Old God’s Time by Sebastian Barry

Rating: 4 out of 5.

Faber and Faber Ltd| 2 March 2023 | 228 pages|e-book |Review copy|4*

Synopsis:

Have you ever been the custodian of a story no one else believed?’
‘Oh yes,’ he said.
‘You have?’
‘Yes,’ he said.
‘Then I can tell you.’

Recently retired policeman Tom Kettle is settling into the quiet of his new home, a lean-to annexed to a Victorian castle overlooking the Irish Sea. For months he has barely seen a soul, catching only glimpses of his eccentric landlord and a nervous young mother who has moved in next door. Occasionally, fond memories return, of his family, his beloved wife June and their two children.

But when two former colleagues turn up at his door with questions about a decades-old case, one which Tom never quite came to terms with, he finds himself pulled into the darkest currents of his past.

A beautiful, haunting novel, in which nothing is quite as it seems, Old God’s Time is about what we live through, what we live with, and what may survive of us.

My thoughts:

I’ve enjoyed all Sebastian Barry’s books and Old God’s Time is no exception. It’s set in Dalkey, a small coastal town south of Dublin, where Tom, a recently retired policeman is living in a tiny flat annexed to a Victorian castle. One afternoon he was sitting in a sun-faded wicker chair, enjoying a cigarillo, listening to the sound of the sea below. He was quite content to just gaze out, watching the cormorants on the rocks to the left of Dalkey Island, when two of his former colleagues disturbed his peaceful afternoon, asking for his help on a cold case he had worked on. He doesn’t want to, knowing it will open up painful memories he would rather forget.

So this appears to be a detective story, but the main focus is Tom, himself as the narrative reveals in streams of consciousness. It soon becomes clear that his memories are unreliable and for a while I was confused, not knowing what was going on, whether Tom was remembering, or imagining what had happened in his life. It is beautifully written, showing the beauties of the landscape. It takes us right inside Tom’s mind, highlighting the horrors that Tom had experienced both in his childhood and family life as well as in his professional life. The past had not been kind to him. But now it was as though enough time had gone by and it was as if it had never happened; it had receded away into ‘old God’s time’, and Tom didn’t want to reach back into those memories. They were locked away, preserved in the long-ago.

It is a tragic story, not shying away from describing the horrific details of child abuse, nor the despair and sadness as the details of Tom’s family life are gradually revealed. It is a harrowing book, made even more so as I had to read it slowly making sure I fully understood what I was reading, even going back to re-read some passages. It is bleak, but Tom’s story is also one of love and immeasurable happiness, of strength and goodness, alongside grief and pain.

The City of Tears by Kate Mosse

Rating: 5 out of 5.

Pan Macmillan, Mantle| 19 January 2021 | 562 pages|e-book |Review copy|4*

Kate Mosse sets out in her Historical Note the history of the French Wars of Religion that took place between Huguenots (Protestants) and Catholics from 1562 and 1598 and explains that The City of Tears is the second book in The Burning Chambers series of novels set against the backdrop of 300 years of history from 16th century France and Amsterdam to the Cape of Good Hope in the 18th and 19th centuries. And there is a useful list of the principal characters and the historical characters at the beginning of the book, that helps in remembering who was who and how they were connected.

It’s been four years since I read The Burning Chambers, the first book in The Burning Chambers series, and time has moved on ten years since the events in that first book. You don’t have to read the first book before reading The City of Tears as with four years between the two books I didn’t find it hard to pick up the story, but I do think you need to read the Historical Note to get the background details of the French Wars of Religion first.

There is now a precarious peace in the French Wars of Religion and it looks as though that peace could be maintained as the queen mother, Catherine de Medici, has negotiated a marriage between her Catholic daughter Margot and the Huguenot Henri of Navarre. But that union is opposed by the hardline Catholic faction led by the Duke of Guise. As the novel opens Minou Joubert and Piet Reydon, now married and living in their castle in south west France, are preparing for their visit to Paris for the wedding.

This is a complicated story centred on Minou and Piet Reydon and their family. The wedding took place followed by the St Bartholomew’s Day Massacre on 24 August 1572 when thousands of Protestants were murdered by Catholic troops, in Paris and across France. I’m not going to go into any more detail about the story other than to say it’s a compelling story of chaos and fear as Minou and her family escape, though suffering dreadful losses, including the disappearance of her seven year old daughter, and almost losing their lives. There’s murder, conspiracies, stolen relics and innumerable secrets are brought to light.

