine in 1898.
  • The Thing Invisible by William Hope Hodgson, an author I hadn’t come across before. First published in 1913 this is a murder mystery dressed up as a ‘ghost’ story. Very atmospheric.
  • The Case of the Tragedies in the Greek Room by Sax Rohmer, another new-to-me author, although I had heard of his most well known character, the master criminal Dr Fu Manchu. In this story amateur detective Moris Klaw  and his beautiful daughter investigate a locked room murder in a museum, involving ‘psychic photographs’.
  • The Aluminum Dagger by Richard Austin Freeman, featuring one of Dr. John Thorndyke’s scientific stories, describing in detail how a man was discovered in a locked room, stabbed to death.
  • The Miracle of Moon Crescent by G. K. Chesterton, a Father Brown story set in America, in which the cleric investigates a death by a curse.
  • The Invisible Weapon by Nicholas Olde, an impossible murder mystery, in which there is only one man who could have done it – and he could not have done it.
  • The Diary of Death by Marten Cumberland – an impossible crime, a kind of chess problem. Lilian Hope’s diary provides a list of victims -people she had hated.
  • The Broadcast Murder by Grenville Robbins, in which a murder takes place in a radio station and is broadcast has it happens.
  • The Music-Room by Sapper (not a Bulldog Drummond story), featuring a secret passage and a falling chandelier.
  • Death at 8:30 by Christopher St. John Sprigg, in which a murderer predicts the date and exact time of the death of the victim unless a ransom is paid.
  • Too Clever By Half by G. D. H. and Margaret Cole – Dr Tancred’s advice, if you intend to commit a murder, is don’t make the mistake of trying to be clever!
  • Locked In by E. Charles Vivian – a death by shooting in a locked room.
  • The Haunted Policeman by Dorothy L. Sayers (a Lord Peter Wimsey story) – probably my favourite in the collection. It had me completely mystified. The policeman is new to the beat and can’t believe his eyes.
  • The Sands of Thyme by Michael Innes (a John Appleby story) murder at Thyme Bay, or was it suicide? Footprints in the sand provide a clue.
  • Beware of the Trains by Edmund Crispin (a Gervase Fen story), a clever and baffling story about a lost train driver.
  • The Villa Marie Celeste by Margery Allingham (an Albert Campion and Inspector Luke story) – another favourite, in which a young couple disappear, leaving behind their half-eaten breakfast, taking only a couple of clean linen sheets. There was no clue why they left and no signs of any violence.

My thanks to the publishers for my review copy via NetGalley.

How To Stop Time by Matt Haig

Publication Date: July 6 from Canongate Books Ltd

Source: Review Copy

Blurb:

I am old. That is the first thing to tell you. The thing you are least likely to believe. If you saw me you would probably think I was about forty, but you would be very wrong.’
Tom Hazard has a dangerous secret. He may look like an ordinary 41-year-old, but owing to a rare condition, he’s been alive for centuries. From Elizabethan England to Jazz Age Paris, from New York to the South Seas, Tom has seen a lot, and now craves an ordinary life.

Always changing his identity to stay alive, Tom has the perfect cover – working as a history teacher at a London comprehensive. Here he can teach the kids about wars and witch hunts as if he’d never witnessed them first-hand. He can try and tame the past that is fast catching up with him. The only thing Tom mustn’t do is fall in love.

How to Stop Time is a wild and bittersweet story about losing and finding yourself, about the certainty of change and about the lifetimes it can take to really learn how to live.

My thoughts:

How To Stop Time caught my imagination right from the start and I read it quite quickly, enjoying the trips through time. Tom’s condition is called ‘anageria’, in which, whilst he is actually ageing very slowly, he doesn’t appear to be getting any older. It’s the opposite of ‘progeria’ that causes a child’s body to age very quickly. It causes him problems, particularly in his youth in the late 16th century (he was born in 1581) when people suspected his mother of witchcraft. In more modern times the danger comes from scientists (the ‘new witch finders’) and their experiments to discover the nature and causes of anageria.

Tom tells his life story in flashbacks, switching back and forth in time between the present day and the past. His life is by no means uneventful, meeting amongst others Shakespeare, Richard Burbage, Captain Cook, and Scott and Zelda Fitzgerald. As a young man in Elizabethan England he fell in love with Rose and they had a daughter, Marion, who has the same genetic anomaly. He left his family to keep them safe and lost touch with Marion.  It’s a fascinating book that succeeded in bringing the past to life and transporting me back in time.

How To Stop Time is not just a trip through time because overarching Tom’s story is that of the Albatross Society, whose members have the same condition as Tom, headed by the rather frightening figure of Hendrich. The conditions of belonging to the Society are that every eight years members have to carry out assignments and in return Hendrich helps them to change the identity and thus keeps them safe over the centuries. Tom, who by now just wants to live as normal a life as possible, has become reluctant to carry out the assignments but he carries on as Hendrich says he is close to finding Tom’s daughter, Marion.