It is an enjoyable book, but because of its length it does lose pace in parts. It is not a book you can or would want to read quickly. The strength of the book for me is in the characterisation and the settings. Kate Mosse has thoroughly researched the period and the locations, rooting it firmly in the time it was set. What I particularly like is that she identifies that the characters and their families, apart from the historical ones, are imagined, inspired by ‘the kind of people who might have lived: ordinary women and men , struggling to live, love and survive against a backdrop of religious war and displacement.’ Just as devastating today, as it was then.

It is also a book that is strong on developing the characters, so that you feel for them as they struggle to survive all that is thrown at them, as it is certainly a tragic story. Having said that the ending is a positive one, except for cliff hanger on the last page that hints at what is to come in the third book, The Ghost Ship, a sweeping historical epic about love in a time of war, due out in July this year.

The Dancing Bear by Frances Faviell

Rating: 5 out of 5.

The Dancing Bear by Frances Faviell took me by surprise by how much I enjoyed it. I wasn’t expecting it to be so good.

Frances Faviell (1905-1959) was the pen name of Olivia Faviell Lucas, painter and author. After the war, in 1946, she went with her young son, John, to Berlin where Richard Parker, her second husband, had been posted as a senior civil servant in the post-war British Administration. It was here that she befriended the Altmann family, which prompted her first book The Dancing Bear (1954), a memoir of the Occupation seen through the eyes of both occupier and occupied. She later wrote three novels, A House on the Rhine (1955), Thalia (1957), and The Fledgeling (1958). These are now all available as Furrowed Middlebrow books.

The Dancing Bear covers the years from Autumn 1946 to Autumn 1949, with an Epilogue dated Autumn 1953 and, in this edition, an Afterword by John Parker, Faviell’s son. Her memoir is mainly about her friendship with the Altmann family – Frau Maria Altmann, her husband, Oskar and her children, Ursula, who works for a group of American service men, Lilli, a ballet dancer and son, Fritz, who was a member of the Hitler Youth and is now involved in the Black Market. Their eldest son. Kurt. is missing in Russia. Berlin had been divided into four sectors by the Allies – Britain, the United States, France and the Soviet Union – and Frances is horrified by the conditions she found. There were deaths from hunger and cold as the winter approached and queues for bread, milk, cigarettes, cinemas, buses and trams.

The complete and utter devastation of Berlin had shaken me profoundly. Nothing … had prepared one for the dead horror of this city. (page 15)

The complete absence of shops was something the Allied and German women felt. There was scarcely a single shop left standing in Berlin. The great stores and emporiums lay in dust, as did the great blocks of flats. One could not get the simplest articles except on the Black Market, and then only in exchange for cigarettes and coffee which had taken the place of money. (page 166)

The Altmanns live on the ground floor of a large ruined house – the upper storeys had disappeared and just the twisted iron girders remained, sticking up grotesquely against the sky. The ground floor looked very shaky and the windows were covered in cardboard and the door had been repaired from odd pieces of wood. It was freezing cold, and although they had a stove they had no fuel to light it and because electricity was rationed they had to use candles. There were two bedrooms, a small kitchen, a sitting room and a bathroom. With the help of her driver, Stampie, she does what she can to help them.

The British, unlike the Americans were forbidden to be friendly with the Germans, or to allow them in their homes or any of their buildings, clubs or messes and also to give them lifts, but these rules were frequently broken. At night Berlin ‘became a whirl of revelry’:

But if Berlin was a tragic city by day; at night it became a whirl of revelry. The Allies entertained on a scale which was extraordinary in a starving town, and if one went down to the Kurfurstendamm or the Kaiserdamm at night every cafe and night club was packed with revellers. (page 63)

I have only touched the surface of this book in this short post. It’s a moving memoir and I was fascinated by it all – the people, their situations, and their morale and attitudes as well as the condition of Berlin in the aftermath of World War Two. The realities of living under occupation are clearly shown, as well as the will to survive despite all the devastation and deprivation. I now want to read more of Frances Faviell’s books.

  • ASIN ‏ : ‎ B01M12EH2E
  • Publisher ‏ : ‎ Dean Street Press (3 Oct. 2016)
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 311 pages
  • My Rating: 5*

Underworld by Reginald Hill

Rating: 5 out of 5.

Deadheads is the 10th Dalziel and Pascoe novel first published in 1988, set in the small mining town of Burrthorpe (a fictional town) in Yorkshire. The setting is excellent and Hill paints a compelling account of the mining community and gives a convincing insight into the period a few years after the Miners’ Strike of 1984. The majority of the book is about the miners, their families, their hatred of the bosses, and their distrust and dislike of the police.

There are two mysteries facing Dalziel and Pascoe. One is current and the other is a case that had appeared to have been resolved several years earlier, when Tracy Pedley, a young girl disappeared. Her body was never discovered and some of the residents believed that Billy Farr, who was the last person to see her alive, was responsible for her death. But then Donald Pickford committed suicide leaving a letter confessing to killing several young girls in the area and although he hadn’t mentioned Tracy by name, she was counted as a probable victim. Even so, some people still thought Billy was guilty and their suspicions were confirmed when later on it appeared that he committed suicide when he fell to his death in an abandoned mineshaft.

Matters are brought to boiling point when the local newspaper serialises the memoirs of ex-Deputy Chief Constable Neville Whatmough, who had been in charge of the Pickford case. This incenses Colin Farr, Billy’s son. And then another man is found dead in the mine …

Dalziel has just a minor role as Pascoe leads the investigation. Ellie, Pascoe’s wife, also plays a major role. Her involvement comes about when she tutors some of the miners as part of the union-sponsored day release courses and meets Colin Farr, Billy’s son. He is an angry young man and Ellie is attracted both to his intelligence and his physical masculinity, despite the strength of her feminist views. She really is an irritating character, an angry young woman and for most of the book it looked as though the Pascoes’ marriage was about to come to an end. It’s left to Dalziel to bring a touch of humour to the book and his down to earth approach to the miners gets more results than Pascoe’s middle class attempts to understand them.

I thoroughly enjoyed Underworld.

Note:

The title appears as ‘Under World‘ in some editions and as ‘Underworld‘ on others. On the front cover of the paperback I read it is ‘Under World‘ but on the title page it is one word -‘Underworld‘. The Underworld or Hades in ancient Greek and Roman Mythology was where the souls of the dead resided. Hill divides Underworld into three parts and begins each part with verses from Dante’s The Divine Comedy, thus equating the mine with hell.

Another Part of the Wood by Beryl Bainbridge

Rating: 4 out of 5.

Synopsis from Amazon:

Joseph decides to take his mistress and son, together with a few friends, to stay in a cabin in deepest Wales for the weekend – with absolutely disastrous results. Beryl Bainbridge’s gift for deadpan dialogue and spare narrative, and her darkly comic vision of the world, are all in evidence in this early novel.

I read Another Part of the Wood because I’ve enjoyed other books by Beryl Bainbridge. It’s a novella, really, as it’s only 159 pages. I love her style, dark humour with clear, concise prose, and fully realised characters. It was her second book, first published in 1968. She revised the book and reissued it in 1979. My copy is a Fontana edition published in 1980. I read it at this time because it’s the novel that came up for me to read for the latest Classics Club Spin. It’s also one of my TBRs, a book that I’ve owned since 2016.

Like all of Beryl Bainbridge’s books that I’ve read it is well written and makes compulsive reading, with individual, mainly unlikable, characters who are mostly at odds with each other. I enjoyed the oddness, never really knowing what would happen next. The title has a theatrical feeling, pointing out the different scenes in the book as the action switches from one part of the wood to another, with one or more of the characters taking centre stage.

It’s set in Flintshire, Wales, in a holiday camp, which consists of huts in a wood at the foot of a mountain. There is George, the owner of the land, and Balfour who works in a factory during the week and helps him at the weekends. George, is obsessed with the Holocaust and Balfour, a shy, quiet man suffers from some sort of illness – he gets sick very suddenly with a high temperature and the shivers as though he’s turned to ice. All he can do is hide away and sleep it off.