It examines the nature of time, the fact that life is continuous and ever-changing, but emphasising that in reality you can only live in the present. Without being in any way moralistic, it demonstrates that life should be lived to the full each day.

My thanks to NetGalley and Canongate Books, the publishers for an uncorrected proof copy for review.

  • Format: Kindle Edition
  • File Size: 1711 KB
  • Print Length: 336 pages
  • Publisher: Canongate Books; Main edition (6 July 2017)
  • My Rating: 4*

Our Spoons Came from Woolworths by Barbara Comyns

I read Our Spoons Came From Woolworths by Barbara Comyns for the What’s in a Name Challenge (in the category of a book with item/items of cutlery in the title). It’s a book that I’ve been meaning to read for years.

Description from the back cover:

Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. An artist’s model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s, where poverty, babies (however much loved) and husband conspire to torment her.

Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, and comes to regret her marriage ‘“ and her affair. But in this case virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes . . .

My thoughts:

I quoted the opening and an extract from page 56 in one of my Friday Posts. Now I’ve finished the book I understand the opening sentence ‘I told Helen my story and she went home and cried’, because it’s such a sad and, in parts even a tragic, story. As the synopsis indicates this is set in 1930s London and Sophia and her husband Charles (both artists) live a life of poverty whilst he struggles to sell his artwork. Actually Charles contributes very little money and it is left to Sophia to earn whatever she can working in a commercial art studio and as an artists’ model.

Their marriage is blighted by Sophia’s money worries and Charles’s cavalier attitude to life. Things get worse when Sophia realises she is pregnant – Charles had told her before they were married he never wanted to have children – and she realises too late that her idea of birth control as being a matter of controlling your thoughts and thinking very hard, and saying ‘I won’t have any babies’ was quite wrong!  After the birth of Sandro, a harrowing experience that makes me so thankful for the NHS, their situation deteriorates even further.

Despite their circumstances, Sophia tells her story in a casual, matter of fact way, with much humour. Sandro is a small, sickly baby and Sophia was afraid he would die. She also thought that if she applied for free milk the council would take him away if on the grounds that his parents had no visible means of support. Charles is no help to her at all, he dislikes Sandro and wants him out of the way:

‘Babies have no feelings and would be just as happy in an orphanage as anywhere else.’ On the other hand, he would be much happier of the baby was out of the way, so to send him to a ‘home’ was much the most reasonable thing  to do. (page 71)

Theirs is a life of hardship and heartbreaking tragedy, but Sophia’s spirit is not broken despite the tragic events that descend upon her. From a lighthearted and comic beginning the mood of the novel darkens as it moves towards an inevitable tragic climax. What seems to make it even more tragic is the conversational tone in which it is all told, concealing such real pain. However, the novel does not end with tragedy – it is not all doom and gloom and as the opening page reveals Sophia survives to tell her story:

… it all happened eight years ago, and I’m not unhappy now. I hardly dare admit it, even touching wood, but I’m so happy that when I wake in the morning I can’t believe it’s true. I seldom think of the time I was called Sophia Fairclough; I try to keep it pushed right at the back of my mind.

Our Spoons Came From Woolworths is a semi-autobiographical novel as indicated by this note at the beginning of the book:

The only things that are true in this story are the wedding and Chapters 10, 11 and 12 and the poverty.

Thankfully the really tragic events do not occur in these chapters. There are moments of comedy and humour throughout and the novel is written in a light, chatty style. It is a portrait of life in the Thirties, a life ruled by poverty and hardship and of a marriage destroyed by circumstances and personalities.

Barbara Comyns (1909 – 1992) began to write and illustrate her stories as a child. Our Spoons Came From Woolworths, first published in 1950 was her second novel.

  • Paperback: 208 pages
  • Publisher: Virago (4 July 2013)
  • Language: English
  • ISBN-10: 1844089274
  • ISBN-13: 978-1844089277
  • Source:  library book
  • My Rating: 3*

Beneath a Burning Sky by Jenny Ashcroft

Publication Date: June 29th from Sphere

Source: Review Copy

When twenty-two-year-old Olivia is coerced into marriage by the cruel Alistair Sheldon she leaves England for Egypt, his home and the land of her own childhood. Reluctant as she is to go with Alistair, it’s in her new home that she finds happiness in surprising places: she is reunited with her long-estranged sister, Clara, and falls ‘“ impossibly and illicitly ‘“ in love with her husband’s boarder, Captain Edward Bertram.

Then Clara is abducted from one of the busiest streets in the city. Olivia is told it’s thieves after ransom money, but she’s convinced there’s more to it. As she sets out to discover what’s happened to the sister she’s only just begun to know, she falls deeper into the shadowy underworld of Alexandria, putting her own life, and her chance at a future with Edward, the only man she’s ever loved, at risk. Because, determined as Olivia is to find Clara, there are others who will stop at nothing to conceal what’s become of her . . .

Beneath a Burning Sky is a novel of secrets, betrayal and, above all else, love. Set against the heat and intrigue of colonial Alexandria, this beautiful and heart-wrenching story will take your breath away.

My Thoughts:

I have mixed feelings about Beneath a Burning Sky by Jenny Ashcroft. I liked the historical setting – Alexandria at the end of the 19th century when Egypt was under British rule. It is a complex book but it is not so much historical fiction but more of a romantic story. Overall I enjoyed it but thought the book was melodramatic and I was hoping for more historical content.

There is a large cast of characters and although the main character, Olivia is convincingly described, many of the other characters are rather flat stereotypes – Alistair the sadistic older husband, Millicent, the wicked grandmother, and Edward, the ‘good’ character, the handsome, romantic lover.

From the start of the novel there is a lot that is not explained and the action moves swiftly from location to location, switching between different sets of characters. Olivia, trapped in an appalling marriage, is reunited with her older sister Clara from whom she was separated at a very young age after the death of their parents. She has no memories of her parents or her early life in Egypt, but throughout the book has tantalising flashbacks. I would have liked to have discovered what had happened to her parents, but this was only hinted at. I also wondered why Millicent, the wicked grandmother, had hated Olivia’s mother so much. And I was not convinced about the plausibility of Olivia’s forced marriage to Alistair.

But this is not the main mystery – that concerns Clara, because shortly after Olivia arrives, Clara disappears. The police investigation is completely useless, mainly because the chief of police is corrupt. What follows is Olivia’s frantic search for Clara with multiple twists as various secrets and passions begin to surface.

An added complication is the story of Nailah, an Egyptian woman, and her family. This shows the contrast between the ruling British class and the local people and the conditions they experienced and I think Jenny Ashcroft’s portrayal is the best part of her book. But I floundered to understand Nailah’s role in the novel and it was only towards the end that that became clear.

It is easy reading, and I was keen to know what had happened to Clara and why she disappeared. But for me it was too long with too many episodes that I sometimes found confusing. However, other people enjoyed it more than I did -there are plenty of 5 and 4 star reviews both on Amazon and Goodreads.

With thanks to NetGalley and Sphere, the publisher for a review copy.

  • Paperback: 432 pages
  • Publisher: Sphere (29 Jun. 2017)
  • Language: English
  • ISBN-10: 0751565032
  • ISBN-13: 978-0751565034
  • My Rating: 3˜…

This is the second book for my 10 Books of Summer Challenge.

Past Encounters by Davina Blake

Past EncountersBlurb (Goodreads)

From the moment Rhoda Middleton opens one of her husband’s letters and finds it is from another woman, she is convinced he is having an affair. But when Rhoda tracks her down, she discovers the mysterious woman is not his lover after all, but the wife of his best friend, Archie Foster.

There is only one problem – Rhoda has never even heard of Archie Foster.

Devastated by this betrayal of trust, Rhoda tries to find out how and why her husband, Peter, has kept this friendship hidden for so long. Her search leads her back to 1945, but as she gradually uncovers Peter’s wartime secrets she must wrestle with painful memories of her own. For if they are ever to understand each other, Rhoda too must escape the ghosts of the past. Taking us on a journey from the atmospheric filming of Brief Encounter, to the extraordinary Great March of prisoners of war through snow-bound Germany, this is a novel of friendship, hope, and how in the end, it is the small things that enable love to survive.

I finished reading Past Encounters by Davina Blake a week ago, but the story is still fresh in my mind. In essence it is a story of a marriage that has drifted, so that Rhoda and Peter no longer talk to each other about the things that matter in their lives. And they both have secrets from each other – big secrets! Their inability to talk about their wartime experiences has isolated them both emotionally and psychologically.

Rhoda and Peter were engaged to be married as war broke out and the story follows their lives, alternating between the novel’s present day of 1955 and the war years of the 1940s. I loved the historical detail, in particular the details of Peter’s experiences as a prisoner of war. Davina Blake explains in the Acknowledgements that his experiences are fictional but based on real-life ordeals of prisoners of war taken from their memoirs. She has included a bibliography of further reading including these memoirs. The account of the prisoners’ march through Germany towards the end of the war is especially moving. I don’t think I have read any war-time stories quite like this one.