The book begins as George’s friend, Joseph, a selfish, insensitive man, arrives for the weekend from London, with his young son, Roland, his girlfriend Dotty, and Kidney, a fat teenager who apparently has learning disabilities and a health problem (never explained), dependent on his pills. In addition Joseph has invited another couple to join them, Lionel and his wife, May, an unhappy couple with a dysfunctional and argumentative relationship. They are all townies, like fish out of water in the countryside and find the huts claustrophobic and too basic – May refuses to use either the chemical toilet or the bushes.

The atmosphere is tense right from the start and rises throughout the book as their relationships become increasingly fractious. Having promised Roland that he would take him for a walk up the mountain, Joseph leaves him to his own devices. He withholds Kidney’s pills and argues with Dotty. Dotty and Balfour walk off to the village where she buys a coat of many colours and Balfour falls ill. The wood, as in fairy tales, is not a safe place.

The world was a deep deceptive forest, full of promises and little glades and clearings, and in the dark depths roamed the wolves, savage, snapping their great teeth, waiting to spring on those who wandered from the path. (page 73)

There’s a sense of foreboding, the sense that something terrible is about to happen … but what, and who is in danger? I felt that more than one of these characters could come to a sticky end. And I was unsure, fearing the worst for one particular character – and sadly I was right. It was inevitable.

Miss Austen & Godmersham Park by Gill Hornby

In January I read Miss Austen by Gill Hornby, but despite enjoying it I didn’t write about it then. And in September I read Godmersham Park. Both are based on Jane Austen and her relationships with family and friends.

Miss Austen is the untold story of the most important person in Jane’s life – her sister Cassandra. After Jane’s death, Cassandra lived alone and unwed, spending her days visiting friends and relations and quietly, purposefully working to preserve her sister’s reputation. Set in 1840, Cassandra in her ’60s, visits Isabella Fowle following the death of her father, the Reverend Fowle when Isabella is packing up her parents’ belongings so that a new reverend can move in. Cassandra is convinced that her own and Jane’s letters to Eliza Fowle, the mother of Cassandra’s long-dead fiancé, are still somewhere in the vicarage. Eventually she finds the letters and confronts the secrets they hold, secrets not only about Jane but about Cassandra herself. Will Cassandra reveal the most private details of Jane’s life to the world, or commit her sister’s legacy to the flames?

I was surprised by how much i enjoyed this book as I don’t usually like spin-offs, sequels or prequels of my favourite books, but I really enjoyed this book as Cassandra relives her life with Jane, revealing what life was like for spinsters living in the early 1800s. It is different from Jane Austen’s own novels but still manages to recreate that flavour of her novels that I have loved ever since I first read Pride and Prejudice. It’s very well researched, a novel that held my attention from the beginning right to the end. A definite 4.5 star book.

I didn’t enjoy Godmersham Park quite as much as Miss Austen. It is the fictionalised life of Anne Sharp, employed as the governess to Fanny, Jane Austen’s niece. Fanny’s father was Edward Austen, who was adopted by the wealthy Knight family (Thomas Knight was a cousin), taking their name in 1812. Anne became one of Jane’s closest friends.

Little is actually known about Anne as Gill Hornby acknowledges in her Author’s Note. So the story of her early life before her arrival in 1804 at Godmersham Park is a ‘fiction, fashioned out of the biographies of other, contemporary genteel ladies who found themselves working as governesses.’ But the two years she spent working for the Austen family were recorded by Fanny in her diaries and so Gill Hornby has closely followed her account. Henry Austen, Jane’s favourite brother was a regular visitor at Godmersham and Jane, Cassandra and their mother visited too during those two years.

Anne had no experience of teaching, but was left with no alternative as her mother had died and she had to find employment. She found it difficult – treated neither as a servant nor as one of the family, she risked dismissal if she overstepped the mark. Similarly she found that Henry Austen’s attention put her in the most awkward situations. But when Jane visited she was able to relax in her company and the two struck up a friendship.

I can’t quite put my finger on why I find this novel not as good as Miss Austen. But it moves at a slower pace and apart from the mystery that surrounds Anne’s father, I didn’t find it as absorbing – there’s that anticipation in Miss Austen of will Cassandra find the letters and what will they reveal. In parts Godmersham Park came over to me as just a tiny bit flat and I never grew as fond of Anne as I did of Cassandra. Having said that, I did enjoy this book enough to give it 3.5 stars.