Equally as fascinating are Rhoda’s war-time experiences at home and her involvement with the filming of David Lean’s 1945 film Brief Encounter at the refreshment room in the Carnforth Railway station where she was working. Davina Blake used to be a set and costume designer for theatre and BBC TV and was inspired to write Past Encounters as she lives near Carnforth station where she has often kept out of the cold in the refreshment room whilst waiting for a train.

Past Encounters is a thought provoking book about love, loyalty, betrayal and forgiveness, full of tension with well-drawn characters and a great sense of time and place, whether in Germany or Britain.

Davina Blake also writes historical fiction set in the 17th century under the pen name Deborah Swift.

  • Paperback, 442 pages
  • Published June 30th 2014 by CreateSpace
  • ISBN 1499568258 (ISBN13: 9781499568257)
  • My Rating: 4.5*

An Uncertain Place by Fred Vargas

An Uncertain Place (Commissaire Adamsberg, #8)

I loved An Uncertain Place, a clever and also a confusing book. It’s the sixth in Fred Vargas’ Commissaire Adamsberg series in which he investigates a macabre murder. I say confusing because I got a bit lost in the middle of the book, and looking back I think it’s because Adamsberg is not your normal detective – he works by intuition and I simply hadn’t followed his train of thought. With a bit of concentration I was back on track and caught up with him.

I say clever because it is such a convoluted plot, with what I thought could be red herrings, but which turned out to be vital clues. I think the blurb on the back cover summarises the story better than I could:

Commissaire Adamsberg leaves Paris for a three-day conference in London. With him are Estalere, a young sergeant, and Commandant Danglard, who is terrified at the idea of travelling beneath the Channel. It is a welcome change of scenery, until a macabre and brutal case comes to the attention of their colleague Radstock from New Scotland Yard.

Just outside the gates of the baroque Highgate cemetery a pile of shoes is found. Not so strange in itself, but the shoes contain severed feet. As Scotland Yard’s investigation begins, Adamsberg and his colleagues return home and are confronted with a massacre in a suburban home. Adamsberg and Danglard are drawn in to a trail of vampires and vampire-hunters that leads them all the way to Serbia, a place where the old certainties no longer apply.

My thoughts:

This is one of those books that once I begin reading I don’t want to put down. I had to, of course, and it’s not a book to dash through to the end or you’ll miss so much. Adamsberg is a very likeable detective, although he must be a nightmare to work with, as his colleagues find his methods of working just as bewildering and confusing as I do. But they are used to him and trust his leaps of intuition.

The mystery of who left the shoes outside the gates of Highgate Cemetery is a theme throughout the book:

The smell was ghastly, the scene appalling, and even Adamsberg stiffened, standing back a little behind his English colleague. From the ancient shoes, with their cracked leather and trailing laces, projected decomposed ankles, showing dark flesh and white shinbones which had been cleanly chopped off. The only thing that didn’t match Clyde-Fox’s account was that the feet were not trying to get into the cemetery. They were just there, on the pavement, terrible and provocative, sitting inside their shoes at the historic gateway to Highgate Cemetery. They formed a carefully arranged and unspeakable pile. (page 23)

 The scene that confronts Adamsberg on his return to Paris is even more gruesome. Pierre Vaudel, a former journalist who specialised in legal affairs, had been murdered, or rather it looked as though his body had exploded and had been strewn around the room. The only way to identify the body was by DNA. Suspicion falls on the gardener, who reported the death and who inherited all of Vaudel’s property and also on Vaudel’s son.

After a similar murder occurs in Austria, Adamsberg is eventually led to a village on the Serbian/Romanian border, finding himself immersed in the weird world of vampires. Books featuring vampires (with the exception of Dracula) are not part of my preferred reading, but I found this aspect of the book fascinating. Adamsberg, himself, is sceptical and ignores warnings not to start meddling or even visit the tomb of Petar Blagojevic who had died in 1725. Blagojevic/Plogojowitz was said to be a ‘vampyr‘, and the clearing in the wood, where he was buried is known by the locals as ‘the place of uncertainty.’ Adamsberg’s disregard for his own safety puts him in danger of losing his own life.

This book is full of wonderful and unique characters, the plot, as I said, is clever and completely bamboozled me, the settings are easily imagined from Vargas’ descriptions, and the suspense is maintained throughout. It’s a complicated book – one of the most intriguing aspects is the sudden appearance of a man claiming to be Adamsberg’s son. Maybe this is not a book everyone will enjoy, but I think it’s a most satisfying and surreal mystery, and one that I enjoyed immensely.

  • Paperback: 416 pages
  • Publisher: Vintage (5 April 2012)
  • Language: English
  • ISBN-10: 009955223X
  • ISBN-13: 978-0099552239
  • Source: I bought my copy
  • My Rating: 4.5*

Reading challenges: Mount TBR Reading Challenge 2017